We use cookies to analyze traffic and enhance your site experience.

Privacy Policy |
Your browser is out-of-date!

Update your browser to view this website correctly. Update my browser now

×

The Conservation of Contemporary & Modern Art, Session 2

October 24, 2019

 

This symposium encompasses a variety of topics relevant to the conservation of modern and contemporary art, as well as current approaches to conservation practice. Click here for more details about this event.

 

Session 2 Panelists:

Isabelle Duvernois, 2001–2002 Dedalus Fellow, Conservator, The Sherman Fairchild Paintings Conservation Center, The Metropolitan Museum of Art

 

Kate Moomaw, Associate Conservator of Modern & Contemporary Art, Denver Art Museum, ‘Learning Together: Time-Based Media Conservation at the Denver Art Museum’

 

Lindsey Tyne, Associate Paper Conservator, Thaw Conservation Center, Morgan Library and Museum, ‘Memory and Evidence: Documenting Modern and Contemporary Drawings’

 

Deborah Carton LaCamera, Partner and Senior Conservator, Studio TKM Associates, ‘Reminiscing about 20 Years in the Conservation of Works of Art on Paper’

 

The Conservation of Contemporary & Modern Art, Session 2, 2019

October 24, 2019

 

This symposium encompasses a variety of topics relevant to the conservation of modern and contemporary art, as well as current approaches to conservation practice. Click here for more details about this event.

 

Session 2 Panelists:

Isabelle Duvernois, 2001–2002 Dedalus Fellow, Conservator, The Sherman Fairchild Paintings Conservation Center, The Metropolitan Museum of Art

 

Kate Moomaw, Associate Conservator of Modern & Contemporary Art, Denver Art Museum, ‘Learning Together: Time-Based Media Conservation at the Denver Art Museum’

 

Lindsey Tyne, Associate Paper Conservator, Thaw Conservation Center, Morgan Library and Museum, ‘Memory and Evidence: Documenting Modern and Contemporary Drawings’

 

Deborah Carton LaCamera, Partner and Senior Conservator, Studio TKM Associates, ‘Reminiscing about 20 Years in the Conservation of Works of Art on Paper’