Bibliography

This Bibliography is based on the one in Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941-1991. It is organized alphabetically, by author’s last name. Preceding each entry is an abbreviated form giving the author’s name and the year of publication, which identifies the abbreviated form in which the publication is referred to throughout the catalogue raisonné. When more than one text by the same author was published in the same year, a letter is added to differentiate the two entries.

Reviews of exhibitions direct the reader to the corresponding entry in the Exhibition History. Important essays from exhibition catalogues are listed here under the author’s name, rather than in the Exhibition History.

Publications that contain excerpts from Motherwell’s letters, interviews, and writings, are marked “includes artist’s statements.”

Incomplete references, based on magazine and newspaper clippings in the Dedalus Foundation Archives, are indicated as such.

This Selected Bibliography is meant to guide researchers to the most essential texts about (or by) Robert Motherwell. For a complete, searchable bibliography click the 'Complete Bibliography' box below.

Bibliography

Devree 1950a

Devree, Howard. “Both Old and New: From the Early Renaissance to Picasso; Range the New Exhibitions.” New York Times, March 5, 1950, sec. C, p. 4. Review of Samuel M. Kootz Gallery, New York, February 1950.

Devree 1950b

Devree, Howard. “Double Exhibition in Modern Museum: 13 Recently Acquired Paintings Share Honors with Stieglitz and Atget Photographs.” New York Times, March 29, 1950, sec. 1, p. 27. Review of Museum of Modern Art, New York, 1950.

Devree 1950c

Devree, Howard. “Expanding Horizons: Four Newly Opened Exhibitions Enlarge Our Outlook on Art of Today.” New York Times, June 11, 1950, sec. 2, p. 10. Review of Samuel M. Kootz Gallery, New York, June 1950.

Devree 1951a

Devree, Howard. “Abstract Export: Controversial ‘Vanguard’ Work to Go to Paris.” New York Times, December 30, 1951, sec. 2, p. 9. Review of Sidney Janis Gallery, New York, 1951.

Devree 1951b

Devree, Howard. “Annual Round-Up: The Whitney Opens Its Survey for 1951—Recent Work by Knaths and Others.” New York Times, November 11, 1951, sec. 2, p. 9. Review of Whitney Museum of American Art, New York, November 1951.

Devree 1951c

Devree, Howard. “Modern Outburst: Abstract Work Stressed in Late Season Shows.” New York Times, June 10, 1951, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, June 1951.

Devree 1952

Devree, Howard. “By Contemporaries: Paintings by Group of Israeli Artists—a Gallery Review—Joseph Floch.” New York Times, November 30, 1952, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, November 1952.

Devree 1953

Devree, Howard. “New Group Shows: Diverse European and American Artists Represented in Gallery Events.” New York Times, October 11, 1953, sec. 2, p. 12. Review of Samuel M. Kootz Gallery, New York, October 1953.

D[evree] 1954

D[evree], H[oward]. “About Art and Artists: 2 Galleries Closing with Works of Men Seen There During the Season.” New York Times, May 26, 1954, p. 33. Review of Samuel M. Kootz Gallery, New York, May 1954.

Dialogue: The Ohio Arts Journal 1983

“47th Annual National Midyear Show.” Dialogue: The Ohio Arts Journal 5, no. 6 (July-August 1983): p. 33. Review of Butler Institute of American Art, Youngstown, Ohio, 1983.

Diamonstein 1974

Diamonstein, Barbaralee. “Caro, de Kooning, Indiana, Lichtenstein, Motherwell and Nevelson on Picasso’s Influence” (includes artist’s statements). Artnews 73, no. 4 (April 1974): pp. 44-46.

Diamonstein 1979a

Diamonstein, Barbaralee. Inside New York’s Art World (includes interview with the artist reprinted from Diamonstein 1979b). New York: Rizzoli International, 1979.

Diamonstein 1979b

Diamonstein, Barbaralee. “Inside New York’s Art World: An Interview with Robert Motherwell.” Partisan Review 46, no. 3 (1979): pp. 376-90.

Diario de Mallorca 1986

“Inaugurada la muestra de Motherwell en el Solleric” (text in Spanish). Diario de Mallorca, November 21, 1986, p. 36. Review of traveling exhibition at Palau Solleric, Palma de Mallorca (see Galería Joan Prats, Barcelona, 1986).

Digby and Digby 1985

Digby, John, and Joan Digby. The Collage Handbook. London: Thames and Hudson, 1985.

Di S. L. 1951

G. di S. L. [Spacio-Milano] (text in Italian), no. 6 (December 1951-52): p. 109. Review of Sidney Janis Gallery, New York, 1951.

Dinhofer 1985

Dinhofer, Shelly Mehlman. “Brooklyn’s Bounty: Natural Splendor and Domestic Opulence.” Brooklyn Affairs 2, no. 4 (May 1985): pp. 8-9. Review of Museum of the Borough of Brooklyn at Brooklyn College, 1985.

Dittmar 2005

Dittmar, Peter. “Bilder über Bilder” (text in German). Weltkunst 1 (January 2005): p. 98. Review of Museum Morsbroich, Leverkusen, Germany, 2004.

DMFA Newsletter 1967

“Museum Activities for October 1967.” DMFA Newsletter, October 1967, n.p.

Domino and Husson 1991

Domino, Christophe, and Marie-Françoise Husson. L’Art Moderne: Musée National d’Art Moderne, Centre Georges Pompidou (text in French). Paris: Editiona Scala, 1991.

Donnell 1964

Donnell, Radka Zagoroff. “Space in Abstract Expressionism.” Journal of Aesthetics and Art Criticism 23, no. 2 (winter 1964): pp. 239-49.

Dorival et al. 1964

Dorival, Bernard, et al. Peintres Contemporains (text in French; includes artist’s statements). Entry “Robert Motherwell,” pp. 220-21. Paris: Editions d’Art Lucien Mazenod, 1964.

Dortch 1994

Dortch, Virginia M., ed. Peggy Guggenheim and Her Friends (includes artist’s statements). Milan: Berenice Art Books, 1994.

Driscoll 1963

Driscoll, Edgar J., Jr. “This Week in the Art World: Motherwell at Hayden with ‘Way-Out’ Show.” Boston Globe, February 24, 1963, p. A28. Review of New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Cambridge, 1963.

Drohojowska 1987

Drohojowska, Hunter. “Minneapolis: The Interpretive Link.” Artnews 86, no. 2 (February 1987): pp. 29, 31.

Drohojowska 1988

Drohojowska, Hunter. “Art of Living: Fluent Spaces for a Designer’s Beverly Hills House.” Architectural Digest 45, no. 12 (December 1988): pp. 108-17.

Drudi 1983

Drudi, Gabriella. Robert Motherwell Collages. Edited by Gabriele Stocchi. Milan: Multhipla Edizione, 1983.

Drudi 1984

Drudi, Gabriella. Note romane a Robert Motherwell (text in Italian). Milan: Multhipla Edizioni, 1984.

Drudi 1988a

Drudi, Gabriella. “Robert Motherwell: Les Hommes vides” (text in French). Translated from Italian by Alain Degange. Art Press (Paris) 130 (November 1988): pp. 12-13.

Drudi 1988b

Drudi, Gabriella. Robert Motherwell notes romaines (text in French). Translated from Italian by Philippe Di Meo. Paris: Editions de la Différence, 1988.

Duff 1998

Duff, Christina. “In Pay Scales, Life Sometimes Imitates Art.” Wall Street Journal Classroom Edition, September 1998, p. 21.

Duffy 1975

Duffy, Robert. “Motherwell Works Now at Steinberg.” St. Louis Post-Dispatch, March 9, 1975, sec. D, p. 3. Review of Steinberg Hall, Washington University Gallery of Art, Saint Louis, 1975.

Duffy 1978

Duffy, Robert W. “Greenberg on Maryland Plaza.” Saint Louis Post-Dispatch, September 10, 1978, sec. C, p. 5.

Duffy 1984

Duffy, Helen. “Robert Motherwell un art empreint de sensibilité” (text in English and French; includes artist’s statements). Vie des arts 28, no. 114 (March-April-May 1984): pp. 59-61, 92-93. Review of Albright-Knox Art Gallery, Buffalo, 1983.

Dugan 1952

Dugan, James. “The Hamptons.” Park East 12, no. 8 (August 1952): pp. 6-12.

Du Journal 1979

“Moderne Kunst aus der Rockefeller-Sammlung” (text in German). Du Journal, no. 5 (May 1979): pp. 60-61.

Du Journal 1980

“Bilder und Collagen von Motherwell” (text in German). Du Journal, no. 2 (February 1980): pp. 82-83. Review of Galerie Veith Turske, Cologne, Germany, 1979.

Dumas 2001

Dumas, Timothy. “Motherwell in Greenwich” (includes artist’s statements). Greenwich 54, no. 5 (May 2001): p p. 98-114, 117, 119.

Dunham 1975

Dunham, Judith L. “Motherwell and Twombly.” Artweek 6, no. 21 (June 14, 1975): pp. 1-2. Review of John Berggruen Gallery, San Francisco, 1975.

Dunlop 1966

Dunlop, Ian. “The Painter Who Gives an Intelligent Man’s Response.” Evening Standard (London), May 1966. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).

Dunne 2009

Dunne, Aidan. “A Mixture of the Assertive and Uncertain.” Irish Times (Dublin), April 1, 2009. Review of Hillsboro Fine Art, Dublin, 2009.

Dunning 2000

Dunning, Jennifer. “A Premiere Engagement Is Turned into a Memorial.” New York Times, April 13, 2000, sec. E, p. 5.

Du Plessix 1965

Du Plessix, Francine, ed. “Painters and Poets.” Art in America 53, no. 5 (October-November 1965): pp. 24-56.

Durozoi 1998

Durozoi, Gérard. Regarder l’art du XXème siècle: 100 chefs-d’oeuvre (text in French). Entry “Robert Motherwell,” pp. 124-25. Paris: Editions Hazan, 1998.

Duthy 1982

Duthy, Robin. “The Investment File: New York School Painting; A Monthly Guide to Art Investment.” Connoisseur (London) 209, no. 839 (January 1982): pp. 49-56.

Eagle 1967

Eagle, Joanna. “Artists as Collectors” (interview with the artist). Art in America 55, no. 6 (November-December 1967): pp. 55-63.

East Hampton Star 1952

“Prizes Awarded at Guild Hall in Regional Show.” East Hampton Star, July 31, 1952, p. 1. Review of Guild Hall, East Hampton, N.Y., 1952.

Edelson 1962

Edelson, Elihu. “Sarasota Art.” [Sarasota Herald & Tribune], [April 8], 1962, p. 6. Review of John and Mable Ringling Museum of Art, Sarasota, Fla., 1962.

E[dgar] 1963

E[dgar], N[atalie]. “Reviews and Previews.” Artnews 61, no. 9 (January 1963): p. 10. Review of Sidney Janis Gallery, New York, December 1962.

Edgar 1965

Edgar, Natalie. “The Satisfactions of Robert Motherwell.” Artnews 64, no. 6 (October 1965): pp. 38-41, 65-66.

Editors of Art in America 1967

Editors of Art in America, comps. The Artist in America. Introduction by Lloyd Goodrich. New York: W. W. Norton, 1967.

Edwards 1950

Edwards, Peter G. “Works Take Many Forms at Center Art Exhibition.” Student Life (Washington University in Saint Louis) 74, no. 24 (January 6, 1950): p. 2. Review of Student Center, Washington University in Saint Louis, 1950.

Edwards 1979

Edwards, Susan. “Motherwell on Display.” City Choice, June 19, 1979, pp. 8, 21. Review of William Ehrlich Gallery, New York, June 1979.

Egbert 1967

Egbert, Donald Drew. Socialism and American Art: In the Light of European Utopianism, Marxism, and Anarchism. Princeton, N.J.: Princeton University Press, 1967.

Elderfield 1972

Elderfield, John. “Abstract Painting in the Seventies.” Art International 16, nos. 6-7 (summer 1972): pp. 92-94. Review of Museum of Fine Arts, Boston, 1972.

Elger and Krempel 2003

Elger, Dietmar, and Ulrich Krempel. Sprengel Museum Hannover: Malerei und Plastik (text in German). Vol. 2, Bestandsverzeichnis. Hannover, Germany: Sprengel Museum Hannover, 2003.

Eliasoph 1987

Eliasoph, Philip. “Elegy to the Object: Motherwell’s Collaged Images.” Advocate and Greenwich Time, May 17, 1987, sec. D, p. 5. Review of the traveling exhibition at Hurlbutt Gallery, Greenwich Library, Conn., May 1987 (see Walker Art Center, Minneapolis, 1985).

Eliot 1957

Eliot, Alexander. Three Hundred Years of American Painting. Introduction by John Walker. New York: Time, 1957.

Ellenzweig 1975

Ellenzweig, Allen. “Arts Reviews.” Arts Magazine 49, no. 7 (March 1975): p. 21. Review of Knoedler & Company, New York, January 1975.

Ellenzweig 1976

Ellenzweig, Allen. “Arts Reviews.” Arts Magazine 50, no. 7 (March 1976): p. 22. Review of Rosa Esman Gallery, New York, 1976.

Engberg and Banach 2003

Engberg, Siri, and Joan Banach. Robert Motherwell: The Complete Prints, 1940-1991; Catalogue Raisonné. Minneapolis: Walker Art Center, 2003.

Enright 1989

Enright, Robert. “The Monumental Diarist: An Interview with Robert Motherwell” (interview with the artist). Border Crossings 8, no. 4 (November 1989): pp. 7-17.

Erausquin 1987

Erausquin, S. “Un Histórico del expresionismo abstracto expone en Madrid” (text in Spanish). Expansion, March 20, 1987. Review of Galería Joan Prats, Barcelona, 1987.

Everitt 1975

Everitt, Anthony. Abstract Expressionism. London: Thames and Hudson, 1975.

Fabri 1965

Fabri, Ralph. “First Motherwell Retrospective.” Today’s Art, November 1965, pp. 9-10. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Fairburn 1984

Fairburn, Gordon R. “‘The Whiteness of the Whale.’” Art/World 9, no. 3 (December 11-January 11, 1984): pp. 1, 4. Review of Solomon R. Guggenheim Museum, New York, 1984.

Faison 1952a

Faison, S. Lane, Jr. “Art.” Nation 174, no. 15 (April 12, 1952): pp. 354-55. Review of Whitney Museum of American Art, New York, March 1952.

Faison 1952b

Faison, S. Lane, Jr. “Art.” Nation 174, no. 16 (April 19, 1952): pp. 391-92. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings, and Collages, April 1952.

Faison 1953

Faison, S. Lane, Jr. “Art.” Nation 176, no. 16 (April 18, 1953): pp. 333-34. Review of Samuel M. Kootz Gallery, New York, April 1953.

Faison 1954

Faison, S. Lane, Jr. “Art.” Nation 178, no. 24 (June 12, 1954): p. 509. Review of Solomon R. Guggenheim Museum, New York, 1954.

Faison 1955

Faison, S. Lane, Jr. “Art.” Nation 181, no. 27 (December 31, 1955): pp. 582-83. Review of Carnegie Institute, Pittsburgh, 1955.

Faison 1964

Faison, S. Lane, Jr. Art Tours & Detours in New York State. New York: Random House, 1964.

Faison 1991

Faison, S. Lane, Jr. “Homer to Motherwell to Nature.” Berkshire Eagle (Pittsfield, Mass.), July 30, 1991, sec. A, p. 10.

Falgàs 1995

Falgàs, Jordi. “The Art of Robert Motherwell and the Poetry of Federico García Lorca, Rafael Alberti and Octavio Paz” (includes artist’s statements). M.A. thesis, Michigan State University, 1995.

Farber 1944

Farber, Manny. “The Art of Contrast.” New Republic 111, no. 20 (November 13, 1944): p. 626. Review of Art of This Century, New York, October 1944.

Farber 1951

Farber, Manny. “Art.” Nation 173, no. 25 (December 22, 1951): pp. 555-56. Review of Whitney Museum of American Art, New York, November 1951.

Farnsworth 1964

Farnsworth, Clyde. “Tate Gallery Shows 310 Works Ranging from Matisse to Pop.” New York Times, April 21, 1964, p. 26. Review of Tate Gallery, London, April 1964.

Fay 1961

Fay, Jean D. “Vassar Exhibition of Drawings.” Art Journal 20, no. 4 (summer 1961): pp. 234, 236. Review of Vassar College, Poughkeepsie, N.Y., 1961.

Feigenbaum 1978

Feigenbaum, Joan. “Artist Speaks at Carpenter, Lauds Matisse” (includes artist’s statements). Harvard Crimson, February 24, 1978, p. 1.

Feldman 1992

Feldman, Edmund Burke. Varieties of Visual Experience. 4th ed. New York: Harry N. Abrams, 1992.

Fenton 1966

Fenton, John H. “Abstract Mural Stirs Bostonians: Viewers Link Motherwell Work to Kennedy Death” (includes artist’s statements). New York Times, August 13, 1966, p. 22.

Fenton 1970-71

Fenton, Terry. “The David Mirvish Opening Show.” Artscanada 27, nos. 150-51 (December 1970-January 1971): pp. 57-58. Review of David Mirvish Gallery, Toronto, September 1970.

Ferlinghetti 1990

Ferlinghetti, Lawrence. When I Look at Pictures. Salt Lake City: Peregrine Smith Books, 1990.

Figuerola-Ferretti 1980

Figuerola-Ferretti, Luis. “El Arte en Madrid” (text in Spanish). Goya: Revista de arte (Madrid), no. 156 (May-June 1980): p. 360. Review of the traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, 1980).

Finberg 1956

Finberg, Earl. “Students Object to Nonobjective Art.” Duluth News-Tribune, August 16, 1956, pp. 1, 5. Review of Kirby Student Center, University of Minnesota, Duluth, 1956.

Fineberg 1978

Fineberg, Jonathan. “Death and Maternal Love: Psychological Speculations on Robert Motherwell’s Art” (includes artist’s statements). Artforum 17, no. 1 (September 1978): pp. 52-57.

Fineberg 1995

Fineberg, Jonathan. Art since 1940: Strategies of Being. London: Laurence King, 1995.

Fineberg 2000

Fineberg, Jonathan. Art since 1940: Strategies of Being. 2nd ed. Englewood Cliffs, N.J.: Prentice Hall, 2000.

Firestone 1981

Firestone, Evan R. “Color in Abstract Expressionism: Sources and Background for Meaning” (includes artist’s statements). Arts Magazine 55, no. 7 (March 1981): pp. 140-43.

Firestone 1982

Firestone, Evan R. “James Joyce and the First Generation New York School” (includes artist’s statements). Arts Magazine 56, no. 10 (June 1982): pp. 116-21.

Firestone 1994

Firestone, Evan R. “Fritz Bultman: The Case of the Missing ‘Irascible’” (includes artist’s statements). Archives of American Art Journal 34, no. 2 (1994): pp. 11-20.

Fischer [1950]

Fischer, Klaus J. “Was ist Tachismus?” (text in German). Das Kunstwerk 5, no. 9 [September 1950]: p. 11.

Fisher 1992

Fisher, Allen. “Plurality and the Reproduced: A Selective Approach to American Visual Arts in the 1950s.” In Cracking the Ike Age: Aspects of Fifties America, edited by Dale Carter, pp. 150-78. Aarhus, Denmark: Aarhus University Press, 1992.

Fitzsimmons 1951

Fitzsimmons, James. “Artists Put Faith in New Ecclesiastic Art.” Art Digest 26, no. 2 (October 15, 1951): pp. 15, 23.

Fitzsimmons 1952a

Fitzsimmons, James. “Art for Export: Will It Survive the Voyage?” Art Digest 26, no. 7 (January 1, 1952): p. 9. Review of Sidney Janis Gallery, New York, 1951.

Fitzsimmons 1952b

Fitzsimmons, James. “Illusions of Simplicity.” Art Digest 26, no. 13 (April 1, 1952): p. 18. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings, and Collages, April 1952.

F[itzsimmons] 1953a

F[itzsimmons], J[ames]. “57th Street.” Art Digest 27, no. 17 (June 1953): p. 16. Review of Samuel M. Kootz Gallery, New York, May 1953.

F[itzsimmons] 1953b

F[itzsimmons], J[ames]. “57th Street.” Art Digest 27, no. 14 (April 15, 1953): p. 17. Review of Samuel M. Kootz Gallery, New York, April 1953.

Fitzsimmons 1954

Fitzsimmons, James. “Robert Motherwell.” Design Quarterly, no. 29 (1954): pp. 18-22.

Flam 1983

Flam, Jack D. "With Robert Motherwell." In Robert Motherwell (exhibition catalogue), pp. 9-27. New York: Abbeville Press, in association with Albright-Knox Art Gallery, 1983.

Flam 1985

Flam, Jack. "Robert Motherwell's Collage Prints." In Robert Motherwell: The Collages Image (exhibition catalogue), p. 7-27. Minneapolis: Walker Art Center, 1985.

Flam 1991

Flam, Jack. Motherwell (includes artist’s statements). Oxford: Phaidon, 1991.

Flash Art 1977

“Robert Motherwell” (text in English and Italian; includes artist’s statements). Flash Art, nos. 70-71 (January-February 1977): pp. 48-49.

Flores 1968

Flores, Margarita García. “Con Robert Motherwell: Expone en el Museo Universitario de Ciencias y Arte” (text in Spanish; interview with the artist). Siempre (1968). Dedalus Foundation Archives.

Florida Design 2008

Florida Design 17, no. 4 (2008): cover.

Flowers and Curtis 2000

Flowers, Arthur, and Anthony Curtis. The Art of Gambling through the Ages. Foreword by LeRoy Neiman. Las Vegas: Huntington Press, 2000.

Focillon and Ceuleers 2008

Focillon, Henri, and Jan Ceuleers. Artists’ Handbook: George Wittenborn’s Guestbook, with 21st Century Additions. Ghent, Belgium: Ludion, 2008.

Foll 1990

Le Foll, Josephine. “Motherwell: Peintures et collages” (text in French). Maison Francaise, no. 441 (November 1990): p. 44. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.

Foreman 1977

Foreman, Laura. “‘Good Humor’ Rules at Mondale Modern Art Show.” New York Times, March 24, 1977, sec. D, p. 16. Review of Admiral’s House, vice presidential residence, Washington, D.C., 1977.

Forgey 1972

Forgey, Benjamin. “Motherwell’s Miracle.” Evening Star (Washington, D.C.), November 17, 1972, sec. B, p. 1.

Forgey 1975

Forgey, Benjamin. “Corcoran Show Is Mostly Big.” Washington Star, February 21, 1975, sec. B, pp. 1-2. Review of Corcoran Gallery of Art, Washington, D.C., 1975.

Forgey 1977

Forgey, Benjamin. “Mural-Sized Canvas Coming Here from Motherwell?” Washington Star, June 28, 1977, sec. D, p. 2.

Forgey 1978a

Forgey, Benjamin. “Kinetic Spaces: A Competition for the Eye.” Washington Star, May 28, 1978, sec. Calendar, p. 3.

Forgey 1978b

Forgey, Benjamin. “Of Mystery and Beauty at the East Building.” Washington Star, July 30, 1978, sec. E, p. 3. Review of National Gallery of Art, Washington, D.C., 1978.

Forman 1979

Forman, Debbie. “The Light in Robert Motherwell’s Art: Artist Uses P’town Colors in His Work” (interview with the artist). Cape Cod Times, September 10, 1979, pp. 13, 20.

Forman 1980

Forman, Deborah. “The Boston Magazine Interview: Robert Motherwell” (interview with the artist). Boston Magazine 72, no. 7 (July 1980): pp. 55-69.

Forman 1983

Forman, Debbie. “Motherwell Draws on Irish Author” (includes artist’s statements). Cape Cod Times, June 14, 1983, p. 13. Review of Provincetown Art Association and Museum, Mass., 1983.

Forman 1991a

Forman, Debbie. “A Bright Light Goes Out of Art World” (obituary; includes artist’s statements). Cape Cod Times, July 21, 1991, sec. E, p. 8.

Forman 1991b

Forman, Debbie. “Friends Remember Artist at His ‘Special Place’” (obituary). Cape Cod Times, July 21, 1991, sec. A, pp. 1, 7.

Forman 1991c

Forman, Debbie. “Motherwell Brings Stature, Colleagues to Museum Exhibit.” Capeweek (Cape Cod Times magazine), June 21, 1991, p. 7. Review of Cape Museum of Fine Arts, Dennis, Mass., 1991.

Forman 1991d

Forman, Debbie. “Tribute to Motherwell: Long Point Exhibit Small Gem of a Show.” Cape Cod Times, August 31, 1991, sec. C, p. 1. Review of Long Point Gallery, Provincetown, Mass., August 1991.

Fortune 1953

“Faith Speaking through Modern Art.” Fortune 48, no. 6 (December 1953): pp. 123-29.

Fortune 1962

“‘Art: USA: Now’: Thanks to a Wax Company.” Fortune 66, no. 3 (September 1962): pp. 132-39. Review of United States Information Agency, Washington, D.C., 1962.

Fort Worth Art Museum Calendar 1985a

“Grand Compositions: Selections from the Collection of David Mirvish.” Fort Worth Art Museum Calendar, March-April 1985, front and back cover, pp. 6-7.

Fort Worth Art Museum Calendar 1985b

“Robert Motherwell: Stephen’s Iron Crown and Related Works.” Fort Worth Art Museum Calendar, September-October 1985, cover, pp. 1-5, 16.

Foster 1980

Foster, Stephen C. The Critics of Abstract Expressionism (includes artist’s statements). Studies in the Fine Arts: Criticism 2. Ann Arbor, Mich.: UMI Research Press, 1980.

Foster et al. 2004

Foster, Hal, Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh. Art since 1900: Modernism, Anti-Modernism, Postmodernism. New York: Thames and Hudson, 2004.

Fowler 1984

Fowler, Carol. “Retrospective Honors Motherwell Youngest of the New York School” (includes artist’s statements). Contra Costa Times, April 23, 1984, sec. A, p. 15. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Frackman 1978

Frackman, Noel. “Arts Reviews.” Arts Magazine 53, no. 1 (September 1978): p. 24. Review of Knoedler & Company, New York, 1978.

França 1991

França, J[osé]-A[ugusto]. “Bibliographia: Robert Motherwell—notes romaines” (text in Portuguese, book review). Colóquio Artes 88, no. 2 (March 1991): p. 74.

Francou 1990

Francou, Michel-Marie. “Motherwell et son oeuvre vivante” (text in French). Elle (Neuilly-sur-Seine, France), no. 2334 (October 1990): p. 28. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.

Frankenstein 1945

Frankenstein, Alfred. “A Critic Reviews the Contemporary American Painting Exhibition.” Bulletin of the California Palace of the Legion of Honor Museum 3, no. 2 (June 1945): pp. 114-27. Review of California Palace of the Legion of Honor, San Francisco, 1945.

Frankenstein 1946a

Frankenstein, Alfred. “Art Exhibits: Posada Prints Reveal a ‘Man of the People.’” San Francisco Chronicle, April 7, 1946, p. 7. Review of the traveling exhibition at San Francisco Museum of Art, March 1946 (see Arts Club of Chicago, 1946).

Frankenstein 1946b

Frankenstein, Alfred. “Showings at Local Art Galleries: Spring Annual Due at Legion of Honor.” San Francisco Chronicle, March 31, 1946, p. 9. Review of the traveling exhibition at San Francisco Museum of Art, March 1946 (see Arts Club of Chicago, 1946).

Frankenstein 1953

Frankenstein, Alfred. “A Word of Warning Take the Pittsburgh Art Show Slowly.” San Francisco Chronicle, February 1, 1953, sec. “This World,” pp. 22, 23. Review of the traveling exhibition at California Palace of the Legion of Honor, San Francisco, February 1953 (see Carnegie Institute, Pittsburgh, 1952).

Frankenstein 1967a

Frankenstein, Alfred. “Elegies, Anguish, and Lyric Suites.” San Francisco Sunday Examiner & Chronicle, March 5, 1967, pp. 26-27. Review of the circulating exhibition at San Francisco Museum of Art, February 1967 (see Museum of Modern Art, New York, Robert Motherwell: Works on Paper, September 1965).

Frankenstein 1967b

Frankenstein, Alfred. “The Latest Crop of Endowment Grants.” San Francisco Sunday Examiner & Chronicle, February 19, 1967, pp. 37-38.

Frankenstein 1977

Frankenstein, Alfred. “U.S. Abstract Art since 1945—A Rare Exhibit.” San Francisco Chronicle Examiner, May 1, 1977, p. 49. Review of San Francisco Museum of Modern Art, 1977.

Franks 2002

Franks, Pamela. The Tiger’s Eye: The Art of a Magazine (exhibition catalogue). New Haven, Conn.: Yale University Art Gallery, 2002.

Franzke 1977

Franzke, Andreas. “Museen und Galerien” (text in German). Pantheon 35, no. 1 ([January] 1977): pp. 64-66. Review of Städtische Kunsthalle Düsseldorf, 1976.

Franzke 1994

Franzke, Andreas. “Uber Robert Motherwell: Ausgleich von Gegensatzen” (text in German). Kunstler: Kritische Lexikon der Gegenwartskunst (Verlage Weltkunst und Bruckmann), no. 25 (1994): pp. 1-16.

Frascina 1999

Frascina, Francis. Art, Politics and Dissent: Aspects of the Art Left in Sixties America. Manchester, England: Manchester University Press, 1999.

Fraser 1985

Fraser, C. Gerald. “Exhibition Pays Tribute to Kunitz” (includes artist’s statements). New York Times, July 15, 1985, sec. C, p. 18. Review of Long Point Gallery, Provincetown, Mass., 1985.

Frederick R. Weisman Foundation 1984

Frederick R. Weisman Foundation. Vol. 1. Los Angeles: Frederick R. Weisman Foundation, 1984.

Frederick R. Weisman Foundation 1985

Frederick R. Weisman Foundation of Art. Vol. 2. Los Angeles: Frederick R. Weisman Foundation of Art, 1985.

Frederick R. Weisman Philanthropic Foundation 2007

The Frederick R. Weisman Art Foundation Collection. Foreword by Richard Koshalek. Entry “Robert Motherwell,” by Rosalind Bickel and Joseph R. Wolin, pp. 242-45. Los Angeles: Frederick R. Weisman Philanthropic Foundation, 2007.

Freed 1972a

Freed, Eleanor. “Collages by Motherwell.” Houston Post, November 19, 1972, sec. Spotlight, pp. 8-9. Review of Museum of Fine Arts, Houston, November 1972.

Freed 1972b

Freed, Eleanor. “Robert Motherwell Expresses Views on World of Art” (interview with the artist). Houston Post, November 17, 1972, sec. A, p. 22.

Freedman 1985

Freedman, Samuel G. “How Inner Torment Feeds the Creative Spirit” (includes interview with the artist). New York Times, November 17, 1985, sec. 2, pp. 1, 22.

Freireich 1961

Freireich, Paul. “How Jewish Is Jewish Art—If It Is at All?” National Jewish Post and Opinion 17, no. 11 (November 10, 1961): p. 12.

Freud 1956

Freud, Sigmund. Delusion and Dream and Other Essays. Edited and introduction by Philip Rieff. Boston: Beacon Press, 1956, cover.

Freudenheim 1973

Freudenheim, Tom L. “The Robert and Jane Meyerhoff Collection.” Baltimore Museum of Art Record 3, no. 5 (January-February 1973): n.p.

Freudenheim 2010

Freudenheim, Tom L. “Abstraction in the Synagogue.” Wall Street Journal, April 15, 2010, sec. D, p. 9. Review of Jewish Museum, New York, 2010.

Fried 1963

Fried, Michael. “New York Letter.” Art International 7, no. 1 (January 25, 1963): pp. 68-70, 72. Review of Sidney Janis Gallery, New York, December 1962.

Fried 1967

Fried, Alexander. “In Art, What Counts Is How Your Mind Sees It.” San Francisco Sunday Examiner & Chronicle, March 5, 1967, sec. 2, p. 4. Review of the traveling exhibition at San Francisco Museum of Art, February 1967 (see Museum of Modern Art, New York, Robert Motherwell: Works on Paper, September 1965).

Friedman 1972

Friedman, B. H. Jackson Pollock: Energy Made Visible (includes artist’s statements). New York: McGraw-Hill, 1972.

Friedman 1986

Friedman, B. H. Crosscurrents (exhibition catalogue). East Hampton, N.Y.: Guild Hall of East Hampton; Provincetown, Mass.: Provincetown Art Association and Museum, 1986.

Friedman 1987

Friedman, Dorothy. “American-Scottish Foundation to Honor Robert Motherwell.” Greenwich Time, April 24, 1987, sec. A, p. 8. Review of the traveling exhibition at Hurlbutt Gallery, Greenwich Library, Conn., May 1987 (see Walker Art Center, Minneapolis, 1985).

Friedman 1992

Friedman, B. H. “Robert Motherwell: Excerpts from the Journals of B. H. Friedman” (includes artist’s statements). Provincetown Arts 8 (1992): pp. 35-39.

Friend 1973

Friend, Miriam. “Art Museum: Major Motherwell Show Opening.” Princeton Packet, January 3, 1973, p. 19. Review of Art Museum, Princeton University, N.J., 1973.

Friends of Art and Preservation in Embassies 2001

Friends of Art and Preservation in Embassies. Gift to the Nation. Washington, D.C.: Friends of Art and Preservation in Embassies, 2001.

Frigerio 1961

Frigerio, Simone. “Les Expositions” (text in French). Aujourd’hui 6, no. 33 (October 1961): p. 30. Review of Galerie Heinz Berggruen, Paris, 1961.

Froomkin et al. 2000

Froomkin, Victoria A., Susan Curtiss, Bruce P. Hayes, Nina Hyams, Patricia A. Keating, Hilda Koopman, Pamela Munro, et al. Linguistics: An Introduction to Linguistic Theory. Edited by Victoria A. Froomkin. Malden, Mass.: Blackwell, 2000, cover.

Fuchs 1990

Fuchs, Kenneth. About the Program (brochure to accompany a musical performance at the Merkin Concert Hall, Abraham Goodman House, January 14, 1990). New York: New York Philharmonic Ensembles, 1990.

G. 1949

R. G. “Reviews and Previews.” Artnews 47, no. 7, pt. 1 (November 1949): pp. 50-51. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell Collages, 1943-49, October 1949.

Gallery Guide 1977

Gallery Guide, January 11-February 5, 1977, p. 29.

Gallery Notes 1958

“Annual Report 1956-1957.” Gallery Notes (Buffalo Fine Arts Academy, Albright-Knox Art Gallery) 21, no. 1 (April 1958).

Gallery Notes 1974

“Exhibitions and Acquisitions.” Gallery Notes (Buffalo Fine Arts Academy, Albright-Knox Art Gallery) 38, no. 1 (1974): pp. 13-93.

Gamarekian 1985

Gamarekian, Barbara. “National Gallery Assembles a 20th-Century Show.” New York Times, September 8, 1985, sec. 1, p. 76.

Garcia 1980

Garcia, Angel Gonzalez. “El Ultimo de los ‘pintores negros’” (text in Spanish). El Pais Artes (Madrid), no. 24 (April 19, 1980): p. 3. Review of the traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, 1980).

Garcia-Herraiz 1982

Garcia-Herraiz, Enrique. “Cronica de Nueva York” (text in Spanish). Goya: Revista de Arte (Madrid), no. 166 (January-February 1982): pp. 226-28.

Garcia-Herraiz 1985

Garcia-Herraiz, Enrique. “Cronica de Estados Unidos” (text in Spanish). Goya: Revista de Arte (Madrid), no. 185 (March-April 1985): p. 307. Review of Solomon R. Guggenheim Museum, New York, 1984.

Gardner 1982

Gardner, Paul. “Will Success Spoil Bob & Jim, Louise & Larry?” (interview with the artist). Artnews 81, no. 9 (November 1982): pp. 102-9.

Gardner 1985

Gardner, Paul. “When Is a Painting Finished?” (editorial symposium, includes artist’s statements). Artnews 84, no. 9 (November 1985): p. 94.

Garesse 1987

Garesse, Antonio. “Robert Motherwell” (text in Spanish). Formas Plasticas, April 1987, p. 20. Review of the traveling exhibition at Galería Juana Mordó, Madrid, March 1987 (see Galería Joan Prats, Barcelona, 1986).

Gauer 2004

Gauer, Walter. “Meister des Abstrakten Expressionismus” (text in German). Luremburger Wort, November 23, 2004. Review of Museum Morsbroich, Leverkusen, Germany, 2004.

Gaugh 1978

Gaugh, Harry F. “Monographs” (book review). Art in America 66, no. 2 (March-April 1978): pp. 29, 31.

Gaugh 1985

Gaugh, Harry F. “Elegy for an Exhibition” (includes artist’s statements). Artnews 85, no. 3 (March 1985): pp. 71-75. Review of Solomon R. Guggenheim Museum, New York, 1984.

Gaul 1963

Gaul, Winifred. “Amerika, Hast du es besser?” (text in German). Das Kunstwerk 9, no. 16 (March 1963): pp. 2-13.

Gaul 2009

Gaul, Alma. “Famous Art from the U of Iowa Comes to Figge.” Quad-City Times (Davenport, Iowa), March 19, 2009.

Gay 1976

Gay, Peter. Art and Act: On Causes in History—Manet, Gropius, Mondrian (includes artist’s statements). New York: Harper and Row, 1976.

La Gazette de L’Hôtel Drouot 1990

“Les Expositions” (text in French). La Gazette de L’Hôtel Drouot (Paris) 99, no. 36 (October 12, 1990): pp. 126-28. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.

Geeslin 1958

Geeslin, Campbell. “Drawings as Art, or Variety Unlimited.” [Houston Post], November 23, 1958. Review of Contemporary Arts Museum, Houston, 1958.

Geissler 2005

Geissler, Peter. Nonverbale interaktion in der Psychotherapie: Forschung und Relevanz im therapeutischen Prozess (text in German). Giessen, Germany: Psychosozial-Verlag, 2005, cover.

Geldzahler 1965

Geldzahler, Henry. American Painting in the 20th Century. New York: Metropolitan Museum of Art, 1965.

Gelles 1984

Gelles, George. “Motherwell: Call of the Sea and Window of the Soul” (includes artist’s statements). Arts Line 2, no. 2 (June 1984): cover, pp. 10-11, 37-38.

Genauer 1946

Genauer, Emily. “Under the Hammer.” New York World-Telegram, March 23, 1946, p. 9.

Genauer 1950a

Genauer, Emily. “Art and Artists: Artists under 36, Index to Present Day Painting, Builds Case for Youth.” New York Herald Tribune, March 26, 1950, sec. 5, p. 4. Review of Metropolitan Museum of Art, New York, 1950.

G[enauer] 1950b

G[enauer], E[mily]. “Art for Summer Viewing in New York Galleries.” New York Herald Tribune, August 13, 1950, sec. 5, p. 5. Review of Samuel M. Kootz Gallery, New York, [August] 1950.

Genauer 1951a

Genauer, Emily. “Art and Artists: Collectors’ Personalities Show Up in Modern Museum Loan Exhibition.” New York Herald Tribune, July 1, 1951, sec. 4, p. 4. Review of Museum of Modern Art, New York, June 1951.

Genauer 1951b

Genauer, Emily. “Art and Artists: U.S. Abstractionists Execute Fine Decor for a New Jersey Synagogue.” New York Herald Tribune, October 7, 1951, sec. 4, p. 9.

Genauer 1953

Genauer, Emily. “Works of Faith.” New York Herald Tribune, May 24, 1953, sec. “This Week” Magazine, p. 12.

Genauer 1954

Genauer, Emily. “Art and Artists: Yale Links Pen, Brush and Chisel” (book review). New York Herald Tribune, June 6, 1954, sec. Book Review, p. 18.

Genauer 1958

Genauer, Emily. “U.S. Art Going to Brussels Called Scandal: Selections Missing Chance to Erase Label of ‘Materialistic’ Culture.” New York Herald Tribune, March 17, 1958, pp. 1, 13. Review of United States Pavilion, Brussels World’s Fair, 1958.

Genauer 1959a

Genauer, Emily. “Art: The Great Void; Now Come ‘Inaction’ Painters Shouting a Significant Silence.” New York Herald Tribune, March 15, 1959, sec. 4, p. 7. Review of Sidney Janis Gallery, New York, March 1959.

Genauer 1959b

Genauer, Emily. “Hours of Art Talk Draw Top Response.” New York Herald Tribune, May 24, 1959, sec. 4, p. 7.

Genauer 1965a

Genauer, Emily. “A Wish at Motherwell Show.” New York Herald Tribune (morning edition), October 1, 1965. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Genauer 1965b

Genauer, Emily. “Motherwell Show: ‘Shut Up and Paint.’” New York Herald Tribune (evening edition), October 1, 1965, p. 23. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

George 1955

“Contemporary Americans.” Art Digest 29, no. 12 (March 15, 1955): pp. 14-15. Review of College of Fine and Applied Arts, Urbana, Ill., 1955.

Georgia O’Keeffe Museum Member News 2001

Georgia O’Keeffe Museum Member News (includes artist’s statements), spring-summer 2001, cover, p. 2.

Gerdts 2003

Gerdts, William H. American Art at the Flint Institute of Arts. Contributions by Kelly Baum, Monique M. Desormeau, Melissa Miller Farr, John B. Henry III, Melina Kervandjian, Valerie Ann Leeds, Akella Reason, R. Sarah Richardson, Sue Scott, and Kristie Everett Zamora. Entry 88, “Robert Motherwell,” by Sue Scott, pp. 180-81. Flint, Mich.: Flint Institute of Arts, in association with Hudson Hills Press, New York, 2003.

Geske and Janovy 1988

Geske, Norman A., and Karen O. Janovy, eds. The American Painting Collection of the Sheldon Memorial Art Gallery. Lincoln: University of Nebraska Press, 1988.

Gibbs 1945

Gibbs, Jo. “Kootz Opens Gallery.” Art Digest 19, no. 14 (April 15, 1945): pp. 11, 31. Review of Samuel M. Kootz Gallery, New York, April 1945.

Gibbs 1946a

Gibbs, Jo. “Fourteen Moderns at the Modern.” Art Digest 20, no. 20 (September 15, 1946): pp. 5, 30-31. Review of Museum of Modern Art, New York, September 1946.

Gibbs 1946b

Gibbs, Jo. “Sculpture Dominates Whitney Exhibition.” Art Digest 20, no. 10 (February 15, 1946): p. 6. Review of Whitney Museum of American Art, New York, February 1946.

Gibson 1977

Gibson, Michael. “Art in Paris: Robert Motherwell-A Survivor” (interview with the artist). International Herald Tribune, July 9-10, 1977, p. 7.

Gibson 1984

Gibson, Ann. “Theory Undeclared: Avant-Garde Magazines as a Guide to Abstract Expressionist Images and Ideas” (includes artist's statements). Ph.D. diss., University of Delaware, 1984.

Gibson 1988

Gibson, Ann. “Abstract Expressionism’s Evasion of Language.” Art Journal 47, no. 3 (fall 1988): pp. 208-14.

Gibson 1990

Gibson, Ann Eden. Issues in Abstract Expressionism: The Artist-Run Periodicals (includes artist’s statements). Ann Arbor, Mich.: UMI Research Press, 1990.

Gibson 1997

Gibson, Ann Eden. Abstract Expressionism: Other Politics (includes artist’s statements). New Haven, Conn.: Yale University Press, 1997.

Gilbert 1998

Gilbert, Gregory Mark. “The Alternate Aesthetic: Robert Motherwell’s Early Collages and the Formative Years of Abstract Expressionism” (includes artist’s statements). Ph.D. diss., State University of New Jersey, Rutgers, 1998.

Gilbert 2001

Gilbert, Gregory. “The Collected Writings of Robert Motherwell” (book review). Art Journal 60, no. 3 (fall 2001): pp. 107-9.

Gilbert 2004a

Gilbert, Gregory. “Robert Motherwell’s Collage and Cutout Aesthetic.” Country and Abroad 9, no. 6 (November 2004): p. 61.

Gilbert 2004b

Gilbert, Gregory. “Robert Motherwell’s World War Two Collages: Signifying War as Topical Spectacle in Abstract Expressionist Art.” Oxford Art Journal 27, no. 3 (2004): pp. 311-37.

Gillooly 1966

Gillooly, Ed. “Painting of JFK Shooting Stirs Up Storm of Protests.” Record American (Boston), August 12, 1966, p. 2.

Glenn 1981

Glenn, Constance W. “The Collectors: Contemporary Art; Mr. and Mrs. John Martin Shea in Palm Springs.” Architectural Digest 38, no. 11 (November 1981): pp. 108-15.

Glenn 1982a

Glenn, Constance W. “Art: Contemporary Collage; The Mixture of Form and Medium.” Architectural Digest 39, no. 5 (May 1982): pp. 104-9.

Glenn 1982b

Glenn, Constance W. “The Collectors: A House Created for Art; Mr. and Mrs. Jimmy J. Younger in Houston.” Architectural Digest 39, no. 4 (April 1982): pp. 100-105.

Glenn 1983

Glenn, Constance W. “The Collectors: A Cultivated Vision; Mr. and Mrs. Gifford Phillips in New York City.” Architectural Digest 40, no. 6 (June 1983): pp. 110-17.

Glenn 1984

Glenn, Constance W. “Architectural Digest Visits: Mr. and Mrs. Robert Motherwell” (interview with the artist). Architectural Digest 41, no. 1 (January 1984): cover, pp. 84-91.

Glenn and Glenn 1988

Glenn, Constance, and Jack Glenn. Robert Motherwell: The Dedalus Sketchbooks (includes artist’s statements). New York: Harry N. Abrams, 1988.

Glimcher 1991

Glimcher, Mildred. “‘Art of the Forties’ Surveys Cultural Revolution: The Museum of Modern Art Examines Its Own Role in Shaping the Art of Our Time.” Journal of Art, March 1991, p. 11. Review of Museum of Modern Art, New York, 1991.

Glover 2009

Glover, Michael. “Robert Motherwell: Bernard Jacobson.” Artnews 108, no. 9 (October 2009): pp. 138-39. Review of Bernard Jacobson Gallery, London, June 2009.

Glowen 1984

Glowen, Ron. “Motherwell’s Exhibit: A Trip into the Abstract.” [Publication unknown] (Seattle), June 21, 1984. Review of the traveling exhibition at Seattle Art Museum, June 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Glubok 1976

Glubok, Shirley. The Art of America since World War II. New York: Macmillan, 1976.

Glueck 1969

Glueck, Grace. “New York Gallery Notes: Like a Beginning.” Art in America 57, no. 3 (May-June 1969): pp. 116-19. Review of Marlborough-Gerson Gallery, New York, 1969.

Glueck 1976a

Glueck, Grace. “Art People.” New York Times, July 30, 1976, sec. C, p. 16.

Glueck 1976b

Glueck, Grace. “Motherwell, at 61, Puts ‘Eternal’ Quality into Art” (interview with the artist). New York Times, February 3, 1976, pp. 33, 52.

Glueck 1980

Glueck, Grace. “Art People: Merge, No. Collaborate, Yes” (includes artist’s statements). New York Times, January 25, 1980, sec. C, p. 18. Review of Centro Cultural de la Caixa de Pensions, Barcelona, 1980.

Glueck 1981

Glueck, Grace. “Motherwell Turns Down Post on U.S. Arts Panel” (includes artist’s statements). New York Times, May 20, 1981, sec. C, p. 25.

Glueck 1982

Glueck, Grace. “In the Arts: Critics’ Choices.” Guide, May 23, 1982, p. 3. Review of CDS Gallery, New York, April 1982.

Glueck 1984a

Glueck, Grace. “‘Family’ Revived Art on Cape Cod: 13 Founded Top Gallery 7 Years Ago” (includes artist’s statements). New York Times, August 1, 1984, sec. C, p. 17.

Glueck 1984b

Glueck, Grace. “The Mastery of Robert Motherwell.” New York Times, December 2, 1984, sec. Magazine, pp. 68-72, 74, 76, 78, 80, 82, 86.

Glueck 1991

Glueck, Grace. “Robert Motherwell, Master of Abstract, Dies” (obituary; includes artist’s statements). New York Times, July 18, 1991, sec. A, p. 1, sec. B, p. 9.

Goldberger 1990

Goldberger, Paul. “Architecture: Robert A. M. Stern.” Architectural Digest 47, no. 11 (October 1990): pp. 196-205.

Goldman 1981

Goldman, Judith. “Izdavanje I Stampanje Grafika u Americi” (text in Russian). Pregled 211 (1981): pp. 4-13.

Goldstein 1989

Goldstein, Nathan. Design and Composition. Englewood Cliffs, N.J.: Prentice Hall, 1989.

Goldwater 1947

Goldwater, Robert. “A Season of Art.” Partisan Review 14, no. 4 (July-August 1947): pp. 414-18.

Goldwater 1952

Goldwater, Robert. “The Dada Painters and Poets: An Anthology” (book review). Art Bulletin 34, no. 3 (September 1952): pp. 249-51.

Goldwater 1960

Goldwater, Robert. “Reflections on the New York School.” Quadrum: Revue Internationale d’Art Moderne 8 (1960): pp. 17-36.

Gonzales 1978

Gonzales, Shirley. “Moveable Feast of State Artists.” New Haven Register, January 22, 1978, sec. D, pp. 1, 4. Review of Carlson Gallery, University of Bridgeport, Conn., 1978.

Gooch 1993

Gooch, Brad. City Poet: The Life and Times of Frank O’Hara. New York: Alfred A. Knopf, 1993.

Goodman 1953

Goodman, Percival. “The New Synagogue.” Brooklyn Jewish Center Review, October 1953, pp. 10-11.

G[oodnough] 1951

G[oodnough], R[obert]. “Reviews and Previews.” Artnews 50, no. 3 (May 1951): p. 56. Review of Samuel M. Kootz Gallery, New York, May 1951.

Goodnough and Brach 1965

Goodnough, Robert, and Paul Brach. “Two Postscripts.” Artforum 4, no. 1 (September 1965): p. 32.

Goodrich et al. 1957

Goodrich, Lloyd, Dorothy C. Miller, James Thrall Soby, and Frederick S. Wright. New Art in America: Fifty Painters of the 20th Century (includes artist’s statements). Edited by John I. H. Baur. Entry “Robert Motherwell,” by Frederick S. Wright, pp. 247-50. Greenwich, Conn.: New York Graphic Society; New York: Frederick A. Praeger, 1957.

Goodrich and Baur 1961

Goodrich, Lloyd, and John I. H. Baur. American Art of Our Century. New York: Frederick A. Praeger, 1961.

Goodyear 2003

Goodyear, Dana. “The Gardener: For Most of a Century, Stanley Kunitz Has Cultivated Generations of Poems—and Poets.” New Yorker 79, no. 24 (September 1, 2003): pp. 104-11.

Goossen 1959

Goossen, E. C. “Robert Motherwell and the Seriousness of Subject.” Art International 3, nos. 1-2 (January-February 1959): pp. 33-35, 38, 51.

Gordon 2001

Gordon, Alastair. Weekend Utopia: Modern Living in the Hamptons (includes interview with the artist). New York: Princeton Architectural Press, 2001.

Gordon 2007

Gordon, Alastair. “The End of an Era: Recalling Robert Motherwell’s Landmark 1946 East Hampton Quonset Hut” (includes artist’s statements). Architectural Digest, October 2007, pp. 134, 136, 138, 140.

Gorney 1976-77

Gorney, Jay. “Reviews: Drawing Today in New York.” Art Journal 36, no. 2 (winter 1976-77): p. 143. Review of Newcomb College, Tulane University, New Orleans, 1976.

Gosling 1966

Gosling, Nigel. “Straddling Two Worlds of Paint.” Observer (London), March 27, 1966, p. 34. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).

Granath 1976

Granath, Olle. “Motherwell pa Kulturhuset: Ogonblick av passion” (text in Swedish). Dagens Nyheter, December 7, 1976, p. 4. Review of the traveling exhibition Galleriet Kulturhuset, Stockholm, November 1976 (see Städtische Kunsthalle Düsseldorf, 1976).

Gratz 1973

Gratz, Roberta Brandes. “Daily Closeup: Wall-to-Wall Friends.” New York Post, January 12, 1973, sec. Magazine, p. 3.

Gray 1985

Gray, Channing. “An Artist’s Perspective: Motherwell Reflects on a Life’s Work at Degree Ceremony” (includes artist’s statements). Providence Journal, May 3, 1985, sec. C, p. 4.

Greenberg 1944a

Greenberg, Clement. “Art.” Nation 158, no. 22 (May 27, 1944): p. 634. Review of Art of This Century, New York, May 1944.

Greenberg 1944b

Greenberg, Clement. “Art.” Nation 159, no. 20 (November 11, 1944): pp. 598-99. Review of Art of This Century, New York, October 1944.

Greenberg 1946

Greenberg, Clement. “Art.” Nation 162, no. 4 (January 26, 1946): pp. 109-10. Review of Samuel M. Kootz Gallery, New York, January 1946.

Greenberg 1947

Greenberg, Clement. “Art.” Nation 164, no. 22 (May 31, 1947): pp. 664-65. Review of Samuel M. Kootz Gallery, New York, April 1947.

Greenberg 1948

Greenberg, Clement. “Art.” Nation 166, no. 22 (May 29, 1948): pp. 612-13. Review of Samuel M. Kootz Gallery, New York, May 1948.

Greenberg 1949

Greenberg, Clement. “Art.” Nation 168, no. 24 (June 11, 1949): pp. 669-70.

Greenberg 1955

Greenberg, Clement. “‘American-Type’ Painting.” Partisan Review 22, no. 2 (spring 1955): pp. 179-96.

Greenberg 1961

Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961.

Greenberg 1964

Greenberg, Clement. “A Famous Art Critic’s Collection.” Vogue 143, no. 2 (January 15, 1964): pp. 92-95.

Greenberg 1965

Greenberg, Clement. “The Artist Speaks: Part Six.” Art in America 53, no. 4 (August-September 1965): pp. 110-30.

Greenberg 1986a

Greenberg, Clement. Clement Greenberg: The Collected Essays and Criticism. Vol. 1, Perceptions and Judgments, 1939-1944. Edited by John O’Brian. Chicago: University of Chicago Press, 1986. Essay originally published in Greenberg 1944a.

Greenberg 1986b

Greenberg, Clement. Clement Greenberg: The Collected Essays and Criticism. Vol. 2, Arrogant Purpose, 1945-1949. Edited by John O’Brian. Chicago: University of Chicago Press, 1986. Originally published in Greenberg 1946, Greenberg 1947, and Greenberg 1948.

Greenberg Gallery 1989

Selected Works. Foreword by Ronald K. Greenberg; introduction by Sissy Thomas. Saint Louis: Greenberg Gallery, 1989.

Greene 1992

Greene, Seth. “Guernsey’s Goes to the Hamptons.” Art & Auction 14, no. 6 (January 1992): p. 100.

G[reenspan] 1984

G[reenspan], S[tuart]. “Contemporary Art.” Art & Auction 7, no. 1 (July-August 1984): p. 61.

Greenwich Time 1976a

“Knoedler Contemporary Art Showing Abstract Works by Motherwell.” Greenwich Time, February 2, 1976, p. 9. Review of Knoedler & Company, New York, 1976.

Greenwich Time 1976b

“Sneak Preview of Art Film Due in April.” Greenwich Time, March 29, 1976, p. 10.

Greenwich Time 1987

“Collages by Motherwell at Library.” Greenwich Time, May 6, 1987, sec. B, p. 11.

Griggs 2006

Griggs, Brandon. “Mother Lode from an Abstract Master.” Salt Lake Tribune, February 12, 2006, sec. D, p. 3. Review of the traveling exhibition at Salt Lake Art Center, Salt Lake City, February 2006 (see Thomas McCormick Gallery, Chicago, December 2005).

Grinke 1966

Grinke, Paul. “Motherwell Retrospective.” Financial Times (London), April 9, 1966, p. 7. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).

Gross 2005

Gross, Roland. “Abstraktion ohne Kompromisse: Ausstellung; Robert Motherwell im Schloss Morsbroich” (text in German). Ruhr Nachrichten (Dortmund, Germany), January 4, 2005, n.p. Review of Museum Morsbroich, Leverkusen, Germany, 2004.

Gruen 1969

Gruen, John. “Art in New York: Open Window.” New York Magazine 2, no. 19 (May 12, 1969): p. 57. Review of Marlborough-Gerson Gallery, New York, 1969.

Gruen 1972

Gruen, John. The Party’s Over Now: Reminiscences of the Fifties—New York’s Artists, Writers, Musicians, and Their Friends (includes interview with the artist). New York: Viking Press, 1972.

Guggenheim Calendar of Events 1984

Solomon R. Guggenheim Museum. “New Exhibition: Robert Motherwell.” Guggenheim Calendar of Events, November-December 1984.

Guggenheim Calendar of Events 1985

Solomon R. Guggenheim Museum, “Continuing Exhibitions: Robert Motherwell.” Guggenheim Calendar of Events, January-February 1985.

Guilbaut 1983

Guilbaut, Serge. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War (includes artist’s statements). Translated by Arthur Goldhammer. Chicago: University of Chicago Press, 1983.

Guisasola 1980

Guisasola, Félix. “La Imagen: Copyright del arte internacional” (text in Spanish; includes artist’s statements). Sábado Grafico (Madrid), May 7, 1980, p. 55. Review of traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, February 1980).

Haase 1976a

Haase, Amine. “Robert Motherwell in der Düsseldorfer Kunsthalle: Die malerische macht Amerikas” (text in German). Feuilleton, September 16, 1976. Review of Städtische Kunsthalle Düsseldorf 1976.

Haase 1976b

Haase, Amine. “Robert Motherwell in der Düsseldorfer Kunsthalle: Die Malerische macht Amerikas” (text in German). Rheinische Post, September 16, 1976. Review of Städtische Kunsthalle Düsseldorf 1976.

Hackett 1984

Hackett, Regina. “Motherwell Exhibit Is a Celebration in Paint.” Seattle Post-Intelligencer, June 21, 1984, sec. C, p. 11. Review of the traveling exhibition at Seattle Art Museum, June 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Hadler 1977

Hadler, Mona. “William Baziotes: A Contemporary Poet-Painter.” Arts Magazine 51, no. 10 (June 1977): pp. 102-110.

Haenlein 1990a

Haenlein, Joy L. “Subconscious Art: Robert Motherwell” (includes artist’s statements). Advocate and Greenwich Time, January 14, 1990, sec. D, pp. 1-2.

Haenlein 1990b

Haenlein, Joy L. “Turning 75, Artist Motherwell Looks Back at His Life” (includes artist’s statements). Philadelphia Inquirer, January 21, 1990, sec. I, p. 8.

Haenlein 1991

Haenlein, Joy L. “Motherwell, Force in American Art, Dies” (obituary; includes artist’s statements). Greenwich Time, July 18, 1991, sec. A, pp. 1, 6.

Haftmann 1959

Haftmann, Werner. “On the Content of Contemporary Art.” Quadrum: Revue internationale d’art moderne 7 (1959): pp. 5-22.

Haftmann 1960

Haftmann, Werner. Painting in the Twentieth Century. Vol. 2, A Pictorial Survey. Translated by Ralph Manheim. New York: Frederick A. Praeger, 1960.

Haftmann 1965

Haftmann, Werner. Painting in the Twentieth Century: An Analysis of the Artists and Their Work (includes artist’s statements). Translated by Ralph Manheim. 2 vols. New York: Frederick A. Praeger, 1965.

Hahn 1982

Hahn, Walter H. “Introduction to Chinese Calligraphy.” Focus on Asian Studies 1, no. 3 (spring 1982): pp. 24-29, 43.

Hakanson 1972

Hakanson, Joy. “Motherwell’s Terse ‘Intensity.’” Sunday News (Detroit), December 10, 1972, sec. E, p. 4.

Hamilton 1953

Hamilton, George Heard. “Modern Artists in America” (book review). Magazine of Art 46, no. 1 (January 1953): p. 44.

Hankins 2002

Hankins, Evelyn C. The New York Scene: Selections from the Whitney Museum of Art at City Hall. Foreword by Maxwell L. Anderson. New York: Whitney Museum of American Art, 2002.

Hansen 1965

Hansen, Al. A Primer of Happenings & Time/Space Art. New York: Something Else Press, 1965.

Harbison and Laderman 1992

Harbison, John, and Ezra Laderman. “Works by John Harbison and Ezra Laderman.” Conducted by New Jersey Symphony Orchestra. New York: New World Records, 1992. Compact disc, cover illus.

Hare 1967

Hare, David. “Communication.” Artnews 66, no. 8 (December 1967): pp. 8, 10.

Harper’s Bazaar 1948

“Robert Motherwell’s Quonset House.” Harper’s Bazaar, no. 2838 (June 1948): pp. 86-87.

Harper’s Bazaar 1951

“Artists on the Island.” Harper’s Bazaar, no. 2876 (July 1951): pp. 50-53.

Harrison 1973

Harrison, Charles. “Abstract Expressionism I.” Studio International 185, no. 951 (January 1973): pp. 9-18.

Harrison 1980

Harrison, Helen A. “Diversity in Abstract Expressionism Apparent in Exhibit of Regional Artists.” Bridgehampton Sun, September 3, 1980, p. 14. Review of Parrish Art Museum, Southampton, N.Y., 1980.

Harrison 1982

Harrison, Helen A. “Five Leading Artists Exert a Powerful Force on Art Today” (interview with the artist). Sunday Advocate (Stamford, Conn.), October 17, 1982, sec. E, pp. 1, 3.

Harrison 1991

Harrison, Helen A. “Black & White: Back to Basics” (includes artist’s statements). Provincetown Arts 7 (1991): pp. 98-99.

Harriss 1974

Harriss, R. P. “Commencement at Mount Royal.” News American (Baltimore), May 13, 1974.

Hartford Courant 1966

“Artist Says Painting Is Not JFK Death Scene” (includes artist’s statements). Hartford Courant, August 13, 1966, p. 13.

Hartford Courant 1977

Hartford Courant, July 3, 1977, sec. F, p. 14.

Hartford Courant 1991

“Robert Motherwell Dies; Abstract Painter was 76” (obituary; includes artist’s statements). Hartford Courant, July 18, 1991, sec. A, pp. 1, 13.

Hartz et al. 1970

Hartz, John von, Tony Chiu, Paula Pierce, Suzanne Seixas, and Robert Morton. The World of American Painting, 1900-1970. New York: Time-Life Books, 1970.

Harvard Gazette 1978

“Motherwell: ‘An Abstractionist Is Someone Who Understands Structure’” (includes artist's statements). Harvard Gazette, March 3, 1978, p. 5.

Hasiotis 1983

Hasiotis, Georgette, ed. Robert Motherwell: In His Own Words (exhibition brochure; includes artist’s statements). Compiled by Catherine Green. Buffalo: Buffalo Fine Arts Academy, 1983. Published in conjunction with the exhibition at Albright-Knox Art Gallery, Buffalo, 1983.

Haskell and Phillips 1999

Haskell, Barbara, and Lisa Phillips. The American Century: Art & Culture, 1950-2000 (exhibition catalogue). Vols. 1 and 2. New York: Whitney Museum of American Art, in association with W. W. Norton, New York, 1999.

Haxall 2009

Haxall, David Louis. “Cut and Paste Abstraction: Politics, Form, and Identity in Abstract Expressionist Collage.” Ph.D. diss., Pennsylvania State University, University Park, 2009.

Hayes 1984

Hayes, Michael. “Spotlight on Motherwell.” Diversion Vacation Planner, March-April 1984, p. 44. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Hayes 2004

Hayes, Christa-Maria Lerm. Joyce in Art: Visual Art Inspired by James Joyce (exhibition catalogue). Foreword by Fritz Senn. Dublin: Lilliput Press, 2004.

Hayman 1989

Hayman, David. “‘Ulysses’ and Motherwell: Illustrating an Affinity.” James Joyce Quarterly (University of Tulsa, Okla.) 26, no. 4 (summer 1989): pp. 583-605.

Heathcote 1978

Heathcote, Graham. “Motherwell’s Abstract Art” (includes artist’s statements). St. Louis Globe Democrat, February 11-12, 1978, sec. F, p. 5. Review of Royal Academy of Arts, London, 1978.

Hegewisch 1982

Hegewisch, Katherine. “Ein Denkmal für Motherwell—zuviel des Guten?” (text in German). Frankfurter Allgemeine, December 28, 1982, p. 21.

Hemenway 1986

Hemenway, Gayle. “Robert Motherwell: A Celebration” (interview with the artist). Stanford Magazine (Stanford University Alumni Magazine) 14, no. 2 (summer 1986): pp. 36-43.

Henning 1960

Henning, Edward B. “Exhibition: Paths of Abstract Art.” Bulletin of the Cleveland Museum of Art 47, no. 8 (October 1960): pp. 199-201.

Henning 1962

Henning, Edward B. “Some Contemporary Paintings.” Bulletin of the Cleveland Museum of Art 49, no. 3 (March 1962): pp. 46-54.

Henning 1964a

Henning, Edward B. “The Language of Art.” Bulletin of the Cleveland Museum of Art 51, no. 9 (November 1964): pp. 210-31.

Henning 1964b

Henning, Edward B. [Paintings] in “Reports from the Departments.” Bulletin of the Cleveland Museum of Art 51, no. 6 (June 1964): pp. 146-47.

Henning 1969

Henning, Edward B. “Some Modern Paintings.” Bulletin of the Cleveland Museum of Art 56, no. 2 (February 1969): pp. 55-87.

Henning 1970

Henning, Edward B. “The Art Museum and the Avant-Garde.” Art Journal 30, no. 1 (fall 1970): pp. 20-26.

Henric 1989

Henric, Jacques. Pierre Klossowski. Paris: Editions Adam Biro, 1989.

Henry 1973

Henry, Gerrit. “Reviews and Previews.” Artnews 72, no. 9 (November 1973): p. 104. Review of Rosa Esman Gallery, New York, 1973.

Henry 1979

Henry, Gerrit. “New York Reviews.” Artnews 78, no. 7 (September 1979): p. 181. Review of William Ehrlich Gallery, New York, May 1979; and of William Ehrlich Gallery, New York, June 1979.

Herald Wire Services 1991

Herald Wire Services. “Robert Motherwell, 76, Abstract Expressionist” (obituary; includes artist’s statements). Boston Herald, July 18, 1991, p. 65.

Herbst 1954

Herbst, René. Un Inventeur . . . L’Architecte Pierre Chareau (text in French). Preface by Francis Jourdain. Paris: Editions du Salon des Arts Ménagers, 1954.

Hernandez 1971

Hernandez, Antonio. “St. Gallen: Ausstellungen im Sommer 1971” (text in German). Werk, no. 10 (October 1971): p. 712. Review of Galerie im Erker, St. Gall, Switzerland, 1971.

Hernandez 1980

Hernandez, Julio L. “Motherwell” (text in Spanish; includes artist’s statements). Arteguía (Madrid) 7, no. 54 (April 1980): pp. 26-30.

Herner de Schmelz 1968

Herner de Schmelz, Irene. “Gorky and Motherwell Exhibition.” Mexico/This Month 14, no. 2 (June 1968): pp. 12-13. Review of the circulating exhibition at Museo Universitario de Ciencias y Arte, Mexico City, May 1968 (see Museum of Modern Art, New York, 1967).

Heron 1956

Heron, Patrick. “The Americans at the Tate Gallery.” Arts 30, no. 6 (March 1956): pp. 15-17. Review of the circulating exhibition at Tate Gallery, London, January 1956 (see Museum of Modern Art, New York, 1955).

Herrera 1974

Herrera, Hayden. “Reviews and Previews.” Artnews 73, no. 6 (summer 1974): pp. 112-13. Review of Knoedler & Company, New York, 1974.

Herskovic 2000

Herskovic, Marika, ed. New York School Abstract Expressionists: Artists Choice by Artists; A Complete Documentation of the New York Painting and Sculpture Annuals, 1951-1957 (includes artist’s statements). Entry “Robert Motherwell,” pp. 258-61. New Jersey: New York School Press, 2000.

Herskovic 2003

Herskovic, Marika, ed. American Abstract Expressionism of the 1950s: An Illustrated Survey (includes artist’s statements). Entry “Robert Motherwell,” pp. 239-41. Franklin Lakes, N.J.: New York School Press, 2003.

Herwig 1983

Herwig, Carol. “For Contemporary Artists, a Seller’s Market.” USA Today, November 17, 1983, sec. D, p. 5.

H[ess] 1950a

H[ess], T[homas] B. “Reviews and Previews.” Artnews 49, no. 1 (March 1950): p. 45. Review of Samuel M. Kootz Gallery, New York, February 1950.

H[ess] 1950b

H[ess], T[homas] B. “Reviews and Previews.” Artnews 49, no. 6 (October 1950): p. 48. Review of Samuel M. Kootz Gallery, New York, October 1950.

Hess 1951

Hess, Thomas B. Abstract Painting: Background and American Phase. New York: Viking Press, 1951.

H[ess] 1952

H[ess], T[homas] B. “Reviews and Previews.” Artnews 51, no. 2 (April 1952): pp. 44-45. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings and Collages, April 1952.

H[ess] 1954

H[ess], T[homas] B. “Reviews and Previews.” Artnews, [March] 1954: p. 44. Review of Whitney Museum of American Art, New York, March, 1954.

H[ess] 1957

H[ess], T[homas] B. “Reviews and Previews.” Artnews 56, no. 4 (summer [June-July-August] 1957): p. 21. Review of Sidney Janis Gallery, New York, May 1957.

H[ess] 1963

H[ess], T[homas] B. “The Year’s Best: 1962.” Artnews 61, no. 9 (January 1963): p. 8.

Hess 1974

Hess, Thomas B. “Vanity Fare.” New York Magazine 7, no. 17 (April 29, 1974): pp. 68-69. Review of Knoedler & Company, New York, 1974.

Hess 1978

Hess, Thomas B. “Sketch for a Portrait of the Art Historian among Artists.” Social Research 45, no. 1 (spring 1978): pp. 6-14.

Hess 2006

Hess, Barbara. Abstract Expressionism. Edited by Uta Grosenick. Entry “Robert Motherwell,” pp. 70-71. Los Angeles: Taschen, 2006.

Hess and Ashbery 1967

Hess, Thomas B., and John Ashbery, eds. Avant-Garde Art. London: Collier-Macmillan, 1967.

Hess and Steiner 2009

Hess, Donald, and Myrtha Steiner. Hess Art Collection. Germany: Hatje Cantz, 2009.

Highwater 1979

Highwater, Jamake. “Motherwell Retrospective.” [New York Journal of the Arts, no. 15 (August 1979).] Review of William Benton Museum of Art, University of Connecticut, 1979.

Highwater 1986

Highwater, Jamake. “Watching Robert Motherwell.” In Shadow Show: An Autobiographical Insinuation (includes artist’s statements), pp. 215-20. New York: Alfred Van Der Marck Editions, 1986.

Hilton 1978

Hilton, Tim. “Searching for the Sublime” (book review). Times Literary Supplement (London), January 20, 1978, p. 63.

Hirsch 2002

Hirsch, Edward. “Motherwell’s Black.” In The Demon and the Angel: Searching for the Source of Artistic Inspiration, pp. 184-90. New York: Harcourt Books, 2002.

Hobbs 1975a

Hobbs, Jack A. Art in Context. New York: Harcourt Brace Jovanovich, 1975.

Hobbs 1975b

Hobbs, Robert C. “Motherwell’s Concern with Death in Painting: An Investigation of His Elegies to the Spanish Republic, Including an Examination of His Philosophical and Methodological Considerations” (includes artist’s statements). Ph.D. diss., University of North Carolina, Chapel Hill, 1975.

Hobbs 1976a

Hobbs, Robert C. “Robert Motherwell’s Elegies to the Spanish Republic.” In Robert Motherwell (exhibition catalogue, text in English and German), pp. 21-34. Düsseldorf: Städtische Kunsthalle, 1976. See the entry in List of Exhibitions.

Hobbs 1976b

Hobbs, Robert C. “Robert Motherwell’s Open Series.” In Robert Motherwell (exhibition catalogue, text in English and German), pp. 35-54. Düsseldorf: Städtische Kunsthalle, 1976. See the entry in List of Exhibitions.

Hobbs 1979

Hobbs, Robert C. “Re-Review: Possibilities.” Art Criticism (State University of New York, Stony Brook) 1, no. 2 (1979): pp. 96-103.

Hobbs 1985

Hobbs, Robert C. “Early Abstract Expressionism and Surrealism.” Art Journal 45, no. 4 (winter 1985): pp. 299-302.

Hochfield 1990

Hochfield, Sylvia. “The Rubin Years.” Artnews 89, no. 2 (February 1990): pp. 130-33.

Hoesterey 1976

Hoesterey, Ingeborg. “New York” (text in German). Art International 10, nos. 4-5 (April-May 1976): pp. 48-50, 69. Review of Knoedler & Company, New York, 1976.

Hoffman 1989

Hoffman, Katherine, ed. Collage: Critical Views (includes artist’s statements). Foreword by Kim Levin. Ann Arbor, Mich.: UMI Research Press, 1989.

Hoffman 1991

Hoffman, Katherine. Explorations: The Visual Arts since 1945 (includes artist’s statements). New York: HarperCollins, 1991.

Hoffmann 1966

Hoffmann, Donald L. “Last Words on That Boston Painting.” Kansas City Star, August 21, 1966, sec. F, p. 8.

H[olliday] 1951

H[olliday], B[etty]. “Reviews and Previews.” Artnews 50, no. 1 (March 1951): p. 48. Review of Samuel M. Kootz Gallery, New York, Male + Female, March 1951.

Hollwager 1964

Hollwager, Nikki. “From Tiny Cathedral to Home.” Chicago Tribune, December 2, 1964, sec. B, p. 1.

Holmes 1954

Holmes, Ann. “New Show May Shed a Little Light on Old Bogey, Modern Art.” Houston Chronicle, January 10, 1954, p. 3. Review of Contemporary Arts Museum, Houston, 1954.

Holmes 1958

Holmes, Ann. “The Spotlight: An Art Show to View with Mixed Reactions.” Houston Chronicle, November 1958. Review of Contemporary Arts Museum, Houston, 1958.

Holmes 1966

Holmes, Ann. “CAA’s Bold, Dynamic Motherwell.” Houston Chronicle, May 1, 1966, sec. “Zest,” p. 37. Review of the circulating exhibition at Contemporary Arts Association, Houston, April 1966 (see Museum of Modern Art, New York, Robert Motherwell: Works on Paper, September 1965).

Holmes 1972

Holmes, Ann. “MFA Motherwell Collage Exhibit Very Important.” Houston Chronicle, November 15, 1972, sec. 3, p. 8. Review of Museum of Fine Arts, Houston, November 1972.

Holmes 1974

Holmes, Ann. “Motherwell: Major Works at Nagy.” Houston Chronicle, January 11, 1974, sec. 3, p. 18. Review of Tibor de Nagy Gallery, Houston, 1974.

Hooton 1982

Hooton, Bruce. “How It All Happened: Motherwell Remembers” (first part of an interview with the artist). Art/World 6, no. 6 (February 22-March 22, 1982), pp. 1, 9. “What We Wanted to Do: Motherwell Remembers” (second part of an interview with the artist). Art/World 6, no. 7 (March 22-April 22, 1982): pp. 1, 9.

Hopps 1991

Hopps, Walter. Robert Rauschenberg: The Early 1950s. Houston: Menil Collection, in association with Houston Fine Arts Press, 1991.

Horizon 1978

“Painter Laureate” (interview with the artist). Horizon 21, no. 5 (May 1978): p. 59.

Hornack 1978

Hornack, Richard. “Long Point Exhibit Source of Great Pride.” Advocate Summer Guide, August 24, 1978, pp. 9, 23. Review of Long Point Gallery, Provincetown, Mass., August 1978.

Horyn 2004

Horyn, Cathy. “Tom Ford’s Intermission.” New York Times, October 17, 2004, sec. 9, pp. 1, 11.

House and Garden 1951

"A New Season…a New Outlook," House and Garden (October 1951): pp. 124-129.

House & Garden 1969

“The Robert Motherwells: ‘It’s All a Question of Light and Air and Whiteness’” (includes artist's statements). House & Garden 136, no. 1 (July 1969): pp. 48-53.

Houston Post 1954

“Houstonians Bring Work of 4 American Artists to Town.” Houston Post, January 10, 1954, sec. 5, p. 1. Review of Contemporary Arts Museum, Houston, 1954.

Hudson 1964

Hudson, Andrew. “Canada’s Place in Abstract Art Today.” Canadian Forum 44, no. 520 (January 1964): pp. 27-28. Review of Jewish Museum, New York, 1963.

Hudson 1965

Hudson, Andrew. “Viewpoint on Art: Hanging Dims Motherwell Show.” Washington Post, October 10, 1965, sec. G, p. 7. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Hughes 1972

Hughes, Robert. “A Sense of Exuberance.” Time 100, no. 3 (July 17, 1972): pp. 54-56. Review of Walker Art Center, Minneapolis, 1972.

Hughes 1977

Hughes, Robert. “Paris’ Prodigal Son Returns.” Time 110, no. 3 (July 18, 1977): pp. 50-51.

Hughes 1981a

Hughes, Robert. “Exhibitions: American Abstract Expressionists.” Edinburgh International Festival Official Programme, 1981, p. 58. Partially excerpted from The Shock of the New (London: BBC, 1980).

Hughes 1981b

Hughes, Robert. The Shock of the New: The Hundred-Year History of Modern Art; Its Rise, Its Dazzling Achievement, Its Fall (includes artist’s statements). New York: Alfred A. Knopf, 1981.

Hughes 1983

Hughes, Robert. “Master of Anxiety and Balance: In Buffalo, the Magisterial Abstractions of Robert Motherwell.” Time 122, no. 16 (October 10, 1983): pp. 68-70. Review of Albright-Knox Art Gallery, Buffalo, 1983.

Hüllenkremer 1984

Hüllenkremer, Marie. “Los Angles: Robert Motherwell” (text in German). Art: Das Kunstmagazin, no. 1 (January 1984): pp. 106-7. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Hume 1998

Hume, Christopher. “AGO Acquires World’s Top Motherwell Collection.” Toronto Star, September 30, 1998, sec. E, pp. 1, 2.

Hunter 1948a

Hunter, Sam. “A Group and Singly: Work of Contemporaries in Current Shows.” New York Times, April 4, 1948, sec. 2, p. 11. Review of Samuel M. Kootz Gallery, New York, March 1948.

Hunter 1948b

Hunter, Sam. “Diverse Modernism: New Shows of Painting by Contemporaries.” New York Times, May 16, 1948, sec. 2, p. 8. Review of Samuel M. Kootz Gallery, New York, May 1948.

Hunter 1959

Hunter, Sam. Modern American Painting and Sculpture. New York: Dell, 1959.

Hunter 1966a

Hunter, Sam. Modern American Painting and Sculpture (text in Chinese Hong Kong: World Today Press, 1966.

Hunter et al. 1966b

Hunter, Sam, Alain Jouffroy, Alan Bowness, Nello Ponente, and Maurizio Fagiolo. New Art Around the World: Painting and Sculpture. New York: Harry N. Abrams, 1966.

Hunter 1970

Hunter, Sam. La Pittura Americana del Dopoguerra (text in Italian). Milan: Fratelli Fabri Editori, 1970.

Hunter 1972

Hunter, Sam. American Art of the 20th Century. New York: Harry N. Abrams, 1972.

Hunter 1977

Hunter, Sam. “Motherwell on a Wide Screen” (book review). Artnews 76, no. 10 (December 1977): pp. 128-29.

Hunter and Jacobus 1985

Hunter, Sam, and John Jacobus. “The New York School: Abstract Expressionism" (includes artist's statements), in Modern Art: Painting/Sculpture/Architecture. 2nd ed. New York: Harry N. Abrams, 1985.

Hunter, Jacobus, and Wheeler 2004

Hunter, Sam, John Jacobus, and Daniel Wheeler. “The New York School: Abstract Expressionism,” in Modern Art: Painting/Sculpture/Architecture/Photography. 3rd ed. New York: Prentice Hall, 2004.

Huntington 1993

Huntington, Richard. “Motherwell Collection Presents Only the Motherwell Version” (book review; includes artist’s statements). Buffalo News, March 14, 1993, p. 8.

Huser 1977

Huser, France. “Bleu d’outre-mer” (text in French). Le Nouvel Observateur, no. 661 (July 11-17, 1977): p. 55.

Huyghe 1965

Huyghe, René, ed. Larousse Encyclopedia of Modern Art: From 1800 to the Present Day. New York: Prometheus Press, 1965.

I. 1971

X. I. “‘Open’—Reihe von Robert Motherwell” (text in German). Stadt St. Gallen und Umgebung, June 13, 1971, p. 17. Review of Galerie im Erker, St. Gall, Switzerland, 1971.

Ianco-Starrels 1982

Ianco-Starrels, Josine. “National Post for Andrews.” Los Angeles Times, May 30, 1982, sec. C, p. 83.

Ianco-Starrels 1984

Ianco-Starrels, Josine. “In the Footsteps of Motherwell.” Los Angeles Times, January 8, 1984, sec. Calendar, p. 81. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Imdahl 2004

Imdahl, Georg. “Kraftvoll wie ein wilder Stier: Bilder von Robert Motherwell in einer Ausstellung in Leverkusen” (text in German). Kolner Stadt-Anzeiger, October 15, 2004, p. 28. Review of Museum Morsbroich, Leverkusen, Germany, 2004.

Indiana Daily Student 1952

“Contemporary Artists in Art Center Spotlight.” Indiana Daily Student, January 5, 1952. Review of Art Center, Indiana University, Bloomington, 1952.

Inje 1984

Inje, Phil. “Robert Motherwell: Another View.” WestArt 22, no. 16 (May 11, 1984): p. 13. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Interiors 1951

“For Your Information.” Interiors 111, no. 4 (November 1951): pp. 12-14.

Iowa City Press-Citizen 1974

“Robert Motherwell Painting Acquired by UI Museum.” Iowa City Press-Citizen, July 24, 1974, sec. A, p. 7.

Irvine 1983

Irvine, Hope. “The Titles of Paintings and Children’s Art.” Art Education 36, no. 6 (November 1983): pp. 14-17.

It Is. 1959

It Is. (includes artist’s statements), no. 3 (winter-spring 1959): p. 10.

Jachec 1991

Jachec, Nancy. “‘The Space between Art and Political Action’: Abstract Expressionism and Ethical Choice in Postwar America, 1945-1950” (includes artist’s statements). Oxford Art Journal 14, no. 2 (1991): pp. 18-29.

Jachec 2000

Jachec, Nancy. The Philosophy and Politics of Abstract Expressionism, 1940-1960 (includes artist’s statements). Cambridge, England: Cambridge University Press, 2000.

Jacob 1977-78

Jacob, Mary Jane. “Modern Art.” Bulletin of the Detroit Institute of Arts 56, no. 5 (1977-78): pp. 284-88.

Jacobs 1974

Jacobs, Jody. “Mayoral Milestone Nears.” Los Angeles Times, December 1, 1974, sec. E, p. 2.

Jaffé 1967a

Jaffé, Hans L. C. 20,000 Years of World Painting: A Comprehensive Historical Survey from Cave Painting to Modern Art. New York: Harry N. Abrams, 1967.

Jaffé 1967b

Jaffé, Hans L. C. 20,000 Years of World Painting: 19th & 20th Century Painting. New York: Dell, 1967.

Jaffé 1967c

Jaffé, Hans L. C. Nineteenth and Twentieth Century Painting. Entry “Robert Motherwell,” p. 207. Translated by Robert Erich Wolf. New York: Dell, 1967.

Jaffe and Korshak 1983

Jaffe, Irma B., and Yvonne Korshak. Selections from the Permanent Collection of the Arkansas Arts Center Foundation. Entry “Robert Motherwell,” by Irma B. Jaffe, pp. 130-31. Little Rock: Arkansas Arts Center, 1983.

James 1997

James, Curtia. “There’s Method to the Abstract Madness.” Richmond Times-Dispatch, October 31, 1997, sec. C, p. 5. Review of Marsh Art Gallery, George M. Modlin Center for the Arts, University of Richmond, Va., 1996.

Jameson 1976

Jameson, Sam. “An American Showcase, Korean Style.” Los Angeles Times, November 28, 1976, sec. G, pp. 7, 18.

Janis 1944

Janis, Sidney. Abstract & Surrealist Art in America (includes artist’s statements). New York: Reynal and Hitchcock, 1944.

Janis and Blesh 1962

Janis, Harriet, and Rudi Blesh. Collage: Personalities, Concepts, Techniques. Philadelphia: Chilton, 1962.

Janson 1968

Janson, Donald. “Anti-Daley Art Put in Show in Chicago.” New York Times, October 24, 1968, p. 40. Review of Richard Feigen Gallery, Chicago, 1968.

Jappe 1976

Jappe, Georg. “Fläche frei gesetzt: Eine Werkübersicht des Malers des Abstrakten Expressionismus” (text in German). Die Zeit, September 24, 1976, p. 40. Review of Städtische Kunsthalle Düsseldorf, 1976.

Jay 1997

Jay, Hilary. “Philadelphia Freedom.” Art & Antiques 20, no. 8 (September 1997): pp. 54-59.

Jennings 1991

Jennings, Kate F. “Robert Motherwell: A 20th Century Legacy.” Greenwich News, July 25, 1991, p. 19.

Jewell 1943

Jewell, Edward Alden. “Collections in New Homes: Twentieth-Century Section of the Chester Dale Paintings Installed in Chicago—‘Living Art’ in Philadelphia.” New York Times, May 23, 1943, sec. Art, p. 10. Review of Art of This Century, New York, May 1943.

Jewell 1944a

Jewell, Edward Alden. “Diverse Art Shows: Feininger, Hartley and Anne Goldthwaite in Retrospect—Other Events.” New York Times, October 29, 1944, sec. 2, p. 8. Review of Art of This Century, New York, October 1944.

J[ewell] 1944b

J[ewell], E[dward] A[lden]. “Greek, Russian and Modern.” New York Times, April 16, 1944, sec. 2, p. 7. Review of Art of This Century, New York, April 1944.

Jewell 1944c

Jewell, Edward Alden. “Peggy Guggenheim Opens Art Show: Work of 24 Young Artists Is Displayed in Spring Salon—Nearly All in Abstract.” New York Times, May 10, 1944, p. 15. Review of Art of This Century, New York, May 1944.

Jewell 1945a

Jewell, Edward Alden. “Impressionist Art: Monet Retrospective—Degas and Renoir Paired—Leger and Other Moderns.” New York Times, April 15, 1945, sec. 2, p. 8. Review of Samuel M. Kootz, New York, April 1945.

Jewell 1945b

Jewell, Edward Alden. “Stress on ‘Painting’: Contemporary Work at Whitney Includes Much Abstraction—Other Events.” New York Times, December 2, 1945, sec. 2, p. 7. Review of Whitney Museum of American Art, New York, 1945.

Jewell 1946a

Jewell, Edward Alden. “Caravaggio & Co.: Chiaroscuro at End of the Renaissance—Americans—Stress on Abstraction.” New York Times, March 10, 1946, sec. 2, p. 6. Review of Samuel M. Kootz Gallery, New York, March 1946.

Jewell 1946b

Jewell, Edward Alden. “Melange of Shows: Japanese Prints at the Metropolitan—Impressionism, Jazz, Abstraction.” New York Times, December 8, 1946, sec. 2, pt. 2, p. 13. Review of Samuel M. Kootz Gallery, New York, December 1946.

Jewell 1946c

Jewell, Edward Alden. “Modern Museum Opens 4 Displays: Three New Exhibitions Offer Architectural Phases, Other Has Recent Acquisitions.” New York Times, February 6, 1946, sec. 1, p. 21. Review of Museum of Modern Art, New York, February 1946.

Jewell 1946d

Jewell, Edward Alden. “New Year Melange: Drawing Annual at National Academy—Abstract Painting and Sculpture.” New York Times, January 6, 1946, sec. 2, p. 7. Review of Samuel M. Kootz Gallery, New York, January 1946.

Jewell 1947a

Jewell, Edward Alden. “Academy by Itself: Second Half of Annual Devoted to Work by Members—Diverse Modernism.” New York Times, March 23, 1947, sec. 2, p. 7. Review of Samuel M. Kootz Gallery, New York, March 1947.

J[ewell] 1947b

J[ewell], E[dward] A[lden]. “Quite in Modern Vein.” New York Times, September 14, 1947, sec. 2, p. 6. Review of Samuel M. Kootz, New York, Women, September 1947.

Jewett 1946

Jewett, Eleanor. “60 Drawings on Display in Print Gallery.” Chicago Daily Tribune, February 17, 1946, sec. F, p. 4. Review of Arts Club of Chicago, 1946.

Jewett 1950

Jewett, Eleanor. “New York City Art Club Has Exhibit Here.” Chicago Tribune, April 23, 1950, pt. 7, p. 4. Review of Baldwin Kingrey, Chicago, [April] 1950.

Jewett 1953

Jewett, Eleanor. “Good Painting Marks Show of Watercolors." Chicago Tribune, January 23, 1953, p. A13. Review of Arts Club of Chicago 1953.

Jinishian 1982

Jinishian, J. Russell. “Not ‘Pretty’ nor Recognizable, but Strong, Personal, Alive!” Bridgeport Post, October 31, 1982, sec. C, p. 9. Review of Stamford Museum & Nature Center, Conn., 1982.

Jinishian 1983

Jinishian, J. Russell. “Especially in Art, It’s ‘Better Yet Connecticut.’” Sunday Post (Bridgeport, Conn.), October 9, 1983, p. 9. Review of Whitney Museum of American Art, Fairfield County, Stamford, Conn., 1983.

Joachimides, Rosenthal, and Anfam 1993

Joachimides, Christos M., Norman Rosenthal, and David Anfam, eds. American Art in the 20th Century: Painting and Sculpture, 1913-1993. Munich: Prestel-Verlag, 1993.

John Berggruen Gallery 1986

John Berggruen Gallery. San Francisco: John Berggruen Gallery, 1986.

Johnson 1976

Johnson, Lincoln F. “Motherwell at Kornblatt.” Baltimore Sun, October 21, 1976, sec. B, p. 1. Review of B. R. Kornblatt Gallery, Baltimore, 1976.

Johnson 1985

Johnson, Patricia C. “These ‘Masters’ Deserve.” Houston Chronicle, April 28, 1985, sec. “Zest,” p. 16. Review of Janie C. Lee Gallery, Houston, April 1985.

Johnson 1999

Johnson, Ken. “Ad Reinhardt, Robert Motherwell.” New York Times, February 26, 1999, sec. E, p. 41. Review of Marlborough Gallery, New York, 1999.

Johnson et al. 1963

Johnson, Pauline, Ivan E. Johnson, Jack D. Stoops, Edward Mattil, and August L. Freundlich. “A Symposium: Vision in Art, in People to People.” Art Education 16, no. 2 (February 1963): pp. 5-20.

Jones 1993

Jones, Caroline A. “Finishing School: John Cage and the Abstract Expressionist Ego” (includes artist’s statements). Critical Inquiry 19, no. 4 (summer 1993): pp. 628-65.

Jones 1996

Jones, Caroline A. Machine in the Studio: Constructing the Postwar American Artist (includes artist’s statements). Chicago: University of Chicago Press, 1996.

Jones 2002

Jones, Jonathan. “The Spanish Civil War: Dreams and Nightmares.” World of Interiors 22, no. 3 (March 2002): pp. 165. Review of Imperial War Museum, London, 2001.

Journal of Aesthetic Education 1996

Journal of Aesthetic Education 30, no. 4 (winter 1996): cover.

Journal of the Print World 1991

“Bennington College Collection at the Williams College Museum of Art.” Journal of the Print World 14, no. 4 (fall 1991): p. 28. Review of Williams College Museum of Art, Williamstown, Mass., 1991.

J[udd] 1961

J[udd], D[onald]. “In the Galleries.” Arts 35, nos. 8-9 (May-June 1961): p. 84. Review of Sidney Janis Gallery, New York, April 1961.

Kahmen 1971

Kahmen, Volker. Erotic Art Today. Greenwich, Conn.: New York Graphic Society, 1971.

Kaiser 1995

Kaiser, Guy S. “The Individual and Modern Culture as Presented in the Language of James Joyce and the Works of Robert Motherwell” (includes artist’s statements). Ph.D. diss., Ohio University, 1995.

Kangas 1982

Kangas, Matthew. “Abstraction as a Northwest Tradition.” Artweek 13, no. 1 (January 9, 1982): p. 1. Review of Henry Art Gallery, University of Washington, Seattle, December 1981.

Kangas 1984

Kangas, Matthew. “Abstract Expressions: The Art and Soul of Robert Motherwell.” [The Weekly (Seattle), July 5, 1984], sec. Arts & Leisure. Review of the traveling exhibition at Seattle Art Museum, June 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Kangas 2002

Kangas, Matthew. William Ingham: Configuration of Forces. Seattle: Gordon Wooodside Editions, 2002.

Kantner 1952a

Kantner, Dorothy. “Pittsburgh International—A Flood of Abstracts: Paintings Reflect Chaos, Omens ‘of Our Times.’” Pittsburgh Sun-Telegraph, October 16, 1952, p. 20. Review of Carnegie Institute, Pittsburgh, 1952.

Kantner 1952b

Kantner, Dorothy. “It’s Really Impressionistic: Woman Exhibitor Can Explain Abstract Art.” Pittsburgh Sun-Telegraph, October 5, 1952, sec. 1, p. 19.

Kaplan 1975

Kaplan, Patricia. “New York Reviews.” Artnews 74, no. 3 (March 1975): pp. 106-7. Review of Knoedler & Company, New York, January 1975.

Kaplan 2003

Kaplan, Cheryl. “‘The Gesture’: Neuhoff.” Artnews 102, no. 3 (March 2003): p. 121.

Karmel 1994

Karmel, Pepe. “Motherwell Painted Art from the Gut but Used His Head.” New York Times, December 30, 1994, sec. C., p. 3. Review of Knoedler & Company, New York, 1994.

Karras 1993

Karras, Gabrielle. “Abstract Expressionism: The Artists and Their Statements” (includes artist’s statements). M.A. thesis, University of Iowa, 1993.

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