Bibliography

This Bibliography is based on the one in Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941-1991. It is organized alphabetically, by author’s last name. Preceding each entry is an abbreviated form giving the author’s name and the year of publication, which identifies the abbreviated form in which the publication is referred to throughout the catalogue raisonné. When more than one text by the same author was published in the same year, a letter is added to differentiate the two entries.

Reviews of exhibitions direct the reader to the corresponding entry in the Exhibition History. Important essays from exhibition catalogues are listed here under the author’s name, rather than in the Exhibition History.

Publications that contain excerpts from Motherwell’s letters, interviews, and writings, are marked “includes artist’s statements.”

Incomplete references, based on magazine and newspaper clippings in the Dedalus Foundation Archives, are indicated as such.

This Selected Bibliography is meant to guide researchers to the most essential texts about (or by) Robert Motherwell. For a complete, searchable bibliography click the 'Complete Bibliography' box below.

Bibliography

Motherwell, Robert. “The Modern Painter’s World.” DYN 1, no. 6 (November 1944): 9-14.

Greenberg, Clement. “Art.” The Nation 159, no. 20 (November 11, 1944): 598-599.

Kees, Weldon. “Robert Motherwell.” Magazine of Art 42, no. 3 (March 1948): 86-88.

The Dada Painters and Poets: An Anthology. Edited by Robert Motherwell. New York: George Wittenborn, Inc., 1951. Second edition, Boston: G.K. & Co., 1981, with a foreword by Jack Flam; paperback, Belknap Press of Harvard University Press, 1989.

Motherwell, Robert. “The Rise and Continuity of Abstract Art.” Arts & Architecture 68, no. 9 (September 1951): 21, 41.

Goossen, E.C. “Robert Motherwell and the Seriousness of Subject.” Art International 3, no. 1-2 (January-February 1959): 33-35, 38, 51.

Sandler, Irving. “Robert Motherwell.” Art International 5, no. 5-6 (June-August 1961): 43-44.

Ashton, Dore. “Robert Motherwell: Passion and Transfiguration.” Studio International 167, no. 851 (March 1964): 100-105.

Robert Motherwell: With Selections from the Artist’s Writings. Exhibition catalogue with contributions by Frank O’Hara and Robert Motherwell. New York: The Museum of Modern Art, 1965.

Kozloff, Max. “An Interview with Robert Motherwell.” Artforum 4, no. 1 (September 1965): 33-37.

Lippard, Lucy. “New York Letter: Miró and Motherwell.” Art International 9, no. 9-10 (December 1965): 33-35.

Tillim, Sidney. “Motherwell: The Echo of Protest.” Artforum 4, no. 4 (December 1965): 34-36.

Arnason, H.H. “On Motherwell and His Early Work.” Art International 10, no. 1 (January 1966): 17-35.

Robertson, Bryan. “From a Notebook on Robert Motherwell.” Studio International 171, no. 875 (March 1966): 89-93.

Arnason, H.H. “Robert Motherwell: The Years 1948 to 1965.” Art International 10, no. 4 (April 20, 1966): 19-45.

Kramer, Hilton. “Robert Motherwell: The Art of Collage.” New York Times (October 13, 1968): D37.

Krauss, Rosalind. “Robert Motherwell’s New Paintings.” Artforum 7, no. 9 (May 1969): 26-28.

Arnason, H.H. “Motherwell: The Window and the Wall.” Art News 68, no. 4 (Summer 1969): 48-52, 61-68.

Sandler, Irving. The Triumph of American Painting: A History of Abstract Expressionism. New York and Washington: Prager Publishers, 1970.

Ashton, Dore. The New York School: A Cultural Reckoning. New York: The Viking Press, 1972.

Raynor, Vivien. “A Talk with Robert Motherwell.” Art News 73, no. 4 (April 1974): 50-52.

Carmean, Jr., E.A. “Robert Motherwell’s Spanish Elegies.” Arts Magazine v. 50, no. 10 (June 1976): 94-7.

Arnason, H.H. “Robert Motherwell: 1966-1976.” Art International 20, no. 9-10 (October-November 1976): 9-25, 55-57.

Cohen, Arthur A. “The Motherwell Atelier.” Vogue 167, no. 3 (March 1977): 230-233, 256.

Arnason, H.H. Robert Motherwell. New York: Harry N. Abrams, 1977; revised edition 1982.

Fineberg, Jonathan. “Death and Maternal Love: Psychological Speculations on Robert Motherwell’s Art.” Artforum 17, no. 1 (September 1978): 52-57.

Carmean, Jr., E.A., et al. Reconciliation Elegy. New York: Rizzoli, 1980.

Terenzio, Stephanie and Robert Motherwell. Robert Motherwell & Black. Connecticut: The University of Connecticut, Storrs, 1980.

Baro, Gene. “Robert Motherwell.” Art International 24, no. 9-10 (August-September 1981): 117-118.

Patton, Phil. “Robert Motherwell: The Mellowing of an Angry Young Man.” Art News 81, no. 3 (March 1982): 70-76.

Firestone, Evan R. “James Joyce and the First Generation New York School.” Arts Magazine 56, no. 10 (June 1982): 116-121.

Mattison, Robert S. “The Emperor of China: Symbols of Power and Vulnerability in the art of Robert Motherwell during the 1940s.” Art International 25, no. 9-10 (November-December 1982): 8-14.

Seitz, William C. Abstract Expressionist Painting in America. Cambridge, MA: Harvard University Press, 1983.

Drudi, Gabriella. Robert Motherwell Collages. Milan: Multhipla Edizione, 1983.

Robert Motherwell. Exhibition catalogue with contributions by Dore Ashton, Jack Flam, and Robert T. Buck. Buffalo: Albright-Knox Art Gallery, 1983.

Van Hook, L. Bailey. “Robert Motherwell’s Mallarme’s Swan.” Arts Magazine 57, no. 5 (January 1983): 102-106.

Glueck, Grace. “The Mastery of Robert Motherwell.” New York Times Magazine (December 2, 1984): 68-72, 74, 76, 78, 80, 81, 86.

Collins, Bradford R. “The Fundamental Tragedy of the Elegies to the Spanish Republic, of Robert Motherwell’s Dilemma.” Arts Magazine 59, no. 1 (September 1984): 94-97.

Danto, Arthur C. “Robert Motherwell.” The Nation 240, no. 2 (January 1985): 58-60.

Mattison, Robert S. “A Voyage: Robert Motherwell’s Earliest Works.” Arts Magazine 59, no. 6 (February 1985): 90-93.

Pleynet, Marcelin. Le Etats-Unis De La Peinture. Paris: Editions du Seuil, 1986.

Danto, Arthur C. The State of the Art. New York: Prentice Hall Press, 1987.

Mattison, Robert Saltonstall. Robert Motherwell: The Formative Years. Ann Arbor: UMI Research Press, 1987.

Drudi, Gabriella. Robert Motherwell Notes Romaines. Paris: Editions de la Difference, 1988.

Mattison, Robert S. “Robert Motherwell’s First Collages: ‘All My Life I Have Been Obsessed By Death.’” Studies in Iconography 12 (1988): 171-186.

The Dada Painters and Poets: An Anthology. 2nd ed. Edited by Robert Motherwell. Cambridge, MA and London: The Belknap Press of Harvard University Press, 1989.

Pleynet, Marcelin. Robert Motherwell. Paris: Daniel Papierski, 1989.

Mackie, Alwynne. Art/Talk: Theory and Practice in Abstract Expressionism. New York: Columbia University Press, 1989.

Terenzio, Stephanie and Dorothy C. Belknap. The Prints of Robert Motherwell: A Catalogue Raisonné 1943–1990. New York: Hudson Hills Press, Inc., 1990.

Flam, Jack. Motherwell. London: Phaidon, 1991; also published by Rizzoli, New York,; Ediciones Poligrafa, Barcelona; Albin Michel, Paris.

Polcari, Stephen. Abstract Expressionism and the Modern Experience. Cambridge: Cambridge University Press, 1991.

Motherwell, Robert. The Collected Writings of Robert Motherwell. Edited by Stephanie Terenzio. New York and Oxford: Oxford University Press, 1992; revised edition, Berkeley and Los Angeles: University of California Press, 1999, with a foreword by Jack Flam.

Kingsley, April. The Turning Point: The Abstract Expressionists and the Transformation of American Art. New York: Simon & Schuster, 1992.

Motherwell. Exhibition catalogue, with texts by Dore Ashton, Joan Banach, Norbert Lynton, and Francisco Calvo Serraller. Barcelona: Fundación Antoni Tàpies, 1996.

Anfam, David. Abstract Expressionism. New York: Thames & Hudson, 2002.

Caws, Mary Ann. Robert Motherwell: With Pen and Brush. London: Reaktion Books, 2003.

Engberg, Siri and Joan Banach. Robert Motherwell: The Complete Prints 1940–1991. Minneapolis: Walker Art Center, 2003.

Motherwell, Robert. The Writings of Robert Motherwell. Edited by Dore Ashton with Joan Banach. Berkeley: University of California Press, 2007.

ABC 1980

“‘Es muy arriesgado decir que Nueva York ha desbancado artisticamente a Europa’” (text in Spanish). ABC (Madrid), April 17, 1980, p. 21. Review of the traveling exhibition at Fundación Juan March, Madrid, April 1980 (see Centro Cultural de la Caixa de Pensions, Barcelona, 1980).

Abel 1981

Abel, Lionel. “The Surrealists in New York.” Commentary (American Jewish Committee) 72, no. 4 (October 1981): pp. 44-54. Reprinted in Lionel Abel, The Intellectual Follies: A Memoir of the Literary Venture in New York and Paris (New York: W. W. Norton, 1984).

Acha 1975

Acha, Juan. “Robert Motherwell” (text in Spanish). Plural (Universidad Nacional Autónoma de México) 4, no. 8 (May 6, 1975): pp. 81-82. Review of Museo de Arte Moderno, Mexico City, 1975.

Ackerman 1969

Ackerman, James S. “The Demise of the Avant Garde: Notes on the Sociology of Recent American Art.” Comparative Studies in Society and History 11, no. 4 (October 1969): pp. 371-84.

Ades 1997

Ades, Dawn. Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago. Edited by Margherita Andreotti, with contributions by Margherita Andreotti and Adam Jolles. Chicago: Art Institute of Chicago; New York: Thames and Hudson, 1997.

Advocate Summer Guide 1978

“Days’ Retrospective Show Opens: Chronicling 55 Years of Provincetown Art History.” Advocate Summer Guide (Provincetown Advocate magazine), August 31, 1978, pp. 3, 21. Review of Provincetown Art Association and Museum, Mass., 1978.

Advocate Summer Guide 1983a

“Art Openings.” Advocate Summer Guide (Provincetown Advocate magazine), August 4, 1983, p. 6. Review of the traveling exhibition at Long Point Gallery, Provincetown, Mass., August 1983 (see Provincetown Art Association and Museum, Mass., 1983); and of Long Point Gallery, Provincetown, Mass., Thirteen Ways of Looking at a Blackbird, August 1983.

Advocate Summer Guide 1983b

“Motherwell Pays Tribute to Joyce” (includes artist’s statements). Advocate Summer Guide (Provincetown Advocate magazine), June 16, 1983, p. 3. Review of the traveling exhibition at Long Point Gallery, Provincetown, Mass., August 1983 (see Provincetown Art Association and Museum, Mass., 1983).

Advocate Summery 1973

“Art.” Advocate Summery (Provincetown Advocate magazine), August 2, 1973, pp. 10-11. Review of Tirca Karlis Gallery, Provincetown, Mass., 1973.

Alberti 1983

Alberti, Rafael. Robert Motherwell: El Negro. Preface by Jack Flam. Bedford Village, N.Y.: Tyler Graphics, 1983.

Albright 1968

Albright, Thomas. “Spare Magic in ‘Lyric Suite.’” San Francisco Chronicle, October 11, 1968, p. 47. Review of San Francisco Museum of Art, October 1968.

Albright 1975

Albright, Thomas. “The Motherwell Collage.” San Francisco Chronicle, May 27, 1975, p. 38. Review of John Berggruen Gallery, San Francisco, 1975.

Albright-Knox Art Gallery Calendar 1983

“Robert Motherwell.” Albright-Knox Art Gallery Calendar, October 1983, pp. 1-5.

Aldan 1960

Aldan, Daisy, ed. A New Folder; Americans: Poems and Drawings. Foreword by Wallace Fowlie. New York: Folder Editions, 1960.

Alford 1952

Alford, John. “The Prophet and the Playboy: ‘Dada Was Not a Farce’” (includes artist’s statements). College Art Journal 11, no. 4 (summer 1952): pp. 269-76.

Allen 1972

Allen, Henry. “Motherwell: Palate-Pleasing” (interview with the artist). Washington Post, November 8, 1972, sec. D, p. 3. Review of Fendrick Gallery, Washington, D.C., 1972.

Allen Memorial Art Museum Bulletin 1952

“Robert Motherwell” (includes artist’s statements). Allen Memorial Art Museum Bulletin (Oberlin College) 9, no. 3 (spring 1952): pp. 110-12.

Alley 1984

Alley, Ronald. “Arnason, Ashton, Diamonstein: Robert Motherwell” (book review). Art International 27, no. 2 (April-June 1984): pp. 56-58.

Alloway 1960

Alloway, Lawrence. “Sign and Surface: Notes on Black and White Painting in New York.” Quadrum: Revue internationale d’art moderne 9 (summer 1960): pp. 49-62.

Alloway 1961

Alloway, Lawrence. “Easel Painting at the Guggenheim.” Art International 5, no. 10 (Christmas 1961): pp. 26-34. Review of Solomon R. Guggenheim Museum, New York, 1961.

Alloway 1970-71

Alloway, Lawrence. “The Spectrum of Monochrome.” Arts Magazine 45, no. 3 (December 1970-January 1971): pp. 30-33.

Alloway 1975

Alloway, Lawrence. “Art.” Nation 220, no. 20 (May 24, 1975): pp. 635-36. Review of Whitney Museum of American Art, Downtown Branch, New York, 1975.

Alloway 1978

Alloway, Lawrence. “Art.” Nation 226, no. 1 (January 14, 1978): pp. 29-30.

Almansi 1977

Almansi, Guido. “Una Mostra parigina di Robert Motherwell al Museo di Arte Moderna: Dietro l’icona, il sesso” (text in Italian). La Repubblica (Rome), August 10, 1977, sec. Cultura, pp. 8-9. Review of Musée de l'Art Moderne de la Ville de Paris, 1977.

Amepnka 1986

“Petpocrektnba Kknborncn Cobpemehhoro Mactepa” (text in Russian). Amepnka, no. 360 (November 1986): pp. 45-48.

American Abstract Artists 1957

American Abstract Artists, eds. The World of Abstract Art. New York: George Wittenborn, 1957.

American Art 1991

“American Archives: From the Peter A. Juley and Son Collection, National Museum of American Art.” American Art (Smithsonian Institution) 5, no. 4 (fall 1991): p. 70.

American Art Book 1999

The American Art Book. London: Phaidon Press, 1999.

American Selective Biographical Reference 1947

“The Monthly Supplement and International Who’s Who.” American Selective Biographical Reference 8, no. 11 (November 1947): p. 286.

Anderson 1981

Anderson, Janet Tracy. “Eluding the A Priori: A Hermeneutic of Process Based upon Robert Motherwell’s Superordinant Concepts on the Making of Art” (includes artist’s statements). Ph.D. diss., Pennsylvania State University, 1981.

Anderson and Whitney Museum of American Art 2002

Anderson, Maxwell L., and Whitney Museum of American Art. American Visionaries: Selections from the Whitney Museum of American Art. Entry “Robert Motherwell,” p. 213. New York: Whitney Museum of American Art, 2002.

Andre 1976

Andre, Michael. “New York Reviews.” Artnews 75, no. 4 (April 1976): p. 119. Review of Knoedler & Company, New York, 1976.

Andreae 1968

Andreae, Christopher. “‘A Delight to the Eyes’: Motherwell’s Collages.” Christian Science Monitor, November 9, 1968, p. 14. Review of Whitney Museum of American Art, New York, 1968.

Andreae 1969

Andreae, Christopher. “One Thing after Another” (includes artist’s statements). Christian Science Monitor, June 23, 1969, p. 8. Review of Marlborough-Gerson Gallery, New York, 1969.

Anfam 1997

Anfam, David. “Madrid and New York: Robert Motherwell.” Burlington Magazine 139, no. 1132 (July 1997): pp. 504-5.

Anfam 1998

Anfam, David. Mark Rothko: The Works on Canvas; Catalogue Raisonné. Vol. 1. New Haven, Conn.: Yale University Press; Washington, D.C.: National Gallery of Art, 1998.

Anfam 2002

Anfam, David. Abstract Expressionism. New York: Thames and Hudson, 2002.

Annas 2003

Annas, Teresa. “Robert Motherwell.” Virginian-Pilot (Norfolk), November 25, 2003, sec. E, pp. 1, 7. Review of Contemporary Art Center of Virginia, Virginia Beach, 2003.

Apollo 1969a

“Art Across the U.S.A.” Apollo 90, no. 91 (September 1969): p. 263. Review of Marlborough-Gerson Gallery, New York, 1969.

Apollo 1969b

“Art Across the U.S.A.” Apollo 90, no. 92 (October 1969): pp. 345-46. Review of Museum of Modern Art, New York, June 1969.

Apollo 1972

“Art Across the U.S.A.” Apollo 96, no. 129 (November 1972): p. 450. Review of Museum of Fine Arts, Houston, November 1972.

Apollonio et al. 1958

Apollonio, Umbro, G. C. Argan, Oto Bihalji-Merin, Marcel Brion, Will Grohmann, J. P. Hodin, Sam Hunter, H.L.C. Jaffé, and Herbert Read. Art since 1945. Essay “USA,” by Sam Hunter. New York: Harry N. Abrams, 1958.

Apollonio et al. 1962

Apollonio, Umbro, G. C. Argan, Nello Ponente, Oto Bihalji-Merin, Marcel Brion, Will Grohmann, J. P. Hodin, Sam Hunter, H.L.C. Jaffé, and Herbert Read. Art since 1945. Essay “The United States,” by Sam Hunter. New York: Washington Square Press, 1962.

Appella 1989

Appella, Giuseppe. “Nella osmosi tra pittura e poesia le radici dell’arte come coscienza etica” (text in Italian). L’Osservatore Romano (Vatican City), November 27-28, 1989, p. 3. Review of Padiglione d’Arte Contemporanea, Milan, 1989.

Architectural Digest 1996

“Before and After: Born Again Neutra.” Architectural Digest 53, no. 7 (July 1996): pp. 88-93.

Architectural Digest 2006a

“Breathing Lessons on Fifth Avenue: A Fresh Approach for an Apartment in a McKim, Mead & White Building.” Architectural Digest 63, no. 11 (November 2006): pp. 185-91, 261.

Architectural Digest 2006b

“A Not-So-Simple Plan: Based on a Pinwheel, a Contemporary Palo Alto Residence Offers a Unique Outlook on California Living.” Architectural Digest 63, no. 11 (November 2006): pp. 192-99, 261.

Architectural Forum 1953

“Two Small Religious Buildings.” Architectural Forum 99, no. 1 (July 1953): pp. 118-23.

Architectural Forum 1954

“Sculpture and Tapestry Used Architecturally.” Architectural Forum 100, no. 4 (April 1954): pp. 140-45.

L'architecture d'aujourd'hui 1950

"Maison d'été pour un peintre a Long Island" (text in French). L'architecture d'aujourd'hui, no. 30 (July 1950): p. 51.

Arnason 1966a

Arnason, H. H. “On Robert Motherwell and His Early Work.” Art International 10, no. 1 (January 20, 1966): pp. 17-35.

Arnason 1966b

Arnason, H. H. “Robert Motherwell: The Years 1948 to 1965.” Art International 10, no. 4 (April 20, 1966): pp. 19-45.

Arnason 1968

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. Entry “Robert Motherwell,” pp. 507-8. New York: Harry N. Abrams, 1968.

Arnason 1969

Arnason, H. H. “Motherwell: The Window and the Wall.” Artnews 68, no. 4 (summer 1969): pp. 48-52, 61-68.

Arnason 1976

Arnason, H. H. “Robert Motherwell: 1966-1976.” Art International 20, nos. 9-10 (October-November 1976): pp. 9-25, 55-57.

Arnason 1977a

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture. Entry “Robert Motherwell,” pp. 535-36. 2nd ed. New York: Harry N. Abrams, 1977.

Arnason 1977b

Arnason, H. H. Robert Motherwell. Notes to the plates by Robert Motherwell. Preface by Bryan Robertson. 1st ed. New York: Harry N. Abrams, 1977.

Arnason 1982

Arnason, H. H. Robert Motherwell (includes a reprinted 1977 interview with the artist at the New School for Social Research). Introduction by Dore Ashton; notes to the plates by Robert Motherwell; interview by Barbaralee Diamonstein. 2nd ed. New York: Harry N. Abrams, 1982.

Arnason 1986

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture, Photography. Revisions and updates by Daniel Wheeler. 3rd ed. New York: Harry N. Abrams, 1986.

Arnason 1998

Arnason, H. H. History of Modern Art: Painting, Sculpture, Architecture, Photography. Contributions by Marla F. Prather (revising author of the 4th ed.), and Daniel Wheeler (revising author of the 3rd ed.). 4th ed. New York: Harry N. Abrams, 1998.

Arnaud 1989

Arnaud, John-Robert. “Gabriella Drudi: Robert Motherwell” (book review). Cimaise 36, nos. 200-201 (June-July-August 1989): p. 58.

Arnheim 1954

Arnheim, Rudolf. “The Psychologist Who Came to Dinner.” College Art Journal 13, no. 2 (winter 1954): pp. 107-12.

Art & Antiques 1988

“Charting the Course: Mapping Familiar Territory—from Country Lawns to Urban Landscapes.” Art & Antiques, April 1988, pp. 37-38. Review of Knoedler & Company, New York, 1988.

Art Enterprises 2000

Art Enterprises. Art Enterprises: Selections from the Collection. Introduction by Richard Francis; compiled by Stacey Skold. Entry “Robert Motherwell,” by Grace Glueck, pp. 120-21; and entry “Robert Motherwell,” by Robert Hughes, pp. 122-23. Chicago: Art Enterprises, 2000.

Art Gallery 1964

“The National Institute of Arts and Letters.” Art Gallery 7, no. 8 (May 1964): pp. 20-21, 35.

Art Gallery Magazine 1968

Art Gallery Magazine (11, no. 8) (May 1968): p. 39.

Art Gallery of Ontario Annual Report 2004

“Acquisition Highlights.” In Art Gallery of Ontario Annual Report, 2003-2004, pp. 11-16. Toronto: Art Gallery of Ontario, 2004.

Artics 1986

Artics (Barcelona), September-October-November 1986, cover.

Art in Embassies 1966

Art_ în Ambasade (text in Romanian). Introduction by John Farr Simmons. Bucharest, Romania: United States Embassy, 1966. Published in conjunction with a loan to the United States Embassy, Bucharest, Romania.

Art in Embassies 1977

Eighteen Contemporary Masters. Introduction by Gaetana Enders. Ottawa, Ontario, Canada: United States Embassy, 1977. Published in conjunction with a loan to the United States Embassy, Ottawa.

Art in Embassies 1979

Arte en la Embajada (text in Spanish). Introduction by William H. Luers. Caracas, Venezuela: Embajada de los Estados Unidos de América, 1979. Published in conjunction with a loan to the American ambassador’s residence, Caracas, Venezuela.

Art in Embassies 1980

Art in Embassies. Introduction by Warren D. Manshel. Copenhagen: United States Embassy, 1980. Published in conjunction with a loan to the American ambassador’s residence, Rydhave, Copenhagen.

Art in Embassies 1985

Contemporary American Art (text in English and Czech). Introduction by William H. Luers. Prague: United States Embassy, 1985. Published in conjunction with a loan to the United States Embassy, Prague.

Art in Embassies 1999

Artists in the Residence (text in English and Korean). Introduction by Stephen W. Bosworth and Christine Bosworth. Seoul, South Korea: United States Department of State, Art in Embassies Program, 1999. Published in conjunction with a loan to Habib House, residence of the United States ambassador to the Republic of Korea, Seoul.

Art in Embassies 2001

Art in Embassies (exhibition brochure, text in English and Spanish). Introduction by Jeffrey Davidow and Joan Davidow. Washington, D.C., and Mexico City: Art in Embassies Program, 2001. Published in conjunction with an exhibition at the United States Embassy, Mexico City.

Art in Embassies 2002a

A New Look at Common Ground (text in English and Chinese). Introduction by Clark T. Randt Jr. Washington, D.C.: Art in Embassies Program, 2002. Published in conjunction with a loan to the United States Embassy, Beijing.

Art in Embassies 2002b

An Exhibition of American Art in the Residence of the U.S. Ambassador to the Netherlands. Introduction by Robert Rosenblum; introductory essay by Nicholas Fox Weber. Washington, D.C.: Art in Embassies Program, 2002. Published in conjunction with a loan to the residence of the United States ambassador to the Netherlands, The Hague.

Art in Embassies 2008

Art in Embassies Exhibition. Introduction by Nicholas F. Taubman, Jenny Taubman, and Lara Taubman. Washington, D.C.: United States Department of State, 2008. Published in conjunction with a loan to the United States Embassy, Bucharest, Romania.

Art International 1961

Art International 5, no. 1 (February 1, 1961): cover, index.

Art International 1974

Art International 18, no. 7 (September 20, 1974): cover.

Art Letter 1975

“‘War Conference’ Planned by David Smith Estate Executors” (includes artist's statements). Art Letter 4, no. 2 (February 1975): p. 3.

Art Market Report 2003a

“From the Chicago Gallery.” Art Market Report (Hollis Taggart Galleries), fall-winter 2003, p. 2.

Art Market Report 2003b

“Recent Acquisitions.” Art Market Report (Hollis Taggart Galleries), spring-summer 2003, pp. 6-21.

Artner 1997

Artner, Alan G. “2 Chicago Museums Hit Art Jackpot.” Chicago Tribune, February 26, 1997, sec. 1, pp. 1, 18.

Artnews 1944

“The Passing Shows.” Artnews 43, no. 14 (November 1-14, 1944): p. 26. Review of Art of This Century, New York, October 1944.

Artnews 1945

“The Passing Shows.” Artnews 45, no. 10 (August 1-31, 1945): pp. 24-25. Review of Samuel M. Kootz Gallery, New York, April 1945.

Artnews 1946a

“The Passing Shows.” Artnews 44, no. 19 (January 15-31, 1946): p. 21. Review of Samuel M. Kootz Gallery, New York, January 1946.

Artnews 1946b

“The Passing Shows.” Artnews 45, no. 1 (March 1946): p. 54. Review of Samuel M. Kootz Gallery, New York, March 1946.

Artnews 1947a

“Reviews and Previews.” Artnews 46, no. 8 (October 1947): p. 45. Review of Samuel M. Kootz Gallery, New York, 8 Paintings, September 1947.

Artnews 1947b

“Reviews and Previews.” Artnews 46, no. 3 (May 1947): pp. 47-48. Review of Samuel M. Kootz Gallery, New York, April 1947.

Artnews 1947c

“Reviews & Previews.” Artnews 46, no. 7 (September 1947): p. 39. Review of Samuel M. Kootz Gallery, Women, New York, September 1947.

Artnews 1948

“Reviews and Previews.” Artnews 47, no. 4 (June-July-August 1948): p. 49. Review of Samuel M. Kootz Gallery, New York, May 1948.

Artnews 1953

“The Year’s Best: 1952.” Artnews 51, no. 9 (January 1953): pp. 42-43.

Artnews 1998

“Art Market: Early Motherwell Does Well; Krasner Gets Her Due: Whitney Acquires Nadelmans, Lewitts.” Artnews 97, no. 4 (April 1998): p. 58.

Artnewsletter 1983

“Robert Motherwell’s Market.” Artnewsletter 8, no. 14 (March 8, 1983): pp. 3-5.

Artnewsletter 1991

“Limited Supply May Boost Motherwell’s Market.” Artnewsletter 17, no. 4 (October 15, 1991): pp. 1-2.

Art Now Gallery Guide 1976

“Special Events.” Art Now Gallery Guide 6, no. 5 (January 1976): p. 23.

Art Now Gallery Guide 1992a

“Robert Motherwell at Modern Art Museum, Fort Worth.” Art Now Gallery Guide (international edition) 11, no. 6 (February 1992): sec. SW, p. 7.

Art Now Gallery Guide 1992b

“‘Robert Motherwell: The Spanish Elegies’ at the Walker Art Center.” Art Now Gallery Guide 13, no. 3 (November 1992): sec. MW, p. 11.

Art Présent 1975

“Entretien avec Marcelin Pleynet” (text in French). Art Présent (Paris), no. 1 (September-October 1975): n.p.

Arts & Architecture 1951

“The Muralist and the Modern Architect.” Arts & Architecture 68, no. 4 (April 1951): pp. 18-19.

Artsindiana 1998

“From Ancient Burial Customs to Abstract Expressionism.” Artsindiana 20, no. 2 (March-April 1998): p. 9.

Arts Yearbook 1964

“A Color Portfolio of Recent Painting.” Arts Yearbook 7 (1964): pp. 60-76.

Ashbery 1961

Ashbery, John. “Savage Splendor in Paris Persian Art Show.” New York Herald Tribune (Paris), October 18, 1961, p. 6. Review of Galerie Heinz Berggruen, Paris, 1961.

Ashbery 1968a

Ashbery, John. “Dada & Surrealism.” New Republic 158, no. 22 (June 1, 1968): pp. 35-36, 38. Review of Museum of Modern Art, New York, March 1968.

Ashbery 1968b

Ashbery, John. “Growing Up Surreal.” Artnews 67, no. 3 (May 1968): pp. 40-44, 65. Review of Museum of Modern Art, New York, March 1968.

A[shton] 1956

A[shton], D[ore]. “About Art and Artists: Contemporary Works Open 2 Galleries.” New York Times, October 4, 1956, p. 67. Review of Martha Jackson Gallery, New York, 1956.

Ashton 1957a

Ashton, Dore. “Art.” Arts & Architecture 74, no. 7 (July 1957): pp. 4, 33. Review of Sidney Janis Gallery, New York, May 1957.

Ashton 1957b

Ashton, Dore. “Art: A Local Anthology: New York Annual, at the Stable Gallery Offers Many Works of Merit.” New York Times, May 8, 1957, p. 75. Review of Stable Gallery, New York, 1957.

Ashton 1957c

Ashton, Dore. “Reveries in Paint.” New York Times, May 19, 1957, sec. 2, p. 14. Review of Sidney Janis Gallery, New York, May 1957.

Ashton 1958

Ashton, Dore. “Art: Downtown Shows.” New York Times, May 23, 1958, p. 26. Review of James Gallery, New York, 1958.

Ashton 1959a

Ashton, Dore. “Art.” Arts & Architecture 76, no. 5 (May 1959): pp. 6-8. Review of Sidney Janis Gallery, New York, March 1959.

Ashton 1959b

Ashton, Dore. “Art: Collages Are Shown in Exhibition; ‘Beyond Painting’ Is at Alan Gallery.” New York Times, January 1, 1959, p. 29. Review of Alan Gallery, New York, 1958.

Ashton 1959c

Ashton, Dore. “Moderns in Baltimore.” New York Times, July 26, 1959, sec. 2, p. 12. Review of Baltimore Museum of Art, July 1959.

Ashton 1959d

Ashton, Dore. “Nueva York: Expresionismo Abstracto” (text in Spanish). Arquitectura México 21, no. 15 (March 1959): pp. 51-56.

Ashton 1960a

Ashton, Dore. “Art: 9 Abstract Leaders; Sidney Janis Gallery Shows Works by Major Figures in the Movement.” New York Times, April 5, 1960, p. 44. Review of Sidney Janis Gallery, New York, 1960.

Ashton 1960b

Ashton, Dore. “Art: Double Anniversary Celebrated at Exhibition.” New York Times, February 5, 1960, p. 24. Review of Trabia Gallery, New York, 1960.

Ashton 1960c

Ashton, Dore. “Perspective de la Peinture Américaine” (text in French). Cahiers d’art, nos. 33-35 (1960): pp. 203-20.

Ashton 1962

Ashton, Dore. The Unknown Shore: A View of Contemporary Art. Boston: Little, Brown, 1962.

Ashton 1963a

Ashton, Dore. “Art.” Arts & Architecture 80, no. 2 (February 1963): pp. 8-9. Review of Sidney Janis Gallery, New York, December 1962.

Ashton 1963b

Ashton, Dore. “Motherwell Loves and Believes.” Studio International 165, no. 839 (March 1963): pp. 116-19. Review of Sidney Janis Gallery, New York, December 1962.

Ashton 1964a

Ashton, Dore. “La Voix du tourbillon dans l’Amérique de Kafka” (text in French). XXe Siècle (Paris) 26, no. 23 (May 1964): pp. 92-96.

Ashton 1964b

Ashton, Dore. “Robert Motherwell: Passion and Transfiguration” (includes artist’s statements). Studio International 167, no. 851 (March 1964): pp. 100-105.

Ashton 1967

Ashton, Dore. “Gli inizi dell’espressionismo astratto in America” (text in Italian). L’Arte Moderna (Milan) 13, no. 109 (1967): pp. 1-40.

Ashton 1969a

Ashton, Dore. “New York Commentary.” Studio International 178, no. 913 (July-August 1969): pp. 28-29. Review of Marlborough-Gerson Gallery, New York, 1969.

Ashton 1969b

Ashton, Dore. “Response to Crisis in American Art.” Art in America 57, no. 1 (January-February 1969): pp. 24-35.

Ashton 1970

Ashton, Dore. Modern American Painting. New York: New American Library, 1970.

Ashton 1971

Ashton, Dore. “A Fusion of Modern Assumptions.” Chap. 13 in A Reading of Modern Art (includes artist’s statements). Rev. ed. New York: Harper and Row, 1971.

Ashton 1972

Ashton, Dore. The New York School: A Cultural Reckoning (includes artist’s statements). New York: Viking Press, 1972.

Ashton 1980

Ashton, Dore. “Robert Motherwell” (includes artist’s statements). Flash Art, no. 100 (November 1980): pp. 4-8.

Ashton 1983

Ashton, Dore. “On Motherwell.” In Robert Motherwell (exhibition catalogue), by Dore Ashton and Jack Flam, pp. 29-51. Buffalo: Albright-Knox Art Gallery; New York: Abbeville Press, 1983. See entry in List of Exhibitions.

Ashton 1987

Ashton, Dore. “Mallarmé, Friend of Artists.” Chap. 48 in Out of the Whirlwind: Three Decades of Arts Commentary, edited by Donald Kuspit. Contemporary American Art Critics 8. Ann Arbor, Mich.: UMI Research Press, 1987.

Ashton 1989

Ashton, Dore. “Robert Motherwell.” In Robert Motherwell (exhibition catalogue, text in English and Italian), by Dore Ashton and Paolo Sega Serra Zanetti, pp. 6-25. Milan: Arnoldo Mondadori Editore Arte, 1989. See entry in List of Exhibitions.

Ashton and Banach 2007

Ashton, Dore, and Joan Banach, eds. The Writings of Robert Motherwell. Introduction by Dore Ashton. Berkeley and Los Angeles: University of California Press, 2007. Referred to in Writings by the Artist as Motherwell 2007.

Aspen Music Festival and School 1997

Aspen Music Festival and School, summer 1997, cover.

Atlantic 1992

“Arts & Entertainment Preview.” Atlantic 270, no. 6 (December 1992): p. 39.

At the Modern 1993

“Preserving a Modern Masterpiece: The Conservation of a Motherwell Elegy.” At the Modern (San Francisco Museum of Modern Art), November-December 1993, p. 6.

At the Museum 1995-96a

“The Collectors Committee.” At the Museum (Los Angeles County Museum of Art), December 1995-January 1996, p. 6.

At the Museum 1995-96b

“Motherwell.” At the Museum (Los Angeles County Museum of Art), December 1995-January 1996, cover, pp. 4-5.

At the Rose Art Museum 1999

“Abstract Expressionism from the Brandeis University Art Collection.” At the Rose Art Museum (Brandeis University), spring 1999, n.p.

Ayars and Degatina 1984

Ayars, Mike, and John Degatina. “The Motherwell Lode” (letters to the editor). Los Angeles Times, February 5, 1984, sec. Calendar, p. 103.

Baby 1977a

Baby, Yvonne. “Robert Motherwell: Order Out of Chaos” (includes interview with the artist reprinted from Baby 1977b). Guardian (Manchester), July 31, 1977, p. 14.

Baby 1977b

Baby, Yvonne. “Un Ordre visuel arraché au chaos: Un Entretien avec le peinture Robert Motherwell” (text in French; interview with the artist). Le Monde, June 30, 1977, p. 11.

Baigell 1966

Baigell, Matthew. “American Abstract Expressionism and Hard Edge: Some Comparisons.” Studio International 171, no. 873 (January 1966): pp. 10-15.

Baillie 1977

Baillie, Martin. “Excess and Discipline Evident in American School Collection.” Glasgow Herald, October 31, 1977, p. 8. Review of Royal Scottish Academy, Edinburgh, 1977.

Baitz 1984

Baitz, J. R. “Art: Robert Motherwell’s Endless Instant.” Publication unknown [California], January 27, 1984, sec. Reader’s Guide, p. 15. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Baker 1961

Baker, Richard Brown. “Notes on the Formation of My Collection.” Art International 5, no. 7 (September 20, 1961): pp. 40-47.

Baker 1973

Baker, Kenneth. “Motherwell, Metaphor, and the Thing Itself.” Boston Phoenix, June 5, 1973, sec. 2, p. 12. Review of traveling exhibition at the Museum of Fine Arts, Boston, 1973 (see Museum of Fine Arts, Houston, November 1972).

Baker 2003

Baker, Kenneth. “S.F. Museums’ Collection Beefed Up by Bequest: Multimillion-Dollar Gift of 5 Prominent Paintings from Morris Estate.” San Francisco Chronicle, August 29, 2003, sec. D, pp. 1, 3.

Baker-Carr 1975

Baker-Carr, Janet. “A Conversation with Robert Motherwell, Painter” (interview with the artist). Harvard Magazine 78, no. 2 (October 1975): pp. 34-41.

Baldwin 1978

Baldwin, Nick. “Rescue!” (includes artist’s statements). Des Moines Register, July 30, 1978, sec. B, p. 5.

Balken 2005

Balken, Debra Bricker. Movements in Modern Art: Abstract Expressionism. London: Tate, 2005.

Baltimore Sun 1943

“Sadie May Collection.” Baltimore Sun, July 4, 1943, sec. 1, p. 12. Review of Baltimore Museum of Art, 1943.

Banach 1996

Banach, Joan. Robert Motherwell: A Painter’s Album. Barcelona: Fundació Antoni Tàpies, 1996. Published in conjunction with the exhibition catalogue for the exhibition at Fundació Antoni Tàpies, Barcelona, 1996.

Banham 1966

Banham, Reyner. “Motherwell & Others.” Architectural Review 140, no. 833 (July 1966): pp. 59-62.

Bann 1970

Bann, Stephen. Experimental Painting: Construction, Abstraction, Destruction, Reduction. London: Studio Vista, 1970.

Bannon 1983a

Bannon, Anthony. “Gallery to Unveil Historic Robert Motherwell Show.” Buffalo News, September 25, 1983, sec. E, pp. 1, 4. Review of Albright-Knox Art Gallery, Buffalo, 1983.

Bannon 1983b

Bannon, Anthony. “Passion and Intelligence Sweep through Four Decades of Robert Motherwell’s Art.” Buffalo Times, [October] 1983, sec. Art. Review of Albright-Knox Art Gallery, Buffalo, 1983.

Bannon 1983c

Bannon, Anthony. “The Motherwell Secret to Creating or Appreciating Art: A Good Eye” (interview with the artist). Buffalo News, November 13, 1983, sec. E, pp. 1, 5.

Bannon 1984a

Bannon, Anthony. “The Main Event: Thoroughly Modernist Motherwell” (includes artist’s statements). Continental 2, no. 3 (March 1984): cover, pp. 36-39, 99-100.

Bannon 1984b

Bannon, Anthony. “The Motherwell Experiment” (includes artist’s statements). Connoisseur, May 1984, pp. 24, 31. Review of the traveling exhibition at San Francisco Museum of Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Barker 1965

Barker, Walter. “Painter of the Indomitable Gesture: Robert Motherwell Retrospective at the Modern.” St. Louis-Post Dispatch, November 21, 1965, sec. B, p. 5. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Barnes 1997

Barnes, Jim. “From Picasso to Warhol: DIA Loans 20th Century Masterworks to Dennos Museum Center.” Traverse City Record-Eagle, November 7, 1997, sec. D, pp. 1, 6. Review of Dennos Museum Center, Northwestern Michigan College, Traverse City, 1997.

Barnier 2000

Barnier, Aurélie. “Une Revue de l’expressionnisme abstrait américain: Possibilities (1947-1948)” (text in French; includes artist’s statements). Les Cahiers du Musée National d’Art Moderne 71 (spring 2000): pp. 104-21.

Baro 1966a

Baro, Gene. “Robert Motherwell: Order in Freedom.” Art and Artists 1, no. 1 (April 1966): pp. 36-37.

Baro 1966b

Baro, Gene. “The Ethics of Risk” (includes artist’s statements). Arts Magazine 40, no. 3 (January 1966): pp. 36-41.

Baro 1981

Baro, Gene. “New York Letter.” Art International 24, nos. 9-10 (August-September 1981): pp. 117-18. Review of Knoedler & Company, New York, February 1981.

Baron and Peck 2005

Baron, Cynthia L., and Daniel Peck. Digital Photography Field Guide. Berkeley, Calif.: Peachpit Press, 2005.

Barr 1948

Barr, Alfred H., Jr., ed. Painting and Sculpture in the Museum of Modern Art. New York: Museum of Modern Art, 1948.

Barr 1986

Barr, Alfred H., Jr. Defining Modern Art: Selected Writings of Alfred H. Barr, Jr. (includes artist’s statements). Edited by Irving Sandler and Amy Newman; introduction by Irving Sandler. New York: Harry N. Abrams, 1986.

Barr 1999

Barr, Pamela T., ed. New Britain Museum of American Art. Vol. 1, Highlights of the Collection. Entry “Robert Motherwell,” by L[eesa] F[anning], pp. 116-17. New Britain, Conn.: New Britain Museum of American Art; New York: Prestel Verlag, 1999.

Barrett 1952

Barrett, William. “High-Jinks Wasn’t All” (book review). New York Times, February 3, 1952, sec. Book Review, pp. 7, 25.

Barton 2004

Barton, Peter. “The Motherwell Code.” Country and Abroad 9, no. 6 (November 2004): pp. 60-61.

Bass 1982

Bass, Ruth. “New York Reviews.” Artnews 81, no. 5 (May 1982): p. 168. Review of Knoedler & Company, New York, 1982.

Bates 1973

Bates, Catherine. “Getting Up to Date.” Montreal Star, November 10, 1973, sec. D, p. 12. Review of Musée d’Art Contemporain, Montreal, 1973.

Batterberry 1973

Batterberry, Michael. Twentieth Century Art. Foreword by Howard Conant. New York: McGraw-Hill, 1973.

Baum et al. 2003

Baum, Kelly, Monique M. Desormeau, Melissa Miller Farr, John B. Henry III, Melina Kervandjian, Valerie Ann Leeds, Akella Reason, R. Sarah Richardson, Sue Scott, and Kristie Everett Zamora. American Art at the Flint Institute of Arts. Introduction by William H. Gerdts. Entry “Robert Motherwell,” by Sue Scott, pp. 180-81. New York and Manchester, Vt.: Hudson Hills Press and Flint Institute of Arts, 2003.

Baur 1951a

Baur, John I. H. “American Art After 25 Years: A Richer Diversity Than Ever Before.” Art Digest 26, no. 3 (November 1, 1951): pp. 14-19.

Baur 1951b

Baur, John I. H. Revolution and Tradition in Modern American Art (includes artist’s statements). Cambridge, Mass.: Harvard University Press, 1951.

Baur 1967

Baur, John I. H. “The Rich Turmoil of Contemporary Art: Today’s Art and How It Got that Way.” Chicago Tribune, April 23, 1967, sec. Magazine, pp. 42-45, 66, 69, 71.

Beals 1982

Beals, Kathie. “Abstract Expressionism Still Lives.” Gannett Westchester Newspapers, October 22, 1982, sec. Weekend, p. 1. Review of Stamford Museum & Nature Center, Conn., 1982.

Beals 1984

Beals, Kathie. “Motherwell Retrospective Spans Four Decades of Artist’s Work.” Gannett Westchester Newspapers, December 6, 1984, sec. C, pp. 1-3. Review of Solomon R. Guggenheim Museum, New York, 1984.

Bearden and Holty 1969

Bearden, Romare, and Carl Holty. The Painter’s Mind: A Study of the Relations of Structure and Space in Painting. New York: Crown, 1969.

Belgrad 1994

Belgrad, Daniel Mark. “The Social Meanings of Spontaneity in American Arts and Literature, 1940-1960” (includes artist’s statements). Ph.D. diss., Yale University, 1994.

Belgrad 1998

Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America (includes artist’s statements). Chicago: University of Chicago Press, 1998.

Bell 1961

Bell, Gilbert. “New Trends: Modern Art Exhibit.” Concordiensis 91, no. 18 (March 17, 1961): p. 4. Review of Union College, N.Y., 1961.

Bellevue Gazette 1969

“Motherwell Art Exhibit Opens.” Bellevue Gazette (Ohio), October 24, 1969, p. 4.

Belser Kunst Quartal 2004

Belser Kunst Quartal 4 (October-December 2004): cover.

Belting 1983

Belting, Hans. “Bericht aus München” (text in German). Art International 26, no. 2 (April-June 1983): pp. 60-63, 66-67, 76.

Bennett 2003

Bennett, Lennie. “Bits and Pieces.” St. Petersburg Times (Florida), October 12, 2003, sec. F, pp. 4, 12. Review of Everson Museum of Art, Syracuse, N.Y., 2002.

Benson 1951a

Benson, Gertrude. “Striking Camera Studies at Art Museum” (includes artist’s statements). Philadelphia Inquirer, October 7, 1951, sec. Society, pp. 19, 28.

Benson 1951b

Benson, Gertrude. “Synagogue Goes Modern” (includes artist’s statements). Today (Philadelphia Inquirer magazine), November 18, 1951, p. 30.

Berkman 1962

Berkman, Florence. “Motherwell Opens Art Lecture Series” (includes artist’s statements). Hartford Times, March 24, 1962, p. 26.

Berkman 1965

Berkman, Florence. “25 Years Art Leader: Motherwell Honored with Show” (includes artist’s statements). Hartford Times, October 30, 1965, p. 36. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Berkman 1971

Berkman, Florence. “Motherwell—Painting Entering ‘Temporary’ Decline” (interview with the artist). Hartford Times, March 28, 1971, sec. D, p. 13.

B[erkson] 1965

B[erkson], W[illiam]. “In the Museums: Recent Exhibitions.” Arts Magazine 40, no. 2 (December 1965): pp. 42-43. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Berman 1985

Berman, Avis. “The Triumph of Abstract Expressionism” (includes artist’s statements). Modern Maturity 28, no. 2 (April-May 1985): pp. 58-65, 108.

Berman 1991

Berman, Ann E. “Designing Man: With an Artist’s Eye, Jay Crawford Composes a Dramatic Mix of Objects and Pictures in His Manhattan Town House.” Art & Auction, November 1991, pp. 140-45.

Bernardi 1966

Bernardi, Marziano. “L’Artista americano Motherwell in una grande mostra a Torino” (text in Italian). La Stampa (Turin, Italy), September 27, 1966, p. 5. Review of traveling exhibition at Galleria Civica d'Arte Moderna (see Museum of Modern Art, New York, Robert Motherwell, September 1965).

B[ernier] 1955

B[ernier], R[osamond]. “Coup d’oeil sur l’art américain” (text in French). L’Oeil, no. 3 (March 15, 1955): pp. 40-43. Review of the circulating exhibition at Musée Nationale d’Art Moderne, March 1955 (see Museum of Modern Art, New York, 1955).

Bernstein 1996

Bernstein, Jay. “The Death of Sensuous Particulars: Adorno and Abstract Expressionism.” Radical Philosophy 76 (March-April 1996): cover, pp. 7-18.

Bertens and Natoli 2002

Bertens, Hans, and Joseph Natoli, eds. Postmodernism: The Key Figures. Malden, Mass.: Blackwell, 2002.

Betti and Sale 1980

Betti, Claudia, and Teel Sale. Drawing: A Contemporary Approach. 1st ed. New York: Holt, Rinehart, and Winston, 1980.

Betti and Sale 1997

Betti, Claudia, and Teel Sale. Drawing: A Contemporary Approach. 4th ed. Fort Worth, Tex.: Harcourt Brace College, 1997.

Betti and Sale 2008

Sale, Teel, and Claudia Betti. Drawing: A Contemporary Approach. 6th ed. Boston: Thomson Wadsworth, 2008.

Betts 1952

Betts, Edward. “Dada: The Last Word” (book review). Art Digest 26, no. 15 (May 1, 1952): p. 23.

Bier 1952a

Bier, Justus. “Art: Paintings from Abstract Movement Are on Exhibit at Speed.” Courier-Journal (Louisville, Ky.), March 2, 1952, sec. 5, p. 4. Review of J. B. Speed Art Museum, Louisville, Ky., 1952; and of Library Rotunda, University of Louisville, Ky., 1952.

Bier 1952b

Bier, Justus. “Art: Speed Museum Exhibits Selections from Chicago Show.” Courier-Journal (Louisville, Ky.), May 25, 1952, p. 4. Review of J. B. Speed Art Museum, Louisville, Ky., 1952.

Binkiewicz 2004

Binkiewicz, Donna M. Federalizing the Muse: United States Arts Policy and the National Endowment for the Arts, 1965-1980. Chapel Hill: University of North Carolina Press, 2004.

B[ird] 1951

B[ird], P[aul]. “Motherwell: A Profile” (interview with the artist). Art Digest 26, no. 1 (October 1, 1951): pp. 6, 23.

Bishop et al. 2005

Bishop, Janet, Michael Auping, Jonathan Weinberg, and Charles Ray. Robert Bechtle: A Retrospective. Berkeley and Los Angeles: University of California Press, 2005.

Bjone 2002

Bjone, Christian. First House: The Grid, the Figure, and the Void. Chichester, West Sussex, England: Wiley-Academy, 2002.

Blesh 1956

Blesh, Rudi. Modern Art USA: Men, Rebellion, Conquest, 1900-1956. New York: Alfred A. Knopf, 1956.

Bloomfield 1968

Bloomfield, Arthur. “A Remarkable Gift to the S.F. Museum.” Publication unknown [California], [October 1968]. Review of San Francisco Museum of Art, October 1968.

Bocola 2001

Bocola, Sandro. Timelines: The Art of Modernism, 1870-2000. Cologne, Germany: Taschen, 2001.

Bode 1981

Bode, Peter M. “Ich liebe die Malerei wie den Körper einer Frau” (text in German). Publication unknown [Munich], [November] 1981. Review of Haus der Kunst, Munich, 1981.

Boehs 1971

Boehs, Clydene Lillian. “Robert Motherwell: Neo-Academician” (includes artist’s statements). M.A. thesis, University of Oklahoma, 1971.

Boeing World Headquarters 2003

Boeing World Headquarters. Our Home in Chicago. Chicago: Boeing, 2003.

Boettger 1984

Boettger, Suzaan. “Action Painting: ‘Elegies,’ ‘Opens’ and Other Motherwellian Form.” City Arts, April 1984, p. 19. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Bohigas et al. 1986

Bohigas, Oriol, Victoria Combalia, Jacques Dupin, Michel Leiris, Barbara Rose, and Margit Rowell. A Joan Miró: Col-lecció permanent d’art contemporani en homenatge a Joan Miro (text in English and Catalan; includes artist's statements). Barcelona: Fundació Joan Miró, 1986.

Bonet 1978

Bonet, Juan Manuel. “El Esplendor Motherwell” (text in Spanish). El Pais (Madrid), November 5, 1978, p. 6.

Bonet 1980

Bonet, Juan Manuel. Robert Motherwell Vino a Madrid (text in Spanish). Boletín Informativo (Fundación Juan March) 94 (June 1980): pp. 15-21.

Bonet 1982

Bonet, Juan Manuel. “Campano” (text in French). Art Press International (Paris) 56 (February 1982): p. 21.

Bonet 1983

Bonet, Juan Manuel. “Americanos en Paris: Los Años cincuenta” (text in Spanish). Goya: Revista de Arte (Madrid), no. 177 (November-December 1983): pp. 132-37.

Bonet 1996

Bonet, Juan Manuel. “Motherwell en el Recuerdo” (text in Spanish). Arte y Parte, no. 5 (October-November 1996): pp. 6-12.

Bonet 2002

Bonet, Juan Manuel. 200 Obras de la colección del Museo Nacional Centro de Arte Reina Sofía (text in English and Spanish). Madrid: Ediciones Aldaesa, 2002.

Bonetti 1987

Bonetti, David. “Art: The First Resort.” Boston Phoenix, September 4, 1987, sec. 3, pp. 9, 14. Review of Long Point Gallery, Provincetown, Mass., 1987.

Borger 1988

Borger, Irene. “Knossos Moderne: Refined Lines for Palm Springs.” Architectural Digest 45, no. 12 (December 1988): pp. 126-33.

Borges 1986

Borges, Jorge Luis. Enquêtes suivi de Entretiens (text in French). Paris: Éditions Gallimard, 1986, cover.

Boston Globe 1966a

“Abstract Painting of JFK Death Scene Stirs Furor.” Boston Globe, August 12, 1966, p. 26.

Boston Globe 1966b

“JFK Painting Furor Fulfills a Purpose?” (includes artist’s statements). Boston Globe, August 12, 1966, pp. 1, 19.

Boston Traveler 1966

“Ted to Inspect Mural Depicting JFK’s Slaying.” Boston Traveler, August 12, 1966, pp. 1, 4.

Boston University Journal 1973

“Drawing.” Boston University Journal 21, no. 2 (spring 1973): p. 43.

Boswell 1950

Boswell, Peyton. “Modern Manifesto Repercussions.” Art Digest 24, no. 14 (April 15, 1950): p. 5.

B[oswell] 1952

B[oswell], P[eyton]. “Fifty-Seventh Street in Review.” Art Digest 26, no. 7 (January 1, 1952): p. 20. Review of Samuel M. Kootz Gallery, New York, December 1951.

Bouisset 1977

Bouisset, Maiten. “La Peinture de Robert Motherwell: Une Grande aventure de l’esprit” (text in French). Le Matin (Paris), July 7, 1977, p. 22. Review of Musée de l’Art Moderne de la Ville de Paris, 1977.

Bourdon 1965

Bourdon, David. “Elephantine Doodling.” Village Voice, November 11, 1965, p. 13. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Bowen 1966

Bowen, Denis. “Robert Motherwell at the Whitechapel.” Arts Review (London) 18, no. 6 (April 2, 1966): p. 132. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).

Bowness 1967

Bowness, Alan. “The American Invasion and the British Response.” Studio International 173, no. 890 (June 1967): pp. 285-93.

Bowness 1978

Bowness, Alan. “Image of the Week’s Search for Expression.” Sunday Times (London), [February 1978].

Bowness 1989

Bowness, Alan. The Conditions of Success: How the Modern Artist Rises to Fame. London: Thames and Hudson, 1989.

Bowyer 1966

Bowyer, A. W. “Art.” Belfast Telegraph, April 15, 1966, p. 12. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).

B[rach] 1953

B[rach], P[aul]. “Fifty-Seventh Street in Review.” Art Digest 27, no. 12 (March 15, 1953): p. 20. Review of Samuel M. Kootz Gallery, New York, March 1953.

Braun 1979

Braun, Elisabeth. “Motherwell’s New Oils Use Black and White as Colors.” Greenwich Time, April 6, 1979, p. 16. Review of William Benton Museum of Art, University of Connecticut, Storrs, 1979.

Braun-Munk 1991

Braun-Munk, E. C. “Unfettered Art.” Vogue Decoration, no. 30 (February-March 1991): pp. 70-79.

Breerette 1977

Breerette, Genevieve. “La Rétrospective Motherwell a l’Arc: Exprimer l’homme dans sa totalité” (text in French). Le Monde, June 24, 1977, pp. 1, 32. Review of Musée d’Art Moderne de la Ville de Paris, 1977.

Brenson 1982

Brenson, Michael. “Motherwell in Munich.” New York Times, September 10, 1982, sec. C, p. 16.

Brenson 1983a

Brenson, Michael. “Art People: U.S. Selects Miss Tucker.” New York Times, November 25, 1983, sec. C, p. 22.

Brenson 1983b

Brenson, Michael. “Why Robert Motherwell Provokes Diverse Opinions” (includes artist’s statements). New York Times, October 30, 1983, sec. 2, pp. 29, 35. Review of Albright-Knox Art Gallery, Buffalo, 1983.

Brenson 1987

Brenson, Michael. “When America Put Its Stamp on World Painting.” New York Times, October 18, 1987, sec. 2, pp. 39, 40. Review of Albright-Knox Art Gallery, Buffalo, September 1987.

Breslin 1993

Breslin, James E. B. Mark Rothko: A Biography (includes artist’s statements). Chicago: University of Chicago Press, 1993.

Breslin 1995

Breslin, James E. B. “Robert Motherwell: From WASPism to Modernism” (includes artist’s statements). Threepenny Review, no. 61 (spring 1995): pp. 24-25.

[Brett] 1966

[Brett, Guy]. “Robert Motherwell Retrospective in London.” Times (London), March 24, 1966, p. 16. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).

B[reuning] 1950a

B[reuning], M[argaret]. “Fifty-Seventh Street in Review.” Art Digest 24, no. 20 (September 15, 1950): p. 18. Review of Samuel M. Kootz Gallery, New York, [September] 1950.

B[reuning] 1950b

B[reuning], M[argaret]. “Fifty-Seventh Street in Review.” Art Digest 24, no. 17 (June 1, 1950): p. 16. Review of Samuel M. Kootz Gallery, New York, June 1950.

B[reuning] 1951

B[reuning], M[argaret]. “Fifty-Seventh Street in Review.” Art Digest 25, no. 16 (May 15, 1951): p. 22. Review of Samuel M. Kootz Gallery, New York, May 1951.

Brian 1950

Brian, Doris. “Dealers Help Artists Help Themselves.” Art Digest 25, no. 1 (October 1, 1950): pp. 11, 29. Review of Samuel M. Kootz Gallery, New York, October 1950.

Briot 1981

Briot, Marie-Odile, and Danielle Molinari. “Musée d’Art moderne de la Ville de Paris” (text in French). La Revue du Louvre 31 (April 1981): pp. 300-302.

Britannica Encyclopedia of American Art 1973

The Britannica Encyclopedia of American Art. Entry “Robert Motherwell,” by H. H. Arnason, pp. 380-83. Chicago: Encyclopaedia Britannica Educational Corporation, 1973.

Bromberg 1983

Bromberg, Anne R. Dallas Museum of Art: Selected Works. Dallas: Dallas Museum of Art, 1983.

Brommer 2007

Brommer, Gerald F. “Abstract Expressionism.” Chap. 17.1 in Discovering Art History. 4th ed. Worcester, Mass.: Davis, 2007.

Brooke 1985

Brooke, James. “Trend-Setting Quonset Hut Is Demolished on L.I.” (includes artist’s statements). New York Times, August 3, 1985, p. 26.

Brooker 1989

Brooker, Alice S. “Was There a Myth in the Making?—A Structuralist Approach to Robert Motherwell’s Elegies to the Spanish Republic” (includes artist’s statements). Athanor (Florida State University) 7 (March 1989): pp. 63-69.

Brown 1951-52

Brown, Gordon. “New Tendencies in American Art” (includes artist’s statements). College Art Journal 11, no. 2 (winter 1951-52): pp. 103-10.

Brown 1976

Brown, Gordon. “Arts Reviews.” Arts Magazine 51, no. 3 (November 1976): p. 18. Review of Gruenebaum Gallery, New York, 1976.

Brown 1985

Brown, Kenneth. “Brooklyn’s Beauty Is Highlighted in a New Exhibition.” Flatbush Life 29, no. 19 (May 13, 1985): sec. 2, p. 11B. Review of Museum of the Borough of Brooklyn at Brooklyn College, 1985.

Brunel 1987

Brunel, Nathalie. “L’Art ne s’est pas arrêté en 1900” (text in French). L’Express Style, January 16-February 12, 1987, pp. 60-65.

Bruner 1969

Bruner, Louise. “See Motherwell Now, Ask About Show Later.” Toledo Blade (Ohio), November 7, 1969, pp. 1, 4. Review of Toledo Museum of Art, Ohio, 1969.

Brunet-Weinmann 1987

Brunet-Weinmann, Monique. “Robert Motherwell a Provincetown: Une interview avec Monique Brunet-Weinmann” (text in French; interview with the artist). Vie Des Arts 32, no. 128 (September-autumn 1987): pp. 40-41.

Brunet-Weinmann 1991

Brunet-Weinmann, Monique. “Élégie pour Motherwell” (text in French, obituary). Le Devoir, August 3, 1991, sec. B, pp. [1], 2.

Brustein 1958

Brustein, Robert. “The Cult of the Unthink.” Horizon 1, no. 1 (September 1958): pp. 38-44, 134-35.

Buettner 1973

Buettner, William Stewart. “American Art Theory: 1940-1960” (includes artist’s statements). Ph.D. diss., Northwestern University, 1973.

Buettner 1981

Buettner, Stewart. American Art Theory: 1945-1970 (includes artist’s statements). Ann Arbor, Mich.: UMI Research Press, 1981.

Bujese 1982

Bujese, Alene, ed. Twenty-Five Artists. Foreword by Thomas M. Messer; photographs by Hans Namuth. Frederick, Md.: University Publications of America, 1982.

Bulletin 1967

“American Painting 1952-1966: The Largest Exhibition of U.S. Paintings to Come to this Country, Currently in Sydney.” Bulletin (Sydney) 89, no. 4561 (August 5, 1967): pp. 10-12.

Bulletin of the Rhode Island School of Design 1973

“Section III: Contemporary Graphics from the Museum’s Collection.” Bulletin of the Rhode Island School of Design 59, no. 6 (April 1973).

Bürcklin 1974

Bürcklin, Heidi. “Oden für einen Maler: Motherwells Zyklus A La Pintura in der Galerie Wentzel” (text in German). Die Welt 79 (April 3, 1974): p. 24.

Burg et al. 1995

Burg, Detlev von der, Martin Schawe, et al. Pinakothek der Moderne: Eine Vision des Museums für Kunst, Architektur und Design des 20. Jahrhunderts in München (text in German). Entry “Robert Motherwell,” p. 169. New York and Munich: Prestel, 1995.

Burkhart 1984

Burkhart, Dorothy. “Motherwell: Elegance Is His Signature.” Mercury News (San Jose, Calif.), April 20, 1984, sec. D, pp. 1, 5. Review of the traveling exhibition at San Francisco Museum of Modern Art, April 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Burlington Magazine 1999

“Supplement: Twentieth-Century Works of Art Recently Acquired by American Museums.” Burlington Magazine 141, no. 1150 (January 1999): pp. 68-72.

Burnham 1973

Burnham, Sophy. The Art Crowd: The Inside Story of How a Few Rich and/or Powerful Figures Control the World’s Art Market. New York: David McKay, 1973.

Burr 1966

Burr, James. “Totems and Techniques.” Apollo 83, no. 50 (April 1966): pp. 299-300. Review of the traveling exhibition at Whitechapel Art Gallery, London, March 1966 (see Museum of Modern Art, New York, Robert Motherwell, September 1965).

Burr 1978

Burr, James. “The Immediacy of America.” Apollo 107, no. 191 (January 1978): p. 64. Review of Royal Academy of Arts, London, 1978.

Burrows 1949

Burrows, Carlyle. “Modern Museum Exhibit Features Works by Chagall.” New York Herald Tribune, December 26, 1949. Review of Museum of Modern Art, New York, 1949.

Burrows 1950a

Burrows, Carlyle. “Art Review: A New Glance at the Summer Offerings.” New York Herald Tribune, June 18, 1950, sec. 5, p. 5. Review of Samuel M. Kootz Gallery, New York, June 1950.

Burrows 1950b

Burrows, Carlyle. “Purchase Show on at Museum Of Modern Art: Work by DeChirico, Masson, Modigliani and Picasso Among 13 Acquisitions." New York Herald Tribune, February 1, 1950. Review of Museum of Modern Art, 1950.

Burrows 1950c

Burrows, Carlyle. “Varied Art Openings Here Anticipate a New Season.” New York Herald Tribune, September 10, 1950, sec. 5, p. 6. Review of Samuel M. Kootz Gallery, New York, [September] 1950.

Burrows 1951a

Burrows, Carlyle. “Art Review: Among the Modern Groups; Progress Indicated By Group Shows.” New York Herald Tribune, June 10, 1951, sec. 4, p. 6. Review of Samuel M. Kootz Gallery, New York, June 1951.

Burrows 1951b

Burrows, Carlyle. “Art: Vanguard Works Selected for Exhibition.” New York Herald Tribune, December 30, 1951, sec. 4, p. 7. Review of Sidney Janis Gallery, New York, 1951.

Burrows 1952a

Burrows, Carlyle. “Art Review: The Holiday Groups, Other Exhibitors.” New York Herald Tribune, November 30, 1952, sec. 4, p. 4. Review of Samuel M. Kootz Gallery, New York, November 1952.

Burrows 1952b

Burrows, Carlyle. “Rouault, on the Circus; American Period Survey.” New York Herald Tribune, April 6, 1952, sec. 4, p. 10. Review of Samuel M. Kootz Gallery, New York, Robert Motherwell: Paintings, Drawings, and Collages, April 1952.

Burton et al. 2007

Burton, Johanna, Kevin Hatch, Suzanne Hudson, Alex Kitnick, Julia E. Robinson, and Diana K. Tuite. Pop Art: Contemporary Perspectives (exhibition catalogue). Preface by John Wilmerding; introduction by Hal Foster. New Haven, Conn.: Yale University Press, 2007.

Busa 1988

Busa, Christopher, ed. “The Painter and the Printer: Robert Motherwell & Catherine Mosley” (interview with the artist). Provincetown Arts 4 (1988): pp. 10-15.

Busa 1991

Busa, Christopher. “Long Point Gallery: Thirteen Ways of Looking at an Artist” (includes artist’s statements). Provincetown Arts 7 (1991): pp. 4-15, 143-47.

C. 1977

P. C. “Exposition Motherwell l’humain” (text in French). Elle (Paris), August 2, 1977, p. 18. Review of Musée d’Art Moderne de la Ville de Paris, 1977.

C. 1980

R.M.C. “Motherwell, un filosofo de la pintura” (text in Spanish). La Vanguardia, February 26, 1980, p. 55.

Cahiers d’art 1947

“Exposition de peintres Américains a Paris” (text in French). Cahiers d’art, no. 22 (1947): pp. 330, 333. Review of Galerie Maeght, Paris, 1947.

Calderone 1996

Calderone, Joe. “PA Stash Is a Work of Art: Hidden Treasures Appraised at 26M.” Daily News (New York), February 12, 1996, pp. 5, 28.

Calnek 1989

Calnek, Anthony. “New York.” Contemporanea, May 1989, pp. 14-15. Review of Marisa del Re Gallery, New York, February 1989.

Cameron 1978

Cameron, Alan. “Art of the State.” New Haven Advocate 3, no. 23 (January 25, 1978): sec. 2, pp. 22-23. Review of Carlson Gallery, University of Bridgeport, Conn., 1978.

C[ampbell] 1953

C[ampbell], L[arry]. “Reviews and Previews.” Artnews 52, no. 3 (May 1953): p. 52. Review of Samuel M. Kootz Gallery, New York, April 1953.

Campbell 1975

Campbell, R. M. “In SF’s ‘Garden.’” Seattle Post-Intelligencer, July 8, 1975, sec. A, p. 15. Review of John Berggruen Gallery, San Francisco, 1975.

Campbell 1993

Campbell, Peter. “To Hell with the Lyrics” (book review; includes artist’s statements). London Review of Books, March 25, 1993, pp. 19-20.

Campoy 1987

Campoy, A. M. “La Exposicion de la semana: Robert Motherwell” (text in Spanish). ABC (Madrid), March 19, 1987, p. 101. Review of the traveling exhibition at Galería Juana Mordó, Madrid, March 1987 (see Galería Joan Prats, Barcelona, 1986).

Canaday 1960

Canaday, John. “Word of Mouth: Four Abstract Painters Make a Brave Try at Explaining Their Ideas” (includes artist’s statements). New York Times, April 3, 1960, sec. 2, p. 13.

Canaday 1964a

Canaday, John. “Art: Two Exhibitions Begin Guggenheim’s Season.” New York Times, September 17, 1964, p. 50. Review of Solomon R. Guggenheim Museum, New York, September 1964.

Canaday 1964b

Canaday, John. “Re Conscience: An Exhibition Traces the Persistence of Social Awareness in Our Art” (includes artist’s writings). New York Times, March 1, 1964, sec. 2, p. 23. Review of Wollman Hall, New School of Art Center, New York, 1964.

C[anaday] 1965

C[anaday], J[ohn]. “Each Man to His Own Cup of Tea.” New York Times, October 17, 1965, sec. 2, p. 33. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Canaday 1969

Canaday, John. Culture Gulch: Notes on Art and Its Public in the 1960’s. Essay “Out of Patience with Robert Motherwell,” pp. 82-83. New York: Farrar, Straus, and Giroux, 1969. Essay originally published as “Each Man to His Own Cup of Tea”; see C[anaday] 1965.

Canaday 1973

Canaday, John. “National Gallery Samples Some Moderns.” New York Times, November 2, 1973, p. 52. Review of National Gallery of Art, Washington, D.C., 1973.

Canaday 1978

Canaday, John. “John Canaday on Art: This One We’ll Keep.” New Republic, July 8 and 15, 1978, pp. 30-31. Review of National Gallery of Art, Washington, D.C., 1978.

Cape Codder 1977

“Art.” Cape Codder, August 23, 1977, sec. 2, p. 8.

Cape Cod Standard-Times 1963

“Cape-tip Colonist Exhibits Art in Cambridge Gallery.” Cape Cod Standard-Times, February 25, 1963, p. 3.

Careri 1992

Careri, Giovanni. “Le Vertige du Mélange: Architecture, Sculpture, Peinture” (text in French; includes artist’s statements). Les Cahiers du Musée National d’Art Moderne 39 (spring 1992): pp. 6-23.

Carlin 1976

Carlin, Margie. “Abstract Artistry Grows, Robert Motherwell Says” (includes artist’s statements). Pittsburgh Press, February 19, 1976, sec. Living, p. 18.

Carlsen 1979

Carlsen, Peter. “New York Simplicity: A Sleek Contemporary Design for the Olympic Tower.” Architectural Digest 36, no. 1 (January-February 1979): pp. 84-91.

Carlsen 1982

Carlsen, Peter. “Tradition Redefined: A New Direction for Designer Jay Spectre in Washington, D.C.” Architectural Digest 39, no. 4 (April 1982): pp. 114-21.

Carmean 1972

Carmean, E. A., Jr. "The Collages of Robert Motherwell." In The Collages of Robert Motherwell (exhibition catalogue; includes artist's statements), pp. 11-42. Houston: Museum of Fine Arts, Houston, 1972. See entry in List of Exhibitions.

C[armean] 1974a

C[armean], E. A. “Four Prints by Robert Motherwell.” Museum of Fine Arts, Houston, Bulletin 5, no. 1 (spring 1974): pp. 91-93.

Carmean 1974b

Carmean, E. A., Jr. “Modernist Art 1960 to 1970.” Studio International 188, no. 968 (July-August 1974): pp. 9-13.

Carmean 1976

Carmean, E. A., Jr. “Robert Motherwell’s Spanish Elegies” (includes artist’s statements). Arts Magazine 50, no. 10 (June 1976): pp. 94-97.

Carmean 1978

Carmean, E. A., Jr. “Robert Motherwell: The Elegies to the Spanish Republic.” In American Art at Mid-Century: The Subjects of the Artist (exhibition catalogue; includes artist’s statements), by E. A. Carmean Jr., Eliza E. Rathbone, and Thomas B. Hess, pp. 92-122. Washington, D.C.: National Gallery of Art, 1978. See entry in List of Exhibitions.

Carmean 1980

Carmean, E. A., Jr. Reconciliation Elegy. Contributions by Robert Motherwell, Robert Bigelow, and John E. Scofield. Geneva: Editions d’Art Albert Skira S.A.; New York: Rizzoli International, 1980.

Carmean 1981

Carmean, E. A., Jr. “The Sandwiches of the Artist.” October 16 (spring 1981): pp. 87-101.

Carroll 1985

Carroll, Maurice. “Vandal Slashes 8 Big Paintings at Albany Mall.” New York Times, May 4, 1985, pp. 1, 32.

Carver 1965

Carver, Mabel MacDonald. “Local Art.” Villager (New York) 33, no. 26 (October 7, 1965): pp. 6, 12. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

Cassou 1947

Cassou, Jean. “Paris in July: Sculpture in the Open, Picasso, Severini.” Artnews 46, no. 5 (July 1947): pp. 24, 39. Review of Galerie Maeght, Paris, 1947.

Cateforis 2000-2001

Cateforis, David. “Robert Motherwell’s ‘Figure Before Blackness’” (includes artist’s statements). Spencer Museum of Art Register 7, no. 3 (July 1, 2000-June 30, 2001): pp. 2-11.

Catoir 1976a

Catoir, Barbara. “Robert Motherwell oder die Überwindung des Weisen” (text in German). Feuilleton, October 2, 1976, p. 23.

Catoir 1976b

Catoir, Barbara. “Uberwindung der weisen Fläche: Ein Gespräch mit Robert Motherwell” (text in German; interview with the artist). Das Kunstwerk 6, no. 24 (November 1976): pp. 7-8, 14-15, 43.

Catoir 1980

Catoir, Barbara. “The Artist as a ‘Walking Eye’: Fragen an Robert Motherwell” (text in English and German; interview with the artist). Pantheon 38, no. 3 (July-August-September 1980): pp. 281-89, 304.

Cavaliere 1979a

Cavaliere, Barbara. “Early Abstract Expressionism: The 1940s” (text in English and Italian; includes artist’s statements). Flash Art, nos. 86-87 (January-February 1979): pp. 26-32.

Cavaliere 1979b

Cavaliere, Barbara. “Arts Review.” Arts Magazine 54, no. 3 (November 1979): p. 21. Review of Pace Gallery, New York, 1979.

Cavaliere and Hobbs 1977

Cavaliere, Barbara, and Robert C. Hobbs. “Against A Newer Laocoon” (includes artist’s statements). Arts Magazine 51, no. 8 (April 1977): pp. 110-17.

Caws 1996a

Caws, Mary Ann. “End Paper: A Passion for Process” (includes interview with the artist). Chronicle of Higher Education 42, no. 42 (June 28, 1996): sec. 2, pp. 1, 48. Excerpted from Caws 1996b.

Caws 1996b

Caws, Mary Ann. Robert Motherwell: What Art Holds (includes artist’s statements). New York: Columbia University Press, 1996.

Caws 2003

Caws, Mary Ann. Robert Motherwell: With Pen and Brush (includes artist’s statements). London: Reaktion Books, 2003.

Caws 2004

Caws, Mary Ann. “Looking: Literature’s Other.” PMLA (Modern Language Association of America) 119, no. 5 (October 2004): pp. 1293-1314.

Caws 2006

Caws, Mary Ann. “Robert Motherwell and the Modern Painter’s World.” In Artists, Intellectuals, and World War II: The Pontigny Encounters at Mount Holyoke College, 1942-1944, edited by Christopher Benfey and Karen Remmler, pp. 114-21. Amherst: University of Massachusetts Press, 2006.

Celentano 1957

Celentano, Francis M. “The Origins and Development of Abstract Expressionism in the United States” (includes interview with the artist). M.A. thesis, New York University, 1957.

Cernuschi 1997

Cernuschi, Claude. “Not an Illustration but the Equivalent”: A Cognitive Approach to Abstract Expressionism (includes artist’s statements). Madison, N.J.: Fairleigh Dickinson University Press; Teaneck, N.J.: Associated University Presses, 1997.

Chalumeau 1984

Chalumeau, Jean-Luc. “L’Abstraction Farouche de Corine Ferté” (text in French). Opus International, no. 93 (spring 1984): pp. 35-36.

Chalumeau 1998

Chalumeau, Jean-Luc. Motherwell, 1915-1991 (text in French). Paris: Cercle d’Art, 1998.

Chamorro 1986

Chamorro, Eduardo. “Ida y vuelta de Robert Motherwell” (text in Spanish). Cambio, no. 780 (November 10, 1986): p. 214. Review of Galería Joan Prats, Barcelona, 1986.

Chandler 1971

Chandler, John Noel. “The Colors of Monochrome: An Introduction to the Seduction of Reduction” (includes artist’s statements). Artscanada 28, no. 5 (October-November 1971): pp. 18-31.

Chandler 2001a

Chandler, Mary Voelz. “Contemporary Art Evolution on Wazee.” Rocky Mountain News (Denver), January 21, 2001, sec. D, p. 4. Review of Robischon Gallery, Denver, 2001.

Chandler 2001b

Chandler, Mary Voelz. “Critics’ Choice.” Rocky Mountain News (Denver), February 18, 2001, sec. Sunday Spotlight, p. 3D. Review of Robischon Gallery, Denver, 2001.

Chanin 1951

Chanin, A. L. “Abstract Art in a Synagogue, a Revolutionary Innovation.” Compass, October 7, 1951, p. 24. Review of Samuel M. Kootz Gallery, New York, October 1951.

Chapman 1980

Chapman, George. “Painterly Painting—Into the Seventies: Robert Motherwell, Robert Ryman, and Jake Berthot” (includes artist’s statements). Rutgers Art Review 1 (January 1980): pp. 49-66.

Charmet 1965

Charmet, Raymond. Concise Encyclopedia of Modern Art. Edited by Roger Brunyate. Chicago: Follett, 1965.

Chaslin 1992

Chaslin, François. “Architectes en désir des arts” (text in French). Les Cahiers du Musée National d’Art Moderne 39 (spring 1992): pp. 44-59.

Chicago Tribune 1967

“Notes about Art.” Chicago Tribune, December 3, 1967, sec. 5, p. 2.

Chicago Tribune 1968

“Notes and Exhibits.” Chicago Tribune, July 7, 1968, sec. 5, p. 3.

Chipp 1968

Chipp, Herschel B. Theories of Modern Art: A Source Book by Artists and Critics (includes artist’s statements). Contributions by Peter Selz and Joshua C. Taylor. Berkeley and Los Angeles: University of California Press, 1968.

Chrysler Museum of Art 2007

Chrysler Museum of Art. Collecting with Vision: Treasures from the Chrysler Museum of Art. Norfolk, Va.: Chrysler Museum of Art, in association with D Giles, London, 2007.

Cimons 1977

Cimons, Marlene. “Joan Mondale, Expert in Residence: Art Tour at Admiral’s House.” Los Angeles Times, March 25, 1977, sec. F, pp. 1, 13. Review of Admiral’s House, vice presidential residence, Washington, D.C., 1977.

Cincinnati Enquirer 1974

“Art Museum Acquires Motherwell Painting” (includes artist’s statements). Cincinnati Enquirer, May 26, 1974, sec. F, p. 6.

Cinco Dias 1987

“Robert Motherwell, sólo pintura” (text in Spanish). Cinco Dias (Montevideo, Uruguay), March 31, 1987.

Cinqualbre et al. 1993

Cinqualbre, Olivier, Christian Leprette, Joseph Abram, Gilles Ragot, Marc Bédardia, Philippe Fouquey, Bernard Bauchet, Francis Lamond, Arthur Rüegg, and Marc Vellay. Pierre Chareau architecte, un art intérieur (text in French). Entry “Maison et atelier de Robert Motherwell,” pp. 82-83. Paris: Centre Georges Pompidou, 1993.

Citron 1947

Citron, Minna. “Paris Post: Some Impressions of the French Art Season.” New York Herald Tribune, June 20, 1947. Review of Galerie Maeght, Paris, 1947.

Civic News 1985

“Brooklyn’s Bounty at Boro Museum.” Civic News (Brooklyn) 48, no. 4 (April 1985): p. 5. Review of Museum of the Borough of Brooklyn at Brooklyn College, 1985.

Clarke 1983

Clarke, Orville O., Jr. “Motherwell Reappraised” (book review). Artweek 14, no. 31 (September 24, 1983): p. 13.

Clarke 1988

Clarke, David James. “The Influence of Oriental Thought on Postwar American Painting and Sculpture.” Ph.D. diss., Courtauld Institute of Art, 1988.

Claus 1965

Claus, Jurgen. “Robert Motherwell—Grundtypen Seines Werkes” (text in German; includes artist’s statements). Das Kunstwerk 8, no. 18 (February 1965): pp. 3-9.

Cleaver 1984

Cleaver, Dale G. Art: An Introduction. 4th ed. San Diego, Calif.: Harcourt Brace Jovanovich, 1984.

Close 1972a

Close, Roy M. “‘Elegy’ Series Still Dramatic in Walker Motherwell Exhibit.” Minneapolis Star, June 20, 1972, sec. B, p. 2. Review of Walker Art Center, Minneapolis, 1972.

Close 1972b

Close, Roy M. “There’s Hint of Poet in this Artist Exhibiting at Walker.” Minneapolis Star, August 10, 1972. Review of Walker Art Center, Minneapolis, 1972.

Clothier 1990

Clothier, Peter. “Jay Chiat: Order and Mystery.” Artnews 89, no. 5 (May 1990): pp. 113-16.

Coates 1943

Coates, Robert M. “The Art Galleries: Past and Present.” New Yorker 19, no. 48 (May 29, 1943): pp. 49-50. Review of Art of This Century, New York, May 1943.

Coates 1946

Coates, Robert M. “The Art Galleries: Past and Present.” New Yorker 21, no. 48 (January 12, 1946): pp. 49-50. Review of Samuel M. Kootz Gallery, New York, January 1946.

Coates 1950

Coates, Robert M. “The Art Galleries: Masters, Mixed.” New Yorker 26, no. 3 (March 11, 1950): pp. 70-73. Review of Samuel M. Kootz Gallery, New York, February 1950.

Coates 1951a

Coates, Robert M. “The Art Galleries: Analyzing the Americans.” New Yorker 27, no. 41 (November 24, 1951): pp. 89-91. Review of Brooklyn Museum, November 1951.

Coates 1951b

Coates, Robert M. “The Art Galleries: The Abstract Expressionists and Others.” New Yorker 27, no. 46 (December 29, 1951): pp. 58-59. Review of Sidney Janis Gallery, New York, 1951.

Coates 1957

Coates, Robert M. “The Art Galleries: Italian and American.” New Yorker 33, no. 15 (June 1, 1957): pp. 85-87. Review of Sidney Janis Gallery, New York, May 1957.

Coates 1958

Coates, Robert M. “The Art Galleries: Americans, All Sizes.” New Yorker 34, no. 45 (December 27, 1958): pp. 61-63. Review of United States Pavilion, Brussels World’s Fair, 1958.

Coates 1959

Coates, Robert M. “The Art Galleries: Styles and Personalities.” New Yorker 34, no. 48 (January 17, 1959): pp. 77-79. Review of Sidney Janis Gallery, New York, January 1959.

Codognato 1988

Codognato, Attilio. Jim Dine (text in Italian). Milan: Gabriele Mazzotta, 1988.

Cohen 1966

Cohen, Cathleen. “Artist Says Mural Doesn’t Depict Death of Kennedy.” Boston Globe, August 13, 1966, pp. 1, 12.

Cohen 1971

Cohen, George M. A History of American Art (includes artist’s statements). New York: Dell, 1971.

Cohen 1977

Cohen, Arthur A. “The Motherwell Atelier: Robert Motherwell’s Country Life as Artist and Artisan.” Vogue 167, no. 3 (March 1977): pp. 230-33, 256.

Colby 1975

Colby, Joy Hakanson. “Motherwell Has Show.” Detroit News, November 23, 1975, sec. F, p. 2. Review of Gertrude Kasle Gallery, Detroit, 1975.

College Art Journal 1957

“College Art Collections.” College Art Journal 17, no. 1 (fall 1957): pp. 83-84.

College Eye 1954

“Exhibit Variety of Art Types.” College Eye (Iowa State Teachers College, Cedar Falls) 45, no. 26 (April 9, 1954): p. 1. Review of Department of Art, Iowa State Teachers College, Cedar Falls, 1954.

Collins 1970

Collins, Gladys. “Pictures to the Editors.” Life 68, no. 14 (April 17, 1970): p. 24.

Collins 1984

Collins, Bradford R. “The Fundamental Tragedy of the Elegies to the Spanish Republic, or Robert Motherwell’s Dilemma” (includes artist’s statements). Arts Magazine 59, no. 1 (September 1984): pp. 94-97.

Colony News 1985

“‘What Animal’s Bones, or Horns, Are Making the Furrow of My Picture?’: Robert Motherwell, Medalist, 1985” (includes artist’s statements). Colony News (MacDowell Colony) 15, no. 1 (fall 1985): pp. 1-4.

Colony Newsletter 1985

“Medal 1985 to Robert Motherwell, August 18th.” Colony Newsletter (MacDowell Colony) 14, no. 3 (spring 1985): n.p.

Colsman-Freyberger 1974a

Colsman-Freyberger, Heidi. “Robert Motherwell: Words and Images” (interview with the artist). Print Collector’s Newsletter 4, no. 6 (January-February 1974): pp. 125-29.

Colsman-Freyberger 1974b

Colsman-Freyberger, Heidi. “Robert Motherwell: Words and Images” (interview with the artist reprinted from Colsman-Freyberger 1947a). Art Journal 34, no. 1 (fall 1974): pp. 19-24.

Columbus Museum 2003

American Art in the Columbus Museum: Painting, Sculpture, and Decorative Arts. Columbus, Ga.: Columbus Museum, 2003.

Conant 1965

Conant, Howard. Seminar on Elementary and Secondary School Education in the Visual Arts. New York: New York University, 1965.

Condon [1951]

Condon, Elmore. “Modern Art in St. Louis.” [St. Louis Post-Dispatch, 1951]. Review of City Art Museum of Saint Louis, 1951.

Connaissance des Arts 1989

“Robert Motherwell: Peindre vrai” (text in French). Connaissance des Arts, no. 454 (December 1989): p. 17.

Connoisseur 1981

“American Abstract Expressionists.” Connoisseur (London), August 1981, pp. 244-45. Review of City Art Centre and Fruitmarket Gallery, Edinburgh, 1981.

Connolly 1943

Connolly, Jean. “Spring Salon for Young Artists.” Nation 156, no. 22 (May 29, 1943): p. 786. Review of Art of This Century, New York, May 1943.

Conroy 1973

Conroy, Sarah Booth. “New Home for Abstract.” Washington Post, July 31, 1973, sec. B, p. 3.

Conroy 1977

Conroy, William T., Jr. “Columbian Collage: American Art of Assembly.” Arts Magazine 52, no. 4 (December 1977): pp. 86-87. Review of Andrew Crispo Gallery, New York, 1977.

Cook 1956

Cook, Jim. “An Incident in Manhattan. . . .” New York Post, April 9, 1956, pp. 5, 20.

Cook and Oliver 2007

Cook, Molly Malone, and Mary Oliver. Our World. Boston: Beacon Press, 2007.

Cook et al. 1983

Cook, John W., Giles Gunn, John Dillenberger, and John W. Dixon Jr. “Religion and the Visual Arts: A Case Study” (includes artist’s statements). Religion & Intellectual Life 1, no. 1 (fall 1983): pp. 11-103.

Cooke 1985

Cooke, Lynne. “New York: Contemporary American Exhibitions.” Burlington Magazine 127, no. 984 (March 1985): pp. 190-91, 193. Review of Solomon R. Guggenheim Museum, New York, 1984.

Cooney 1968

Cooney, James Patrick. “Robert Burns Motherwell: A Study of the Development of Abstract Expressionism as Seen in His Works” (includes artist’s statements). B.A. thesis, Lake Forest College, 1968.

Cooper and Luke 2006

Cooper, Harry, and Megan R. Luke. Frank Stella: 1958 (exhibition catalogue). New Haven, Conn.: Yale University Press, 2006.

Corredór-Matheos 1980

Corredór-Matheos, J. “Gran exposición de Motherwell en Barcelona” (text in Spanish). Triunfo (Madrid) 33, no. 895 (March 22, 1980): pp. 39-40. Review of Centro Cultural de la Caixa de Pensions, Barcelona, 1980.

Costa 1987

Costa, J. M. “Motherwell, un apasionado de España nos devuelve nuestro propio reflejo” (text in Spanish). ABC (Madrid), March 12, 1987.

Cotter 1997

Cotter, Holland. “‘Robert Motherwell on Paper.’” New York Times, March 14, 1997, sec. C, p. 30. Review of Miriam & Ira D. Wallach Art Gallery, Columbia University, New York, 1997.

Courthion 1970

Courthion, Pierre. “Situation de la nouvelle peinture américaine” (text in French). XXe Siècle (Paris) 32, no. 34 (June 1970): pp. 9-17.

Craft 1996

Craft, Catherine Anne. “A ‘Clearer Image’: Robert Motherwell and The Dada Painters and Poets.” Chap. 1 in “Constellations of Past and Present: (Neo-) Dada, the Avant-Garde, and the New York Art World, 1951-1965.” Ph.D. diss., University of Texas at Austin, 1996.

Cranbrook Journal 2002

“The Shuey Collection: A Transformative Gift.” Cranbrook Journal, spring 2002, n.p.

Craven 1985

Craven, David. “Artists Against Apartheid.” Arts Magazine 60, no. 2 (October 1985): pp. 98-100. Review of Fondation Nationale des Arts Graphiques et Plastiques, Paris, 1983.

Craven 1990

Craven, David. “Abstract Expressionism, Automatism and the Age of Automation” (includes artist’s statements). Art History 13, no. 1 (March 1990): pp. 72-103.

Craven 1991

Craven, David. “Abstract Expressionism and Third World Art: A Post-Colonial Approach to ‘American’ Art” (includes artist’s statements). Oxford Art Journal 14, no. 1 (1991): pp. 44-66.

Craven 1996

Craven, David. “Aesthetics as Ethics in the Writings of Robert Motherwell and Meyer Schapiro” (includes artist’s statements). Archives of American Art Journal 36, no. 1 (1996): pp. 25-32.

Craven et al. 1998

Craven, David, Ann Eden Gibson, Lowery Stokes Sims, and Jorge Daniel Veneciano. Norman Lewis: Black Paintings, 1946-1977. Introduction by Kinshasha Holan Conwill. New York: Studio Museum in Harlem, 1998.

Craven 1999

Craven, David. Abstract Expressionism as Cultural Critique: Dissent during the McCarthy Period. Cambridge, England: Cambridge University Press, 1999.

Cressy 1985

Cressy, Judith. “Bultman and Motherwell at Cherry Stone.” Cape Cod Antiques & Arts, August 1985, pp. 10, 23.

Crispino 1970

Crispino, Luigi. “FC Art Director Writes of Motherwell Paintings.” Republic (Columbus, Ind.), January 29, 1970.

Crosman and Miller 1979-80

Crosman, Christopher B., and Nancy E. Miller. “Speaking of Tomlin” (interview with the artist). Art Journal 39, no. 2 (winter 1979-80): pp. 110-11.

Crossley 1976

Crossley, Mimi. “Subject Is Art for Motherwell.” Houston Post, April 13, 1976, sec. A, p. 9. Review of Janie C. Lee Gallery, Houston, 1976.

Crossley 1978

Crossley, Mimi. “Review: Robert Motherwell.” Houston Post, March 24, 1978, sec. E, p. 15. Review of Janie C. Lee Gallery, Houston, 1978.

Cuddihy 1974

Cuddihy, John M. Ordeal of Civility: Freud, Marx, Levi-Strauss, and the Jewish Struggle with Modernity. New York: Basic Books, 1974, cover.

Cuddihy 1978

Cuddihy, John Murray. No Offense: Civil Religion and Protestant Taste. New York: Seabury Press, 1978.

CUE 1943

“‘Adventures in Perspective.’” CUE, March 13, 1943. Review of Norlyst Gallery, New York, 1943.

Cummings 2004

Cummings, Mary. “Robert Motherwell’s Life in the Hamptons.” http://hamptons.com/The-Arts/Main-Articles/255/Robert-Motherwells-Life-i... (accessed May 27, 2011).

Cunningham and Reich 1982

Cunningham, Lawrence, and John Reich. “The Contemporary Contour.” Chap. 18 in Culture and Values: A Survey of the Western Humanities. New York: CBS College, 1982.

Cunningham and Reich 1984

Cunningham, Lawrence S., and John J. Reich. Culture and Values: A Survey of the Western Humanities. Fort Worth, Tex.: Harcourt Brace College, 1984.

Currier 1966

Currier, Ann-Mary. “Reaction: Confused . . . Appalled.” Boston Globe, August 12, 1966, p. 19.

Curtis 1984

Curtis, Cathy. “Art as a ‘Way of Life.’” Artweek, July 29, 1984, p. 12. Review of San Francisco Art Institute, 1984.

Daily Hampshire Gazette 1963

“Interim Artist and Painting” (includes artist’s statements). Daily Hampshire Gazette, January 23, 1963, p. 8.

Daily Telegraph 1991

“Robert Motherwell” (obituary). Daily Telegraph (London), July 20, 1991, p. 15.

D’Amico 1989

D’Amico, Fabrizio. “Splendore nero” (text in Italian). La Repubblica, September 27, 1989, p. 31. Review of Padiglione d’Arte Contemporanea, Milan, 1989.

Damsker 1984

Damsker, Matt. “A Look at 6 of Kline’s Works.” Los Angeles Times, August 3, 1984, sec. Calendar, pp. 1, 16. Review of Thomas Babeor Gallery, La Jolla, Calif., 1984.

Danieli 1984

Danieli, Fidel. “Robert Motherwell and His Critics.” Artweek 15, no. 7 (February 18, 1984): cover, p. 1. Review of the traveling exhibition at Los Angeles County Museum of Art, January 1984 (see Albright-Knox Art Gallery, Buffalo, 1983).

Danto 1985

Danto, Arthur C. “Art.” Nation 240, no. 2 (January 19, 1985): pp. 58-60. Review of Solomon R. Guggenheim Museum, New York, 1984.

Danto 1987

Danto, Arthur C. “Robert Motherwell.” Chap. 9 in The State of the Art. New York: Prentice Hall, 1987.

Danto 1991

Danto, Arthur C. “Remembering Motherwell” (obituary). Artnews 90, no. 7 (September 1991): pp. 110-11.

Danto 1993

Danto, Arthur C. “Renaissance Man—The Collected Writings of Robert Motherwell” (book review; includes artist’s statements). New Republic 208, no. 3 (January 18, 1993): pp. 36-38.

Danto 1997

Danto, Arthur C. “The ‘Original Creative Principle’: Motherwell and Psychic Automatism.” In Robert Motherwell on Paper: Drawings, Prints, Collages (exhibition catalogue), pp. 39-58. New York: Harry N. Abrams, in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University, 1997. See entry in List of Exhibitions.

Danto 1999

Danto, Arthur C. “The ‘Original Creative Principle’: Motherwell and Psychic Automatism” (includes artist’s statements). Chap. 1 in Philosophizing Art: Selected Essays. Berkeley and Los Angeles: University of California Press, 1999. Chapter reprinted from Danto 1997.

Danto 2003

Danto, Arthur C. The Abuse of Beauty: Aesthetics and the Concept of Art. Paul Carus lecture series 21. Chicago and La Salle, Ill.: Open Court, 2003.

Danvila 1987

Danvila, Jose Ramon. “El Poder y la magia de la pintura” (text in Spanish). El Punto, March 20-26, 1987, p. 9. Review of the traveling exhibition at Galería Juana Mordó, Madrid, March 1987 (see Galería Joan Prats, Barcelona, 1986).

Darling 1998

Darling, Michael. “Robert Motherwell.” Art Issues, no. 51 (January-February 1998): p. 40. Review of Manny Silverman Gallery, Los Angeles, 1997.

Das Kunstwerk 1971

“Austellungen” (text in German). Das Kunstwerk 5, no. 24 (September 1971): p. 58. Review of Galerie im Erker, St. Gall, Switzerland, 1971.

Das Kunstwerk 1980

Das Kunstwerk 1, no. 33 (1980): p. 51.

Davidson 1974

Davidson, Abraham A. The Story of American Painting. New York: Harry N. Abrams, 1974.

Davidson and Editors of American Heritage 1973

Davidson, Marshall B., and Editors of American Heritage. The American Heritage: History of the Artists’ America. New York: American Heritage, 1973.

Davidson and Rylands 2004

Davidson, Susan, and Philip Rylands, eds. Peggy Guggenheim & Frederick Kiesler: The Story of Art of This Century (exhibition catalogue). Essays by Dieter Bogner, Susan Davidson, Francis V. O’Connor, Don Quaintance, Philip Rylands, Jasper Sharp, and Valentina Sonzogni. New York: Solomon R. Guggenheim Foundation, 2004. See entry in List of Exhibitions.

Davis 1965

Davis, Douglas M. “It’s Modern Art, But Not in Tune with Popular Trends of the ’60s.” National Observer, October 25, 1965, p. 20. Review of Museum of Modern Art, New York, Robert Motherwell, September 1965.

D[avis] 1972

D[avis], D[ouglas]. “Opening Up.” Newsweek 80, no. 3 (July 17, 1972): p. 69. Review of Walker Art Center, Minneapolis, 1972.

Davis 1975

Davis, Nancy K. “Motherwell.” Yale Notes (student newspaper), 1975, p. 7.

Dayde 1990

Dayde, Emmanuel. “Bonheur” (text in French). Muséart, no. 4 (October 1990): p. 19. Review of Artcurial Centre d’Art Plastique Contemporain, Paris, 1990.

De Antonio and Tuchman 1984

De Antonio, Emile, and Mitch Tuchman. Painters Painting: A Candid History of the Modern Art Scene, 1940-1970 (interview with the artist from 1970). New York: Abbeville Press, 1984. See Filmography; a collection of interviews based on the transcript of the film Painters Painting from 1972.

De Coppet and Jones 1984

De Coppet, Laura, and Alan Jones. The Art Dealers: The Powers Behind the Scene Tell How the Art World Really Works. New York: Clarkson N. Potter, 1984.

Decter 1991

Decter, Joshua. “New York in Review.” Arts Magazine 66, no. 2 (October 1991): p. 97. Review of Knoedler & Company, New York, April 1991.

De Ezcurra ca. 1949

De Ezcurra, Enrique. “Pictoria Ortega y Gasset da nombre a una tendencia” (text in Spanish). La Nacion (Buenos Aires), ca. 1949. Review of Samuel M. Kootz, New York, September 1949.

De Guardiola 2006

De Guardiola, Joanne. “Designer Secrets: Joanne de Guardiola.” Architectural Digest 63, no. 1 (January 2006): pp. 106, 109.

De Kooning 1949

De Kooning, Elaine. “Record Exhibit of Paintings Shown.” Cape Cod Standard-Times, July 5, 1949, pp. 1, 2. Review of Gallery 200, Provincetown, Mass., 1949.

De Launay 1979

De Launay, Marc B. “L’Objet en cause” (text in French). Revue d’esthétique, nos. 3-4 (1979): pp. 108-23.

Del Conde 1997

Del Conde, Teresa. Tres Maestros: Reflexiones sobre Bacon, Motherwell y Tamayo (text in Spanish; includes artist’s statements). Mexico City: Universidad Nacional Autónoma de México, 1997.

Denson and McEvilley 1996

Denson, G. Roger, and Thomas McEvilley. Capacity: History, the World, and the Self in Contemporary Art and Criticism. Amsterdam, the Netherlands: G + B Arts International, 1996.

Derfner 1975

Derfner, Phyllis. “New York Letter.” Art International 19, no. 1 (January 20, 1975): pp. 44-49.

Derringer 1975

Derringer, Liz. “Roberto C. Polo.” Andy Warhol’s Interview 5, no. 12 (December 1975): pp. 34-35.

Der Spiegel 1976

“Kunst: Motherwell gemalte Wollust” (text in German). Der Spiegel, no. 38 (September 13, 1976): p. 169.

Devade 1977

Devade, [Marc]. “Pour une politique culturelle (entretien avec Marcelin Pleynet)” (text in French). Peinture cahiers theoriques 12 (February 1977): pp. 7-33.

Devree 1945

Devree, Howard. “Diverse Gallery Events.” New York Times, December 2, 1945, sec. Art, p. 7. Review of Samuel M. Kootz Gallery, New York, November 1945.

Devree 1946

Devree, Howard. “By Groups and One by One.” New York Times, June 9, 1946, sec. 2, p. 7. Review of Samuel M. Kootz Gallery, New York, June 1946.

Devree 1947a

Devree, Howard. “By Groups and Singly: Recently Opened Shows Are Modern in Tenor.” New York Times, October 5, 1947, sec. 2, p. 9. Review of Samuel M. Kootz Gallery, New York, 8 Paintings, September 1947.

Devree 1947b

Devree, Howard. “Groups and Singly: Exhibitions by Four Sculptors—Painting from Traditional to Ultra-Modern.” New York Times, May 4, 1947, sec. 2, p. 10. Review of Samuel M. Kootz Gallery, New York, April 1947.

Devree 1948

Devree, Howard. “2 Museums Show U.S. Artists’ Work: Exhibitions at Modern Art and Jewish Institution Feature Items by Contemporaries.” New York Times, December 22, 1948, sec. 1, p. 21. Review of Jewish Museum, New York, 1948; and of Museum of Modern Art, New York, December 1948.

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