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Finding Aid
The Dedalus Foundation inherited Motherwell’s professional , manuscripts, publications by and about Motherwell, printed matter, and photographs, as well as his extensive art library. The papers date from the 1930s to 1991. Motherwell’s studio library contains approximately 4,200 books and periodicals with some volumes inscribed and annotated by Motherwell. Its primary focus is modern art, but the library also includes literature, criticism, poetry, and philosophy.
In addition, the foundation collects relevant new books, photographs, articles, and exhibition documentation, making the archives and library the most comprehensive source of materials related to Robert Motherwell’s life and work. More generally, the collection is an important resource for those researching the history of modern art in the United States.
RESEARCHERS
To view the full Robert Motherwell Archives listings please go to our Research Resources page.
Title: Robert Motherwell Papers
Archive: Original Documents
Creator: Robert Motherwell & his studio
Extent: 85 linear feet of records.
Repository: Dedalus Foundation, Inc., 25 E 21st St., 4th Fl., New York, NY 10010
Processing Information: Processed 2003-2004 by Gretchen Opie.
Ownership And Literary Rights: Written permission must be obtained in order to reproduce any item from the Dedalus Foundation Archives. Additionally, permission to reproduce materials for which the Dedalus Foundation does not own copyright must be obtained from the copyright holder.
Scope And Content Note: Motherwell’s papers include personal and professional correspondence, handwritten manuscripts, drafts of his writings, transcripts of lectures and interviews, studio and business records, datebooks documenting his daily activities, and many other materials generated during his career as an artist. The papers date from 1940 to 1991 with the majority having been created between the 1960s and the 1980s. His papers document his work with galleries and museums, his interest in Modernism and the history of modern art, his relationships with other artists and writers, as well as the activities in his studio and business dealings. The Dedalus Foundation received these papers upon the death of the artist.
Correspondence 1945-1946
Correspondence 1947
Correspondence 1949
Correspondence 1950
Correspondence 1951
Correspondence 1952
Correspondence 1953
Correspondence 1954
Correspondence 1955
Correspondence 1956
Correspondence 1957
Correspondence 1958
Correspondence 1959
Undated Correspondence from the 1940s and 1950s 1940-1959
Correspondence 1960
Correspondence 1961
Correspondence 1962
Correspondence 1963
Correspondence 1964
Correspondence Jan – Oct 1965
Correspondence Nov – Dec 1965
Correspondence Jan – Mar 1966
Correspondence Apr – Dec 1966
Items not catalogued include various professional requests, correspondence about RM and Helen Frankenthaler’s trip to the Venice Bienale and a few pieces of miscellaneous personal greetings and fan mail 1966
Correspondence May – Dec 1967
Correspondence Jan – May 1968
Correspondence Jun – Sep 1968
Correspondence Oct – Dec 1968
Correspondence Jan – Apr 1969
Correspondence May – Aug 1969
Correspondence Sep – Dec 1969
Undated 1960s Correspondence 1960-1969
Baziotes, William and Ethel 1945-1965
Catalogues and Announcements
Catalogues, brochures and announcements for shows and events RM was not involved with 1940-1965
Cornell, Joseph 1946-1955
Ernst, Max and Dorothea Tanning 1946
European Trip, Summer 1966
Various materials, mostly pamphlets and brochures, related to RM’s 1966 trip abroad 1966
Exchange Program of the German Federal Government 1954/1955
Contains schedules, assorted travel documents and other materials related to RM’s participation in the four week cultural tour of Germany 1954
Hosiasson, Philippe 1960-1969
Hunter College Teaching Materials
Correspondence from Board of Education re: appointments, salaries and leave of absence; class list, lecture notes, exam book; CV 1951-1960
Kootz Gallery: 1 of 2 1945-1953
Kootz Gallery: 2 of 2 1954-1956
London Trip
Various materials, including travel documents, schedules, correspondence planning get-togethers and other materials related to RM and Helen Frankenthaler’s 1969 trip to London for the 1969 Spring Meeting of the International Council of the Museum of Modern Art 1969
Maquette for Scotchlite “Composition”
6” x 8.5” maquette for the mural
Greek Art History Lecture Sketches
RM
7 double-sided pages of original sketches of archaic Greek art, probably from a lecture, made while a student in Meyer Schapiro’s class at Columbia Nov. 13, 1940
Newman, Barnett 1955-1966
New York University Library Donation: 1 of 2
List of books RM donated to NYU library in 1965, with ones he wanted returned marked 1965
New York University Library Donation: 2 of 2
List of books RM donated to NYU library in 1965, to be appraised 1967
Paalen, Wolfgang 1945-1947
Periodicals
The Nation, February 17, 1945; Consumer Reports, October 1946; Consumer Reports, November 1946; Consumer Reports, February 1947 1945-1947
Personal Effects
3 passports from 1938, 1949 and 1954; draft card stock market documents and other early financial papers, including a document on RM’s father’s estate; RM’s 1927 sixth grade report card 1927-1958
Reinhardt, Ad 1950-1967
Sekula, Sonia 1946-1949
Smith, David 1951-1965
Still, Clyfford 1951-1969
Yunkers, Adja 1963-1969
Personal Correspondence: 1 of 2
Primarily letters from RM’s mother; also handwritten song from Helen Frankenthaler to RM’s daughters, letter from Jeannie Motherwell
Personal Correspondence: 2 of 2 (Maria Runyon)
Letters from RM’s first wife 1947-1950
Artists Equity Association 1947
Baziotes 1947
Jacqueline Bernard 1947
Braque 1946
John Cage 1945-1946
Cézanne 1946
Max Ernst
Paul Goodman
EMPTY FOLDER n.d.
S.W. Hayter
Hélion 1946
House
Various documents, receipts, brochures, order forms, etc. relating to RM’s home and personal items 1946
House
Legal documents, Financial records and cancelled checks re: construction of the Chareau house in East Hampton 1946-1947
Huelsenbeck 1947
Anatole Jakovsky 1946-1947
Francis Jourdain
Kootz 1946-1947
Francis Lee 1947
Julien Levy
Empty except for manila folder labeled “Julien Levy” in RM’s hand n.d.
Matta 1947-1958
Miró 1941
Robert Motherwell
B.B. Newman 1946-1971
Paalen 1947
Plato n.d.
Renoir 1946
Pierre Reverdy
Rimbaud n.d.
Rodin 1946
Harold Rosenberg
Rothko
Personal and professional correspondence, drafts of statement published in Possibilities 1946-1958
R’s Book for the French
David Smith
Typography
Zervos 1947
Announcements from Schools
“Colorado Springs Fine Arts Center: A Guide,” undated; Black Mountain College, 1951
Baziotes, William: Untitled statement
Baziotes, William
Untitled statement about painting that has been elsewhere referred to with the title “I Cannot Evolve Any Concrete Theory about Painting” ; One typed page
Bourgeois, Louise: Untitled statement
Bourgeois, Louise
Untitled statement about wooden figures; One typed page
Chareau, Pierre: “Refutation”
Chareau, Pierre
One page statement written in East Hampton, Long Island Aug. 1950
Cornell, Joseph: Letter
Cornell, Joseph
One page letter from Cornell to RM and Maria, typed on blue paper with collage elements affixed Mar. 29, 1942
Ferber, Herbert: “The Schism Between the Artist and the Public,” and “Talk given at Studio 35”
Ferber, Herbert
“The Schism Between the Artist and the Public,” 3/30/1949 ; Six typed pages with Ferber’s handwritten corrections; ; “Talk given at Studio 35,” 11/1949; Ten typed pages with Ferber’s handwritten corrections 1949
“The Figure”
unknown
Statement regarding the human figure, author unknown; Three pages, handwritten on both sides in pencil. n.d.
Goodman, Paul: “A Statue of ‘Strength and Weakness’”
Goodman, Paul
Six typed pages with handwritten additions and corrections in pencil 1942-1949
Gris, Juan: “On the Possibilities of Painting” (extracts)
Gris, Juan
Three typed pages, incomplete n.d.
Guston, Philip: Two statements
Guston, Philip
One page statement on painting, 12/1955, typed twice slightly differently on blue paper; ; One page typed statement with handwritten note to RM in margins, 05/1958 1955-1958
Junyer: Statement for Modern Art Annual
Junyer
Statement about fusing painting and sculpture, written on Center Island; Carbon copy of two typed pages Aug. 1950
“Notes Taken on the Lecture Given by Karl Knaths at the Skowhegan School of Painting and Sculpture on July 21, 1950”
unknown
Three typed pages with handwritten corrections in pencil 1950
Langsner, Jules: “More about the School of New York”
Langsner, Jules
Three typed pages
Lippold, Richard: Untitled statement
Lippold, Richard
Two typed pages 1948-1950
Lopez-Rey, Jose: “Picasso’s Guernica”
Lopez-Rey, Jose
Printed exerpt from unknown publication, underlined and marked by RM 1948-1950
Mathieu, George: “Declaration to American Avant-Garde Painters”
Mathieu, George
Four typed pages with a handwritten dedication to RM 1952
Morris, George L.K.: “Perspectivism”
Morris, George L.K.
Statement on non-figurative painting; One typed page n.d.
Oddments
“jazzed up” postcard from Joseph Cornell, addressed to Jeannie Motherwell; photograph of Miro at work; Christmas postcard from the Becks
Ray, Rudolph: Untitled statement
Ray, Rudolph
Artist’s statement in the form of excerpts from letters to Dr. M.J. and Professor F.C.N. ; Two typed pages, signed Feb. 4, 1949
Schapiro, Meyer: “Nature of Abstract Art”
Schapiro, Meyer
“Nature of Abstract Art,” excerpted from The Marxist Quarterly, January - March 1937; Printed copy, underlined and annotated by RM in pen 1937
Spitzer, Rachel: “Contemporary American Artists: Robert Motherwell”
Spitzer, Rachel
Term paper, six typed pages n.d.
Spivak, Max: Untitled statement
Spivak, Max
Statement about painting, one typed page Aug. 1950
Still, Clyfford: Untitled statement
Still, Clifford
Statement on painting; One typed page, signed and dated in pen Aug. 12, 1950
Tomlin, Bradley Walker: Untitled statement
Tomlin, Bradley Walker
Four page statement written for “Modern Artists in America”; Handwritten, with handwritten note by RM on last page 1950
Uhlman, Fred: “Portrait of an Artist”
Uhlman, Fred
Portrait of Kurt Schwitters, Eleven typed pages 1950
The Documents of Modern Art
Administrative Materials
Correspondence regarding books in progress and other active projects, including Kandinsky writings, Dada anthology, Kahnweiler book, Possibilities journal; ; (RM stopped editing the series with Wittenborn, Schultz in 1952; materials after that date relate primarily to subsequent royalty payments, including correspondence with lawyers about the termination of royalties.) 1946-1970
The Dada Painters and Poets: 1 of 3
Correspondence, lists of selections to be included, drafts and translations of some selections 1947-1950
The Dada Painters and Poets: 2 of 3 (“Preface for American Readers”)
Several original handwritten and typed drafts of RM’s “Preface for American Readers” 1947
The Dada Painters and Poets: 3 of 3 (image proofs)
Proofs of images reproduced 1947
Albright-Knox Art Gallery: 1 of 4
Correspondence and requests not related to the 1983 retrospective; Includes information about RM’s participation in a video interview about Bradley Walker Tomlin, 1975 1973-1989
Albright-Knox Art Gallery: 2 of 4 (Retrospective)
Correspondence and other materials related to planning the retrospective 1980-1982
Albright-Knox Art Gallery: 3 of 4 (Retrospective)
Several drafts and versions of exhibition checklists, many with handwritten edits 1981-1983
Albright-Knox Art Gallery: 4 of 4 (Retrospective)
Correspondence, loan and shipping records, and other materials related to preparing the retrospective and accompanying catalogue; ; • Manuscript of Dore Ashton’s catalogue essay; • Condition report and conservation materials for Chi Ama, Crede [1963, P224] 1983-1986
The Aldrich Museum of Contemporary Art
Correspondence, loan forms for two exhibits ; (no information about which pieces were shown in the “Changes” show); correspondence planning a 1992 print show that didn’t happen 1982-1990
The Art Institute of Chicago
General correspondence, professional requests 1972-1988
Atkins Museum of Fine Arts
Correspondence making arrangements for RM to lecture on “The New York School” at the William Rockhill Nelson Gallery of Art 1977-1978
Boston Atheneum
Clippings and literature on the Atheneum; loan forms for El Negro [1981] to be lent to 1988 show “Artists of the Book: A Facet of Modernism” 1988
Bristol Art Museum
Correspondence related to organizing print exhibition 1971-1974
Brockton Art Museum
Correspondence, loan forms and other materials related to exhibition; Includes photocopy of Boston Globe review by Robert Taylor 1979-1980
The Brooklyn Museum
General correspondence and professional requests 1983-1987
Cincinnati Art Museum
4 pieces of correspondence re: acquisition and conservation of Ochre with Black Window [1973, P750]; (other materials about the piece can be found in the Gertrude Kasle Gallery file) 1974-1976
The Cleveland Museum of Art: 1 of 3
Correspondence, most of it relating to the collage exhibition 1965-1977
The Cleveland Museum of Art: 2 of 3
Correspondence, forms, review clippings and other materials that deal with the 1979 exhibition “The Spirit of Surrealism,” particularly the loan and restoration of The Homely Protestant [1948, P85].; ; There are several long letters between Motherwell and Edward Henning about the people and ideas of Surrealism as well as the works in the show. 1978-1980
The Cleveland Museum of Art: 3 of 3
Correspondence re: Lending two Motherwells to Buffalo exhibition; RM’s question about full-sized reproduction of Mallarmé’s Swan 1982-1985
Columbus Museum of Art
Nonexclusive Copyright License forms for 12 works in the museum’s collection 1982
Corcoran Gallery of Art
Correspondence and professional requests re: some show ideas that weren’t realized and other small projects; Correspondence and review (“Hesitation at the Brink,” by Paul Richard, Washington Post, Sept. 16 1984 )of the Albright-Knox retrospective that travelled to the Corcoran in 1985 1970-1987
The Dayton Art Institute
Correspondence and forms related to 1970 exhibit; RM lent Open No. 58: Blue on Beige [1969-70, P461] as well as his Matisse Dancer 1970
Everson Museum of Art
Correspondence, loan forms and related materials for 1977 exhibit; delined request to participate in 1985 exhibit of childhood art 1976-1985
The Solomon R. Guggenheim Museum: 1 of 5 1966-1970
The Solomon R. Guggenheim Museum: 2 of 5
Small amounts of correspondence about works in a variety of group exhibits, loans or gifts, publication or reproduction requests etc. ; Photocopy of “Catch Desire by the Tail,” a play by Picasso—RM considered joining in a reading 1971-1984
The Solomon R. Guggenheim Museum: 3 of 5 (Retrospective)
Correspondence, forms, checklists, polaroids related to organizing and hanging the 1984 retrospective that travelled from the Albright-Knox Gallery. Includes samples of the postcards and notecards printed for the show. 1984-1985
The Solomon R. Guggenheim Museum: 4 of 5 (Retrospective)
“Works in the Exhibition”—25 exhibition checklists that were inserted in the catalogue 1984
The Solomon R. Guggenheim Museum: 5 of 5
Small amounts of correspondence and miscellaneous materials related to several group exhibitions and other projects; Correspondence, forms and reviews from 1988 collage show 1985-1990
The High Museum of Art
Correspondence related to two exhibitions 1971-1988
Hirshhorn Museum and Sculpture Garden
Correspondence related to various small projects and inquiries during the 1970s, including the work Blue Air [1946, W5] Correspondence, loan forms and related materials for 1980 exhibit 1973-1980
The Institute of Contemporary Art
Correspondence, loan forms, condition report for 1986 exhibit 1986
Joslyn Art Museum
General materials related to RM’s lecture in the fall of 1971, “The European Artist During the 30s; His Contribution”; [no lecture notes or other materials on what he said] 1971
Los Angeles County Museum of Art
Miscellaneous correspondence 1973-1986
The Mattatuck Museum
Correspondence, loan forms and brochures regarding the loan of Lebensreise [1975, C507] to 1986 exhibition, “Connecticut Masters.” 1987
The Metropolitan Museum of Art: 1 of 3 1966-1969
The Metropolitan Museum of Art: 2 of 3 1970-1979
The Metropolitan Museum of Art: 3 of 3 1980-1990
The Milwaukee Art Center
Correspondence and loan form related to lending The Three Clowns for 1981 exhibit 1980-1981
Minnesota Museum of Art
Correspondence and loan forms re:1977 exhibit 1977-1979
Modern Art Museum of Fort Worth
Materials related to RM’s 1985 gift of several pieces to the museum in 1985, and loan of additional pieces for large exhibition; ; Also a number of museum publications and newspaper articles related to E.A. Carmean and the museum 1984-1991
The Montclair Art Museum
One letter re: 1970 exhibit—Anchor No. 3 [1963, W190] on display; One letter and catalogue re: 1979 exhibit; Correspondence and loan forms re: 1989 exhibit 1970-1990
Museum of Fine Arts, Boston: 1 of 2
Correspondence and loan forms re: 1972 exhibit; Correspondence and loan forms re: 1973 collage retrospective that originated at the Museum of Fine Arts, Houston; Photo reproduction request for catalogue of museum’s paintings, 1977 1972-1977
Museum of Fine Arts, Boston: 2 of 2
Correspondence; “Report of the Special Ad Hoc Committee on the School of the Boston Museum of Fine Arts,” 12/12/1978 1978-1979
The Museum of Fine Arts, Houston
Correspondence, loan and shipping records, checklists re: 1973 collage retrospective 1972-1976
The Museum of Modern Art: 1 of 18 (Retrospective)
Correspondence from collectors, museums and galleries responding to Keith’s inquiries about RM works in their collection; folder contains information and sometimes sketches of numerous works 1964-1965
The Museum of Modern Art: 2 of 18 (Retrospective)
Correspondence from collectors, museums and galleries responding to Keith’s inquiries about RM works in their collection; folder contains information and sometimes sketches of numerous works 1965
The Museum of Modern Art: 3 of 18 (Retrospective Lists)
Drafts of checklists, some handwritten by RM; notes on works, correspondence about selection and loan forms 1965
The Museum of Modern Art: 4 of 18 (Retrospective)
Responses to invitations to attend a preview dinner in honor of RM 1965
The Museum of Modern Art: 5 of 18 (Retrospective)
Page proofs of Frank O’Hara’s catalogue essay 1965
The Museum of Modern Art: 6 of 18 (Retrospective)
Responses to RM show from friends, colleagues and fans; some responses to Canaday’s review 1965
The Museum of Modern Art: 7 of 18 (Retrospective)
Responses to RM show from friends, colleagues and fans; some responses to Canaday’s review 1965
The Museum of Modern Art: 8 of 18
Correspondence, lists and loan forms 1965-1966
The Museum of Modern Art: 9 of 18
Correspondence, forms and other materials related to shows in which RM was included;conservation reports and other information about works owned or borrowed by the museum 1966-1967
The Museum of Modern Art: 10 of 18 (International Study Center)
Correspondence and minutes of Advisory Board for the International Study Center meetings; press packet for the “Dedication of the Lillie P. Bliss International Study Center May 27, 1968” 1968-1969
The Museum of Modern Art: 11 of 18
Correspondence, forms and other materials related to shows in which RM was included;conservation reports and other information about works owned or borrowed by the museum 1968-1970
The Museum of Modern Art: 12 of 18
Correspondence, forms and other materials related to shows in which RM was included;conservation reports and other information about works owned or borrowed by the museum 1971-1979
The Museum of Modern Art: 13 of 18
Materials related to Jospeh Cornell exhibition that included RM’s Cornell piece “A Suivre” 1980
The Museum of Modern Art: 14 of 18
Correspondence, forms and other materials related to shows in which RM was included;conservation reports and other information about works owned or borrowed by the museum 1981
The Museum of Modern Art: 15 of 18
Correspondence, forms and other materials related to shows in which RM was included;conservation reports and other information about works owned or borrowed by the museum 1982
The Museum of Modern Art: 16 of 18
Correspondence, forms and other materials related to shows in which RM was included; lists of RM drawings and prints in the museum’s collections 1986-1987
The Museum of Modern Art: 17 of 18
Correspondence, lists, forms and other materials related to “Gifts of Works on Paper” show 1987
The Museum of Modern Art: 18 of 18
Correspondence, forms and other materials related to shows in which RM was included; materials about works owned by the museum, particularly recent RM gifts 1988-1991
National Gallery of Art: 1 of 3
Correspondence regarding the possibility of RM speaking on a CAA panel; Correspondence and forms re: RM lending an Arp sculpture to 1983 show; Outline of Carmean lecture on RM’s collages; Correspondence from Mark Rothko Foundation re: donation of works to National Gallery 1978-1983
National Gallery of Art: 2 of 3
General correspondence—the only exhibit underway was “Gemini G.E.L.: Art and Collaboration,” but the materials related to it are invitations and similar things 1984
National Gallery of Art: 3 of 3
Correspondence and a few requests and invitations 1985-1989
New Britain Museum of American Art
Correspondence, forms, polaroid related to loan of Elegy Study to exhibit 1982
Newport Harbor Art Museum
Correspondence, loan and shipping records, checklists re: 1986 exhibit; A couple of additional pieces of general correspondence and professional requests 1985-1988
New York State Museum
Correspondence and loan form related to borrowing “The Homely Protestant” from the Metropolitan Museum for exhibition 1977
North Carolina Museum of Art 1975
The Parrish Art Museum
Five documents—letter from museum after show, photocopies of three newspaper reviews and shipping receipt for Pregnant Woman and Elegy Sketch 1980
Philadelphia Museum of Art 1970-1976
The Phillips Collection
Correspondence—almost none of it regarding RM exhibits or work; mostly professional requests and publication information; clippings about the reopening of the museum in 1984 1970-1991
San Francisco Museum of Modern Art:
1 of 2
Correspondence related to organizing 1967 exhibit; Correspondence regarding the acquisition of Open No. 124, Wall Painting No. 10, and Lyric Suite works 1966-1971
San Francisco Museum of Modern Art:
2 of 2
Correspondence with Marcia Weisman regarding the California origins of some of the New York School artists and ideas, 1978; Discussion about the possibility of a major retrospective, 1980; Information about works in the permanent collection 1978-1984
Seattle Art Museum
Correspondence, floorplans, polaroids and newspaper review (“RM” by Deloris Tarzan, Seattle Times June 21, 1984) mostly related to the hanging of the Albright-Knox retrospective that travelled to Seattle in 1984 1984
The St. Louis Art Museum
5 pieces of correspondence, professional requests; catalogue: “De Kooning 1969-78” 1972-1978
Stamford Museum & Nature Center
Correspondence and loan forms related to the loan of Abstract Head (P147) to 1982 exhibition Abstract Expressionism Lives! 1982
The Toledo Museum of Art
Correspondence related to1969 exhibit ; ; The Toledo Modern Art Group, a group formed to promote modern art awareness in the area, organized a lecture series to go with the exhibition 1968-1970
Virginia Museum of Fine Arts: 1 of 2
Correspondence, catalogue for “Virginia Artists 1969” (RM was a juror); ; checklist of 25 collages shown in “Judge the Jury” exhibit 1968-1969
Virginia Museum of Fine Arts: 2 of 2
Correspondence, loan forms and other materials related to exhibition 1974
Wadsworth Atheneum
Correspondence regarding two 1973 exhibits 1973-1983
Walker Art Center: 1 of 4
Correspondence, forms and other materials related to1972 exhibit; ; Transcript of untitled talk RM gave at the Walker Center in 1973 1971-1983
Walker Art Center: 2 of 4
Correspondence, lists and other materials related to RM’s gift of prints to the Walker Art Center Print Study Room 1984
Walker Art Center: 3 of 4
Checklists, correspondence, polaroids, loan forms and other materials related to 1985 show 1985-1987
Walker Art Center: 4 of 4
RM’s response to questionnaire regarding his paintings in the Walker collection, 1986; ; Materials related to the publication of “Tyler Graphics: The Extended Image,” 1987 1986-1990
Whitney Museum of American Art:
1 of 4
Bulk of materials are related to 1968 exhibit 1967-1970
Whitney Museum of American Art:
2 of 4
Correspondence related to various minor exhibits, acquisitions, studio visits and 1973-1979
Whitney Museum of American Art:
3 of 4
Correspondence related to various minor exhibits, acquisitions, studio visits and 1980-1982
Whitney Museum of American Art:
4 of 4
Primarily invitations to participate in events and exhibits, ; Correspondence re: several exhibits and some catalogues for the Whitney Museum Fairfield County 1983-1991
Miscellaneous Museums
Amerika Haus, Berlin
Correspondence, especially about interest in showing A la Pintura 1969-1973
Artcurial Centre d’Art Plastique Contemporain
Materials related to organizing the exhibit; numerous drafts of checklists 1989-1990
Bayerische Staatsgemaldesammlungen: 1 of 2
Correspondence, floorplans, forms, original and photocopied articles, and other materials regarding the creation of a permanent Motherwell room in the museum. 1981-1982
Bayerische Staatsgemaldesammlungen: 2 of 2
Correspondence, catalogues and articles related to the museum, its RM holdings and its director, Erich Steingraber 1983-1991
Berlinische Galerie
Correspondence, loan and customs forms, photocopied photograph from book related to 1988 exhibition, Stationen der Moderne.; ; Correspondence relating to whereabouts of pieces shown in Documenta II. 1987-1989
La Caixa de Pensiones
Correspondence and other materials related to the 1980 retrospective that was organized with the Fundación Juan March ; (more complete information about the exhibit can be found in the Fundación Juan March files); ; • Brochure with checklist and poem by Octavio Paz 1980
Centro Cultural Arte Contemporaneo
Correspondence, forms, condition report related to loaning Face of the Night (for Octavio Paz) to 1990 exhibit in Mexico 1989-1990
Fundación Juan March: 1 of 6
Correspondence related to planning exhibition; New Yorker article about Juan March 01-06 1979
Fundacion Juan March: 2 of 6
Correspondence, forms and other materials related to 1980 Spanish retrospective. Veith Turske handled most of the details 07-12 1979
Fundacion Juan March: 3 of 6
Correspondence, loan and insurance forms and other materials related to the exhibition and to traveling to Spain in 1980; ; • Numerous copies (in various formats)of Alberti’s “Negro Motherwell” 1980
Fundacion Juan March: 4 of 6
Correspondence and other materials related to 1980 exhibit; ; • Folder containing photocopied show reviews, and a b/w photo of RM and Alberti 1980
Fundacion Juan March: 6 of 6
Correspondence regarding showing “Alberti Picture” at a Mondrian exhibit; ; possibility of RM writing something for “Spanish Abstract Art” catalogue; ; • 3 Catalogues: “El arte del siglo XX en un museo holandés,” “Julius Bissier,” “Celis” 1981
Fundacio Juan March
Correspondence about choosing work for a small museum at the Alhambra in Spain and asking RMs advice. Includes brochures on Granada and a book about the Alhambra. 1990
Haus der Kunst
Correspondence and forms related to lending Les Caves No. 2 and Je t’aime No. 4 for 1981 exhibit 1979-1981
Martin-Gropius-Bau
Correspondence and loan forms 1989-1990
Musee d’Art & d’Industrie
Handwritten letter and typed French translation of RM’s 1944 “The Painter and the Modern World” lecture at Mt. Holyoke College 1976
Musee d’Art Moderne de la Ville de Paris: 1 of 5 (Retrospective Correspondence)
Correspondence related to traveling retrospective that originated in Dusseldorf; photocopies of b/w photos for catalogue 1976-1977
Musee d’Art Moderne de la Ville de Paris: 2 of 5
(Retropective Correspondence)
Letters and telegrams of congratulations 1977
Musee d’Art Moderne de la Ville de Paris: 3 of 5
(Retrospective Lists 1)
Typed and andwritten lists for traveling retrospective organized in Dusseldorf 1976-1977
Musee d’Art Moderne de la Ville de Paris: 4 of 5
(Retrospective Lists 2)
Typed and and written lists for traveling retrospective organized in Dusseldorf; ; • Folder with separate lists for London, Paris and Paris & Dusseldorf 1976-1977
Musee D’art Moderne de la Ville de Paris: 5 of 5
(Retrospective Shipping and Insurance documents)
Correspondence, forms and other materials related to shipping and insurance works for the traveling retrospective organized in Dusseldorf 1977-1978
Musee National D’Art Moderne, Centre Georges Pompidou
Correspondence related to exhibit; interest in purchasing collage 1976-1977
Musee St. Pierre
Correspondence and loan forms regarding the loan of Phoenician Red Studio for 1988 exhibition, “La couleur seule: L'expérience du monochrome.” 1988
Museo de Arte Contemporaneo de Caracas
Correspondence and lists for two shows; and catalogue for 1979 exhibit 1974-1979
Museo de Arte Moderno, Bosque de Chapultepec: 1 of 2
Correspondence, checklists and other materials related to organizing 1975 retrospective 1973-1974
Museo de Arte Moderno, Bosque de Chapultepec: 2 of 2
Correspondence, checklists and other materials related to organizing 1975 retrospective; ; • Undated handdrawn floorplan of the museum 1974-1976
Museo Rufino Tamayo: 1 of 2 1991-1992
Museo Rufino Tamayo: 2 of 2 (Catalogue)
Catalogue 1991-1992
Museum des 20. Jahrhunderts
Correspondence and photocopied reviews related to 1977 exhibtion ; (Most materials are in German) 1977-1978
National Museum of Contemporary Art, Seoul Korea
Correspondence, agreement, forms related to RM’s loan of Totem to a show organized by the Olympiad of Art of the Seoul Olympics; Tom Messer of the Guggenheim was involved in the organization 1988
The National Museum of Modern Art, Tokyo: 1 of 2 1966
The National Museum of Modern Art, Tokyo: 2 of 2
Correspondence about organization called “East West Cultural Studies” 1989
Palais des Beaux-Arts
3 pieces of correspondence and 6 black and white installation photographs (photocopied) 1966
Royal Academy of Arts
Correspondence, press release, checklist related to 1978 retrospective exhibition 1977-1978
The Royal Scottish Academy: 1 of 3
Correspondence related to 1977 retrospective 1976-1977
The Royal Scottish Academy: 2 of 3
Correspondence and other materials related to 1977 retrospective; ; • Checklist from Galerie Veith Turske; • Brochures and maps related to RM’s trip to Scotland 1977-1978
The Royal Scottish Academy: 3 of 3
Loan forms for 1977 retrospective 1977
The Seibu Museum of Art 1976
Staatliche Museen Preussischer Kulturbesitz
Request to borrow an Elegy for exhibition; ; RM agrees and suggests Elegy to the Spanish Republic (Basque Elegy), which is already in Germany 1988
Stadtische Kunsthalle: 1 of 6
(Retrospective Correspondence) 1974-1976
Stadtische Kunsthalle: 2 of 6
(Retrospective Correspondence) 1976-1977
Stadtische Kunsthalle: 3 of 6
(Retrospective Shipping and Insurance) 1975-1976
Stadtische Kunsthalle: 4 of 6
(Retrospective Shipping and Insurance) 1977
Stadtische Kunsthalle: 5 of 6
(Retrospective Loan Forms)
Loan forms 1976
Stadtische Kunsthalle: 6 of 6
(Retrospective Catalogue) 1975-1978
Stedelijk Museum: 1 of 2
Correspondence related to the 1966 show; Correspondence re: de Wilde’s unsuccessful attempt to purchase A View No. 1 from John Cuddihy; ; • 8x10 b/w installation photographs [will be photocopied; originals in master photo archive box] 1966
Stedelijk Museum: 2 of 2
RM
RM’s one-paragraph statement about Willem de Kooning, to be published in catalogue of post-1960 de Kooning work Jan. 5, 1983
Stockholms Kulturforvaltning
Correspondence and brochure about the museum relating to show (part of traveling retrospective organized in Dusseldorf); ; Translation of 3 reviews of 1976 painting show 1976-1977
Tate Gallery
2 letters from RM answering questions about “Open 121 (Bolton Landing),” as well as an unnamed scarlet one (“Open No. 122 in Scarlet and Blue”?); Mentions “The Forge” as unsuccessful attempt to make painting for David Smith after his death; discusses lighting preferences; draft of RM entry in Print Collection Concise Catalogue 1970
ACE Gallery: 1 of 6
Materials related to organizing exhibition—correspondence, shipping records, checklists, summary of works sold 1975
ACE Gallery: 2 of 6
Lists of works on consignment; payment records 1976
ACE Gallery: 3 of 6
Lists of works on consignment, payment records, loan of Elegy #128 to Paris retrospective 1977
ACE Gallery: 4 of 6
Materials related to RM’s lawsuit against ACE Gallery—many records of specific works on consignment or sold 1978
ACE Gallery: 5 of 6
Materials related to the conclusion of RM’s lawsuit against ACE Gallery 1979
ACE Gallery: 6 of 6
Authentication request: 4 Lyric Suite works owned by Gary VanHaas—turned out to be fakes; Includes 8x10 transparencies 1982
Acquavella Contemporary Art
Mostly correspondence and lists regarding works on consignment; ; Includes two blurry polaroids: Gauloises with Scarlet, #6 and London Collage (moved to image archives) 1975-1983
Art for Architecture
Correspondence; possibility of show in Rome 1983-1984
John Berggruen Gallery: 1 of 2
Correspondence and other materials regarding exhibitions, various pieces Berggruen purchased or sold, proposed printmaking project; includes polaroids of several collages 1969-1975
John Berggruen Gallery: 2 of 2
Correspondence, invoices, gallery and studio records 1976-1991
Buecker & Harpsichords
4 items related to RM’s lending Gauloises on Green with Ultramarine No. 3 1976
CDS Gallery
Bulk of materials are related to two 1982 exhibitions; some general gallery correspondence 1982-1991
Cherry Stone Gallery
Correspondence, gallery announcements, sales and inventory records; includes lists and consignment records for summer 1982 exhibition “Work by Robert Motherwell” 1978-1990
Andrew Crispo Gallery
Correspondence, loan forms and review of 1977 exhibition 1977-1978
Current Editions
Correspondence, checklists, shipping records related to 1973 exhibition 1972-1974
Dart Gallery
Photocopied correspondence and lists from Lawrence Rubin to Dart Gallery regarding works for the 1976 show; RM’s handwritten list 1976-1977
Dayton’s Gallery 12
Correspondence related to 1975 show that included A la Pintura and various drawings; transparencies of gallery space (not from RM show) 1972-1976
Douglas Drake Gallery
Correspondence, especially about 1977 show; bound packet of 2 reviews and installation photographs 1977-1980
Ehrlich Gallery
Correspondence and checklist related to exhibition 1978-1979
André Emmerich Gallery: 1 of 8
*** 1973
André Emmerich Gallery: 2 of 8
*** 1974
André Emmerich Gallery: 3 of 8
*** 1975
André Emmerich Gallery: 4 of 8
*** 1976
André Emmerich Gallery: 5 of 8
*** 1977
André Emmerich Gallery: 6 of 8
*** 1978
André Emmerich Gallery: 7 of 8
*** 1979
André Emmerich Gallery: 8 of 8
*** 1980-1988
Rosa Esman Gallery
Various gallery correspondence and records, especially regarding six drawings from Rimbaud Series, Gesture Paper Painting #10 1972-1982
Ronald Feldman Fine Arts
Materials related to effort organized by Ronald Feldman to get artists to write in protest of the Sistine Chapel restoration. (RM’s statement is not in the archives) 1987
Fendrick Gallery
Correspondence, lists and other materials related to selecting works for 1972 show; the gallery bought four and the Fendricks bought three for their personal collection 1972-1984
Jack Glenn Gallery
Correspondence related to RM print show—possibly March 15-April 10th, 1975 (may have included original collages and drawings as well) 1974-1975
The Greenberg Gallery
Correspondence, mostly dealing with selling Muss es Sein #1 and The Photographer on consignment 1976-1980
Halper Gallery
Correspondence re: Lyric Suite drawing on consignment 1970-1974
Hurlbutt Gallery, Greenwich Library
Correspondence and other materials related to exhibits; bulk of materials deal with the 1987 exhibit that was part of the traveling exhibit organized by the Walker Art Center 1982-1987
Images Gallery
Gallery records regarding 4 pieces on consignment: In Blue w/ Green, Cabaret No. 2, Gauloise on Blue/Green, Scarlet with Gauloise; correspondence about several proposed projects
Tirca Karli’s Gallery
Correspondence and lists related to 1973 show 1972-1974
Gertrude Kasle Gallery
Correspondence and gallery records 1972-1989
Katonah Gallery
Correspondence regarding possible RM show in 1978 or 1979 (unclear if it happened); ; Materials related to 1990 watercolor exhibition (see also the Jane Voorhees Zimmerli Art Museum folder—Jeffrey Wechsler curated a show there of small Abstract Expressionist paintings almost simultaneously and mentions both shows in some of his correspondence.) 1977-1990
M. Knoedler and Co.: 1 of 33
(Consignments) 1972-1974
M. Knoedler and Co.: 2 of 33 1972-1973
M. Knoedler and Co.: 3 of 33 1974
M. Knoedler and Co.: 4 of 33
(Consignments) 1975
M. Knoedler and Co.: 5 of 33 1975
M. Knoedler and Co.: 6 of 33
(Consignments) 1976
M. Knoedler and Co.: 7 of 33 1976
M. Knoedler and Co.: 8 of 33
(Consignments) 1977
M. Knoedler and Co.: 9 of 33 1977
M. Knoedler and Co.: 10 of 33
(Consignments) 1978
M. Knoedler and Co.: 11 of 33 1978
M. Knoedler and Co.: 12 of 33
(Consignments) 1979
M. Knoedler and Co.: 13 of 33 1979
M. Knoedler and Co.: 14 of 33
(Consignments) 1980
M. Knoedler and Co.: 15 of 33 1980
M. Knoedler and Co.: 16 of 33
(Consignments) 1981
M. Knoedler and Co.: 17 of 33 1981
M. Knoedler and Co.: 18 of 33
(Consignments) 1982
M. Knoedler and Co.: 19 of 33 1982
M. Knoedler and Co.: 20 of 33 1983
M. Knoedler and Co.: 21 of 33 1984
M. Knoedler and Co.: 22 of 33 1985
M. Knoedler and Co.: 23 of 33
Gallery correspondence. Material relating to dispute over UW #3764 owned by Minamora. Rejected by RM as a fake. 1986
M. Knoedler and Co.: 24 of 33 1987
M. Knoedler and Co.: 25 of 33 1988
M. Knoedler and Co.: 26 of 33 1989
M. Knoedler and Co.: 27 of 33 1990
M. Knoedler and Co.: 28 of 33 1991
M. Knoedler and Co.: 29 of 33 1994
M. Knoedler and Co.: 30 of 33 1995
M. Knoedler and Co.: 31 of 33 1996
M. Knoedler and Co.: 32 of 33 1997
M. Knoedler and Co.: 33 of 33 n.d.
B R Kornblatt Gallery, Inc.
4 pieces of correspondence requesting exhibits 1975-1981
Harcus Krakow Gallery
Materials related to two exhibitions 1979-1983
Janie C. Lee Gallery: 1 of 14 1975
Janie C. Lee Gallery: 2 of 14 1976
Janie C. Lee Gallery: 3 of 14 1977
Janie C. Lee Gallery: 4 of 14 1978
Janie C. Lee Gallery: 5 of 14 1979
Janie C. Lee Gallery: 6 of 14 1980
Janie C. Lee Gallery: 7 of 14 1981
Janie C. Lee Gallery: 8 of 14 1982
Janie C. Lee Gallery: 9 of 14 1983
Janie C. Lee Gallery: 10 of 14 1984
Janie C. Lee Gallery: 11 of 14 1985
Janie C. Lee Gallery: 12 of 14 1986
Janie C. Lee Gallery: 13 of 14 1987
Janie C. Lee Gallery: 14 of 14 1988
Levitan I & II Gallery Ltd.
Request for RM to contribute a design for the “Bicentennial Edition of Banners” 1975
Marian Locks Gallery
Correspondence and other materials related to 1989 exhibit; 3 copies of transparency of RM’s studio; faxed correspondence about possibility of a 1993 show; 1989-1992
Long Point Gallery: 1 of 9
Administrative materials—including correspondence, meeting minutes and legal documents; materials related to 1978 Motherwell show 1977-1980
Long Point Gallery: 2 of 9
Gallery administrative materials—including correspondence, meeting minutes; inventory and sales lists and materials from several exhibitions RM showed in 1981-1983
Long Point Gallery: 3 of 9
Gallery administrative materials—including correspondence, meeting minutes; materials related to “Robert Motherwell’s Tribute to James Joyce” 1984
Long Point Gallery: 4 of 9
Gallery administrative materials—including correspondence, meeting minutes; correspondence with the gallery’s artists 1985
Long Point Gallery: 5 of 9
Administrative materials--including correspondence, meeting minutes, RM inventory list 1986
Long Point Gallery: 6 of 9 1987
Long Point Gallery: 7 of 9
Gallery administrative materials—correspondence, meeting minutes; 8x10 photographs of Ed Giobbi’s work (RM was considering writing something for his catalogue) 1988
Long Point Gallery: 8 of 9
Gallery administrative materials—including correspondence, meeting minutes; receipts and sales records; correspondence with the gallery’s artists 1989-1990
Long Point Gallery: 9 of 9
Gallery administrative materials—including correspondence, meeting minutes; recipts and sales records; loan forms for exhibitions 1991-1993
Galerie Maeght Lelong
Miscellaneous materials; RM turned out exhibition request 1983-1987
Marlborough Gallery: 1 of 6
Agreement with the gallery, price structure, sales statements and correspondence 1963-1965
Marlborough Gallery: 2 of 6
Correspondence and gallery records, including price lists and inventory reports, RM biography prepared by the gallery in 1966 1966-1967
Marlborough Gallery: 3 of 6
Correspondence and gallery records, including a revised agreement, sale statements and inventory reports 1968
Marlborough Gallery: 4 of 6
Correspondence, lists, draft of catalogue essay and other materials related to the 1969 exhibit, Robert Motherwell: ‘Open’ Series, 1967–1969; includes a copy of the exhibition catalogue with RM’s May 1970 annotations regarding the locations of Open paintings 1968-1970
Marlborough Gallery: 5 of 6
Correspondence and gallery records, especially related to RM’s terminating his contract in 1972 and the subsequent settling of accounts 1970-1974
Marlborough Gallery: 6 of 6 (Rome) 1967-1976
David McKee Inc.
Correspondence, invoices, consignment lists 1973-1976
Tibor de Nagy Gallery
Correspondence, lists, slides related to 1974 exhibition; ; Plans for 1975 exhibition that was never completed—price issues led to termination of relationship with gallery 1973-1975
Pace Gallery
Correspondence and gallery records, much of it related to a request to publish a print edition (which RM turned down), and two exhibitions 1972-1981
Phoenix II
Materials related to lending Nemesis to 1982 show 1982
Marisa del Re Gallery: 1 of 4 1982-1988
Marisa del Re Gallery: 2 of 4
Consignment lists and shipping records 1989
Marisa del Re Gallery: 3 of 4
Correspondence, ads, Richard Pousette-Dart catalogue; materials related to drawing exhibition 1990
Marisa del Re Gallery: 4 of 4
Correspondence, list of 92 consigned items returned to studio 1991
Rizzoli International Bookstore and Gallery
Materials related to 1975 exhibit; ; Includes an interview with RM about art and fashion 1985
Salander-O’Reilly Galleries
Correspondence regarding several early RM pieces—in particular Fishes with Red Stripe, The Door, Dirge, and Untitled 1981-1987
Bernice Steinbaum Gallery
Correspondence and loan agreement for 1986 show (work lent not named) 1986
Stevens Gallery
Correspondence regarding selling an unnamed oil on board 1980
Stux Gallery
Correspondence regarding the loan of Iberia No. 2 to exhibition; ; Photocopy of “Artists’ Sessions at Studio 35,” edited by Robert Goodnough, from Modern Artists in America 1990-1991
Zabriskie Gallery
*** 1980
Miscellaneous Galleries
Edizioni d’arte Alfieri
Correspondence regarding a group show of works on paper by artists in the New York School that included RM lithographs and possibility of a solo RM exhibit 1968
Berggruen & CIE
Correspondence regarding RM’s contribution to a graphics catalogue 1978-1979
The Edmonton Art Gallery
Materials related to lending Ulysses and Homely Protestant (Bust); includes condition reports with details about possible state changes 1975-1976
Galerie Im Erker: 1 of 3
Correspondence and other materials, much of it regarding RM’s unpublished essay and lithograph for Hans Arp catalogue and beginning to plan 1971 exhibition 1965-1969
Galerie Im Erker: 2 of 3
Detailed correspondence regarding organizing the exhibition and catalogue, and tensions with Marlborough Graphics over a lithograph edition done to finance the catalogue 1970-1971
Galerie Im Erker: 3 of 3
Correspondence (much of it in German or French), probably regarding print projects 1972-1982
Galerie Lavignes Bastille
Correspondence related to organizing a show of RM’s work—appears that it didn’t happen; ; Exhibition Catalogue: Grataloup, March 1987 1985-1987
David Mirvish Gallery: 1 of 4
Correspondence, gallery records, lists 1970-1972
David Mirvish Gallery: 2 of 4
Correspondence, gallery records, lists 1973
David Mirvish Gallery: 3 of 4
Correspondence, lists and other materials related to the 1973 show 1972-1973
David Mirvish Gallery: 4 of 4
Correspondence, gallery records, lists 1974-1977
Galeria Ponce
Correspondence and other materials—most related to an exhibition in 1979 (?), 8 pieces were shipped 1976-1982
Galeria Joan Prats: 1 of 12
1 piece of correspondence; 12 polaroids of Jim Bird’s artwork 1981
Galeria Joan Prats: 2 of 12
Correspondence about possibly doing a show with the gallery 1982
Galeria Joan Prats: 3 of 12
General correspondence 1983
Galeria Joan Prats: 4 of 12
General correspondence, announcements of gallery shows 1984
Galeria Joan Prats: 5 of 12
Correspondence, materials about works sent loaned to gallery 1985
Galeria Joan Prats: 6 of 12
Materials related to exhbition, including checklists, drafts of catalogue essay (one with RM’s handwritten edits) 1986
Galeria Joan Prats: 7 of 12
Materials related to traveling exhbition, especially to the return of the works 1987
Galeria Joan Prats: 8 of 12
Materials related to lending works, especially Phoenician Red Studio 1988
Galeria Joan Prats: 9 of 12
Correspondence, gallery records 1989
Galeria Joan Prats: 10 of 12
Correspondence, announcements of gallery shows, typescript of text about Jim Bird 1990
Galeria Joan Prats: 11 of 12
Correspondence, consignment lists, other gallery records 1991
Galeria Joan Prats: 12 of 12
Correspondence, gallery floorplan and photographs of non-RM exhibition, miscellaneous materials n.d.
Sala Pelaires
Correspondence, gallery layout diagrams and installation photographs of other shows 1986
Galerie Alfred Schmela
Correspondence regarding the possibility of a 1976 collage show—both sides were interested, but it’s unclear if the show ever took place 1975-1976
Galerie Der Spiegel
Correspondence related to the gallery’s interest in having an RM show
Daniel Templon
Correspondence regarding possible exhibitions, as well as the sale of several works including Open #162 and The Blue Window #1 1974-1978
Galerie Veith Turske: 1 of 3
General gallery correspondence, lists of works sent to Turske 1977-1983
Galerie Veith Turske: 2 of 3
Correspondence related to RM’s lawsuit against the gallery 1986-1987
Galerie Veith Turske: 3 of 3 (Catalogues and Announcements)
Catalogues and announcements for shows by various artists at the gallery, including:; ; Ad: “Robert Motherwell,” one-man show, 20-29 October, 1978; Announcement: “Robert Motherwell Graphische Werke,” 1978; Announcement: “Robert Motherwell Paintings, Collages, Works on Paper 1962-1979,” 1979-1980; Announcement: “Robert Motherwell Ausgewahlte Druckgrafik und Arbeiten auf Papier,” 1984-1985
The Waddington Galleries
Correspondence, gallery records and other materials 1972-1989
Galerie Wentzel
Correspondence—mostly regarding a show of RM’s prints 1974-1977
The Whitechapel Art Gallery
Donation of a lithograph to a fund-raising auction 1974
Bard College
Correspondence, including some on 1977 collage exhibition; Winter 1987 bulletin 1975-1987
Bennington College
Correspondence related to RM’s participation in the 1967 “Summer Seminar for Bennington Alumnae;” art auction 1967-1980
This folder doesn’t contain materials from the college itself, but is a collection of correspondence from various individuals and institutions related to gathering information about or exhibiting works produced at Black Mountain 1985-1989
Brown University: 1 of 2
Correspondence regarding visiting professorship and lecture—no drafts or transcripts of speech; ; Some general correspondence and requests, and several announcements and brochures related to the university 1981-1987
Brown University, Bell Gallery: 2 of 2
Correspondence, forms and other materials related to the exhibit, lending Little Spanish Prison, and possibility of making a film version of the show; RM also spoke and received an honorary degree on May 2, 1985 1984-1987
California State University, Long Beach: 1 of 2
Correspondence and forms—bulk of it related to 1976 exhibit 1976-1977
California State University, Long Beach: 2 of 2
Correspondence and other materials largely related to exhibit “Apropos Robinson Jeffers” and RM’s related livre d’artiste; there are also a few items about what would become Glenn’s Architectural Digest piece on RM’s home and studio 1979-1984
Columbia University: 1 of 2
Miscellaneous correspondence; Brochure: “Reception in Honor of Meyer Schapiro,” 11/29/1978 1971-1978
Columbia University: 2 of 2
Materials related to RM’s involvement in Columbia’s “Associates for Contemporary Art, Artists’ Committee” 1985-1986
Cooper Union: 1 of 2
Materials mostly related to RM’s planned speech at Bill Lacy’s inauguaration as president of the school—didn’t go due to a faculty boycott 1977-1980
Cooper Union: 2 of 2
Correspondence, forms, checklists related to 1988 exhibit 1988
Cornell University
Herbert F. Johnson Museum of Art
Correspondence, forms and other materials related to the 1978 exhibit 1977-1982
Harvard University: 1 of 5
Mostly materials related to RM’s participation in “Learning From Performers” visiting artists program, Feb. 23 and 24, 1978 1973-1978
Harvard University: 2 of 5
Statements from students addressed to RM in preparation for “Learning From Performers” visiting artists program, Feb. 23 and 24, 1978 1978
Harvard University: 3 of 5
Miscellaneous correspondence; Brochure: “An Introduction to Harvard”; 2 issues of Harvard Magazine: Jan/Feb 1978, Jan/Feb 1977 1978-1981
Harvard University: 4 of 5 (Carpenter Center for the Visual Arts)
Re: Loan of print pieces (Ulysses and Three Poems) and one painting (Face of the Night (For Octavio Paz)) for exhibit. 1989
Harvard University: 5 of 5 (Carpenter Center for the Visual Arts)
Correspondence re: participation in 1986 symposium; Correspondence re: RM’s “Centennial Medalist” award, 1989; Slides and correspondence related to 1989 exhibit and slight damage to work, 1989; Correspondence detailing types of papers RM used in his work, 04/04/1990 1985-1990
Hunter College: 1 of 3
Correspondence and other materials related to RM’s appointment as distinguished professor 1971-1973
Hunter College: 2 of 3
Correspondence and other materials related to the 1983 purchase of In Scarlet With Black 1983
Hunter College: 3 of 3
Miscellaneous correspondence; program for 1985 commencement exercises when RM was awarded an honorary Doctor of Fine Arts degree 1984-1985
Lafayette College, Williams Center for the Arts
Correspondence and forms 1989
The Maryland Institute, College of Art
Correspondence regarding the awards ceremony for RM’s honorary degree 1974
Moray House College
Correspondence and checklist of print show at the school’s Chessel Gallery; book of Francis George Scott music with Coxson’s suggestion to use in a collage 1990
New York Studio School of Drawing, Painting and Sculpture
Correspondence—request for assistance, RM’s donation of Gesture Paper Painting #2 1977
New York University
Materials related to RM’s work on the advisory board for The Great Artists Series; He was interviewed by Jack Flam in 1985 for the series, correspondence and invitations 1983-1986
Otis Art Institute
Correspondence regarding RM print show 1974
Pennsylvania Academy of the Fine Arts:
1 of 3
Correspondence; RM served on the Artist Committee for the Academy’s Victorian Ball, Black in Hiding purchased for permanent collection; correspondence about 1983 exhibit “The Painter and the Printer” 1977-1983
Pennsylvania Academy of the Fine Arts:
2 of 3 (Gold Medal)
Includes handwritten and typed drafts of RM’s acceptance speech that he never gave—was ill and couldn’t accept the award in person 1979
Pennsylvania Academy of the Fine Arts:
3 of 3
Correspondence and other materials related to RM’s involvement with the Scholarship Endowment Campaign–he served as honorary co-chair 1986-1987
Phillips Exeter Academy
The Lamont Gallery
Correspondence and loan forms for the 1986 exhibit 1986
Princeton University
Correspondence, forms, one review and other materials related to the 1973 exhibit curated by Sam Hunter 1971-1976
Rhode Island School of Design
Correspondence—much of it regarding RM’s 1980 commencement address; Original copy of NewPaper with article about RM at RISD 1973-1981
Royal College of Art
Correspondence regarding awards ceremony for RM’s honorary document and travel arrangements--RM eventually cancelled 1988
Rutgers University,
The Jane Voorhees Zimmerli Art Museum
Correspondence requesting RM’s participation in the exhibit 1985-1989
St. Paul’s School
Correspondence; RM served as a Conroy Fellow in Februrary 1970, participating in wo weeks of lectures, seminars and gallery talks 1969-1970
School of Visual Arts, Visual Arts Museum
Loan forms with attached polaroids of 37 works in show; also a small amount of correspondence and other materials 1983
Skowhegan School of Painting and Sculpture (Medal for Graphics)
Includes typescript of Hughes’ introduction 1981
Southeastern Massachusetts Univerisity
Materials related to RM’s honorary doctorate, which he was unable to accept in person 1974
Stanford University: 1 of 2
Various correspondence, including requests to lecture 1973-1976
Stanford University: 2 of 2 (Museum of Art)
Correspondence and other materials related to the 1986 print exhibition; A few items about loaning a work for a Stanford alumni show in Manhattan 1985-1987
State University of New York at Purchase, Neuberger Museum
Correspondence and loan forms related to lending Spanish Picture with Window and The Garden Window to exhibition 1985-1986
Tufts University: 1 of 2
Correspondence from the Corporation Visiting Committee on the Arts 1976-1977
Tufts University: 2 of 2
Correspondence and other materials from the Corporation Visiting Committee on the Arts 1977-1979
University of Bridgeport
Correspondence and other materials; RM was Dorne Professor of Drawing, 1967 and participated in the Sponsor’s Council in 1975-1976 1967-1976
The University of British Columbia
Correspondence related to requests to participate in conferences related to post war cultural relations 1986-1987
University of California, Santa Barbara, The Art Galleries
Small amount of correspondence related to exhibits in 1970 and 1974 1970-1974
The University of Connecticut, William Benton Museum of Art: 1 of 3
Correspondence, forms, checklists, postcards, announcements and other materials related to the 1979 exhibit and catalogue; Photocopy of two hand-edited Motherwell statements: “Motherwell in ‘A Conversation with Students,’” April 6, 1979—RM muses about his painting process 1977-1979
The University of Connecticut, William Benton Museum of Art : 2 of 3
Condition reports for works of art in exhibit Mar. 15, 1979
The University of Connecticut, William Benton Museum of Art: 3 of 3
Letters and artworks from class of 8th grade students responding to the exhibit May 1979
The University of Iowa Museum of Art: 1 of 3
Materials related to the University of Iowa’s commission of Elegy to the Spanish Republic No. 126 (P851) 1970-1978
The University of Iowa Museum of Art: 2 of 3 (Dada Archive and Research Center)
Correspondence and other materials related to the Center’s NEH grant application and later projects 1979-1984
The University of Iowa Museum of Art: 3 of 3
Correspondence and loan forms related to lending Cantata XIII to exhibit 1991
University of Massachusetts, Herter Art Gallery
Materials related to two exhibits 1976-1987
University of Missouri, St. Louis
Correspondence, reviews of collage print exhibit 1977-1979
University of Salamanca / University of Coimbra
Correspondence and other materials related to the donation of Elegy No. 150 and Elegy No. 151, handpainted lithographs to the University of Salamanca and the University of Coimbra respectively. 1978
University of Texas at Austin
Correspondence regarding Painting (mistakenly called “Painter”) 1974-1976
University of Virginia
Materials regarding a symposium on “Abstract Expressionism: Idea and Symbol” in which RM was scheduled to participate--he cancelled due to the flu; includes abstracts of some of the material to be presented 1979
Victorian College of the Arts
Correspondence about the possibility of organizing a show of works on paper 1983-1984
Washington State University Museum of Art
Correspondence regarding RM’s participation in printmaking symposium 1975
Washington University
Correspondence, reports on the School of Fine Arts and other materials; RM was on the Visiting Committee for its School of Fine Arts 1968-1969
Wesleyan University, Davison Art Center
Donation: Slate Grey Pintura, aquatint (didn’t sell) 1978
Yale University: 1 of 2
Correspondence—much of it planning lectures RM gave at the school 1966-1970
Yale University: 2 of 2
Various correspondence 1973-1989
Miscellaneous Universities and Colleges
41st International Eucharistic Congress
Correspondence related to RM’s lending Art Bulletin Collage, with Cross and temple mural sketches to an exhibition of liturgical arts—in the end nothing was exhibited as the pieces had already been promised to the Dusseldorf retrospective 1976
American Academy of Arts and Sciences
RM became a Fellow in 1985 1985
American Academy in Rome: 1 of 4
Correspondence, meeting materials, financial reports, clippings and other materials related to RM’s involvement with the American Academy in Rome--he served on the Board and was on the Fine Arts Advisory Panel 1977-1978
American Academy in Rome: 2 of 4
Correspondence, meeting materials, financial reports, clippings and other materials related to RM’s involvement with the American Academy in Rome--he served on the Board and was on the Fine Arts Advisory Panel 1978-1979
American Academy in Rome: 3 of 4
Correspondence, meeting materials, financial reports, clippings and other materials related to RM’s involvement with the American Academy in Rome--he served on the Board and was on the Fine Arts Advisory Panel ; Brochure from exhibit “American Painters in Rome” 1979-1980
American Academy in Rome: 4 of 4
Correspondence, meeting materials, financial reports, clippings and other materials related to RM’s involvement with the American Academy in Rome--he served on the Board and was on the Fine Arts Advisory Panel 1982-1993
American Federation of Arts
Bulk of materials related to two shows 1970-1976
Amnesty International
Donation: Wave, lithograph 1989-1990
Archives of American Art
3 issues of Journal of the Archives of American Art: Jan. 1965, Jan. 1967, Apr. 1969; Requests from researchers to access RM materials; requests for RM to participate in Archives of American Art functions; 1984 poster materials 1965-1984
Arnold Bode 75
Donation to exhibition in honor of Arnold Bode, the founder of ‘Documenta,’ 75th birthday: silkscreen 1975-1976
Art in Embassies 1966-1988
Art for Mexico
Correspondence and other materials; ; Art for Mexico was a fund to help Mexico’s reconstruction effort after two earthquakes—RM was a member of the art committee and solicited other artists for contributions of art to be auctioned; he contributed an “Alphabet Series” print of his own 1986-1988
ART PAC
Correspondence related to RM’s donation of a print in support of the political action committee for the arts 1985
Art Resources of Connecticut
Background material on the organization; Materials related to RM’s loan of a painting on paper Greenwich Sculpture to exhibit 1976-1978
Artists Equity Association
Correspondence and memos regarding the organization’s work to reform art-related tax laws; 1981 Certificate of Honor 1973-1981
Artists’ Postcards
Correspondence and photocopied articles and reviews about the Artists’ Postcards; ; RM created an original 4x6 collage that was reproduced and included in a portfolio of 39 postcards; the original artworks were exhibited in a traveling exhibition 1977-1978
Artists Rights Today, Inc.
Correspondence and other materials related to the group’s efforts to pass art tax reform laws 1973-1985
Artists and Writers Copyrights Committee
Donation: Three Forms II, etching 1989
The Arts Council of Great Britain
Correspondence forms, photocopied reviews and other materials related to exhibit;; RM loaned Figure in Black as well as his Picabia, Study for La Novia 1974-1978
The Arts, Education and Americans:
1 of 3
Correspondence, reports on progress, agendas and meeting minutes; RM was a member of the board from 1977 to 1979 1978
The Arts, Education and Americans
2 of 3
Correspondence, packet of documents regarding AEA’s continuing and future program activities; RM was a member of the board from 1977 to 1979 1978
The Arts, Education and Americans:
3 of 3
Correspondence, reports on progress, agendas and meeting minutes; RM was a member of the board from 1977 to 1979 1978-1979
artsAmerica, Inc.
Correspondence and other materials related to the taping and editing of video “Excerpts from a Dialogue Between RM and Arthur C. Danto at the Aldrich Museum of Contemporary Art, 12/87” 1987
Asger Jorn Foundation
Materials regarding interest in a graphics show, and a print edition 1979
Associated American Artists
Bulk of materials are about the 1988 print retrospective 1976-1991
Associated Councils of the Arts (Canada)
Materials related to his participation in the 1969 Invitational Arts Seminar 1969
Association of Professional Schools in the Arts
Correspondence, meeting agendas and minutes 1976-1977
Barnes Tapestry Project
Correspondence, blueprint for proposed tapestry at 535 Madison Ave.; Transparency of Wall Fragment sent 1983
Centre for the Study of Modern Art
Correspondence attempting to arrange a lecture by RM in London--apparently it never happened 1973-1975
The Century Association: 1 of 2
Mostly correspondence related to nominating new members, copies of “The Century Bulletin,” a few miscellaneous materials related to meetings and club issues 1969-1990
The Century Association: 2 of 2
(Print Exhibition)
Correspondence and other materials related to 1987 exhibit of RM prints 1986-1987
Chateau Mouton Rothschild
Correspondence, newspaper clippings and wine labels related to RM’s design of label for Chateau Mouton Rothschild, vintage 1974 1975-1978
Committee of Artists of the World Against Apartheid
Correspondence, brochure, report on activities; The organization was part of the United Nations Special Committee Against Apartheid; RM contributed a work for the exhibit 1983
Congregation B’nai Israel
2 pieces of correspondence re: request to restore mural RM created for the synagogue 1973
State of Connecticut (Award for Excellence)
Correspondence related to receiving the award, text of speech introducing RM 1978
Contemporary Art Workshop
Correspondence—most of it personal; also accounting documents related to Renate’s 1979 show 1979-1986
Cunningham Dance Foundation
Materials related to RM’s donation of a German Etching to a benefit for the foundation 1988-1989
The Danish-Israel Cultural Committee
Correspondence; The Spanish Death was reproduced on a postcard as part of a campaign “For Israel’s Right to Exist” 1975
The Drawing Society
Correspondence and forms related to 1970 exhibit; RM lent Study for Open Series No. 17 1969-1970
Federal Reserve Bank of Boston
Correspondence and loan forms related to lending Port de Boston and Times, London, August 6 for 1978 exhibit; ; Catalogue: “Art at the Federal Reserve Bank of Boston,” Africa Suite, 1972 pictured on page 8 1978-1979
Fine Arts Work Center in Provincetown: 1 of 8
Correspondence, newsletters, clippings and other materials related to the activities of the Fine Arts Work Center 1967-1977
Fine Arts Work Center in Provincetown: 2 of 8
Correspondence, newsletters, clippings and other materials related to the activities of the Fine Arts Work Center (RM was on the Board of Trustees beginning in 1979) 1978-1980
Fine Arts Work Center in Provincetown: 3 of 8
Materials related to the 1980 Annual Meeting of the Board of Trustees 1980
Fine Arts Work Center in Provincetown: 4 of 8
Correspondence, meeting minutes, newsletters, clippings and other materials related to the activities of the Fine Arts Work Center (RM was on the Board of Trustees beginning in 1979) 1980-1982
Fine Arts Work Center in Provincetown: 5 of 8
Correspondence, meeting minutes, newsletters and other materials related to the activities of the Fine Arts Work Center (RM was on the Board of Trustees beginning in 1979) 1983
Fine Arts Work Center in Provincetown: 6 of 8
Correspondence, meeting minutes, newsletters and other materials related to the activities of the Fine Arts Work Center (RM was on the Board of Trustees beginning in 1979) 1984-1985
Fine Arts Work Center in Provincetown: 7 of 8
Correspondence, meeting minutes, newsletters, clippings and other materials related to the activities of the Fine Arts Work Center (RM was on the Board of Trustees beginning in 1979) 1986-1987
Fine Arts Work Center in Provincetown: 8 of 8
Correspondence, meeting minutes, newsletters, clippings and other materials related to the activities of the Fine Arts Work Center (RM was on the Board of Trustees beginning in 1979); Includes materials about the center’s 1988 NEA grant 1988-1989
Fondation Maeght
Correspondence and forms related to 1970 exhibit; RM lent Beige Figuration No. 3 and Open No. 31B, in Raw Sienna 1969-1970
Fondation Vincent van Gogh
Correspondence regarding donating a print to celebrate the centenial of van Gogh’s arrival in Arles.; Two black and white photographs of RM with Yolande Clergue 1988-1990
French Counsel
Materials related to RM’s “Officier dans l’Ordre des Arts et Lettres” award 1988-1989
Fundació Joan Miró
Correspondence about donating Green Label to the foundation; press clippings on the exhibition “A Joan Miró” 1984-1986
General Electric
Correspondence related to the commission of the mural Arabesque 1987-1988
The Greenberger Foundation
Correspondence and other materials related to RM’s recommendation of Anthony Terenzio for a Greenberger Foundation Award 1985-1986
John Simon Guggenheim Memorial Foundation: 1 of 6
Correspondence, lists of grant finalists and awardees, and other materials related to RM’s work on the Foundation’s Art Jury 1965-1970
John Simon Guggenheim Memorial Foundation: 2 of 6
Correspondence, lists of grant finalists and awardees, and other materials related to RM’s work on the Foundation’s Art Jury 1971-1974
John Simon Guggenheim Memorial Foundation: 3 of 6
Correspondence, lists of grant finalists and awardees, and other materials related to RM’s work on the Foundation’s Art Jury 1975-1978
John Simon Guggenheim Memorial Foundation: 4 of 6
Correspondence, lists of grant finalists and awardees, and other materials related to RM’s work on the Foundation’s Art Jury 1979-1981
John Simon Guggenheim Memorial Foundation: 5 of 6
Correspondence, lists of grant finalists and awardees, and other materials related to RM’s work on the Foundation’s Art Jury 1982-1984
John Simon Guggenheim Memorial Foundation: 6 of 6
Correspondence, lists of grant finalists and awardees, and other materials related to RM’s work on the Foundation’s Art Jury 1985-1988
Halston
4 pieces of correspondence related to commission to create a fashion-related piece to be used in Halston advertisements. Instead of accepting a commission, RM sold reproduction rights to an existing work, Personage [The Persian No. 1] 1974
Highgate Art Trust
Correspondence 1986-1988
Igor Foundation
Correspondence soliciting donations; unclear if RM contributed anything 1985-1987
John F. Kennedy Federal Building
Correspondence and other materials regarding the commission and hanging of New England Elegy; several newspaper clippings about the controversy surrounding the mural 1965-1968
John D. and Catherine T. MacArthur Foundation
Recommendations for two applicants 1981-1982
The MacDowell Colony
Correspondence, meeting minutes, publications and other materials related to RM’s involvement with the Colony; many materials have to do with his receipt of the MacDowell Colony Award in 1985 1982-1988
Modern Master Tapestries, Inc.
Correspondence, legal agreements, royalty records and other materials related to weaving and selling tapestry editions based on RM works 1969-1986
Munson-Williams-Proctor Institute
Correspondence and loan forms re: loan of 2 collages (including Cantata XIII) and an etching to 1988 exhibition 1988
The National Arts Club
Two pieces of correspondence regarding RM’s “Gold Medal of Honor,” typed notecards from speech presenting RM with award; 1985 bulletin mentioning RM among the club’s past winners Jan. 1983
National Collection of Fine Arts
Correspondence, booklet from May 7, 1971 meeting; RM was a member of the Art Commission Accessions Committee; 1970-1975
National Endowment for the Arts:
1 of 3
Correspondence, and other materials related to RM’s participation in the selection of fine arts grant awards 1966-1969
National Endowment for the Arts:
2 of 3
Materials related to RM’s participation in selecting a winner of the National Medal of Arts 1984-1988
National Endowment for the Arts:
3 of 3 (National Medal of Arts)
Materials related to RM’s accepting his “National Medal of Arts” award, including travel arrangements and a biography; ; many of the materials have to do with the controversy over the NEA’s suspension of a grant to Artists Space for a show of AIDS-related art that year; RM donated $10,000 to Artist Space 1989
The National Institute of Arts and Letters: 1 of 7
Materials related to RM’s being elected a member of the Institute in 1970, and the awards ceremony and exhibition of new members’ work 1970
The National Institute of Arts and Letters: 2 of 7
Correspondence and —primarily related to meetings and nominating new members 1972
The National Institute of Arts and Letters: 3 of 7
Correspondence—primarily related to meetings and nominating new members 1972-1975
The National Institute of Arts and Letters: 4 of 7
Correspondence—primarily related to meetings and nominating new members; announcements and small catalogues for several exhibitions and other Academy functions 1976-1979
The National Institute of Arts and Letters: 5 of 7
Correspondence—primarily related to meetings and nominating new members 1981-1982
The National Institute of Arts and Letters: 6 of 7
Correspondence—primarily related to meetings and nominating new members 1983-1986
The National Institute of Arts and Letters: 7 o f 7
Correspondence—primarily related to meetings and nominating new members; Materials related to RM’s election to the American Academy of Arts and Letters and the exhibition of new members’ work 1987-1991
The Native Land Foundation
Materials related to serving on the advisory board for a 1986 arts festival and lending Ulysses and Three Poems to “Festival Mythos” in 1991 1986-1991
Newport Opera Festival
Correspondence regarding poster design based on America’s Cup collage to benefit the festival 1978-1979
New York City (Mayor’s Award of Honor for Art and Culture)
Correspondence regarding RM’s “Mayor’s Award of Honor for Art and Culture” from New York City 1981
New York State Vintners (Quality of Life Award)
Three sets of folders with information and promotional materials from the RM’s “Quality of Life Award” 1977
Ojai Festivals, Ltd.
Correspondence related to reproduction of Bust of Stravinsky as a limited-edition poster to benefit the festival 1981-1982
City of Paris (Medaille de Vermeil)
Materials related to RM’s “Medaille de Vermeil of the City of Paris” ; French and English texts of speeches given--one by Pierre Bas, Deputy Mayor of Paris for Cultural Affairs, presenting the award, and RM’s thank you speech; draft of Knoedler press release about the ceremony Jan. 1978
PEN American Center
Materials related to the 48th International Pen Congress, Jan 1986; Black Refracts Heat was reproduced on a poster for the event 1985-1987
The Pollock-Krasner Foundation
Correspondence, especially about the possibility of RM lecturing 1987-1989
Portable Gallery Press, Inc
Materials related to a series of color slides of works from RM’s1963 MIT retrospective 1966-1968
Provincetown Art Association: 1 of 2 1978-1989
Provincetown Art Association 2 of 2
Correspondence several lists and other materials related to James Joyce exhibition 1983
The Rothko Chapel, Houston
Materials related to the Mark Rothko Chapel in Houston; includes press releases, an article and an invitation to the opening 1970
Royal Society for the Encouragement of Arts Manufactures and Commerce
Mostly Society literature; RM was a Benjamin Franklin Fellow of the Royal Society of Arts 1968-1970
St. Mark’s Church In-the-Bowery:
1 of 3 (The Poetry Project)
Correspondence, information about the program, poetry--RM contributed prints to the program 1972-1982
St. Mark’s Church In-the-Bowery:
2 of 3
Correspondence and other materials related to RM’s commission to design the interior of the church, which was rebuilt and restored after a 1978 fire--the work was not actually done; ; (Blueprints of the building are stored in oversize drawer 10) 1979-1980
St. Mark’s Church In-the-Bowery:
3 of 3 (Background materials)
Brochures, press releases, clippings and other materials providing background information on the history of the chuch, the 1978 fire and subsequent rebuilding 1979-1980
St. Peters Church
Correspondence and forms related to lending Apse for a six-month installation in the narthex 1983-1984
The Scottish-American Foundation
Correspondence and other materials related to RM’s “Wallace Award”; [RM gave an acceptance speech, but the text of it is not in the archives] 1987
Silvermine Guild Center for the Arts
Diserio, Roseanne
Correspondence , clippings related to both RM’s and Renate Ponsold’s participation in the exhibition;; Request to participate in Silvermine Collection 87 1985-1987
Smithsonian Council
Correspondence, meeting agendas, textsof speeches presented at symposia and other materials; RM was a member of the Council for a 3-year term beginning in 1966 1966-1970
Society for the Arts, Religion and Contemporary Culture
Correspondence, meeting minutes and program information ; RM was a fellow and a member of several committees 1965-1975
Spencertown Academy Society
Materials related to exhibition of RM’s graphics 1983
The Spoleto Festival Benefit Auction
Donation: From The Open series, trial proof 1973
Peter Stuyvesant Foundation
Correspondence asking RM to contribute an original design to be executed in tapestry to benefit the Royal Lesotho Tapestry Weavers 1973
The Town of Fairfield Art Show
Two pieces of correspondence regarding RM’s “Artist of the Year 1977” award; includes metal plaque 1976-1977
United States Information Agency
*** 1966-1977
United States Postal Service
Correspondence, contract re: commission to design a bicentennial postage stamp--the project fell through and the contract was cancelled 1975-1977
Visual Artists and Galleries Association, Inc.: 1 of 2
RM was a founding member and one of the original trustees; Correspondence, board materials, requests to reproduce works, royalties statements 1977-1988
Visual Artists and Galleries Association, Inc.: 2 of 2
Correspondence--most of it related to reproduction requests and royalties statements 1989-1992
Frederick R. Weisman Foundation
Correspondence letting RM know that Summer Seaside Doorway was exhibited in “Selections from the Frederick R. Weisman Collection” 1988-1989
WNET / Channel 13
Donation: Dance III (Red), aquatint 1979
Miscellaneous Other Organizations
Addis, Stephen
9 items 1989-1991
Arnason, Harvard and Elinor
21 items 1968-1986
Asher, Elise
8 items, including polaroids and slides of her own work 1969-1988
Ashton, Dore: 1 of 4
5 pieces of correspondence 1962-1979
Ashton, Dore: 2 of 4
Hasn’t been processed yet—had been with Foundation files, appears to be largely personal correspondence with RM; some of it is post-1991 foundation correspondence 1980-1995
Ashton, Dore: 3 of 4
About Rothko
Typescript of “About Rothko,” pp. 1-118
Ashton, Dore: 4 of 4
About Rothko
Typescript of “About Rothko,” pp. 119-238 and bibliography
Bannard, Walter Darby
4 pieces of correspondence re: getting his writing published 1979-1980
Barr, Victoria
5 pieces of correspondence 1972-1974
Baziotes, Ethel
4 pieces of personal correspondence 1975-1982
Berger, Arthur and Ellen
8 pieces of correspondence re: “Berger” collage 1975-1988
Berkson, Bill
RM was to illustrate English translation of Rimbaud’s A Season in Hell with original drawings, with Berkson, but the project fell through; Correspondence, drafts of translations 1965-1973
Berns, Ben
4 pieces of correspondence 1972-1973
Bigelow, Robert
8 items, including correspondence, photographs of his family and slides of Bigelow’s work 1978-1989
Braga, Joseph and Laurie
11 pieces of correspondence 1968-1970
Breslin, James
Correspondence—much of it related to Breslin’s biography of Rothko 1986-1989
Bultman, Fritz and Jeanne
Correspondence—Much of it personal news, and news of Bultman’s painting and professional activities; correspondence with Jeanne about managing Fritz’s estate after his death in 1986; exhibition catalogues 1973-1989
Burgess, Lowry
1 letter thanking RM for his support of his work, and materials describing his recent work 1975
Busa, Peter
Correspondence 1979
Carli, Donald
Carli was one of RM’s printmaking assistants; Correspondence, recommendations and other materials 1976
Carlisle, Olga
7 pieces of correspondence re: her writing projects, failed attempts to schedule a time to meet 1986
Carlson, Gordy and Dot 1977-1981
Carmean, E. A.
RM’s response to Carmean’s thesis on his work;; Cards and personal correspondence; ; (Other Carmean materials are in the folders for The National Gallery, Washington DC, Fort Worth Art Museum and The Museum of Fine Arts, Houston) 1969-1985
Castellett, Antonino
6 items re: purchasing a number of RM pieces 1974
Cervantes, Miguel
Correspondence 1976-1982
Champa, Kermit
Typed manuscripts of Champa’s writings, and RM’s responses to them:; ; “What Does This Painting Sound Like? Some Observations on Monet’s Impression, Sunset”; “The Rise of Landscape Painting in France (Manchester Draft)”; “Boston’s La Berceuse and Cathedrals”; “Mondrian—De Stijl and After” 1985-1990
Chareau, Pierre
6 items re: house/studio he designed for RM (none from Chareau himself), including 10 1976 photostats of the house from various angles 1972-1981
Cicero, Carmen
4 items: correspondence, clippings, manuscript “Spitzer Reply to Campbell” n.d.
Cobb, Elaine
Plans for “The City as a Museum,” by Adele H. Seronde; reprint of Cobb’s article “The Ecology of Imagination in Childhood, correspondence 1968
Cohen, Arthur: 1 of 3
Correspondence — including materials related to his dismissal from Viking Documents of 20th Century Art in 1972; his later work editing a volume of RM’s writing for Viking; his agreement with RM to purchase artworks over time 1967-1976
Cohen, Arthur: 2 of 3
Correspondence—Drafts of writings on RM; materials on settling account with Cohen, personal and professional news 1977-1988
Cohen, Arthur: 3 of 3 (The Adam Man)
Typed manuscript of Arthur Cohen’s play “The Adam Man”
Collins, Gladys
Gladys Collins took a photograph of La Danse with two nuns in front of it that was reproduced in Life magazine. The folder contains correspondence from Collins, as well as various clippings of the photograph 1970-1982
Colsman-Freyberger, Heidi and Claus
6 pieces of correspondence 1976-1987
Conant, Howard
Materials related to RM recommending Derek Southall for a teaching position there at the University of Arizona, where Howard Conant was head of the art department.; ; Several published articles by Conant 1976-1977
Cook, John W.
Typed manuscript of article “Religion in Modern Art”; RM offers to talk with Cook about “a few particulars” 1982-1983
Cornell, Joseph: 1 of 2
1 original letter with holiday greetings; Copy of Plural 39, Dec. 1974, with article on Cornell 1972-1980
Cornell, Joseph: 2 of 2
Catalogue to 1980 MoMA show 1980
Cuddihy, John
correspondence 1967-1978
Danto, Arthur: 1 of 5
Correspondence; clippings, mostly from Danto’s The Nation reviews 1985
Danto, Arthur: 2 of 5
Correspondence; clippings, mostly from Danto’s The Nation reviews 1986
Danto, Arthur: 3 of 5
(“The State of the Art”)
Danto, Arthur
Manuscript: “The State of the Art” 1986
Danto, Arthur: 4 of 5
(“The State of the Art”)
Danto, Arthur
Page proofs; RM’s drafts of blurb for book’s cover 1986
Danto, Arthur: 5 of 5
Correspondence; clippings, mostly from Danto’s The Nation reviews 1987-1991
Dawson, Fielding
Correspondence 1981-1989
Dennery, Philippe
Bulk of materials are related to the custom-made French doors Dennery made for RM’s house 1978-1979
Diebenkorn, Richard
3 pieces of correspondence 1982-1985
Distel, Herbert
(The Museum of Drawers)
Correspondence, information about project and list of artists involved; ; RM contributed a “tiny Elegy” dated June 26, 1976 to Herbert Distel’s piece which consisted of drawers containing very small original works by 500 artists 1975-1976
Dorazio, Piero
Correspondence 1968-1986
Dowell, John E.
Correspondence, information about Dowell’s artmaking projects, recommendation request 1977-1982
Erickson, Arthur
13 pieces of correspondence--letters and telegrams--re: Arthur Erickson’s attempt to purchase A la Pintura Nos. 12 and 15; loan of Voluptuousness with Bar Sinister; ; Clipping--New Yorker article about Erickson 1979-1981
Ewald, Mary
Poems, correspondence 1987
Fainello, Roberto
2 pieces of correspondence re: A friend’s interest in purchasing RM paintings and collages and organizing an exhibition in Milan 1976-1977
Ferber, Herbert
Correspondence 1967-1985
Fineberg, Jonathan
Correspondence n.d.
Flam, Jack
Flam, Jack
Correspondence and articles collected by RM.
Flam, Jack
Correspondence and articles collected by RM.
Flam, Jack
Correspondence and articles collected by RM.
Flam, Jack
Correspondence and articles collected by RM.
Fourcade, Dominique 1976-1978
Frankenthaler, Helen
Group of b/w photographs of Wynn Chamberlain paintings sent to HF by Bernard Reis;; Correspondence re: copying of shared diaries; ; RM work in Frankenthaler’s collection;; Frankenthaler works in RM’s collection 1965-1989
Freeman, Phyllis
Correspondence ; re: RM’s grant recommendation for her project on artists’ manifestoes; WBAI radio program 1972-1974
Friedman, B.H. 1967-1987
Gay, Peter
Correspondence; owned at least two works--one a lithograph given as a gift in 1979 1972-1979
Gifford, J. Nebraska and Mel Shestack
Correspondence, including about a proposed article on Abstract Expressionism 1976
Golden, Donn and Norma
Correspondence, especially regarding acquiring two paintings; records relating to work on RM’s home and studio 1979-1989
Goosen, Eugene and Pat
Correspondence 1972-1985
Graham, Martha
One letter, catalogue 1989
Gratto, Christine
Correspondence re: RM’s gift to Frank Stella; WGBH news segment featuring RM 1979-1988
Gray, Cleve and Francine
Correspondence—most of it with personal and professional news 1967-1990
Greenberg, Clement
4 pieces of correspondence 1981-1987
Guerrero, José and Roxe 1979-1989
Guest, Barbara
Correspondence, book of poems 1982-1983
Halasz, Piri 1984-1987
Halper, Nathan
Correspondence re: art, projects, James Joyce 1972-1985
Hammond, Paul
6 pieces of correspondence about Hammond’s research on Joseph Cornell’s silent films 1968-1969
Hammond, Susan
Correspondence and other materials related to an upcoming book about John Cage; RM considered contributing, but apparently didn’t 1987-1988
Harmon, Lily
Correspondence related to Harmon’s Artlover, a biography of J.B. Neumann; includes photocopies of two letters written by RM in the 1940s from the Archives of American Art 1988
Hawkins, Erick: 1 of 4
Correspondence, clippings etc.; includes correspondence from Hawkins’ wife and composer Lucia Dlugoszewski; ; includes materials related to RM’s unrealized project to design a set for one of his performances 1972-1980
Hawkins, Erick: 2 of 4
Correspondence, clippings etc. ; ; includes correspondence from Hawkins’ wife and composer Lucia Dlugoszewski 1981-1985
Hawkins, Erick: 3 of 4
Correspondence, clippings etc. ; ; includes correspondence from Hawkins’ wife and composer Lucia Dlugoszewski 1986-1990
Hawkins, Erick: 4 of 4
(Catalogs and Literature) 1986-1990
Heller, Ben: 1 of 4
Correspondence and other materials mostly related to Heller’s role as RM’s agent (a letter dated 11/21/1975 details what this means) 1975-1976
Heller, Ben: 2 of 4
Correspondence and other materials mostly related to Heller’s role as RM’s agent 1976
Heller, Ben: 3 of 4
Correspondence and other materials mostly related to Heller’s role as RM’s agent 1977
Heller, Ben: 4 of 4
Correspondence and other materials mostly related to Heller’s role as RM’s agent 1978-1983
Helmuth, Walter
Correspondence 1973-1985
Hirshhorn, Joseph and Olga
Correspondence re: their personal collection; includes program from Joseph Hirshhorn’s 1981 memorial service 1974-1981
Hofstadter, Bede
Personal correspondence n.d.
Holt, Norma
4 items 1979-1980
Holton, Gerald
General correspondence, reprint of his article “Albert Einstein: Historical and Cultural Perspectives” 1982-1985
Hopkins, Budd: 1 of 2 (Correspondence)
Correspondence re: their art, shows, writing projects, personal news; ; hand-edited drafts of RM’s introduction to Budd Hopkins catalogue 1975-1991
Hopkins, Budd: 2 of 2
(Catalogues and Announcements)
***
Hosiasson, Philippe
Correspondence 1972-1974
Hoyland, John
Correspondence 1971-1987
Hughes, Robert: 1 of 3
Correspondence regarding Hughes’ research for book on Australian prisons; RM’s responses to his manuscript; Clippings of reviews on Matisse, David Smith in Time magazine 1974-1990
Hughes, Robert: 2 of 3
Hughes, Robert
Manuscript of chapter 2 of The Shock of the New
Hughes, Robert: 3 of 3
Hughes, Robert
Manuscript of chapters 3 and 4 of The Shock of the New
Hunter, Edys
Correspondence 1982-1987
Hunter, Sam
Correspondence; RM’s recommendation for Hunter’s National Endowment for the Humanities grant 1972-1979
Iselin, Ralph and Gertrude
Correspondence related to RM’s gift of silkscreens to their daughter, Gayle 1973
Johnson, Ray
Correspondence mostly related to Johnson’s request to do a portrait of RM 1976-1985
Kafka, Barbara and Ernest
; ; *** 1966-1986
Kenedy, Robert
5 pieces of correspondence ; re: Possibility of collaborating on a journal called Two-by-Two with Kenedy and Ed Meneeley; getting Kenedy’s books published (RM helped him get in touch with Viking Press) 1971-1972
Kepes, Gyorgy
Requests to write for MIT’s Vision + Value series, 1965;; Correspondence re: RM’s participation in a symposium, 1974;; Personal correspondence 1965-1978
Kleinschmidt, Hans and Ruth
correspondence; collaged George Segal catalogue 1967-1989
Kramer, Hilton
Correspondence re Kramer’s writing and editing with The New Criterion; Several clippings and articles by Kramer (not about RM) 1976-1986
Kunitz, Stanley and Elise
Personal correspondence
Lang, Richard
correspondence re: selecting and purchasing works:; Irish Elegy; Before the Day (called The Day Before in much of the correspondence) ; a collage called Celebration 1972-1981
Lefkowitz, Louis J.
Correspondence and other materials re: Arts Fraud Legislation--”An act to amend the general business law requiring truth in labelling of fine prints” 1966-1970
Levine, Morton
Correspondence; mimeographed lecture: “Ideas about Reality and About Human Nature in Some Schools of Modern Art,” 1956 n.d.
Liberman, Alexander
3 brief postcards; galleys of book about Liberman, 6 8x10 bw photographs of his sculpture 1980s
Librizzi, Richard
re: Collecting and dealing ; ; The Emperor is only work mentioned by name 1975-1981
Lifton, Robert 1972-1982
Lindemann, Beate
Several pieces of correspondence 1976-1985
MacLeod, Glen
Responses to MacLeod’s inquiries about Wallace Stevens (ML# 1185) 1983-1989
Maltman, Philip
Correspondence from a fan about his work, personal news, James Joyce 1980s
Manso, Leo
Correspondence—mostly personal 1978-1989
Matta, Roberto
Correspondence 1975-1985
Megged, Matti
Manuscript of Megged’s “Giacommeti,” about which RM was asked to write a statement; recommendation request 1984-1987
Metzenbaum, Senator Howard M.
Correspondence re: Metzenbaum’s senate campaign--RM donated two prints; clippings about Metzenbaum’s work in office 1982-1990
Meyers, Sidney
correspondence re: Sidney Meyer’s death and exhibition of his drawings—RM may have written something 1970
Munro, Eleanor 1987-1989
Namuth, Hans 1968-1986
Newman, Laura
Laura Newman was an artist who won a Prix de Rome from the American Academy in Rome while RM was on the Fine Arts Advisory Panel ; ; Correspondence requesting recommendations and keeping RM updated on her activities 1980-1988
O’Hara, Frank
Packet of materials from the exhibition “Art with the Touch of a Poet” Frank O’Hara,” The William Benton Museum of Art, the University of Connecticut 1983
Onslow-Ford, Gordon
3 items 1977-1984
Osborn, Robert: 1 of 5
correspondence 1963-1976
Osborn, Robert: 2 of 5
correspondence 1977-1980
Osborn, Robert: 3 of 5
correspondence 1982-1984
Osborn, Robert: 4 of 5
correspondence 1985-1990
Osborn, Robert: 5 of 5
correspondence n.d.
Parker, Ray
correspondence, many articles, clippings and other enclosures on various topics; installation photographs from RM shows; photographs of Parker’s paintings 1969-1986
Paz, Octavio
Correspondence between Paz and RM re: Three Poems livre d’artiste; photocopies of text of poems 1971-1987
Perr, Herbert 1968-1978
Phillips, Gifford and Joann
Correspondence, largely re: Gifford Phillips’ attempts to get book published 1970-1976
Polo, Robert C.
correspondence 1976
Pomarede, Alain
Correspondence 1975
Ponsold, Renate
Materials primarily related to the exhibition and reproduction of Renate’s photographs 1987
Reedy, Clyde
correspondence re: pieces purchased by Clyde Reedy and his son Darwin Reedy 1972-1978
Robertson, Bryan
Correspondence (much of it personal); materials from 1965-1966 deal mostly with RM’s traveling retrospective on view at the Whitechapel Gallery—correspondence only, no checklists or gallery records 1964-1985
Rosand, David 1985-1990
Ross, Clifford
Correspondence between RM and Helen Frankenthaler’s nephew (son of Gloria Ross), then an aspiring artist—RM gives him some advice 1973-1976
Ross, Gloria
Personal and professional correspondence related to Ross’ tapestries based on Elegy to the Spanish Republic #116, In Brown and White, and an etching from the Alberti Suite 1969-1986
Rothko, Mark
4 items: Brief handwritten note from Mell Rothko; brochure and catalog about the Mark Rothko Foundation; copy of court papers from Rothko estate lawsuit sent by Morton Levine 1970-1976
Rudenstine, Angelica
Correspondence re: book on Peggy Guggenheim, requesting approval of RM quote 1982-1985
Savelli, Angelo
Personal correspondence; paper artwork “Lotus” Variation 1971-1990
Sawin, Martica
Photocopied articles by Sawin on Seligmann, Matta and Stanley William Hayter; ; Correspondence requesting interview re: surrealists and DYN (Note attached to letter says that a former secretary destroyed RM’s correspondence with Paalen and his memory is hazy on events more than 40 years old) 1980-1986
Schapiro, Meyer
Two pieces of correspondence between RM and Schapiro from the 1980s 1973-1989
Schiffer, Ruth
Correspondence 1980-1986
Scofield, John
Correspondence; Notes on Reconciliation Elegy; Materials related to Scofield’s “Furniture Project” — RM bought a piece 1973-1988
Seely, Robert
Materials from RM’s New York City doctor 1973-1985
Segal, George
3 pieces of personal correspondence 1983-1985
Serra, Richard
Materials related to protesting the removal of Serra’s Tilted Arc from Federal Plaza, NYC. 1985
Shields, Don
Don Shields was an artist who won a Prix de Rome from the American Academy in Rome while RM was on the Fine Arts Advisory Panel ;; Correspondence requesting recommendations and keeping RM updated on his activities 1979-1982
David Smith Estate: 1 of 20 1965
David Smith Estate: 2 of 20 1966
David Smith Estate: 3 of 20 1967
David Smith Estate: 4 of 20 1968
David Smith Estate: 5 of 20 1969
David Smith Estate: 6 of 20 1970
David Smith Estate: 7 of 20 1971
David Smith Estate: 8 of 20 1972
David Smith Estate: 9 of 20 1973
David Smith Estate: 10 of 20 1973
David Smith Estate: 11 of 20 1973
David Smith Estate: 12 of 20 1974
David Smith Estate: 13 of 20 1974
David Smith Estate: 14 of 20 1974
David Smith Estate: 15 of 20 1974
David Smith Estate: 16 of 20 1975
David Smith Estate: 17 of 20 1975
David Smith Estate: 18 of 20 1975
David Smith Estate: 19 of 20 1975
David Smith Estate: 20 of 20 1976
Smith, Tony and Jane 1978-1982
Solomon, Barbara
correspondence and article clippings 1982-1987
Southall, Derek
mostly personal correspondence 1974-1983
Spindler, Louis
Correspondence, photographs of his artwork 1969-1984
Stamos, Theodoros
2 pieces of correspondence trying to reestablish friendship after a rift 1970
Steinberg, Saul
Correspondence 1975-1985
Stella, Frank
Tapies, Antoni
Correspondence re: Tapies Foundation; exchange of works between Tapies and RM 1983-1990
Terenzio, Anthony
Correspondence, exhibition catalogues, clippings 1981-1987
Toovey, Andrew
Correspondence, sheet music for “Shining Forth (for Robert Motherwell)” 1986-1988
Torregian, Sotere
Handwritten correspondence 1974
Towle, Tony
Typescript of poem “Autobiography” for which RM made a print at ULAE; Other poems and books: “Poetic Income: A Report,” “new york 7/29/72” and “The Interesting Story” 1976-1982
Tucker, William 1975-1986
Ullman, Montague: 1 of 4
correspondence (often about dreams, psychoanalysis, creativity and art), manuscripts and articles by Montague Ullman, materials related to appraising and selling several RM pieces 1970-1985
Ullman, Montague: 2 of 4
correspondence (often about dreams, psychoanalysis, creativity and art), materials related to appraising and selling several RM pieces.; including five pieces of early memoribilia 1986-1991
Ullman, Montague: 3 of 4
(Articles and Manuscripts)
***
Ullman, Montague: 4 of 4
(articles and manuscripts)
Dissertation: “Creativity and Dreams: The Influence of An Artists’ Dream Group on Their Creative Process,” by Helene Fagin, 1985
Vanderburg, Albert
Several pieces of correspondence--Vanderburg asking for advice on breaking into the New York art scene, Guggenheim fellowship; sold RM some old Portable Gallery slides; stack of photocopied collage booklets from 1980 1976-1980
Venet, Bernar
correspondence, exhibition catalogs 1976-1987
Walker, Hudson
Two pieces of correspondence 1976-1984
Wilke, Ulfert
*** 1968-1984
Wittenborn, George
Correspondence re: Collage; Wittenborn’s death 1974-1975
Woelffer, Emerson
Correspondence, photographs of Woelffer’s work and studio 1965-1992
Worth, Irene 1979-1985
Yunkers, Adja
Mostly materials related to 1976 show of Adja Yunker’s graphics 1975-1976
Zinberg, Norman and Dorothy: 1 of 2
correspondence, RM’s eulogy for Norman Zinberg; ; Zinberg was a psychoanalyst and Provincetown neighbor; they owned at least two RM prints 1969-1989
Zinberg, Norman: 2 of 2
(Articles and Manuscripts)
***
Miscellaneous Individuals: 1 of 5 (A – G)
Miscellaneous Individuals: 2 of 5 (H – L)
Miscellaneous Individuals: 3 of 5 (M – P)
Miscellaneous Individuals: 4 of 5 (R – S)
Miscellaneous Individuals: 5 of 5 (T – Z)
Miscellaneous Private Collectors
Address Books
RM’s paint-splattered address book n.d.
Air Distribution, E. 75th St. Studio
Correspondence, lease information, classified ads and utility bills related to RM’s studio space on E. 75th Street 1969-1970
Berger Art Conservation, Inc.
A single piece of correspondence re: Cornell box 1976
Collage Fragments
Cigarette packet, painted scraps n.d.
Copyright Information
Forms and literature about amendment to copyright law; registration forms for Gaulois Collage (postcard) 1977-1978
Dain/Schiff Inc.
Picture framing records; Some correspondence with Robert Dain and Alexandra Dain of Dain Gallery regarding an agreement to make four editions of aquatints—prints for frames? 1972-1973
Doodle
Torn piece of rice paper with pen doodle n.d.
Fake Works
Materials, mostly correspondence and photographs, related to authentication requests for pieces that turned out to be fake Motherwells 1974-1992
Fiske, Betty
Conservation
Report, including many photographs of the conservation of Untitled (Composition); The work and report was done as part of Fiske’s work as a Conservation Fellow in the Winterthur Museum/University of Delaware Art Convservation Training Program 1981
Gifted Works
Materials related to tax deductible gifts of artwork RM made in 1969 1969-1970
Gifts and Donations
Correspondence, forms and other materials related to works donated and gifted to various organizations 1972-1983
Hahn Brothers
Complete inventory of all RM works in storage when account was transferred to Santini Bros. 1972
Intermuseum Laboratory: 1 of 2
Two letters regarding restoration of New England Elegy, Chi Ama Crede, Wall Painting IV.; ; Correspondence and polaroids regarding 1987 on-site condition inspection of numerous paintings in Greenwich; polaroids of several pieces in need of conservation 1983-1987
Intermuseum Laboratory: 2 of 2
Materials detailing the restoration of Tablet of Moses, Jacob’s Ladder and Menorah; includes b/w photographs and slides 01-03 1987-1988
Peter A. Juley and Son
Photocopies of complete set of small index cards listing Juley information for individual works n.d.
Office File Cabinet Color Coding
Sheet and drawer labels describing studio filing system n.d.
H. G. Ollendorff, Inc.: 1 of 2
Warehouse receipts and inventories 1978-1981
H. G. Ollendorff, Inc., 2 of 2
Warehouse receipts and inventories 1982-1991
Painting Studio Inventory
Photocopies of cards and polaroids, organized by location in studio 1983
Personal Effects: 1 of 2 (Passports)
4 original passports: 1969, 1975, 1979, 1984 n.d.
Personal Effects: 2 of 2
Various membership cards, drivers license, torn fragment from support of View No. 14, with what may be RM’s fingerprints in paint n.d.
Portogallo, Inc. / Portogallo & Galate
Copies of letters from RM’s studio requesting prints from various negatives 1973-1975
Price Lists: 1 of 2
Price lists and related materials 1969-1977
Price Lists: 2 of 2
Price lists and related materials 1989-1991
Rolodex Cards
Photocopies of RM’s rolodex cards n.d.
Santini Brothers
Receipts, inventories, correspondence and other materials related to the storage of works, and their movement in and out of warehouse; ; Two separate accounts—first 1963-1968; second 1972-1977 1963-1978
Shipping Records
Table of works entering and leaving the studio by date 1981-1987
Steven Sloman: 1 of 2
Invoices, lists, receipts and correspondence 1971-1978
Steven Sloman: 2 of 2
Invoices, lists, receipts and correspondence; List of Sloman photo numbers: table lists Sloman number, RM inventory number, and title of work or description 1979-1984
Studio Inventory
Photocopies of handwritten inventory lists, including title, dimensions, date and photograph number; there are also copies of some Ollendorf records from 1978 [originals are in Ollendorf folder]
Studio Notes: 1 of 7
All items catalogued individually n.d.
Studio Notes: 2 of 7
Studio notes on various topics, especially titles n.d.
Studio Notes: 3 of 7
Various studio notes, including to-do lists, names of contacts, thoughts on various things, includes handwritten definition of “elegy” from dictionary; book of Beethoven music, a collage source, various art supply receipts n.d.
Studio Notes: 4 of 7 (“Thoughts”)
3 items: New York Times Magazine clipping about universities and student demonstrations; AC, Feb 2, 1969, re: making small paintings like Alberti aquatint; handwritten note with quotations n.d.
Studio Notes: 5 of 7
3 items: New York Times Magazine clipping about universities and student demonstrations; AC, Feb 2, 1969, re: making small paintings like Alberti aquatint; handwritten note with quotations n.d.
Studio Notes: 6 of 7 (JB “Documentation To Do”)
Contains mostly cards and notes with information about works and collectors that was meant to be added to studio cards n.d.
Studio Notes: 7 of 7
Nine individually catalogued items selected by JB to illustrate the chronology of the Print Catalogue Raisonne.
Studio Notes: 8 (from oversize binder)
Handwritten notes, lists, thoughts, and various small items that were once stored with oversize manuscripts in a binder
Studio Notes: 9
Materials formerly housed with oversize materials in flat files; All items individually catalogued.
Studio Wall Pin-ups: 1 of 5
Items that Motherwell pinned on his studio walls; includes exhibition announcements, reproductions of artworks and other items clipped from magazines, miscellaneous materials n.d.
Studio Wall Pin-ups: 2 of 5
Items that Motherwell pinned on his studio walls; includes exhibition announcements, reproductions of artworks and other items clipped from magazines, miscellaneous materials n.d.
Studio Wall Pin-ups: 3 of 5
Items that Motherwell pinned on his studio walls; includes exhibition announcements, reproductions of artworks and other items clipped from magazines, miscellaneous materials n.d.
Studio Wall Pin-ups: 4 of 5
Items that Motherwell pinned on his studio walls; includes exhibition announcements, reproductions of artworks and other items clipped from magazines, miscellaneous materials n.d.
Studio Wall Pin-ups: 5 of 5
Items that Motherwell pinned on his studio walls; includes exhibition announcements, reproductions of artworks and other items clipped from magazines, miscellaneous materials n.d.
Studio Wall Pin-ups: 6
Items that Motherwell pinned on his studio walls; these were on the wall of JB’s office until 2007 n.d.
Margaret Watherston
Materials related to the restoration of 5 pieces:; an untitled collage; Recuerdo de Coyoacan (includes photos); A View No. 1; Summertime in Italy (includes photos); Personage, Figure in Black (Girl with Stripes) 1976-1980
Williamstown Regional Art Conservation Laboratory
Materials related to the restoration of Dublin 1916 with Black and Tan after it was vandalized in 1985 1985-1987
Berger & Steingut: 1 of 5
Chart and supporting documents cataloguing works of art believed to be in the possession of Turske; compiled by RM’s attorneys in support of lawsuit against the gallery 1988
Berger & Steingut: 2 of 5
Handwritten list of “Works Shipped to Turske Which Appear not to Have Been Sold or Returned”, as well as photocopies of supporting documents 1988
Berger & Steingut: 3 of 5
This is a large packet of photocopied materials prepared by RM’s studio regarding the lawsuit against Galerie Veith Turske. Includes records from several galleries, correspondence, shipping records and other materials documenting the whereabouts of the artworks in question. [Dates of copied materials are 1970s to 1980s] 1988
Berger & Steingut: 4 of 5
This is a large packet of photocopied materials prepared by RM’s studio regarding the lawsuit against Galerie Veith Turske. Includes records from several galleries, correspondence, shipping records and other materials documenting the whereabouts of the artworks in question. [Dates of copied materials are 1970s to 1980s] 1988
Berger & Steingut: 5 of 5
This is a large packet of photocopied materials prepared by RM’s studio regarding the lawsuit against Galerie Veith Turske. Includes records from several galleries, correspondence, shipping records and other materials documenting the whereabouts of the artworks in question. [Dates of copied materials are 1970s to 1980s] 1988
Campbell, Peter Dow
Legal records; Bulk of materials have to do with revising RM’s will 1979-1982
Eastman, Lee: 1 of 3
Legal records 1971-1976
Eastman, Lee: 2 of 3
Legal records
Eastman, Lee: 3 of 3
Legal records
Ehrenkranz, Ehrenkranz & Schultz
Legal records related to estate planning 1976-1978
Great Northern Brokerage Corp.
Fine Art Insurance documentation 1978-1988
Hecht, Michael: 1 of 8
Financial and accounting records; tax returns 1970-1973
Hecht, Michael: 2 of 8
Financial and accounting records; tax returns 1973-1974
Hecht, Michael: 3 of 8
Financial and accounting records; tax returns 1975-1976
Hecht, Michael: 4 of 8
Financial and accounting records; tax returns 1976-1981
Hecht, Michael: 5 of 8
Financial and accounting records 1982-1986
Hecht, Michael: 6 of 8
Financial and accounting records 1987
Hecht, Michael: 7 of 8
Financial and accounting records 1988-1991
Hecht, Michael: 8 of 8
Financial and accounting records 1991-1992
Robert Motherwell Estate: 1 of 4
Correspondence, legal documents and other materials related to RM’s estate and the Dedalus Foundation 1991
Robert Motherwell Estate: 2 of 4
Correspondence, legal documents and other materials related to RM’s estate and the Dedalus Foundation 1991
Robert Motherwell Estate: 3 of 4
Correspondence, legal documents and other materials related to RM’s estate and the Dedalus Foundation 1991
Robert Motherwell Estate: 4 of 4
Correspondence, legal documents and other materials related to RM’s estate and the Dedalus Foundation 1992
Robert Motherwell Foundation: 1 of 3
Correspondence, legal documents and other materials related to setting up the Robert Motherwell Foundation; includes various articles about how other artists’ estates were handled 1978-1983
Robert Motherwell Foundation: 2 of 3
Correspondence, legal documents and other materials related to setting up the Robert Motherwell Foundation; includes various articles about how other artists’ estates were handled 1983-1986
Robert Motherwell Foundation: 3 of 3
Correspondence, legal documents and other materials related to setting up the Robert Motherwell Foundation; includes various articles about how other artists’ estates were handled 1986-1991
Phoenix Mutual Life Insurance Company
Medical, dental and life insurance records for RM’s employees 1988-1991
Province Land Graphics Marine and Machinery Works, Inc.
Materials related to an attempt to establish a corporation as the business entity for RM’s art activities 1975
Provincelands Corporation: 1 of 2
Materials related to the corporation RM established on Aug 1, 1981 as the business entity for his art activities 1981-1982
Provincelands Corporation: 2 of 2
Materials related to the corporation RM established on Aug 1, 1981 as the business entity for his art activities, including corporate tax returns, financial and legal records 1982-1984
Rubin, Richard: 1 of 3
Correspondence and financial records related to Rubins’ work as RM’s financial advisor 1980-1983
Rubin, Richard: 2 of 3
Bulk of materials are regarding RM’s involvement with Bedford Ventures, Rubins’ investment venture in which RM was a limited partner 1984
Rubin, Richard: 3 of 3
Correspondence and financial records; 4 items regarding works of art given to Rubin or purchased by him catalogued individually 1985-1991
Stern, Peter: 1 of 3
Legal records 1986-1987
Stern, Peter: 2 of 3
Legal records 1987-1990
Stern, Peter: 3 of 3
Legal records 1991-1992
“On Abstraction”
RM
Incomplete in three pages n.d.
Statement on Breton’s “The Genesis and Perspective of Surrealism” [part of “Review of Art of This Century”]
RM
One handwritten page
Preface to Wolfgang Paalen’s Form and Sense
RM
Draft of preface (ca. February–March 1945) to Wolfgang Paalen’s Form and Sense, Problems of Contemporary Art 1 (New York: Wittenborn, Schultz, 1945). 1945
“Beyond the Aesthetic”
RM
2 copies—6 of 30 and 7 of 30 of limited edition printed 1946
“The School of New York”
RM
Photocopy of RM’s piece in exhibition catalogue 1951
“Preface to a Joseph Cornell Exhibition”
RM
Photocopies of draft; several copies of later printed version Jun. 26, 1953
“The Significance of Miro”
RM
4 photocopies of article 1959
“On Rothko”
RM
Notes and handwritten and typed drafts of piece to be read at the National Institute of Arts and Letters, January 1971; ; Retyped copy of “Unpublished Text by RM, on Rothko, Shakespeare, and Related Subjects” [original not found in the archive] Dec. 1970
Statement on the New Cultural Conservatism
Statement on the New Cultural Conservatism
RM
3-page typescript of statement written for Partisan Review 1971
“On David Smith”
RM
One handwritten and one typed draft of statement Apr. 22, 1971
Untitled manuscript re: Tatyana Grosman and ULAE collaboration
RM
Handwritten manuscript and typescript on Tatyana Grosman and ULAE Sep. 22, 1972
Contribution to Studio International special issue on painting in America
Correspondence between RM and Elderfield about RM’s possible contribution to a special issue of Studio International on recent painting in America. In the end RM didn’t submit anything. 1973-1974
Correspondence related to RM’s preface to book of O’Hara’s writings; Bulk of materials are photocopies of articles by O’Hara on painting and sculpture 1973-1974
Introduction to Dena Rubinstein’s Provincetown Observed
Bulk of materials relate to RM’s brief introduction to Dena Rubinstein’s photography book 1972-1976
Contribution to New York Times Celebrity Symposium on the State of the Arts and Entertainment in America
RM
Handwritten statement for a New York Times celebrity symposium on the state of the arts and entertainment in America Aug. 20, 1976
“Parisian Artists in Exile: 1939-1945”: 1 of 2
RM
Several drafts, both typed and handwritten, of the essay RM wrote for the catalogue of the 1977 Musée National d’Art Moderne exhibit “Paris-New York”; ; Correspondence from Malitte Matta prodding RM to hurry and write; transcript of interview between Malitte Matta and RM mostly regarding exiled artists in New York 1977
“Parisian Artists in Exile: 1939-1945”: 2 of 2
RM
Several drafts, both typed and handwritten, of the essay RM wrote for the catalogue of the 1977 Musée National d’Art Moderne exhibit “Paris-New York”; ; Correspondence from Malitte Matta prodding RM to hurry and write; transcript of interview between Malitte Matta and RM mostly regarding exiled artists in New York 1977
An ABC of Emerson Woelffer
An ABC of Emerson Woelffer
RM
1 handwritten and 2 copies of typed draft of the essay Mar. 1977
“Provincetown and Days Lumberyard: A Memoir”
RM
Handwritten and typed drafts of 6-page memoir; re: Provincetown summers; beginning “Beside the Sea” series Jul. 21, 1978
“Words of the Painter”
Words of the Painter
Photocopies of published article; Typed and handwritten drafts and correspondence; ; Several pieces of correspondence in response to the review from Jerry Granat re: original Matisse letter he had 1978
“Budd Hopkins”
RM
Introduction for exhibition catalogue; Notes and two typed drafts, with handwritten edits Aug. 1979
“International World of Modernist Art”
RM
Correspondence, project proposal and RM’s typescript.; This was published in Art Journal as part of a section of artists writing about an exhibition they’d like to see realized 1979
Preface to Norma Holt catalogue
RM
Handwritten first draft, typed revisions May 1980
A Note by the Artist
RM
Two galley proofs with RM’s handwritten edits of his note for the American Federation of Arts print retrospective catalogue 1980
Foreward to Abstract Expressionist Painting in America by William C. Seitz: 1 of 2
RM
Correspondence and several drafts--handwritten and typed--of RM’s Foreward to Abstract Expressionist Painting in America by William C. Seitz 1977-1980
Foreward to Abstract Expressionist Painting in America by William C. Seitz: 2 of 2
RM
Correspondence, edited manuscripts, proofs and other materials related to RM’s Foreward to Abstract Expressionist Painting in America by William C. Seitz 1982-1983
Jacket blurb for About Rothko by Dore Ashton
RM
1 page typescript of jacket blurb for Dore Ashton’s About Rothko
“Kafka’s Visual Recoil: A Note (for Dore Ashton)”
RM
Photocopies of typed draft with RM’s handwritten revisions 1983
“A Note on Robert Osborn”
Correspondence and multiple dated typed drafts with RM’s handwritten corrections 1984
“Robert Motherwell on Jackson Pollock”
RM
1 page typed statement with handwritten corrections published in Art & Antiques Oct 1984 Aug. 10, 1984
“When Is A Painting Finished?”
Typed drafts with RM’s handwritten revisions; this was RM’s contribution to an article by Paul Gardner published in Art News, Nov 1985 1985
Book list for The Reader’s Catalogue
RM’s list of recommended books and correspondence 1988
Untitled statement on Jasper Johns
RM
1 handwritten page on Jasper Johns 1988
“For Stanley Kunitz”
RM
Handwritten and typed drafts of statement for Stanley Kunitz’ 84th birthday Jul. 29, 1989
“Leo Manso”
RM
One photocopy of typed statement; 1 page original manuscript 1991
Biographies and Bibliographies: 1 of 2
Various typed and photocopied biographies, bibliographies, CVs and chronologies from the 1970s and 1980s
Biographies and Bibliographies: 2 of 2
Various typed and photocopied biographies, bibliographies, CVs and chronologies from the 1970s and 1980s
Recipes
RM
Several different recipes RM contributed to celebrity cookbooks and similar projects
“The Modern Painter’s World”
RM
3 photocopies of speech as published in DYN;; typed photocopy of French translation Aug. 10, 1944
“An Experiment in a New Medium,” Whitney Museum of American Art
RM
8-page typed draft with RM’s handwritten revisions; re: RM’s experiment with Scotchlight; (The speech was broadcast on WNYC radio) Oct. 16, 1951
Lecture on Protestantism, symbolism and synagogue work
RM
re: Art and symbolism in the Protestant tradition; mentions his synagogue project; ; eleven handwritten and three typed pages of notes for a lecture presented at “The Arts and Protestant Culture,” a four-week series sponsored by the Judson Memorial Church, New York, March 16, 1955 1955
“Artist’s Eulogy for Rene D’Harnancourt,” Metropolitan Museum of Art
RM
Correspondence, several drafts of eulogy, several copies of the memorial service program with RM’s remarks printed Oct. 8, 1968
Introduction to “A Painter’s Mind”
RM
Notes, typed drafts Nov. 7, 1969
Lecture, Metropolitan Museum of Art
RM
One page synopsis; 9 page draft of the section called “How to look at ‘New York Painting and Sculpture Show’ upstairs” Jan. 13, 1970
Conference on International Exchanges in Arts, Institute of International Education
RM
Correspondence, schedules and programs, list of suggested topics (no material on the content of the lecture) Apr. 29, 1970
Seminar, Bryam Hills High School
RM
Materials related to RM’s leading two seminars as part of the school’s two-day humanities festival May 27, 1970
Omaha Lecture
RM
One page of handwritten notes 1971
The Internationalization of the New York Art Scene in the 1940s and 1950s
Two handwritten letters from Carol Cardon of the Institute’s Program Committee--one making arrangements for the talk, one thanking RM for it. Mar. 1972
“Artists’ Club: The Makers’ Forum Revisited”
Panel, College Art Association
Two pieces of correspondence with information about the upcoming discussion and suggestions for topics Jan. 26, 1973
Talk, Baltimore Museum of Art
RM
Correspondence arranging RM’s talk at the museum; (no materials on the content of the lecture) Oct. 16, 1975
“A Modern Painter’s World,” Carnegie Institute
RM
Correspondence and other materials related to RM’s lecture for Carnegie Institute’s “Man and Ideas” series ; (no materials on the content of the lecture) 1976
Panel Discussion: “A Special Genius”
Two 21 page transcripts of discussion between Mrs. Johnson, Mr. Baker, Mr. Loring, Mr. Motherwell, Mr. Alexander; published in the Bulletin of Rhode Island School of Design; re: Printmaking 1976
Presentation of Dancemagazine Award to Erick Hawkins
Presentation of Dancemagazine Award to Erick Hawkins
RM
Handwritten and typed drafts Mar. 19, 1979
“A Conversation with Students,” William Benton Museum of Art
RM
Transcript: RM’s responses to students’ questions about his art Apr. 6, 1979
Commencement Address, School of the Museum of Fine Arts, Boston
Correspondence, typed and handwritten drafts of RM’s address; re: being a professional artist May 29, 1979
“Presentation to I.M. Pei of The Gold Medal for Architecture”
RM
Handwritten and typed drafts of speech; 2 photocopies of speech as published in the Proceedings #30) of 1979 1979
Symposium, “James Joyce in Perspective”
Several brochures, a program, copies of newspaper clippings about the symposium; no materials about what RM specifically said in the panel discussion “James Joyce and Painting” on June 15 Jun. 12, 1980
In Memoriam: Anthony Smith
Original typescript and several photocopies of text Oct. 19, 1981
“An Address for the Yale University Art Gallery on Its 150th Anniversary”
Typed draft with RM’s handwritten revisions Oct. 30, 1982
“Reflections on Abstract Art,” Munich
RM
Handwritten notes and several typed drafts with RM’s handwritten revisions Nov. 1982
“An Address for the National Arts Club”
RM
Typed drafts with RM’s handwritten revisions Jan. 26, 1983
“A Collage for Nathan Halper in Nine Parts,”
Nathan Halper Memorial Service
RM
Typed drafts with RM’s handwritten edits; memorial service program Feb. 12, 1983
An Address for the Pennsylvania Academy of the Fine Arts, February 17, 1983
RM
One typed draft of speech;; Correspondence about the accompanying exhibit, and with Sozanski (who reviewed it in The Philadelphia Inquirer) Feb. 17, 1983
Lecture, University of South Carolina
Correspondence related to RM’s plans to give talk Apr. 16, 1983
“Citation for the William Benton Museum of Art, June 1983”
RM
Correspondence, speech manuscript and other materials related to RM’s presentation of the Connecticut Arts Council Award to the William Benton Museum of Art Jun. 25, 1983
“Introduction for Gabriella Drudi Lecture at Cooper Union”
RM
One two-page typed draft with RM”s handwritten edits Dec. 7, 1983
“The Influence of Oriental Calligraphy on Contemporary Artists,” Asia Society, panel discussion
RM
Correspondence, articles,1 page of typed notes; (RM prepared notes but didn’t attend ) Jan. 5, 1985
Lecture, 92nd St. Y
RM
Correspondence, typed drafts with RM’s handwritten revisions Mar. 19, 1985
MacDowell Medal Day Speech
RM
Notes and drafts, both handwritten and typed Aug. 18, 1985
Apropos Anthony Terenzio
RM
Handwritten notes and several typed drafts of 3-page statement presenting Terenzio with the Greenberger Award Apr. 28, 1986
“On Not Becoming An Academic”: 1 of 2
Harvard University
“On Not Becoming An Academic,” Harvard University 1
RM
1 handwritten and several typed drafts with RM’s handwritten revisions of speech for Harvard’s 350th anniversary. 1986
“On Not Becoming An Academic”: 2 of 2
Harvard University
“On Not Becoming An Academic,” Harvard University 2
RM
Several general publications regarding Harvard and the anniversary 1986
“A Personal Recollection,” The Spanish Institute
RM
Correspondence, nine pages of handwritten notes and drafts, one page of typed lecture notes, photocopied review of RM show at Joan Prats (El Pais,10/31/1986) Oct. 25, 1986
Panel discussion, “Aspects of Modernism”
Correspondence and other materials related to planning the discussion, and finding participants Jan. 15, 1987
RM
44-page typed transcript of discussion between RM and Arthur Danto Dec. 1987
Dore Ashton / Robert Motherwell at Cooper Union
39-page typed transcript of discussion between RM and Dore Ashton re: James Joyce Nov. 21, 1988
Rothko Symposium, Yale University Art Gallery
RM Dec. 3, 1989
Miscellaneous Speeches
Baker-Carr, Janet
“A Conversation with Robert Motherwell, Painter”
Two photocopied transcripts with RM’s corrections, correspondence and image requests related to intervew published in Harvard Magazine 1975
Baltimore Museum of Art
Interview, Oct 16, 1975
Photocopied transcript of RM’s 10/16/1975 taped interview at the museum; ; Correspondence requesting permission to make transcript available to scholars Oct. 16, 1975
Aesthetics Research Archive, Boston University
Koch, Sigmund
Correspondence and legal documents related to a 1986 videotaped interview over which RM wanted full control of editing and access ; One partial transcript 1986-1987
Catoir, Barbara
Catoir, Barbara
Numerous transcripts, with handwritten edits by RM. Original questions in German, with page of translations Sep. 5, 1976
Colin, Barbara Flug
“An Interview with Robert Motherwell,” June 9,1982
Colin, Barbara Flug
5 copies of 27 page typed manuscript with RM’s handwritten edits; ; 2 pieces of correspondence regarding the interview Jun. 9, 1982
Colin, Barbara Flug
“An Interview with Robert Motherwell”
Colin, Barbara Flug
2 copies of 11 page transcript; correspondence Feb. 14, 1984
Dellinger, Jade
“Telephone Interview: Robert Motherwell”
Dellinger, Jade
Correspondence, and several copies of a 2 page interview transcript, some with fairly extensive handwritten edits and additions by RM; re: Printmaking Jun. 2, 1987
Diamonstein, Barbaralee: 1 of 2
“Inside New York’s Art World”
Diamonstein, Barbaralee
Correspondence, several copies of transcripts--some with RM’s handwritten revisions related to the interview conducted and videotaped before an audience at the New School for Social Research, New York NY, Nov. 17, 1977 Nov. 17, 1977
Diamonstein, Barbaralee: 2 of 2
“Inside New York’s Art World”
Diamonstein, Barbaralee
Correspondence, drafts and other materials related to the version of the “Inside New York’s Art World,” interview published in Partisan Review ; includes copy of PR 1977-1979
Enright, Robert
“The Monumental Diarist: An Interview With Robert Motherwell”
Enright, Robert
Correspondence and transcript of interview to be published in Border Crossings 1989
Fiske, Betty and Rita Albertson
“Interview with Robert Motherwell”
20-page transcript of interview about RM’s painting practice and the supplies he chose Dec. 11, 1980
Forman, Debbie
Boston Magazine, July 1980
Forman, Debbie
Transcripts of two interviews with RM--Aug 28, 1979 and March 1980; Photocopy of Boston Magazine’s edited transcript and galleys of interviews that were combined for publication in July 1980 issue 1979-1980
Friedman, Martin
Walker Arts Center
Friedman, Martin
21 page photocopy of typed transcript with RM’s handwritten edits 1972
Genetet-Morel, Nicole
“Interview with Robert Motherwell”
Genetet-Morel, Nicole, Thierry Delaroirere, Alain Pomarede
Photocopy of article in “Art Present,” numero 6/7, 1978, Paris; English translation of one quote re: the color black 1978
Green, Denise
“Interview with Robert Motherwell,” New York 1976
Green, Denise
re: Mark Rothko; 10 page typed transcript of interview and two pieces of correspondence 1976
Hadler, Mona
Hadler, Mona
re: Baziotes; Requesting permission to publish quotes from interview 1976
Harris, Mary E.
Black Mountain College Interview, 1972
Harris, Mary E.
re: RM’s experiences at Black Mountain College; Transcript sent to RM for his approval, with RM’s handwritten corrections; 1986 request to quote from interview in published book about the school Mar. 30, 1972
Hayman, David
“Motherwell On and About Joyce”
Hayman, David
Transcript of interview done on July 12 and 13, 1988 in Provincetown ; re: James Joyce and the Ulysses etchings Jul. 1988
Hayman, David
“Motherwell Interview”
Hayman, David
Transcript of interview done in May 1989 in Greenwich 1989
Hayman, David: Correspondence
Correspondence regarding Hayman’s two interviews with RM 1988-1989
Hillebrand, Terrell
Correspondence and 3 page transcript of taped telephone interview regarding RM’s Red Window in the Sarah Campbell Blaffer Foundation’s collection Feb. 13, 1979
Lebeer, Irmeline
Interview with Robert Motherwell at St. Gallen, Switzerland
Lebeer, Irmeline
re: Recent work, especially the “Open” series; Several copies of transcripts, one with handwritten corrections by RM, May 1972 1971-1972
Loercher, Diana
Interview for Christian Science Monitor
Correspondence; transcript of interview with RM’s handwritten corrections; clippings of other artist interviews in the series 1974-1978
Look, Alice
Interview with Robert Motherwell
Look, Alice
re: Mark Rothko; Correspondence and copy of 2 page transcript with RM’s corrections Feb. 22, 1974
Maloon, Terence
“Robert Motherwell”
Maloon, Terence
Photocopy of published interview Apr. 1978
McClymont, Stephen
Robert Motherwell
McClymont, Stephen
One copy of original typed transcript with RM’s handwritten corrections Jun. 16, 1982
Noble, Lindsay F.
Noble, Lindsay F.
re: Joseph Cornell; Transcript of interview and correspondence requesting permission to quote it in her dissertation Jan. 13, 1985
Peary, Gerald
Peary, Gerald
re: General discussion of his work for the Seattle Times, timed to coincide with traveling Albright-Knox retrospective; One letter and two typescripts of the article, photocopy of published article Jul. 1984
Potter, Jeffrey
Correspondence related to two interviews RM gave, one (and possibly both) on Jackson Pollock 1982-1990
Scarpetta, Guy
“Picasso par Robert Motherwell”
Picasso par Robert Motherwell
RM
Original letter with questions (in French) from Scarpetta; several typed drafts of RM’s response, with handwritten corrections Jun. 1981
Tuchman, Phillis: Interview for the Archives of American Art
list of questions and 2 copies of 15 page typed transcript of interview re: Mark Rothko Dec. 15, 1981
Wagener, Richard
“Interview of Robert Motherwell”
Wagener, Richard
33 page copy of typed transcript; 2 pieces of correspondence from Wagener re: the transcripts Jun. 14, 1974
Weisman, Mary-Lou
Interview for Connecticut Magazine, 1977
Weisman, Mary-Lou
6 page typed transcript (copy) of interview with RM’s handwritten edits, for publication in “Connecticut Magazine” January 1978 1977
Weston, Mary Beth
Article: “At Home with Robert Motherwell”
Weston, Mary Beth
re: RM’s Provincetown home, intended for publication in “House Beautiful”; Correspondence, 8 page typed transcript of interview, October 1986 “House Beautiful” with sample article by Weston (RM decided he didn’t want it published) 1985
Wolfowicz, Eugenia
“Un Entretien avec Robert Motherwell”
Wolfowicz, Eugenia
Transcript of interview 1977
BBC
Correspondence related to 3 projects with the BBC:; ; ““Master of the 20th Century,” a 1972 film for which RM was interviewed by James Douglas Henry; “Omnibus,” a 1976 film with RM interview; “Conversations with Artists,” a 1981 interview which RM backed out of 1977-1981
Blackwood Productions
Four pieces of correspondence related to documentary film “Robert Motherwell” 1972-1973
Cort Productions
“David Smith: Steel into Sculpture”
Correspondence, transcripts and release forms related to RM’s Dec 2, 1982 taped interview for David Smith documentary 1982
Damisch, Hubert, “Motherwell, Reve et Realite”
Correspondence and two French TV guides with blurbs advertising the 1977 television program that included an interview with Damisch at RM’s home 1977
Enright, Robert
Robert Motherwell/Robert Enright Interview
CBC, Canada
Enright, Robert
Two typed transcripts of interview with RM’s handwritten edits ; Interview was aired on Canadian network CBC 1983
Institut national de l'audiovisuel
RM documentary
Correspondence related to 1988 documentary on RM’s work for French television ; Typed transcript with questions in both French and English (unedited by RM) 1987-1988
Kline, Herbert
Triumph of Modern Art
Correspondence and other materials related to RM’s participation in documentary about modern art 1972-1974
O’Hagan, Sean
Correspondence related to planning a short documentary film about RM for British Television 1989
Tatge/Lasseur Productions
Robert Motherwell and the New York School Storming the Citadel
Correspondence related to creating and getting funding for RM documentary for public television; Includes information about the WNET 13 “American Masters” series of which the film would be a part 1984-1986
Tatge/Lasseur Productions
Robert Motherwell and the New York School Storming the Citadel
Correspondence and other materials, including:; ; Several drafts of NEH proposal, 3/87; Signed agreement with International Cultural Programming (ICP) ; Working draft of script, 9/8/1987 1987
Tatge/Lasseur Productions
Robert Motherwell and the New York School Storming the Citadel
Correspondence and other materials, including:; ; Revised script, 9/87; RM’s handwritten notes on “The question of an ‘Eye’ (plus abstraction)”; Photo release, 3/29/90; Packet of photocopies of images and original polaroids of filmed images 1987-1990
WNET TV
The Exiles, documentary aired 1989
Correspondence, press releases and other announcements for documentary; Copy of typed transcript of 8/22/1988 interview, with RM’s edits 1987-1989
Miscellaneous Film, TV and Radio Projects
I: Abstract Art 1945-1970
II: Artist and Society
Note on envelope: “At Hunter College Motherwell gave a course twice a year on this subject” 1944-1970
III: Psychic Automatism
Note on envelope: “Motherwell’s article on Miró as well as his interviews conducted by Sydney Simon and Max Kozloff contain excellent passages on psychic automatism.” 1941-1965
IV: The Medium 1958-1979
V: Feelings—The Painters’ Objects 1944-1959
VI: Concerning His Own Work 1950-1980
VII: The School of New York 1950-1967
VIII: Dada 1951
IX: Other Artists 1942-1980
X: Museums, Education 1949-1979
XI: Interviews
Abel, Lionel
“The Surrealists in New York”
Original and photocopy of article “The Surrealists in New York” in October 1981 Commentary 1981-1982
Alberti, Rafael
“Negro Motherwell”
Correspondence, drafts and other materials related to translating and publishing Alberti’s poem. 1969-1990
Ansel, Ruth
Vanity Fair article
Ansel, Ruth
Correspondence and two polaroids related to feature article on RM in August 1984 issue 1984
Ashton, Dore
“Robert Motherwell”
Ashton, Dore
2 photocopies of the original (English) manuscript of the essay that was translated into Spanish and appeared in the catalogue for the 1975 retrospective at the Museum of Modern Art in Mexico 1975
Canaday, John
New York Times review
Canaday, John
Letter to Shaw and typescript of Canaday’s review from the New York Times forwarded to RM 1965
Canal, Vicente Lleó
“Apollo and Dionysus in Greenwich, Conn.”
One original typescript with a few handwritten edits by RM and several photocopies of 3 page essay n.d.
Carney, Lora
“Robert Motherwell’s Elegy to the Spanish Republic Series”
Carney, Lora
Photocopy of master’s thesis from Columbia University May 1974
Caws, Mary Ann: 1 of 5
Pleynet translation
Correspondence and drafts of Caws’ translation of Pleynet’s text; transcript of interview with RM; photocopies of published articles by Caws 1971-1989
Caws, Mary Ann: 2 of 5
Correspondence, transcripts, Materials on interview with RM on Cornell and 1990 seminar at the Getty Center “Essaying Personal Criticism: Joseph Cornell, Robert Motherwell, and the Poetry of Art” 1989-1990
Caws, Mary Ann: 3 of 5
“What Art Holds”
Transcripts of interviews, drafts of book sections, correspondence related to 1990 book; 1990
Caws, Mary Ann: 4 of 5
“What Art Holds”
Transcripts of interviews, drafts of book sections, correspondence related to 1990 book 1990
Caws, Mary Ann: 5 of 5
“What Art Holds”
Transcripts of interviews, drafts of book sections, correspondence related to 1990 book 1990-1991
Courtney, Robert Keith
review, Waterloo Courier
Courtney, Robert Keith
Manuscript of review of A la Pintura; letter asking RM’s opinion of it, and RM’s response 1974
de Antonio, Emile
Painter’s Painting
de Antonio, Emile
Galley of book containing text from filmed interview with various artists, including RM ; ; Emile de Antonio filmed RM ‘s studio in 1970 and the texts from that film were published by Abbeville Press in 1984 1983
Drudi, Gabriella: 1 of 3
Manuscripts of writing, correspondence 1973-1983
Drudi, Gabriella: 2 of 3
Correspondence regarding her book about RM, photo reproductions, finding David Rosand to do the translation; Toti Scialoja exhibition catalogue and transparencies of his work 1984-1989
Drudi, Gabriella: 3 of 3
“Note Romane a Robert Motherwell”
Manuscripts: “Note Romane a Robert Motherwell,” and English translation by Milton Gendel; ; [Published in 1988 as “Robert Motherwell Notes Romaines”] 1988
Fineberg, Jonathan
“On Death and Maternal Love: Some Psychological Speculations on Important Theme’s in Motherwell’s Art”
Fineberg, Jonathan
Photocopies of first draft of typescript
Flam, Jack: 1 of 7
Flam, Jack
2 typescripts--”Robert Motherwell”, 120 pages; “Robert Motherwell’s Drawings”, 37 pages
Flam, Jack: 2 of 7
Robert Motherwell
Materials related to publishing illustrations 1-26 (1941-1949) 1990
Robert Motherwell
Materials related to publishing illustrations 27-56 (1951-1960) 1990
Flam, Jack: 4 of 7
Robert Motherwell
Materials related to publishing illustrations 57-98 (1961-1969) 1990
Flam, Jack: 5 of 7
Robert Motherwell
Materials related to publishing illustrations 99-139 (1971-1979) 1990
Flam, Jack: 6 of 7
Robert Motherwell
Materials related to publishing illustrations 140-164 (1980-1989), and photo credits 1990
Flam, Jack: 7 of 7
Robert Motherwell
Correspondence, illustration lists and other general materials related to reproductions 1990-1991
Franzke, Andreas
Correspondence, lists of photos sent to Franzke for publication, typescript of essay on RM’s work 1982-1983
Gibson, Ann
“Issues in Abstract Expressionism: The Artist-Run Periodicals”
Gibson, Ann
re: “Tiger’s Eye,” “Possibilities” and “Modern Artists in America”; ; Includes early research inquiries while Gibson was still a doctoral student, correspondence and typescripts of chapters 2, 3 and 5 of Ann Gibson’s 1990 book for RM’s approval 1980-1988
Glenn, Constance
“Architectural Digest Visits: Mr. And Mrs. Robert Motherwell”
Glenn, Constance
Correspondence regarding article featuring RM’s house and studio 1983-1984
Graham, Lanier
“Abstract Expressionism: A History”
Materials related to Graham’s book, including two drafts from 1985; [Graham was a curator at the Australian National Gallery] 1984-1987
Hare, David
“Communication,” Art News, Dec. 1967
Manuscript and clippings of Hare’s scathing article about RM; notes and handwritten drafts of RM’s attempt to write a response 1967
Hobbs, Robert: 1 of 2
Correspondence regarding Hobbs’ dissertation on RM’s elegies, and other writing; letters of recommendations for several teaching and museum positions; personal correspondence 1973-1977
Hobbs, Robert: 2 of 2
Correspondence regarding Hobbs’ writings on RM; letters of recommendations for several teaching and museum positions; personal correspondence 1978-1991
Kingsley, April
Correspondence regarding an article for Provincetown Arts, and reproducing examples of RM’s work in her book “The Turning Point: The Abstract Expressionists and the Transformation of American Art” 1987-1992
Lloyd, Ann
Two copies of manuscript with RM’s handwritten edits; Interview published in Cape Cod Antiques and Arts July 1988 issue 1988
Mattison, Robert: 1 of 3
Correspondence and manuscripts related to Mattison’s dissertation and several articles about RM 1979-1981
Mattison, Robert: 2 of 3
75 page tyescript of Part II of Mattison’s dissertation
Mattison, Robert: 3 of 3
Correspondence and other materials related to Mattison’s writing.; Also contains correspondence about lending “Mexican Sketchbook” to the Newport Harbor Art Museum, at Mattison’s suggestion. 1984-1991
“Robert Motherwell’s ‘Elegies to the Spanish Republic’”
National Gallery
90 page typescript of catalogue essay 1977
Northrup, Filmer Stuart Cuckow
Typescript of introduction to “The Prolegomena to A Philosphia Naturalis: That Will be Able to Present Itself as a Verified Science;” RM material was to be included in a future volume “et Aesthetica” 1982
Patton, Phil
“Robert Motherwell: The Mellowing of an Angry Young Man”
Patton, Phil
RM’s handwritten corrections to quotes Patton used for the article and his response to the piece 1982
Pleynet, Marcelin: 1 of 9
Correspondence regarding Pleynet’s writing about RM, especially a 1975 editorial in Art Press 1975-1976
Pleynet, Marcelin: 2 of 9
Correspondence and other materials related to Pleynet’s “Art et literature”; typescript of “La Methode de Robert Motherwell” 1977
Pleynet, Marcelin: 3 of 9
Correspondence and other materials related to Pleynet’s writing 1978-1981
Pleynet, Marcelin: 4 of 9
Bulk of folder is Pleynet texts translated into English by Paul Rodgers--”The Bauhaus and Its Teaching”, ”Essays on the Practice of Painting”, “The Russian Avant-Garde”, “On Modern Culture”, “Painting and Surrealism and painting”, “The end of the 1940s: The Method of Discovery and Production”, poem “The Great Elegy Must Say All” written for RM’s 70s birthday 1979
Pleynet, Marcelin: 5 of 9
Correspondence and other materials related to RM’s making prints for Pleynet’s book entitled “Le Temps Giorgione” and other projects 1982-1986
Pleynet, Marcelin: 6 of 9
“La Tempete: Giorgione et les deux Vénus”
Typescript of “La Tempete: Giorgione et les deux Vénus” (RM made six prints to illustrate the text)
Pleynet, Marcelin: 7 of 9
“Les Etats-Unis de la peinture”
Pleynet, Marcelin
Two photocopies of “Les Etats-Unis de la peinture” by Marcelin Pleynet 1986
Pleynet, Marcelin: 8 of 9
Correspondence related to Pleynet’s text that RM illustrated with lithographs; includes checklists by decade of images for inclusion in Pleynet/Papierski book 1987-1988
Pleynet, Marcelin: 9 of 9
Correspondence, mostly about Mary Ann Caws’ translation of Pleynet text; production of “Interpreting Contemporary Art” 1989-1991
Poems Inspired by RM’s Work
Poems and correspondence
Provincetown Arts, Summer 1988
Materials related to an issue featuring RM; includes transcripts of an interview with printmaker Catherine Mosley and the Aldrich dialogue with Arthur Danto 1988
Raynor, Vivien
“A Talk with Robert Motherwell”
Correspondence re: interview RM gave for ARTnews article in 1974 1973-1974
Reuter, Barbara
Dissertation
Correspondence related to Reuter’s dissertation on the career development of professional American artists; includes a photocopy of a 1-page summary of her interview with RM, with RM’s handwritten edits 1973-1974
Robertson, Bryan
“RM at St. Gallen”
Robertson, Bryan
Correspondence and drafts of catalogue essay for “Robert Motherwell: Bilder und Collagen 1967-1970” at Galerie Im Erker 1971
Ross, Clifford
Abstract Expressionism: Creators and Critics, An Anthology
Correspondence and photocopies of RM writings to be included in anthology of Abstract Expressionist writings 1989-1990
Sandler, Irving
Correspondence re: permission to reproduce drawings 1970-1977
Scarpetta, Guy
“Les 9 Ateliers De Robert Motherwell”
“Les 9 Ateliers De Robert Motherwell”
Interview for the article was done via letter in May 1977: includes Scarpetta’s original questionnaire, and RM’s handwritten drafts of response 1977
Scarpetta, Guy
Correspondence discussing Scarpetta’s various writing projects and RM’s work, among other things 1976-1990
Shoenberg, Suzy
term papers
Student term papers: ; “Robert Motherwell,” May 1967; “Color, Form, and Feeling” [re: Helen Frankenthaler], Jan 1968 1967-1968
Solomon, Deborah
Correspondence related to articles she wrote, interviews with RM 1984-1989
Terenzio, Stephanie: 1 of 9
Cards, correspondence, clippings, catalogues and other general materials related to Stephanie and Anthony Terenzio; Includes information on writing the “Robert Motherwell and Black” catalogue, RM’s receiving an award, polaroids of Terenzio’s home 1978-1991
Terenzio, Stephanie: 2 of 9
Robert Motherwell and Black
Dummy of book 1979-1980
Terenzio, Stephanie: 3 of 9
Unpublished memoir project
Correspondence,Terenzio’s chronology of the project and other materials related to interviews Terenzio taped in preparation for a memoir 1983-1997
Terenzio, Stephanie: 4 of 9
unpublished memoir project: transcript 1
Typed transcript of taped interviews with RM 1983
Terenzio, Stephanie: 5 of 9
unpublished memoir project: transcript 2
Typed transcript of taped interviews with RM 1983
Terenzio, Stephanie: 6 of 9
Collected Writings of Robert Motherwell I
Typed copies of RM’s writings for possible inclusion in the book; some have attached notes from Terenzio with questions or comments 1984-1987
Terenzio, Stephanie: 7 of 9
Collected Writings of Robert Motherwell II
Photocopies of RM’s letters, speeches and other materials for possible inclusion in the book 1988
Terenzio, Stephanie: 8 of 9
Collected Writings of Robert Motherwell V
Correspondence about the publication of the book, including legal agreements and permissions to reproduce the selected materials 1991-1992
Terenzio, Stephanie: 9 of 9
Collected Writings of Robert Motherwell VI
Photocopies of images and manuscript of Bibliography and Chronology sections 1991-1992
Tyler, Betty
Correspondence related to Tyler’s Jun 1991 published articles with RM and her interest in writing a 1992 piece on his estate 1991-1992
Van Hook, Bailey
“Robert Motherwell’s Mallarme’s Swan”
Transcript and photocopy of published article “Robert Motherwell’s Mallarme’s Swan” in Arts Magazine, 1983 1988
Volboudt, Pierre
“Perspectives de Robert Motherwell”
Correspondence and typed manuscript of Volboudt’s article for XXe Siecle; also some correspondence about RM making a lithograph to benefit the publication. 1972-1973
Wilmerding, John (editor)
The Genius of American Painting
Correspondence related to selecting images to represent RM’s work in The Genius of American Painting 1972-1973
1970 Lecture Notes
unknown
2 pages of sketches and notes for a 1970 lecture, “analysis of possible development of Motherwell shapes and formal groups” 1970
Untitled Manuscript (dissertation?)
Copy of handwritten draft of chapters two and three of what is probably a dissertation about Motherwell in the 1940s n.d.
Miscellaneous Writings
Abbeville Press
Small amount of correspondence related to various Abbeville Press projects and activities 1977-1983
Abrams Press: 1 of 7
Robert Motherwell monograph
Arnason, Harvard
Correspondence related to developing the monograph on RM’s work, esp. gathering photographs and clarifying information about individual works.; Correspondence on 1970 Stanford University exh.; Detailed list of Open works. 1969-1975
Abrams Press: 2 of 7
Robert Motherwell monograph
Arnason, Harvard
Correspondence and other materials related to the publication of the monograph; bibliography and chronology drafts, photo reproduction correspondence 1976
Abrams Press: 3 of 7
Robert Motherwell monograph
Arnason, Harvard
Correspondence and other materials related to the publication of the monograph and subsequent revised and expanded edition 1977-1979
Abrams Press: 4 of 7
Robert Motherwell monograph
Arnason, Harvard
Correspondence and other materials related to revised edition of RM monograph; much of correspondence related to gathering photographs 1980-1983
Abrams Press: 5 of 7
Robert Motherwell monograph V, early chronology
Arnason, Harvard
2 copies of chronology compiled by Ellen Grand in collaboration with RM — photocopied typescript with many handwritten edits from RM and Jack Flam; includes Flam’s handwritten “Brief Chronology” 1980-1981
Abrams Press: 6 of 7
Dedalus Sketchbooks
Correspondence, contract, photocopies of sketchbook pages, drafts of book copy 1984-1989
Abrams Press: 7 of 7
Correspondence, mostly related to RM reproductions in various Abrams publications 1986-199
The American Scholar: 1 of 2
RM was on the editorial board from 1968-1974; Correspondence, meeting minutes and memos related to choosing works to publish in the journal. 1968-1972
The American Scholar: 2 of 2
RM was on the editorial board from 1968-1974; Correspondence, meeting agendas and memos related to choosing works to publish in the journal. 1973-1974
Arion Press: 1 of 6
Correspondence about RM’s etchings for a special edition of Ulysses 1985-1986
Arion Press: 2 of 6
Correspondence about RM’s etchings for a special edition of Ulysses 1987-1988
Arion Press: 3 of 6
Correspondence and other materials about RM’s etchings for an illustrated edition of Ulysses; includes Andrew Hoyem’s “The Arion Press Ulysses” and a transcript of David Hayman’s interview of RM that was published by Arion 1988
Arion Press: 4 of 6
Correspondence and other materials about RM’s etchings for an illustrated edition of Ulysses 1988-1991
Arion Press: 5 of 6
Proofs of pages from the illustrated edition of Ulysses
Arion Press: 6 of 6
Miscellaneous materials from Arion Press—advertisements, brochures, Andrew Hoyem’s poetry, and other items
Art International
Correspondence, both personal and professional, esp relating to several Art International projects 1974-1982
Art Magazines
General request correspondence 1971-1985
Boston University Journal
Correspondence re: several photographs and/or articles to be published in the journal 1972-1977
Gibbs M. Smith Inc Peregrine Smith Books
The Rise of Cubism by Kahnweiler
Correspondence related to republishing the book originally published as part of the Documents of Modern Art series; requesting that RM write a revised introduction 1985-1986
Hudson Hills Press: 1 of 3
The Prints of Robert Motherwell
Correspondence regarding the second edition of RM’s print catalogue raisonne 1983-1986
Hudson Hills Press: 2 of 3
The Prints of Robert Motherwell
Correspondence regarding third and fourth editions of RM’s print catalogue raisonne 1987-1991
Hudson Hills Press: 3 of 3
Eye to Eye: The Camera Remembers, by Renate Ponsold
Correspondence, agreement regarding the publication of a book of Renate Ponsold’s photographs 1987-1989
Newsday
General request correspondence 1977-1985
New York Times
Correspondence and other materials related to various articles and reviews published in the Times over the years. 1975-1985
Northeast Magazine
Correspondence about a proposed commission 1986
Partisan Review
Correspondence--largely requests for RM to write reviews or articles for the magazine 1972-1986
Skira Press: 1 of 4
Skira Annuel 1977
Correspondence related to RM’s entry in the book 1977-1979
Skira Press: 2 of 4
Reconciliation Elegy
Correspondence and other materials related to the publication of the book 1979-1981
Skira Press: 3 of 4
Reconciliation Elegy
Drafts of Carmean’s text, transcript of tapes made by Bob Bigelow and John Scofield about making the mural; mockup of book layout 1978-1980
Skira Press: 4 of 4
Reconciliation Elegy
Cover design sketch, page proofs, photocopy of galley
Summit Books
unpublished memoir project
Correspondence between RM and Samuelson about the progress of the unfinished memoir project RM was working on with Stephanie Terenzio (see Terenzio files for more materials on the project) 1982-1986
Miscellaneous Publications
All items individually catalogued
Abstract Expressionism [unpublished]
Correspondence regarding Clifford Ross’ proposed anthology 1976
Josef Albers [unpublished]
Correspondence trying to get in touch with Albers about publishing his writings
Arp on Arp: Poems, Essays, Memories
Jean Arp
Correspondence; [A stack of dust jackets from the final book are stored in oversize drawer 6] 1967-1970
The Autobiography of Surrealism: 1 of 3
Marcel Jean
Correspondence, especially related to obtaining reproduction permission from Alisa Breton; also correspondence regarding RM’s sending Jean’s manuscript “Maladoror” to Michigan Press 1968-1974
The Autobiography of Surrealism: 2 of 3
Correspondence, especially related to frustrations with Viking 1975-1982
The Autobiography of Surrealism: 3 of 3
Manuscript: “Anthological History of Surrealist Poetry” 1968-1971
The Blaue Reiter Almanac
Two pieces of correspondence 1970
Color-field Painters [unpublished]
Correspondence regarding the possibility of doing a book on color field painters 1968
The Dada Painters and Poets, 2nd ed.
Robert Motherwell, ed.
Correspondence related to updating the book and bibliography for the second edition 1967-1988
David Smith by David Smith
Correspondence about the book and the estate’s making the materials available (The Documents of Twentieth Century Art series tried to get paperback rights to the book 1967-1968
Giorgio di Chirico [unpublished] 1967-1970
Dialogues with Marcel Duchamp
Pierre Cabanne
Correspondence, several handwritten and typed drafts of RM’s Introduction 1967-1973
James Ensor [unpublished]
Correspondence and manuscripts regarding proposal of an Ensor volume; includes translations of several short texts 1968
Flight Out of Time: A Dada Diary
Hugo Ball
Correspondence regarding translations; draft of introduction 1967-1971
Functions of Painting, by Fernand Léger
Correspondence; draft of introduction by George L. K. Morris 1968-1970
G.K. Hall & Co.
Administrative Materials 1
Correspondence regarding changing the series’ publisher from Viking Press to G.K. Hall and Co.; Letters that refer to several different titles are catalogued individually 1979-1980
G.K. Hall & Co.
Administrative Materials 2
Correspondence about the series, including Jack Flam’s Includes royalty statements from 1987-1991 1981-1991
German Expressionism
Partial manuscript and list n.d.
Holt, Rinehart and Winston, General Correspondence: 1 of 2
Correspondence related to RM’s attempts to find a new publisher for the series; he approached the University of Chicago Press, Southern Illinois University Press 1966-1967
Holt, Rinehart and Winston, General Correspondence: 2 of 2
Correspondence and other materials related to developing new ideas for titles for the series; proposals sent to many potential authors; Contract 12/5/1968 1967-1968
Joan Miró : Selected Writings and Interviews
Correspondence, sample pages 1986
The Journal of Eugene Delacroix
Typed drafts of RM’s introduction; Bernard Karpel’s bibliography 1971
Kandinsky, Complete Writings on Art
Correspondence 1970-1982
Le Corbusier [unpublished]
Correspondence, draft of translation of front matter from original book 1968-1969
Matisse [unpublished]
Correspondence and partial manuscript regarding proposed Matisse book 1971-1975
Memoirs of a Dada Drummer
Richard Huelsenbeck
Early correspondence,; Manuscript: “Introduction: The New Man—Armed with the Weapons of Doubt and Defiance” by Hans Kleinschmidt 1967-1973
My Life in Sculpture, by Jacques Lipchitz
Photocopy of lightly-edited typescript 1968-1970
The New Art of Color : the Writings of Robert and Sonia Delaunay
Correspondence 1967-1970
The New Art—The New Life : the Collected Writings of Piet Mondrian
Correspondence, cover comps, New York Times review 1967-1987
Picasso on Art: 1 of 2
1 letter from Ashton, a review of the book and pages 1-95 of the manuscript 1968
Picasso on Art: 2 of 2
Pages 96-195 of the manuscript 1968
Hans Richter [unpublished]
Correspondence clarifying the contents of the proposed book, problems getting it published 1968-1976
Tapies [unpublished]: 1 of 2
Correspondence between RM and Tapies re: possibility of publishing a book of Tapies’ writings ; 90-page typescript of English translation of “L’Art Contre L’Esthetique”; 1980-1983
Tapies [unpublished]: 2 of 2
129-page typescript of English translation of “La Practique de L’Art” 1980-1983
Thames and Hudson International Ltd.
Administrative Materials
Correspondence about proposed titles; Spring 1967, Autumn 1967 catalogues 1967-1968
The Tradition of Constructivism
Correspondence,; Manuscript, with contents and introduction 1968-1974
Viking Press, General Correspondence: 1 of 3
Correspondence and other materials related to developing and marketing new titles for the series; includes book ideas and proposals, board meeting agendas and minutes and other administrative materials 1968-1970
Viking Press, General Correspondence: 2 of 3
Correspondence and other materials related to developing and marketing new titles for the series; includes book ideas and proposals, board meeting agendas and minutes and other administrative materials 1971-1974
Viking Press, General Correspondence: 3 of 3
Correspondence and other materials related to developing and marketing new titles for the series; includes book ideas and proposals, board meeting agendas and minutes and other administrative materials 1975-1980
Viking Press
Letterhead
Blank “Documents of 20th Century Art” letterhead
Viking Press
Promotional Materials
Flyers, brochures, advertisements, order forms 1969-1975
Viking Press
Royalty Statements
Royalty Statements: 1972, 1973, 1974, 1976, 1978, 1983, 1984, 1985, 1990 1972-1990
Affiliate Artists, Inc.
Correspondence related to request from Affiliate Artists for RM to create sets for a production of Mozart’sThe Magic Flute? 1985-1986
The American Federation of Arts:
1 of 7
Correspondence and preliminary lists related to organizing the exhibition 1976-1979
The American Federation of Arts:
2 of 7
Correspondence, checklists, loan receipts, itinerary and other materials related to the traveling exhibition. 1980
The American Federation of Arts:
3 of 7
Photocopied condition reports 1980
4 of 7
Press releases, catalogue materials, including photocopies of photograph layout options; lists of invitees to the opening 1980
5 of 7
Checklists, condition reports and other materials related to the exhibition 1980
The American Federation of Arts:
6 of 7
Correspondence, press releases, itinerary, reviews and other materials related to the traveling exhibition; several pieces of correspondence about conservation issues 1981-1982
The American Federation of Arts:
7 of 7
Correspondence, press releases, conservation reports, and other materials related to the traveling exhibition 1983-1984
American Poetry Review: The Quarrel
Bulk of materials are related to RM’s and Stanley Kunitz’s collaboration on The Quarrel, a lithograph to benefit American Poetry Review 1983-1986
An Die Musik: Poster
Materials related to RM’s work on a poster for An die Musik featuring Cantata XIII; includes several drafts of RM’s statement about music 1985
Archives of American Art: Poster
Materials related to turning Elegy Study I into a poster 1990
Artists Against Apartheid:
Print Donation 1982
Brand Printing Presses
Materials about etching and lithography presses RM purchased for his print studio in 1982 1981-1982
Brooke Alexander, Inc: 1 of 9
Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1974
Brooke Alexander, Inc: 2 of 9
Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1975
Brooke Alexander, Inc: 3 of 9
Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1976
Brooke Alexander, Inc: 4 of 9
Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1977
Brooke Alexander, Inc: 5 of 9
Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1978
Brooke Alexander, Inc: 6 of 9
Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1979
Brooke Alexander, Inc: 7 of 9
Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1980
Brooke Alexander, Inc: 8 of 9
Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1980
Brooke Alexander, Inc: 9 of 9
1981, 1983, 1984, 1985, 1988; Correspondence; gallery and studio records related to creation, sale, shipping and exhibition of prints 1981-1991
Catalogue Raisonne, 1990 revised edition
Materials detailing changes to second edition of catalogue raisonné; includes a photocopy of the manuscript 1987-1989
Dolan/Maxwell Gallery
Correspondence, consignments records and other materials 1984-1985
Editions La Difference
Correspondence about two book projects—one with Gabriella Drudi and an unrealized project with Guy Scarpetta 1988-1989
Erker-Presse St. Gallen
Materials documenting prints RM made with Erker Presse, including copies of correspondence and chronology information 1974-1979
Gemini G.E.L.: 1 of 5
Correspondence, shipping and sales/royalty records related to print editions 1972-1973
Gemini G.E.L.: 2 of 5
Correspondence, shipping and sales/royalty records related to print editions; includes several pieces of correspondence about some collage maquettes that were accidentally destroyed 1974
Gemini G.E.L.: 3 of 5
Correspondence, shipping and sales/royalty records related to print editions 1975-1977
Gemini G.E.L.: 4 of 5
Correspondence, shipping and sales/royalty records related to print editions 1978-1981
Gemini G.E.L.: 5 of 5
Correspondence, shipping and sales/royalty records related to print editions; includes several pieces of correspondence from Felsen trying to convince RM to do more projects with them 1982-1989
Gift Prints
Documentation on 5 gifted prints: House of Atreus, Alberti Elegy, Rite of Passage III, Red Sea II, Automatism Elegy, State I 1982-1983
Hayter, S.W.
Bulk of materials relate to donation of a print to AIDS benefit that Hayter and his wife were involved in; correspondence about Hayter memorial program at which RM spoke in 1988 1976-1988
Hollander Workshop
Correspondence and other materials related to lithographs RM published with Hollander 1965-1979
International Rescue Committee, Inc
Materials related to RM’s creation of a print for the International Rescue Committee’s print portfolio “The Refugee” 1969-1970
Inventory Lists
Print Inventory lists 1984-1987
Kelpra Studio
Photocopy of Print Quarterly article “R.B. Kitaj and Chris Prater,” by Pat Gilmour, June 1994 1994
L’Échoppe Editions
Materials related to RM’s collaboration on Mallarmé edition 1988-1990
The Limited Editions Club
Correspondence; “The Limited Editions Club, A Catalogue of Fine Books and Portfolios 1979-1987--2 copies with different RM illustrations; one with handwritten notations 1987
Marlborough Graphics
Correspondence about prints executed by Kelpra Studios and published by Marlborough Graphics, especially the London Series; copy of promotional brochure for RM’s Africa Suite 1979-1980
M’Arte Milano
Correspondence regarding a proposed livre d’artiste with Octavio Paz 1973-1974
Maurel Studios
Correspondence re: two silkscreens printed by Sheila Marbain 1978
Mundiarte
Materials related to RM’s contribution of an original lithograph to a project commemorating the work of Fray Bartolome de las Casas 1984-1985
New York Graphic Society, Ltd.: 1 of 2
Correspondence regarding reproduction of Cambridge Collage 1965-1970
New York Graphic Society Ltd.: 2 of 2
Materials related to a print RM created for the “New York Portfolio” to benefit less established artists in New York, Untitled, 1982 1981-1984
Pamphlets and Brochures
Brochures, pamphlets, typeface guide, paper sample books n.d.
Papierski, Daniel: 1 of 2
Materials about the Pleynet’s book on RM and the original prints that accompanied poems by Pleynet; in this folder many of the materials relate to contracts and organizing the details of the project 1987-1989
Papierski, Daniel: 2 of 2
Materials about the Pleynet’s book on RM and the original prints that accompanied poems by Pleynet; in this folder many of the materials relate to contracts and organizing the details of the project 1989-1990
Paris Review
Correspondence re: prints made to benefit the Paris Review 1988-1991
Paroles Peintes
Correspondence regarding RM’s contribution of illustrations to three Parole Peintes books: No. III in 1966 with poem by Daily Aldan; No. IV in 1968; No. V in 1974 with poem by Bernard Noel 1966-1979
Paz, Octavio: 1 of 4 (“Three Poems”)
Correspondence between RM and Paz; translation of Paz’ “The Skin of the World, the Sound of the World”; plans to publish it as an illustrated artists’ book; various announcements and clippings related to non-RM projects from Limited Editions and Arion Press 1971-1978
Paz, Octavio: 2 of 4
Correspondence between RM and Paz; Legal agreement between Tyler Graphics and Limited Editions Club for the Motherwell/Paz “Three Poems” collaboration. Also includes correspondence with Andrew Hoyem of Arion Press. 1984-1986
Paz, Octavio: 3 of 4
Correspondence between RM and Paz; various materials related to making of “Three Poems” 1985-1989
Paz, Octavio: 4 of 4
RM
Various drafts and correspondence related to RM’s introduction of Octavio Paz at the Poetry on October 4, 1987 1987-1988
Peace Portfolio I
Correspondence re: print made for the Peace Portfolio I 1970, 1983
Petersburg Press, Inc: 1 of 6
Petersburg Press, Inc: 2 of 6
Petersburg Press, Inc: 3 of 6
Petersburg Press, Inc: 4 of 6
Petersburg Press, Inc: 5 of 6
Petersburg Press, Inc: 6 of 6
Photograph Negative Numbers
Several lists of print photo numbers; also 7 studio cards with polaroids n.d.
Price Lists
Various print price lists 1978-1984
Print: Capriccio
Correspondence re: Capriccio 1978-1980
Print: Mezzotint in Indigo
Correspondence re: Mezzotint in Indigo, RM’s mezzotint process 1982
Print: Summer Trident
Correspondence related to RM’s participation in a print portfolio to benefit Harvey Gantt’s candidacy against Jesse Helms; includes RM’s handwritten statement against Helms and his “terrorism of the art world” 1990-1991
Print: Tallith for Meyer Schapiro
Materials related to the print RM donated to benefit the Committee to Endow a Chair in Honor of Meyer Schapiro at Columbia University 1973-1976
Print: Tricolor
Correspondence trying to determine edition size of Tricolor 1981-1983
Print Collectors Newsletter
Correspondence regarding the interview of RM by Heide Colsman-Freyberger published in the Jan-Feb 1974 issue 1973-1974
Print Council of America
Brochures and calendars 1965-1967
“Printing as Collaboration”
RM
Handwritten manuscript of RM’s notes on collaboration Feb. 14, 1979
Propylaen Verlag Berlin: “Hommage a Picasso” Portfolio
Correspondence related to RM’s participation in a print portfolio 1973-1976
Societe International de XXe Siecle
One letter requesting information on print RM made for the publication 1978
Spanish Refugee Aid
re: Print editions made to benefit the Spanish Refugee Aid 1972-1983
Spoleto Poster
Letter of agreement and one piece of correspondence regarding poster design
ed for the Spoleto Festival 1969
Trestle Editions Ltd.
Invoices, correspondence and other materials about prints editioned with Trestle Editions, including materials on poster made for Lincoln Center’s “Mostly Mozart” festival; includes polaroids of seven pieces 1989-1991
Garner Tullis Workshop
Friendly correspondence—RM didn’t publish prints with Tullis; several articles and brochures about Tullis’ work and gallery 1975-1988
Tyler Graphics: 1 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts; agreements between Tyler Graphics and RM; ; Print documentation sheets:; Spanish Elegy I; Tobacco Roth-Handle; Mediterranean (State II Yellow); Mediterranean (State I White); Mediterranean ; Hermitage; Spanish Elegy II; Le Coq; Bastos; St. Michael II; St. Michael III; Monster; Autobiography and Other Poems 1973-1978
Tyler Graphics: 2 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts; agreements between Tyler Graphics and RM 1979-1980
Tyler Graphics: 3 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts 1981-1982
Tyler Graphics: 4 of 12 (”El Negro”)
Correspondence; translations of the poem; page layout ; RM’s handwritten draft of the foreward and other materials related to the livre d’artiste “El Negro” 1981-1983
Tyler Graphics: 5 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts
Tyler Graphics: 6 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts
Tyler Graphics: 7 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts; exhibition announcements and invitations
Tyler Graphics: 8 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts; exhibition announcements and invitations; ; Photocopies of documentation sheets:; CR# 345, At the Edge; Untitled (Orange-Black), 1984; Untitled (Blue, Brown, Black), 1984
Tyler Graphics: 9 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts; exhibition announcements and invitations 1985
Tyler Graphics: 10 of 12
Sales reports; price lists; correspondence; royalty statements; consignment lists and receipts; ; Photocopy of document sheet:; CR# 367, Yellow Flight 1986
Tyler Graphics: 11 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts; exhibition announcements and invitations; a few polaroids of proofs; copy of exhibition catalogue: Helen Frankenthaler Prints: 1985-1987 1987
Tyler Graphics: 12 of 12
Royalty statements; Tyler Graphics availability lists; correspondence; consignment lists and receipts; exhibition announcements and invitations; ; Includes signed print documentation sheets:; CR #474, Mask (for Ingmar Bergman); CR #470, Flags; CR# 475, Wave; ; Drafts of documentation sheets:; CR #489, Three Figures,; CR #488, Elegy Study I; CR #490, Calligraphy I 1988-1991
Universal Limited Art Editions: 1 of 4
Correspondence, print lists, sale and payment records and other materials documenting RM’s work with ULAE, including the Rimbaud project and A la Pintura 1966-1973
Universal Limited Art Editions: 2 of 4
Correspondence, print lists, sale and payment records and other materials documenting RM’s work with ULAE, in particular A la Pintura 1974-1981
Universal Limited Art Editions: 3 of 4
Correspondence, print lists, sale and payment records and other materials documenting RM’s work with ULAE; materials relating to catalogue of ULAE prints published by the Art Institute of Chicago 1982-1990
Universal Limited Art Editions: 4 of 4 (Payment records)
Photocopies of payment records and checks 1962-1974
Waddington Graphics: 1 of 8
Correspondence and other materials related to various printmaking projects, especially Ulysses etching and French Revolution Bicentennial images 1987
Waddington Graphics: 2 of 8
Correspondence, account statements and other materials related to various printmaking projects, especially Hollow Men Suite etching and French Revolution Bicentennial images 1988
Waddington Graphics: 3 of 8
Waddington Graphics: 4 of 8
Waddington Graphics: 5 of 8
Waddington Graphics: 6 of 8
Waddington Graphics: 7 of 8
Waddington Graphics: 8 of 8 1991
Warsaw ‘76, 6th International Poster Biennale
Correspondence and forms related to RM’s interest in participating in the exhibition 1975-1976
Donation Requests
Requests for donations that were either unanswered, declined or the donation was something other than a work of art. 1974-1996
Exhibition and Loan Requests: 1 of 2 1972-1980
Exhibition and Loan Requests: 2 of 2 1981-1991
Interview Requests: 1 of 3
Declined requests for interviews; Arranged alphabetically 1971-1979
Interview Requests: 2 of 3
Declined requests for interviews; Arranged alphabetically 1980-1984
Interview Requests: 3 of 3
Declined requests for interviews; Arranged alphabetically 1985-1990
Miscellaneous Requests: 1 of 3 1970-1979
Miscellaneous Requests: 2 of 3 1980-1984
Miscellaneous Requests: 3 of 3 1985-1991
Poster Requests
Requests for posters or similar reproductions of artworks; Arranged chronologically 1976-1989
Print Requests
Requests to make prints, books, and similar original artworks; Arranged chronologically 1976-1990
Recommendation Requests: 1 of 3 1968-1978
Recommendation Requests: 2 of 3 1979-1989
Recommendation Requests: 3 of 3
Dennis Burton: large portfolio of clippings and other materials related to Burton’s career 1971
Reproduction Requests: 1 of 4
Arranged chronologically 1969-1978
Reproduction Requests: 2 of 4
Arranged chronologically 1979-1981
Reproduction Requests: 3 of 4
Arranged chronologically 1982-1987
Reproduction Requests: 4 of 4
Arranged chronologically 1988-1991
Research Requests: 1 of 7
(Artwork Inquiries)
Materials arranged alphabetically by date of letter with information; All items catalogued individually and photocopied 1970-1985
Research Requests: 2 of 7
(Artwork Inquiries)
Materials arranged alphabetically by date of letter with information; All items catalogued individually and photocopied 1986-1991
Research Requests: 3 of 7
(Outgoing Artwork Inquiries)
Letters to museums, galleries and collectors were sent out in the mid-1980s to gather information about works for RM’s archive. Materials typically include details about ownership, title, dimensions and media. Arranged by title of work. 1973-1989
Research Requests: 4 of 7
(Elegy Research Material)
This folder was compiled in the mid-1980s by Joan Banach in preparation for an intended catalogue raissonne of Elegy pieces. It includes letters to and from collectors containing information on individual pieces, as well as clippings and exhibition catalogs relating to Elegies.; All items about specific works were catalogued individually and photocopied 1981-1985
Research Requests: 5 of 7
(Historical Inquiries)
Arranged chronologically by the date of RM’s response; All items catalgoued individually and photocopied 1970-1982
Research Requests: 6 of 7
(Historical Inquiries)
Arranged chronologically by the date of RM’s response; All items catalogued individually and photocopied 1983-1991
Research Requests: 7 of 7
(Unanswered Historical Inquiries)
These are primarily requests for information sent by scholars and other researchers that RM did not respond to.; ; (In some cases these requests may actually have been answered, either by phone or in a letter that wasn’t saved in the archives.) 1970-1988
Speaking Requests: 1 of 6
Requests for RM to lecture, teach, participate in symposia, panel discussions or other speaking engagements. Nearly all were declined.; Arranged chronologically. 1969-1976
Speaking Requests: 2 of 6
Declined requests for RM to lecture, teach, participate in symposia, panel discussions or other speaking engagements. ; Arranged chronologically. 1977-1978
Speaking Requests: 3 of 6
Declined requests for RM to lecture, teach, participate in symposia, panel discussions or other speaking engagements. ; Arranged chronologically. 1979-1980
Speaking Requests: 4 of 6
Declined requests for RM to lecture, teach, participate in symposia, panel discussions or other speaking engagements. ; Arranged chronologically. 1981-1984
Speaking Requests: 5 of 6
Declined requests for RM to lecture, teach, participate in symposia, panel discussions or other speaking engagements. ; Arranged chronologically. 1985-1986
Speaking Requests: 6 of 6
Declined requests for RM to lecture, teach, participate in symposia, panel discussions or other speaking engagements. ; Arranged chronologically. 1987-1991
Student and Artist Requests: 1 of 4
Requests from artists for critiques, career advice, help finding gallery representation, or from students asking for help with research papers and similar non-professional requests.; ; Primarily from the 1970s and 1980s—not arranged chronologically
Student and Artist Requests: 2 of 4
Requests from artists for critiques, career advice, help finding gallery representation, or from students asking for help with research papers and similar non-professional requests.; ; Primarily from the 1970s and 1980s—not arranged chronologically
Student and Artist Requests: 3 of 4
Requests from artists for critiques, career advice, help finding gallery representation, or from students asking for help with research papers and similar non-professional requests.; ; Primarily from the 1970s and 1980s—not arranged chronologically
Student and Artist Requests: 4 of 4
Requests from artists for critiques, career advice, help finding gallery representation, or from students asking for help with research papers and similar non-professional requests.; ; Primarily from the 1970s and 1980s—not arranged chronologically
Writing Requests: 1 of 2
Arranged chronologically 1970-1980
Writing Requests: 2 of 2
Arranged chronologically 1981-1990
Articles of Interest, Art Activism
Articles and other materials related to the art community’s response to the Vietnam war 1970
Articles of Interest, Art Collecting, Taxes, Legislation
This folder was organized by RM’s studio. In addition to articles and clippings it contains some correspondence and other materials related to art legislation 1976-1988
Articles of Interest, Artists: 1 of 9 1961-1969
Articles of Interest, Artists: 2 of 9 1953-1976
Articles of Interest, Artists: 3 of 9 1977-1978
Articles of Interest, Artists: 4 of 9 1979-1980
Articles of Interest, Artists: 5 of 9 1982-1988
Articles of Interest, Artists: 6 of 9 n.d.
Articles of Interest, Artists: 7 of 9
Rothko
Articles and clippings about Rothko, many obituaries and articles about his death; not individually catalogued 1970
Articles of Interest, Artists: 8 of 9
Rothko
Articles and clippings about Rothko, mostly related to legal battles over his estate; not individually catalogued 1973-1977
Articles of Interest, Artists: 9 of 9
Rothko
Articles and clippings about Rothko, mostly related to legal battles over his estate; not individually catalogued 1978-1984
Articles of Interest, Galleries 1962-1968
Articles of Interest, General: 1 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM 1958-1968
Articles of Interest, General: 2 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM 1969-1971
Articles of Interest, General: 3 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM 1975-1976
Articles of Interest, General: 4 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM 1977
Articles of Interest, General: 5 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM 1977
Articles of Interest, General: 6 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM 1978-1980
Articles of Interest, General: 7 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM 1981-1984
Articles of Interest, General: 8 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM 1985-1991
Articles of Interest, General: 9 of 9
Articles primarily about art, literature and other topics of “professional” interest to RM n.d.
Articles of Interest, Non-Art: 1 of 6
Articles on various topics not related to art, including health, food, science and psychology 1966-1978
Articles of Interest, Non-Art: 2 of 6
Articles on various topics not related to art, including health, food, science and psychology 1979-1984
Articles of Interest, Non-Art: 3 of 6
Articles on various topics not related to art, including health, food, science and psychology 1985-1990
Articles of Interest, Non-Art: 4 of 6
Articles on various topics not related to art, including health, food, science and psychology n.d.
Articles of Interest, Non-Art: 5 of 6
Ads RM clipped for items such as clothing, furniture and household goods
Articles of Interest, Non-Art: 6 of 6
Ads RM clipped for items such as clothing, furniture and household goods; store catalogs and brochures
Catalogues and Announcements: 1 of 3
Exhibition catalogues and announcements for non-RM shows
Reproductions: 1 of 2
Postcards and small prints of works by other artists, most still wrapped in plastic n.d.
Catalogues and Announcements: 2 of 3
Exhibition catalogues and announcements for non-RM shows
Catalogues and Announcements: 3 of 3
Exhibition catalogues and announcements for non-RM shows
Reproductions: 2 of 2
Postcards and small prints of works by other artists, most still wrapped in plastic n.d.
Concorde Flight Materials
Packet of materials including menu, in-flight magazine and similar items that RM got on the Concorde when he travelled to his retrospective at the Royal Scottish Academy Oct. 17, 1977
Europe Trip, 1971
Various materials, including pamphlets, brochures, and unused airmail stationery related to RM’s 1971 trip abroad 1971
Fan Mail: 1 of 7 1961-1974
Fan Mail: 2 of 7 1975
Fan Mail: 3 of 7 1976-1978
Fan Mail: 4 of 7 1979-1982
Fan Mail: 5 of 7 1983-1984
Fan Mail: 6 of 7 1985-1987
Fan Mail: 7 of 7 n.d.
Festschrift: 1 of 2
4 photocopies each of contributions from: Dore Ashton, Arthur Berger, Hubert Damisch, Gabrielle Drudi, Mickey and Martin Friedman, Robert Hughes, Stanley Kunitz, Marcelin Pleynet, Guy Scarpetta, Frank Stella, Stephanie Terenzio, Norman Zinberg 1985
Festschrift: 2 of 2
Photocopies and some originals of contributions from: Lucia Dlugoszewski, Gabrielle Drudi, Marjorie Halper, Erick Hawkins, Irving Howe, Octavio Paz, Marcelin Pleynet, Guy Scarpetta, Frank Stella, Myron Stout (?), Dorothy Zinberg, Norman Zinberg 1985
Germany
Italy 1980
London
Private Art Collection: Cornell’s “A Suivre”
Correspondence related to RM’s Cornell box Untitled (A Suivre); providing information for a Cornell catalogue raisonne;; Materials related to lending box to exhibition “Exploring Joseph Cornell’s Visual Poetry”; includes draft of catalogue essay and photocopied reviews of exhibition 1981-1982
Private Art Collection: Ernst’s “King Playing with the Queen”
Correspondence, catalogue, photograph, loan forms related to two exhibitions of the piece. 1972-1990
Private Art Collection: Kline, “Untitled”
Various materials related to exhibiting and reproducing the piece 1978-1986
Private Art Collection: Matisse’s “La Danseuse” and “Head of a Woman”
Correspondence, loan forms, from show of Matisse cut-outs; conservation reports on print 1976-1984
Private Art Collection: Picabia’s “Etude Pour Novia”
Exhibition correspondence and various loan forms; research inquiries; includes a completed questionnaire about the piece that was requested by the Archive Francis Picabia 1969-1986
Spain: 1 of 3
Correspondence and other materials on various subjects related to Spain or Spanish projects 1977-1984
Spain: 2 of 3
Materials related to RM’s 1985 trip to Spain for his show at Galeria Joan Prats; travel arrangements, contact information for Spanish friends and similar materials 1985
Spain: 3 of 3
Articles and other general materials related to art and culture in Spain; includes manuscript of “Spanish Anthology” with poems by several Spanish poets including Alberti and Lorca
1955 Datebook
Missing: Jan., first half of Feb. (second half is blank), second half of Oct., Nov and Dec. 1955
1959 Datebook 1959
1961 Datebook
“Cape Cod Calendar” 1961
1962 Datebook 1962
1963 Datebook 1963
1964 Datebook 1964
1965 Datebook
labeled “Motherwell-Frankenthaler” 1965
1966 Datebook 1966
1967 Datebook 1967
1968 Datebook (January – June) 1968
1968 Datebook (July – December) 1968
1969 Datebook 1969
1970 Datebook 1970
1970 Datebook (”Provincetown 1970”)
“Provincetown 1970”; Only summer months are filled in in detail 1970
1971 Datebook 1971
1974 Datebook 1974
1975 Datebook 1975
1976 Datebook 1976
1977 Datebook 1977
1978 Datebook 1978
1979 Datebook 1979
1980 Datebook 1980
1981 Datebook 1981
1982 Datebook 1982
1983 Datebook 1983
1984 Datebook 1984
1985 Datebook 1985
1986 Datebook 1986
1987 Datebook 1987
1988 Datebook
This is the primary datebook RM used in 1988; a second one (XVI.31) was used only in January and February 1988
1988 Datebook (American Express appointment book)
Used only in January and first half of February 1988
1988 Datebook (unused)
Unused 1988
1989 Datebook 1989
1990 Datebook 1990
1990 Datebook (unused)
Unused 1990
1991 Datebook
Filled in through July only 1991
Box I:
Oversize Manuscripts 1948-1969
Box 2:
Oversize Manuscripts 1970-1991
Box 3:
Abrams Press
Robert Motherwell monograph VI, color separations
Arnason, Harvard
Color separations for two images in the book; also tabloid size photocopies of galleys
Box 4:
Oversize Articles of Interest
Box 5:
Oversize Miscellaneous Materials
Creator: Robert Motherwell and his studio, and the Dedalus Foundation
Extent: 62.5 linear feet of photographs.
Repository: Dedalus Foundation, Inc., 254 36th Street, Suite 2-BE, Brooklyn, New York 11232
Processing Information: Processed 2005 by Gretchen Opie.
Ownership And Literary Rights: Written permission must be obtained in order to reproduce any item from the Dedalus Foundation Archives. Additionally, permission to reproduce materials for which the Dedalus Foundation does not own copyright must be obtained from the copyright holder.
Scope And Content Note: There are more than 30,000 photographs in the Foundation’s collection. In addition to images of nearly all of Motherwell’s artworks, there are thousands of exhibition and studio photographs, portraits, slides Motherwell used when he gave lectures, personal photographs of family and friends, and other images. This collection includes photographs collected and produced by the artist and those gathered by the Foundation during research for the catalogues raisonnés of Motherwell’s works. The majority of the photographs dates from the 1970s and 1980s.
Robert Motherwell and his father, Robert Burns Motherwell II, Aberdeen WA
Print 6 x 8 b/w
R020284
Robert Motherwell and his sister Mary-Stuart
Print 2 x 5 b/w
R020285
Robert Motherwell and his sister Mary-Stuart
Print 2 x 5 b/w
R020286
Robert Motherwell with his father and sister
Print 2 x 5 b/w
R020287
Robert Motherwell with his mother, Margaret Motherwell (née Hogan) and sister Mary-Stuart
Print 2 x 5 b/w
R020288
Robert Motherwell with his father, Robert Burns Motherwell II and sister Mary-Stuart
Print 2 x 5 b/w
R020289
Robert Motherwell with his mother, Margaret Motherwell (née Hogan) and sister Mary-Stuart
Print 2 x 5 b/w
R020290
Robert Motherwell with his father, Robert Burns Motherwell II and sister Mary-Stuart
Print 3 x 6 b/w
R020291
Robert Motherwell and his sister Mary-Stuart (front) with their mother (behind Mary-Stuart), father (second from right) and other family members
Print 3 x 5 b/w
R020292
Robert Motherwell, approx. age 10
Print 2 x 5 b/w
R020293
Mary Stuart Motherwell
Print 2 x 5 b/w
R020294
Robert Motherwell, age 15
print 8 x 10 b/w
R020295
Print 4 x 6 b/w
R020296
Robert Motherwell (far right) with (l to r) Carlos Odriazalo, John Steelquist and Manuel Cardoza, Stanford University shared house
Print 4 x 6 b/w
R020297
Robert Motherwell, age 20
Print 3 x 4 b/w
R020299
Robert Motherwell’s father Robert Burns Motherwell II ca.
Print 3 x 4 b/w
R020300
Robert Motherwell’s first wife Maria (née Ferreria y Moyers) Erwin Blumenfeld
Photograph by Erwin Blumenfeld
Print 8 x 10 b/w
R020308
Robert Motherwell’s first wife Maria (née Ferreria y Moyers) Erwin Blumenfeld
Photograph by Erwin Blumenfeld
Slide 35mm b/w
R020309
Robert Motherwell’s first wife Maria (née Ferreria y Moyers) Erwin Blumenfeld
Photograph by Erwin Blumenfeld
Slide 35mm b/w
R020310
Robert Motherwell’s first wife Maria (née Ferreria y Moyers) Erwin Blumenfeld
Photograph by Erwin Blumenfeld
Print 8 x 10 b/w
R020311
Robert Motherwell’s first wife Maria (née Ferreria y Moyers)
Print 11 x 14 b/w
R021654
Artists in Exile, Pierre Matisse Gallery George Platt Lynes, courtesy MoMA
Photograph by George Platt Lynes
Print 8 x 10 b/w
R020404
Artists in Exile, Pierre Matisse Gallery George Platt, courtesy MoMA
Slide 35mm b/w R020481
Robert Motherwell at his first solo exhibition at Art of This Century
Photograph by William Baziotes
Print 8 x 10 b/w
R020314
Robert Motherwell playing chess with Max Ernst, East Hampton
Print 8 x 10 b/w
R020316
Robert Motherwell and Max Ernst, East Hampton
Print 8 x 10 b/w
R020317
Robert Motherwell and Max Ernst, East Hampton
Negative 4 x 5 b/w
R020425
Bedroom with works on wall, Easthampton
Photograph by Maria Motherwell
Negative 2 1/2 in x 2 1/2 in b/w
R021727
Robert Motherwell with Personnage at Art of This Century solo show
Print 3 x 4 b/w
R020315
Robert Motherwell with Personnage
Negative 4 x 5 b/w
R020426
Robert Motherwell in his studio, East Hampton
Photograph by Francis Lee
Print 8 x 10 b/w
R020318
Robert Motherwell in his studio in East Hampton
Photograph by Francis Lee
Print 8 x 10 b/w
R020319
Robert Motherwell in his studio, East Hampton
Photograph by Francis Lee
Print 8 x 10 b/w
R020488
Construction of Quonset hut studio, East Hampton
Print 4 x 4 b/w
R021899
Construction of Quonset hut studio, East Hampton
Print 4 x 4 b/w
R021900
RM looking into window during construction of Quonset hut studio, East Hampton
Print 4 x 4 b/w
R021901
Maria Motherwell and Walter Helmuth in East Hampton
Print 2 x 2 color
R021907
Robert Motherwell’s first wife Maria (née Ferreria y Moyers)
Print 3 x 4 b/w
R020302
Robert Motherwell’s first wife Maria (née Ferreria y Moyers)
Print 3 x 3 color
R020305
Plaster original of Max Ernst’s The King Playing with the Queen, en route to Robert Motherwell’s studio in East Hampton
Print 8 x 10 b/w
R020320
Plaster original of Max Ernst’s The King Playing with the Queen, en route to Robert Motherwell’s studio in East Hampton
Negative 4 x 5 b/w
R020427
RM painting in studio
Photograph by Kay Bell Reynal
Print 8 x 10 b/w
R020511
Helen Frankenthaler and Clement Greenberg in Europe
Slide 35mm color
R020376
Helen Frankenthaler and Clement Greenberg in Europe
Slide 35mm color
R021576
Helen Frankenthaler and Clement Greenberg in Europe
Slide 35mm color
R021577
Helen Frankenthaler and Clement Greenberg in Europe
Slide 35mm color
R021578
Helen Frankenthaler and Clement Greenberg in Europe
Slide 35mm color
R021579
Robert Motherwell in his East Hampton studio designed by Pierre Chareau
Photograph by Hans Namuth
Print 8 x 10 b/w
R020313
Robert Motherwell’s mother, Margaret Hogan Rosener
Print 3 x 3 b/w
R020301
unidentified woman and child, [possibly Betty Little with her oldest daughter Cathy?]
Print 8 x 10 b/w
R020453
Mark Rothko, Robert Motherwell and Bradley Walker Tomlin at Rockefeller Guest House
Photograph by Aaron Siskind / Peter A. Juley & Son
Print 8 x 10 b/w
R020326
The “Irascibles,” Painters of the New York School
Nina Leen, courtesy “Life” Magazine
Photograph by Nina Leen
Print 8 x 10 b/w
R020405
Mark Rothko, Robert Motherwell and Bradley Walker Tomlin at Rockefeller Guest House
Photograph by Peter A. Juley & Son
Negative 4 x 5 b/w
R020429
Motherwell outside quonset hut studio
Negative b/w
R021762
Robert Motherwell and Mark Rothko at a conference in Woodstock.
Photograph by Lee Sievan
Print 8 x 10 b/w
R020329
Jeannie Motherwell (?)
Slide 35mm color
R020403
Robert Motherwell and Jeannie Motherwell
Slide 35mm color
R020538
Robert and Betty Motherwell
Slide 35mm color
R020540
Robert and Betty Motherwell
Slide 35mm color
R020541
3 different blurry, low-quality polaroids of a charcoal portrait of RM by R. Boucher [Bouché?], charcoal on paper, ca. 18x25
Polaroid 4 x 4 color
R020489
Robert Motherwell in his studio, East Islip
Photograph by Hans Namuth
Print 8 x 10 b/w
R020327
Robert Motherwell in his studio, East Islip
Photograph by Hans Namuth
Print 8 x 10 b/w
R020328
Robert Motherwell
Photograph by Hans Namuth
Print 8 x 10 b/w
R020332
Robert Motherwell with Elegy to the Spanish Republic No. 34, Albright Art Gallery opening
F.E. Towne Studio
Print 8 x 10 b/w
R020331
Slide from vacation in Spain
Slide 35mm color
R020507
Slide from vacation in Spain
Slide 35mm color
R020545
Slide from vacation in Spain
Slide 35mm color
R020546
Slide from vacation in Spain
Slide 35mm color
R020547
1 original print, yellowed; 1 copy
Photograph by Hans Namuth
Print 11 x 14 b/w
R021657
Motherwell standing near a field
Negative color
R021777
RM, Helen Frankenthaler, and a girl seated at a table outside
Negative color
R021780
RM and a girl seated at a table outside with Helen Frankenthaler standing behind them
Negative color
R021781
RM standing near a field
Negative color
R021785
RM, Helen Frankenthaler and a boy seated at a table outside
Negative color
R021786
RM and Helen Frankenthaler seated in a light colored convertible
Negative color
R021782
Mark Rothko and Robert Motherwel on the beach, Cape Cod
Print 3 x 5 b/w
R020333
Robert Motherwell and David Smith outside a house seated in lawn chairs, Cape Cod
Print 3 x 5 b/w
R020335
Robert Motherwell and David Smith outside a house seated in lawn chairs, Cape Cod
Print 8 x 10 b/w
R020338
Robert Motherwell and Helen Frankenthaler seated outside a house on Cape Cod
Photograph by David Smith
Print 3 x 5 b/w
R020339
Mell Rothko, Robert Motherwell, Kate Rothko[?] and Mark Rothko, Cape Cod Summer
Slide 35mm color
R020439
l to r: Robert Motherwell, Helen Frankenthaler, Mark Rothko and Mell Rothko, Cape Cod
Slide 35mm color
R020440
Robert Motherwell and David Smith seated outside a house in lawn chairs, Cape Cod
Slide 35mm color
R020441
Robert Motherwell and Helen Frankenthaler seated outside a house on Cape Cod
Photograph by David Smith
Slide 35mm color
R020442
Robert Motherwell and Helen Frankenthaler seated outside a house on Cape Cod
Photograph by David Smith
Slide 35mm color
R020443
Mell Rothko, Robert Motherwell, Kate Rothko[?] and Mark Rothko, Cape Cod Summer
Slide 35mm color
R020548
Robert Motherwell
Photograph by Hans Namuth
Print 8 x 10 b/w
Robert Motherwell
Photograph by Hans Namuth
Print 8 x 10 b/w
Robert Motherwell
Photograph by Hans Namuth
Print 8 x 10 b/w
RM serving food on deck of Provincetown house with his mother
Negative color
R021849
RM, Jeannie and Lise Motherwell with RM's mother on deck in Provincetown ca. early
Negative color
R021850
RM, Jeannie and Lise Motherwell with RM's mother on deck in Provincetown
Negative color
R021851
RM, Jeannie and Lise Motherwell, and Helen Frankenthaler with RM's mother on deck in Provincetown
Negative color
R021852
Motherwell’s mother and children
Negative color
R021853
l to r: Bernard Reis[?], David Smith, Helen Frankenthaler, Lise Motherwell, Robert Motherwell, Rebecca Reis[?]
Photograph by Jeannie Motherwell
Print 3 x 3 b/w
R032229
Vacation slides--Europe
Slide 35mm color
R020377
Robert Motherwell and Phillip Guston at Motherwell’s house on E. 94th St. for Motherwell’s Birthday
Photograph by Peter A. Juley & Son
Print 5 x 7 b/w
R020347
RM seated in front of two paintings
Photograph by Fred W. McDarrah
Print 8 x 10 b/w
R020512
RM on the beach
Negative b/w
R021734
Portrait of RM
Negative b/w
R021857
Portrait of RM
Negative b/w
R021858
Portrait of RM
Negative b/w
R021859
Portrait of RM
Negative b/w
R021860
Portrait of RM
Negative b/w
R021861
Snow in New York
Slide 35mm color
R020454
Snow in New York
Slide 35mm color
R021352
Snow in New York
Slide 35mm color
R021353
Snow in New York
Slide 35mm color
R021354
Snow in New York
Slide 35mm color
R021355
Snow in New York
Slide 35mm color
R021356
Snow in New York
Slide 35mm color
R021357
Snow in New York
Slide 35mm color
R021358
Snow in New York
Slide 35mm color
R021359
Snow in New York
Slide 35mm color
R021360
Snow in New York
Slide 35mm color
R021361
Snow in New York
Slide 35mm color
R021362
Snow in New York
Slide 35mm color
R021363
Snow in New York
Slide 35mm color
R021364
Vacation slides--England
Slide 35mm color
R020379
Vacation slides--England
Slide 35mm color
R021466
Vacation slides--England
Slide 35mm color
R021467
Vacation slides--England
Slide 35mm color
R021468
Vacation slides--England
Slide 35mm color
R021469
Vacation slides--England
Slide 35mm color
R021470
Vacation slides--England
Slide 35mm color
R021471
Vacation slides--England
Slide 35mm color
R021472
Vacation slides--England
Slide 35mm color
R021473
Vacation slides--England
Slide 35mm color
R021474
Vacation slides--England
Slide 35mm color
R021475
Vacation slides--England
Slide 35mm color
R021476
Vacation slides--England
Slide 35mm color
R021477
Vacation slides--England
Slide 35mm color
R021478
Vacation slides--England
Slide 35mm color
R021479
Vacation slides--England
Slide 35mm color
R021480
Vacation slides--England
Slide 35mm color
R021481
Vacation slides--England
Slide 35mm color
R021482
Vacation slides--England
Slide 35mm color
R021483
Vacation slides--England
Slide 35mm color
R021484
Vacation slides --Henel Frankenthaler in a red coat in a churchyard England
Slide 35mm color
R021485
Vacation slides--Vacation slides--Helen Frankenthaler in a red coat in a village street England
Slide 35mm color
R021486
Vacation slides--RM in a churchyard England
Slide 35mm color
R021487
Vacation slides--England
Slide 35mm color
R021488
Vacation slides--England
Slide 35mm color
R021489
Vacation slides--Helen Frankenthaler in a red coat at the foot of the Eiffel Tower Paris
Slide 35mm color
R020380
Vacation slides--Paris
Slide 35mm color
R021490
Vacation slides--View from the Eiffel Tower, Paris
Slide 35mm color
R021491
Vacation slides--Foot of the Eiffel Tower, Paris
Slide 35mm color
R021492
Vacation slides--View of the Seine River from the Eiffel Tower, Paris
Slide 35mm color
R021493
Vacation slides--View of the Seine River from the Eiffel Tower, Paris
Slide 35mm color
R021494
Vacation slides--Paris
Slide 35mm color
R021495
Vacation slides--View from the Eiffel Tower, Paris
Slide 35mm color
R021497
Vacation slides--View from the Eiffel Tower, Paris
Slide 35mm color
R021498
Vacation slides--View from the Eiffel Tower, Paris
Slide 35mm color
R021499
Vacation slides--Deck of a ship [Paris ?] 1961
Slide 35mm color
R021500
Vacation slides--RM seated at Cafe Les Deux Magots, Paris 1961
Slide 35mm color
R021501
Vacation slides--RM in restaurant at Eiffel Tower, Paris 1961
Slide 35mm color
R021502
Vacation slides--Helen Frankenthaler outside the Musée Rodin, Paris 1961
Slide 35mm color
R021503
Vacation slides--RM on a deck of the Eiffel Tower, Paris 1961
Slide 35mm color
R021504
Vacation slides--Paris 1961
Slide 35mm color
R021505
Vacation slides--Two men eating in a café, Paris 1961
Slide 35mm color
R021506
173 E. 83rd Street Studio
Negative color
R021789
173 E. 83rd Street Studio
Negative color
R021790
173 E. 83rd Street Studio
Negative color
R021791
173 E. 83rd Street Studio
Negative color
R021792
173 E. 83rd Street Studio
Negative color
R021793
173 E. 83rd Street Studio
Negative color
R021794
173 E. 83rd Street Studio
Negative color
R021795
173 E. 83rd Street Studio with Monster (for Charles Ives) 1959 (P194)
Negative color
R021796
173 E. 83rd Street Studio with Monster (for Charles Ives) 1959 (P194)
Negative b/w
R021797
173 E. 83rd Street Studio
Negative color
R021798
173 E. 83rd Street Studio
Negative color
R021799
173 E. 83rd Street Studio
Negative color
R021800
173 E. 83rd Street Studio
Negative color
R021801
173 E. 83rd Street Studio
Negative color
R021802
173 E. 83rd Street Studio
Negative color
R021803
173 E. 83rd Street Studio
Negative color
R021804
173 E. 83rd Street Studio
Negative color
R021805
Helen Frankenthaler and guests on deck in Provincetown
Slide 35mm color
R020369
Helen Frankenthaler and guests on deck in Provincetown
Slide 35mm color
R021192
Helen Frankenthaler and guests on deck in Provincetown
Slide 35mm color
R021193
Jeannie and Lise Motherwell in house in Provincetown
Slide 35mm color
R021194
Children on the lawn of house in Provincetown
Slide 35mm color
R021195
Children on the lawn of house in Provincetown
Slide 35mm color
R021196
Lawn of house in Provincetown
Slide 35mm color
R021197
Lawn of house in Provincetown
Slide 35mm color
R021198
Children on the deck of house in Provincetown
Slide 35mm color
R021199
Helen Frankenthaler and guests on deck of house in Provincetown
Slide 35mm color
R021200
Children on the deck of house in Provincetown
Slide 35mm color
R021201
Helen Frankenthaler in house in Provincetown
Slide 35mm color
R021202
Helen Frankenthaler in house in Provincetown
Slide 35mm color
R021203
Helen Frankenthaler in house in Provincetown
Slide 35mm color
R021204
Helen Frankenthaler in house in Provincetown
Slide 35mm color
R021205
Helen Frankenthaler in house in Provincetown
Slide 35mm color
R021206
Jeannie and Lise Motherwell looking at the window of the house in Provincetown
Slide 35mm color
R021207
Guests on the deck of house in Provincetown
Slide 35mm color
R021208
Guests on the deck of house in Provincetown
Slide 35mm color
R021209
Guests on the deck of house in Provincetown
Slide 35mm color
R021210
Helen Frankenthaler on porch of house in Provincetown with the Jolly
Slide 35mm color
R021211
Helen Frankenthaler on porch of house in Provincetown
Slide 35mm color
R021212
Children with RM's car in Provincetown
Slide 35mm color
R021213
Child riding bicycle down street in Provincetown
Slide 35mm color
R021214
Children near RMs car in Provincetown
Slide 35mm color
R021215
Children near RMs car in Provincetown
Slide 35mm color
R021216
Child with bicycle in Provincetown
Slide 35mm color
R021217
Helen Frankenthaler in front of Provincetown house
Slide 35mm color
R021218
People in front of house in Provincetown
Slide 35mm color
R021219
Helen Frankenthaler in Jolly in Provincetown
Slide 35mm color
R021220
RM's cars parked at the house in Provincetown
Slide 35mm color
R021221
People in front of the house in Provincetown
Slide 35mm color
R021222
People in front of the house in Provincetown
Slide 35mm color
R021223
People in front of the house in Provincetown
Slide 35mm color
R021224
People on the street in Provincetown
Slide 35mm color
R021225
Helen Frankenthaler and guests on deck of house in Provincetown
Slide 35mm color
R021226
RM and guests on deck of house in Provincetown
Slide 35mm color
R021227
Helen Frankenthaler and guests on deck of house in Provincetown
Slide 35mm color
R021228
Helen Frankenthaler in Jolly in front of house in Provincetown
Slide 35mm color
R021229
People swimming at beach in Provincetown
Slide 35mm color
R021230
Helen Frankenthaler in house in Provincetown
Slide 35mm color
R021231
Yard of house in Provincetown
Slide 35mm color
R021232
Shoreline of Provincetown
Slide 35mm color
R021233
RMs cars parked in front of house in Provincetown
Slide 35mm color
R021234
Jolly parked in front of house in Provincetown
Slide 35mm color
R038691
Jolly parked in front of house in Provincetown
Slide 35mm color
R038692
House in Provincetown from the backyard
Slide 35mm color
R038693
House in Provincetown from the backyard
Slide 35mm color
R038694
Jolly parked in front of house in Provincetown
Slide 35mm color
R038695
House in Provincetown from the backyard
Slide 35mm color
R038696
House in Provincetown from the backyard
Slide 35mm color
R038697
House in Provincetown from the backyard
Slide 35mm color
R038698
Door of house in Provincetown
Slide 35mm color
R038699
Vacation slides--Helen Frankenthaler and RM in Florida
Slide 35mm color
R020381
Vacation slides--Helen Frankenthaler in Florida
Slide 35mm color
R021413
Vacation slides--Helen Frankenthaler in Florida
Slide 35mm color
R021414
Vacation slides--Helen Frankenthaler in Florida
Slide 35mm color
R021415
Vacation slides--Helen Frankenthaler in Florida
Slide 35mm color
R021416
Vacation slides--RM in a beachside bar Florida
Slide 35mm color
R021418
Vacation slides--Florida
Slide 35mm color
R021417
Vacation slides--RM in a beachside bar Florida
Slide 35mm color
R021419
Vacation slides--Florida
Slide 35mm color
R021421
Vacation slides--RM and Helen Frankenthaler in Florida
Slide 35mm color
R021420
Vacation slides--Florida
Slide 35mm color
R021422
Vacation slides--Hotel lobby [?] in Florida
Slide 35mm color
R021423
Vacation slides--Hotel balconey in Florida
Slide 35mm color
R021424
Vacation slides--Florida
Slide 35mm color
R021425
Vacation slides--Florida
Slide 35mm color
R021426
Vacation slides--Florida
Slide 35mm color
R021427
Vacation slides--Florida
Slide 35mm color
R021428
Vacation slides--Florida
Slide 35mm color
R021429
Vacation slides--Florida
Slide 35mm color
R021430
Vacation slides--Florida
Slide 35mm color
R021431
Vacation slides--Florida
Slide 35mm color
R021432
Vacation slides--Florida
Slide 35mm color
R021433
Vacation slides--Florida
Slide 35mm color
R021434
Vacation slides--Florida
Slide 35mm color
R021435
Vacation slides--Florida
Slide 35mm color
R021436
Vacation slides--Florida
Slide 35mm color
R021437
Vacation slides--Florida
Slide 35mm color
R021438
Vacation slides--Florida
Slide 35mm color
R021439
Vacation slides--Florida
Slide 35mm color
R021440
Vacation slides--Florida
Slide 35mm color
R021441
Vacation slides--Florida
Slide 35mm color
R021442
Vacation slides--Florida
Slide 35mm color
R021443
Vacation slides--Florida
Slide 35mm color
R021444
Vacation slides--Florida
Slide 35mm color
R021445
Vacation slides--Florida
Slide 35mm color
R021446
Vacation slides--Florida
Slide 35mm color
R021447
Vacation slides--Florida
Slide 35mm color
R021448
Vacation slides--Florida
Slide 35mm color
R021449
Vacation slides--Florida
Slide 35mm color
R021450
Vacation slides--Florida
Slide 35mm color
R021451
Vacation slides--Florida
Slide 35mm color
R021452
Vacation slides--Florida
Slide 35mm color
R021453
Vacation slides--Florida
Slide 35mm color
R021454
Vacation slides--Florida
Slide 35mm color
R021455
Vacation slides--Florida
Slide 35mm color
R021456
Vacation slides--Florida
Slide 35mm color
R021457
Vacation slides--Florida
Slide 35mm color
R021458
Vacation slides--Florida
Slide 35mm color
R021459
Vacation slides--Florida
Slide 35mm color
R021460
Vacation slides--Florida
Slide 35mm color
R021461
Vacation slides--Florida
Slide 35mm color
R021462
Vacation slides--Florida
Slide 35mm color
R021463
Robert Motherwell teaching at the University of Miami, Lowe Gallery
Photograph by Klara Farkas
Print 8 x 10 b/w
R020348
Robert Motherwell’s class at the University of Miami, Lowe Gallery
Photograph by Klara Farkas
Print 8 x 10 b/w
R020349
Robert Motherwell’s class at the University of Miami, Lowe Gallery
Photograph by Klara Farkas
Print 8 x 10 b/w
R021464
Robert Motherwell teaching at the University of Miami, Lowe Gallery
Photograph by Klara Farkas
Print 8 x 10 b/w
R021465
Motherwell children with lemonade stand in Provincetown
Slide 35mm color
R020370
Helen Frankenthaler in a car--Provincetown
Slide 35mm color
R021235
Children's party in backyard of house in Provincetown
Slide 35mm color
R021236
Children's party in backyard of house in Provincetown
Slide 35mm color
R021237
Children's party in backyard of house in Provincetown
Slide 35mm color
R021238
Motherwell children's lemonade stand in Provincetown
Slide 35mm color
R021239
Motherwell children's lemonade stand in Provincetown
Slide 35mm color
R021240
Provincetown, Jeannie and Lise and their lemonade stand
Slide 35mm color
R020371
Provincetown, Jeannie and Lise and their lemonade stand
Slide 35mm color
R021554
Provincetown, Jeannie and Lise and their lemonade stand
Slide 35mm color
R021555
Provincetown
Slide 35mm color
R021556
Provincetown, Jeannie and Lise and their lemonade stand
Slide 35mm color
R021557
Provincetown, Jeannie and Lise and their lemonade stand
Slide 35mm color
R021558
Provincetown, Jeannie and Lise and their lemonade stand
Slide 35mm color
R021559
Independence Day Float Provincetown
Slide 35mm color
R021560
Vacation slides--RM, Helen Frankenthaler, and Peggy Guggenheim in Venice, Italy
Slide 35mm color
R020483
Vacation slides--Helen Frankenthaler in Europe
Slide 35mm color
R021365
Vacation slides--Helen Frankenthaler in Europe
Slide 35mm color
R021366
Vacation slides--Helen Frankenthaler and Bryan Robertson [?]in Europe
Slide 35mm color
R021367
Vacation slides--RM and Bryan Robertson [?] in Europe
Slide 35mm color
R021368
Vacation slides--RM and Bryan Robertson [?] in Europe
Slide 35mm color
R021369
Vacation slides--Europe
Slide 35mm color
R021370
Vacation slides--French Line Cruise Ship Europe
Slide 35mm color
R021371
Vacation slides--Europe
Slide 35mm color
R021372
Vacation slides--Europe
Slide 35mm color
R021373
Vacation slides--Europe
Slide 35mm color
R021374
Vacation slides--Europe
Slide 35mm color
R021375
Vacation slides--Europe
Slide 35mm color
R021376
Helen Frankenthaler at installation of one of her exhibitions at Kasmin Limited in London
Slide 35mm color
R021377
RM at installation of Helen Frankenthaler's exhibition at Kasmin Limited in London with Frankenthaler's Small's Paradise (1964) in background
Slide 35mm color
R021378
Helen Frankenthaler and Bryan Robertson [?] in Provincetown
Slide 35mm color
R020372
Provincetown
Slide 35mm color
R021561
Bryan Robertson [?] and unidentified man in Provincetown
Slide 35mm color
R021562
Bryan Robertson [?] in Provincetown
Slide 35mm color
R021563
Provincetown
Slide 35mm color
R021564
Provincetown
Slide 35mm color
R021565
Provincetown
Slide 35mm color
R021566
Provincetown
Slide 35mm color
R021567
Helen Frankenthaler and unidentified woman on beach in Provincetown
Slide 35mm color
R021568
Helen Frankenthaler and unidentified woman on beach in Provincetown
Slide 35mm color
R021569
Provincetown
Slide 35mm color
R021570
Bryan Robertson [?] in Provincetown
Slide 35mm color
R021571
Bryan Robertson [?] in Provincetown
Slide 35mm color
R021572
People on the beach in Provincetown
Slide 35mm color
R021573
RM in the water in Provincetown
Slide 35mm color
R021574
Bryan Robertson [?] and unidentified man in Provincetown
Slide 35mm color
R021575
R020374
David Smith's sculptures at his home ca.
Slide 35mm color
R021379
David Smith's sculptures at his home ca.
Slide 35mm color
R021380
David Smith's sculptures at his home ca.
Slide 35mm color
R021381
David Smith's sculptures at his home ca.
Slide 35mm color
R021382
David Smith's sculptures at his home ca.
Slide 35mm color
R021383
David Smith's sculptures at his home ca.
Slide 35mm color
R021384
David Smith's sculptures at his home ca.
Slide 35mm color
R021385
David Smith's sculptures at his home ca.
Slide 35mm color
R021386
David Smith's sculptures at his home ca.
Slide 35mm color
R021387
David Smith's sculptures at his home ca.
Slide 35mm color
R021388
Painting at David Smith's home ca.
Slide 35mm color
R021389
David Smith’s home
Slide 35mm color
R021390
David Smith's sculptures at his home
Slide 35mm color
R021391
Painting at David Smith's home
Slide 35mm color
R021392
David Smith’s home
Slide 35mm color
R021393
David Smith's sculptures at his home
Slide 35mm color
R021394
David Smith's sculptures at his home
Slide 35mm color
R021395
David Smith's sculptures at his home
Slide 35mm color
R021396
David Smith’s home
Slide 35mm color
R021397
Portrait of RM in studio ca. late
Photograph by Alexander Liberman
Print 11 x 14 b/w
R021655
Portrait of RM in studio
Photograph by Alexander Liberman
b/w
R040643
Portrait of RM in studio
Photograph by Alexander Liberman
Print 11 x 14 b/w
R021659
Portrait of RM in studio
Photograph by Alexander Liberman
Print 11 x 14 b/w
R021660
Portrait of RM in studio
Photograph by Alexander Liberman
Print 11 x 14 b/w
R021661
Portrait of RM in studio
Photograph by Alexander Liberman
Print 11 x 14 b/w
R021662
Portrait of RM in studio
Photograph by Alexander Liberman
Print 11 x 14 b/w
R021668
Jeannie and Lise, Provincetown
Slide 35mm color
R020373
Jeannie and Lise, Provincetown
Slide 35mm color
R021550
Jeannie and Lise, Provincetown
Slide 35mm color
R021551
Jeannie and Lise, Provincetown
Slide 35mm color
R021552
Summer 1967
Slide 35mm color
R021553
RM’s 94th St. home w/ various artworks: The Homely Protestant, a Degas bronze. possibly a small bronze by Miro and a drawing by Kline
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021680
E. 94th St. studio with works on the wall
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021687
E. 94th St. studio with works on the wall
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021688
E. 94th St. studio with works on the wall
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021689
E. 94th St. studio with works on the wall
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021690
Portrait of RM standing in studio
Photograph by Ugo Mulas
Print 8 x 10 b/w
R023954
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021646
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021647
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021648
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021649
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021650
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021651
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021652
Motherwell in studio at 414 E. 75th St., #208, November 1967
Photograph by Ugo Mulas
Print 11 x 14 b/w
R021683
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R020280
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021170
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021171
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021172
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021173
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021174
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021175
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021176
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021177
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021178
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021179
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021180
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021181
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021182
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021183
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021184
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021185
Portrait of RM on the beach in Provincetown
Morton Levine
Print 5 x 7 b/w
R021186
RM working in the studio
Photograph by Hans Namuth
Print 11 x 14 b/w
R021670
RM with B.H. and Abby Friedman [?] on tennis court
Negative color
R021854
Helen Frankenthaler [?] and RM on the tennis court.
Negative color
R021855
RM at Metropolitan Museum of Art opening
Photograph by Edward Oleksak
Print 8 x 10 b/w
R021508
RM at Metropolitan Museum of Art opening
Photograph by Edward Oleksak
Print 8 x 10 b/w
R021509
RM at Metropolitan Museum of Art opening
Photograph by Edward Oleksak
Print 8 x 10 b/w
R021510
Robert Motherwell and Diane Waldman[?] at Metropolitan Museum of Art
Photograph by Edward Oleksak
Print 8 x 10 b/w
R032231
Robert Motherwell and Rick Klauber at Metropolitan Museum of Art (3 images)
Photograph by Edward Oleksak
Print 8 x 10 b/w
R032232
Garden of Robert Motherwell’s E. 94th St. brownstone in New York City
Slide 4 x 4 color
R020391
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker
Photograph by Christian Bosch
Print 8 x 10 b/w
R020535
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker
Print 8 x 10 b/w
R020536
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City
Slide 4 x 4 color
R020389
Family slides--Family slides--RM in garden at Greenwich
Slide 35mm color
R020484
Family slides--RM in garden at Greenwich 1971
Slide 35mm color
R021512
Family slides--RM in garden at Greenwich
Slide 35mm color
R021513
Family slides--RM in garden at Greenwich
Slide 35mm color
R021514
Family slides--RM in garden at Greenwich
Slide 35mm color
R021515
Family slides--RM in garden at Greenwich
Slide 35mm color
R021516
Family slides--RM in garden at Greenwich
Slide 35mm color
R021517
Family slides--RM in garden at Greenwich
Slide 35mm color
R021518
Family slides--RM, Jeannie and Lise Motherwell in garden at Greenwich house
Slide 35mm color
R021519
Family slides-- Jeannie and Lise Motherwell in garden at Greenwich house
Slide 35mm color
R021520
Family slides--Rick Klauber in garden at Greenwich house
Slide 35mm color
R021521
Family slides--Greenwich, Jeannie and Lise Motherwell, Rick Klauber and unidentified women
Slide 35mm color
R021522
Family slides--grounds of Greenwich house
Slide 35mm color
R021523
Family slides--grounds of Greenwich house
Slide 35mm color
R021524
Family slides--Greenwich house
Slide 35mm color
R021525
Family slides--Greenwich house
Slide 35mm color
R021526
Family slides--Greenwich
Slide 35mm color
R021527
Family slides--Greenwich
Slide 35mm color
R021528
Family slides--Greenwich
Slide 35mm color
R021529
Family slides--Greenwich
Slide 35mm color
R021530
Family slides--Greenwich
Slide 35mm color
R021531
Working on prints at Galerie Im Erker, St. Gallen, Switzerland
Photograph by Christian Bosch
Print 8 x 10 b/w
R020492
Working on prints at Galerie Im Erker, St. Gallen, Switzerland
Photograph by Christian Bosch
Print 8 x 10 b/w
R021532
Working on prints at Galerie Im Erker, St. Gallen, Switzerland
Photograph by Christian Bosch
Print 8 x 10 b/w
R021533
Working on prints at Galerie Im Erker, St. Gallen, Switzerland
Photograph by Christian Bosch
Print 8 x 10 b/w
R021534
Working on prints at Galerie Im Erker, St. Gallen, Switzerland
Photograph by Christian Bosch
Print 8 x 10 b/w
R021535
Working on prints at Galerie Im Erker, St. Gallen, Switzerland
Photograph by Christian Bosch
Print 8 x 10 b/w
R021536
Working on prints at Galerie Im Erker, St. Gallen, Switzerland
Photograph by Christian Bosch
Print 8 x 10 b/w
R021537
Jack Tworkov, Kilbrain, Myron Stout, Edwin Dickenson and Robert Motherwell jurying a New England exhibition
Print 8 x 10 b/w
Working on prints at Galerie Im Erker, St. Gallen, Switzerland
Photograph by Christian Bosch
Print 8 x 10 b/w
R021538
Garden of Robert Motherwell’s E. 94th St. brownstone in New York City
Print 3 x 5 color
R021582
Garden of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 3 x 5 b/w
R021583
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R020389
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R020388
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 b/w
R020390
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R021125
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R021584
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R021600
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R021601
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R021602
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R021603
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R021604
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 4 x 4 color
R021605
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R021606
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R021607
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R021608
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R021609
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R021610
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R021611
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R021612
Exterior of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R021613
Garden of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Print 3 x 5 color
R020392
Garden of Robert Motherwell’s E. 94th St. brownstone in New York City 1971
Slide 4 x 4 color
R020506
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021625
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021626
“Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021627
“Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021628
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021631
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021632
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021633
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021643
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021629
RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021634
RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021635
RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021636
RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021637
RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021638
RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021639
RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021640
Jeannie Motherwell in studio while was RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021641
RM working on prints for “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021642
RM at “Robert Motherwell: Bilder und Collagen 1967- 1970” at Galerie Im Erker 1971
Print 8 x 10 b/w
R021630
RM and Jeannie Motherwell at Greenwich 1971
Negative b/w
R021841
Snapshot of RM sitting in his home in Provincetown, ca. 1971 1971 Florence Corbett
Photograph by Florence Corbett
Print 4 x 6 color
R021912
Photo album. Enclosed note: “The photos were taken in and around Aberdeen, Westport, Cohasset, a few near Grayland, sunset from Bellevue. One picture from Raymond.”
Print 3 x 5 color
R020537
RM with John Coplans, Angela Westwater, Tatyana Grosman, and printer Ben Berns at ULAE August 1971 Edward Oleksak
R040300
Robert Motherwell and Claus Freyberger 1972 Renate Ponsold Photograph by Renate Ponsold
Print 5 x 7 b/w
R020410
ULAE “Garden Party” with Tatyana Grosman, Robert Motherwell and others 1972 Renate Ponsold
Photograph by Renate Ponsold
Print 8 x 10 b/w
R020498
RM sitting in garden at Greenwich home 1972 Renate Ponsold
Photograph by Renate Ponsold
Print 8 x 10 b/w
RM in Greenwich studio, with Elegy No. 125 in progress 1972 Renate Ponsold
Photograph by Renate Ponsold
Print 8 x 10
R020520
RM signing the colophon page of “A la Pintura” at his home in Provincetown, Mass., Sept. 25, 1972 (3 different images)
Photograph by Renate Ponsold
Print 8 x 10 b/w
R021906
RM working on prints at Galerie im Erker. January 1972
copyright Renate Ponsold
R040633
RM working on prints at Galerie im Erker. January 1972
copyright Renate Ponsold
R040634
RM working on prints at Galerie im Erker. January 1972
copyright Renate Ponsold
R040635
RM working on prints at Galerie im Erker. January 1972
copyright Renate Ponsold
R040636
RM looking out over the sea at Provincetown March 1972
Photograph by Renate Ponsold
Print 8 x 10 b/w
R020519
RM, Renate Ponsold and Heide Colsman-Freyberger at a vernissage, Fendrick Gallery, Washington DC [recto and verso] November 1972 Link Harper
Photograph by Link Harper
R040303
Robert Motherwell and Renate Ponsold at a vernissage, Fendrick Gallery, Washington DC Nov. 1972 Link Harper
Photograph by Link Harper
Print 8 x 10 b/w
R020356
Robert Motherwell and Renate Ponsold at a vernissage, Fendrick Gallery, Washington DC Nov. 1972 Link Harper
Photograph by Link Harper
Negative 4 x 5 b/w
R020438
Robert Motherwell with printmaker Catherine Mosley at RM’s print workshop in Greenwich
Photograph by Renate Ponsold
Print 8 x 10 b/w
R020581
Lise Motherwell
Print 8 x 10 b/w
R020529
Lise Motherwell
Print 5 x 7 b/w
R020530
Robert Motherwell and Renate Ponsold on B.H. Friedman’s deck, Provincetown
Print 2 x 3 color
R020367
RM working on prints at Tyler Graphics
R040691
RM working on prints at Tyler Graphics
R040692
RM working on prints at Tyler Graphics
R040693
RM working on prints at Tyler Graphics
R040694
RM working on prints at Tyler Graphics
R040695
RM working on prints at Tyler Graphics
R040696
RM working on prints at Tyler Graphics
R040697
RM working on prints at Tyler Graphics
R040698
Contact sheet of RM touring Contact sheet of RM touring the construction site of the East Wing of the National Gallery of Art
Print 8 x 10 b/w
R020509
Certificate for Robert Motherwell’s Grande Médaille de Vermeil de la Ville de Paris
Photograph by Steven Sloman
Print 8 x 10 b/w
R020449
Robert Motherwell with Barbara Rose at Liberman opening at Storm King 1977
Print 3 x 5 color
R020500
Robert Motherwell with Jerry Leiber and Barbara Rose at Liberman opening at Storm King 1977
Print 3 x 5 color
R021307
Robert Motherwell with Jerry Leiber and Barbara Rose at Liberman opening at Storm King 1977
Print 3 x 5 color
R021308
Robert Motherwell with Jerry Leiber and Barbara Rose at Liberman opening at Storm King 1977
Print 3 x 5 color
R021309
Robert Motherwell with Barbara Rose and Jerry Leiber at Liberman opening at Storm King
Print 3 x 5 color
R021310
Painting studio at Greenwich
Print 11 x 14 b/w
R021709
Opening of Robert Motherwell retrospective, Museum des 20, Jahrhunderts, Vienna
Print 5 x 7 b/w
R020412
Opening of Robert Motherwell retrospective, Museum des 20, Jahrhunderts, Vienna
Print 5 x 7 b/w
R021300
Opening of Robert Motherwell retrospective, Museum des 20, Jahrhunderts, Vienna
Print 5 x 7 b/w
R021301
Opening of Robert Motherwell retrospective, Museum des 20, Jahrhunderts, Vienna
Print 5 x 7 b/w
R021302
Opening of Robert Motherwell retrospective, Museum des 20, Jahrhunderts, Vienna
Print 5 x 7 b/w
R021303
Opening of Robert Motherwell retrospective, Museum des 20, Jahrhunderts, Vienna
Print 5 x 7 b/w
R021304
Opening of Robert Motherwell retrospective, Museum des 20, Jahrhunderts, Vienna
Print 5 x 7 b/w
R021305
Opening of Robert Motherwell retrospective, Museum des 20, Jahrhunderts, Vienna
Print 5 x 7 b/w
R021306
Installation views of David Smith show “Subjects of the Artist,” National Gallery
Print 8 x 10 b/w
R020526
Robert Motherwell with Jacques Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R020413
Robert Motherwell with Jacques Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Renate Ponsold
Print 8 x 10 b/w
R020414
Robert Motherwell’s Grande Médaille de Vermeil de la Ville de Paris
Transparency 4 x 5 color
R020416
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Renate Ponsold
Print 8 x 10 b/w
R021327
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Renate Ponsold
Print 8 x 10 b/w
R021311
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Renate Ponsold
Print 8 x 10 b/w
R021312
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021313
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
8 x 10 b/w
R021314
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021315
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021316
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021317
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021318
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021319
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021320
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021321
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021322
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021323
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris Jan. 1978 Actualities Mondial Photo
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021324
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021325
Robert Motherwell with Jacque Chirac and others at ceremony to receive the Medal from the city of Paris
Photograph by Actualities Mondial Photo
Print 8 x 10 b/w
R021326
RM prints at Ken Tyler's studio.
print B/W
R038683
RM prints at Ken Tyler's studio.
print B/W
R038684
RM prints at Ken Tyler's studio.
print B/W
R038685
RM prints at Ken Tyler's studio.
print B/W
R038686
RM prints at Ken Tyler's studio.
print B/W
R038687
RM working on prints at Ken Tyler's studio.
Slide 35mm color
R038689
RM working on prints at Ken Tyler's studio.
Slide 35mm color
R038690
RM prints at Ken Tyler's studio.
Slide 35mm color
R038688
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R020524
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R021540
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R021541
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R021542
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R021543
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R021544
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R021545
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R021546
RM working on lithograph plates at Ken Tyler’s studio
Slide 35mm color
R021547
Renate Ponsold and Robert Motherwell , Provincetown
Photograph by Hubert Damisch
Print 5 x 7 b/w
R020368
Robert Motherwell with Hans Namuth and his assistant in the curating area of Tyler Graphics
Photograph by Lindsay Green
Print 8 x 10 b/w
R020362
RM in the studio with “El Negro” book
Polaroid 4 x 4 color
R021167
RM in the studio with “El Negro” book
Polaroid 4 x 4 color
R021289
RM in the studio with “El Negro” book
Polaroid 4 x 4 color
R021290
RM in the studio with “El Negro” book
Polaroid 4 x 4 color
R021291
View from Provincetown studio house
Photograph by Renate Ponsold
Print 8 x 10 color
R020532
Photograph by Steven Sloman
Print 8 x 10 b/w
R021918
Portrait of RM
R040639
Portrait of RM
R040640
Portrait of RM in Greenwich
R040641
Portrait of RM
Photograph by Renate Ponsold
Print 8 x 10 b/w
R021919
Portrait of RM
Photograph by Renate Ponsold
Print 8 x 10 b/w
R021920
Portrait of RM
Photograph by Renate Ponsold
Print 8 x 10 b/w
R021921
Robert Motherwell and Renate Ponsold, Provincetown
Print 5 x 7 b/w
R020363
Snapshot of RM behind the wheel of his Rolls Royce
Print 5 x 7 color
R020504
Portrait of Robert Motherwell in his Greenwich studio
Photograph by Steven Sloman
Negative B/W
R040112
Portrait of Robert Motherwell in his Greenwich studio
Photograph by Steven Sloman
B/W
R040638
Robert Motherwell seated in front of Elegy to the Spanish Republic No. LXX
Photograph by Renate Ponsold
Print 8 x 10 b/w
R020365
Color portrait of Robert Motherwell in his Greenwich studio
Photograph by Steven Sloman
Print 8 x 10 color
R020464
Robert Motherwell in Greenwich studio
Photograph by Leo Holub
Print 8 x 10 b/w
R020479
Robert Motherwell and Tony Vevers Marfred[?], Eliza Bergman’s husband
Print 3 x 5 color
R020496
Constance Emmerich, Robert Motherwell and Kenneth Noland at “The Painter’s Music: The Musician’s Art,” Guggenheim Museum
Photograph by Marilyn Mazur
Print 8 x 10 b/w
R020466
Greenwich Library May
Photograph by Gretchen Tatge
Print 5 x 7 b/w
R020475
Greenwich Library
Photograph by Gretchen Tatge
Print 5 x 7 b/w
R021295
Greenwich Library
Photograph by Gretchen Tatge
Print 5 x 7 b/w
R021296
Greenwich Library
Photograph by Gretchen Tatge
Print 5 x 7 b/w
R021297
Greenwich Library
Photograph by Gretchen Tatge
Print 5 x 7 b/w
R021298
Robert Motherwell signing “Game of Chance” with Ken Tyler
Photograph by Marabeth Cohen-Tyler
Print 8 x 10 b/w
R020476
Robert Motherwell signing “Game of Chance” with Ken Tyler
Photograph by Marabeth Cohen-Tyler
Print 8 x 10 b/w
R021581
Robert Motherwell at Tyler Graphics opening
Photograph by Marabeth Cohen-Tyler
Print 8 x 10 b/w
R020477
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R020501
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021249
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021250
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021251
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021252
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021253
Jack Flam and unidentified man at reception for RMs award from the French Consulate
Print 4 x 6 color
R021258
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021254
Ann Freedman, Bonnie Burnham and unidentified man at reception for RM receiving award from the French Consul
Print 4 x 6 color
R021260
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021255
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021256
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
R021257
Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
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Snapshots of RM receiving award from the French Consul
Print 4 x 6 color
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Bonnie Burnham and two unidentified women at the reception for RMs award from the French Consul.
Print 4 x 6 color
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Portrait of RM
Photograph by Renate Ponsold
Print 8 x 10 b/w
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Snapshot of RM with Marcene Marcoux and Collette in Provincetown
Print 4 x 6 color
R020276
Robert Motherwell working on “The Grand Inquisitor”
Photograph by Joan Banach
Print 8 x 10 b/w
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Robert Motherwell working on “The Grand Inquisitor”
Photograph by Joan Banach
Print 8 x 10 b/w
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Snapshot of RM with Carmen Cicero at John and Lynn Kearney’s home in Provincetown Aug
Photograph by Lynn Kearney
Print 3 x 5 color
R020275
Robert Motherwell and Renate Ponsold at Peter Stern’s party
Print 8 x 10 color
R020471
Robert Motherwell receiving the National Medal of Arts from President George H.W. Bush at a White House ceremony
Photograph by Judy Dayton
Print 4 x 6 color
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Robert Motherwell receiving the National Medal of Arts from President George H.W. Bush at a White House ceremony
Photograph by Judy Dayton
Print 4 x 6 color
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Robert Motherwell receiving the National Medal of Arts from President George H.W. Bush at a White House ceremony
Photograph by Judy Dayton
Print 4 x 6 color
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Robert Motherwell in his Greenwich studio
Photograph by Arnold Newman
Transparency 4 x 5 b/w
R020472
Portrait of RM
Photograph by Alexander Liberman
Print 11 x 14 b/w
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RM and an unidentified woman
Print 11 x 14 b/w
R021665
Photograph by Arnold Newman
Print 11 x 14 b/w
R021667
Portrait of RM and unidentified woman at an opening
Print 11 x 12 b/w
R021672
Opening of “Robert Motherwell: New Lithographs on Hand-colored, Handmade Paper,” at Tyler Graphics Inc.
Photograph by Marc Jaffe
Print 8 x 10 b/w
Robert Motherwell at the opening of “Robert Motherwell: New Lithographs on Hand-colored, Handmade Paper,” at Tyler Graphics Inc.
Photograph by Marc Jaffe
Print 5 x 7 b/w
R020469
Ken Tyler at the opening of “Robert Motherwell: New Lithographs on Hand-colored, Handmade Paper,” at Tyler Graphics Inc.
Photograph by Marc Jaffe
Print 5 x 7 b/w
R020470
Opening of “Robert Motherwell: New Lithographs on Hand-colored, Handmade Paper,” at Tyler Graphics Inc.
Photograph by Marc Jaffe
Print 8 x 10 b/w
R020468
newspaper clipping B/W
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Print 8 x 10 b/w
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Print 3 x 5 b/w
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Photograph by Renate Ponsold
Print 8 x 10 b/w
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Print 2 x 3 b/w
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Print 5 x 7 b/w
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Slide 35mm color
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Print 5 x 11 color
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Print 8 x 10 b/w
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Print 4 x 4 color
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Print 8 x 10 b/w
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Print 8 x 10 b/w
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Photograph by John Belleti
Print 8 x 10 b/w
R020396
Photograph by John Belleti
Negative 4 x 5 b/w
R020397
Photograph by Henry DeWolf
Print 8 x 10 color
R020402
Transparency 4 x 5 color
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Transparency 4 x 5 color
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Print 4 x 5 color
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Transparency 4 x 5 color
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Photograph of a reproduction
Transparency 4 x 5 color
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Transparency 4 x 5 color
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Photograph by Steven Sloman
Negative 4 x 5 b/w
R020465
Photograph by Renate Ponsold
Print 8 x 10 b/w
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Print 11 x 14 color
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Photograph by Dena
Print 11 x 14 b/w
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Transparency 4 x 5 color
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Aquatint, 26” x 19 7/8”
impression 9/25 Joan Banach
Photograph by Joan Banach Print 6 x 8 color
R021905
Print 3 x 5 b/w
R021908
Print 3 x 5 color
R021909
Robert Motherwell: Paintings, Papiers Collés, Drawings
Art of This Century, New York, N.Y., USA
Fourteen Americans
The Museum of Modern Art, New York, N.Y., USA
Paintings and Collage by Motherwell
Samuel M. Kootz Gallery, New York, N.Y., USA
Black or White: Paintings by European and American Artists
Samuel M. Kootz Gallery, New York, N.Y., USA
The Muralist and the Modern Architect
Samuel M. Kootz Gallery, New York, N.Y., USA
Seventeen Modern American Painters
Frank Perls Gallery, Beverly Hills, Calif., USA
9th St.: Exhibition of Paintings and Sculpture
60 East 9th St., New York, N.Y., USA
Robert Motherwell: Paintings, Drawings and Collages
Samuel M. Kootz Gallery, New York, N.Y., USA
[group exhibition]
Kootz Gallery, Provincetown, Mass., USA
[Robert Motherwell]
Kootz Gallery, Provincetown, Mass., USA
International Water Color Exhibition: Eighteenth Biennial
Brooklyn Museum, Brooklyn, N.Y., USA
[loan exhibition]
Kirby Student Center, University of Minnesota, Duluth, Duluth, Minn., USA
Robert Motherwell
Sidney Janis Gallery, New York, N.Y., USA
Robert Motherwell: First Retrospective Exhibition
New Gallery, Bennington College, Bennington, Vt., USA
Robert Motherwell
Sidney Janis Gallery, New York, N.Y., USA
Frankenthaler/Motherwell
HCE Gallery, Provincetown, Mass., USA
Recent American Paintings
Albany Institute of History and Art, Albany, N.Y., USA
9 American Painters
Sidney Janis Gallery, New York, N.Y., USA
Robert Motherwell
Sidney Janis Gallery, New York, N.Y., USA
VI Bienal de São Paulo
Museu de Arte Moderna, São Paulo, Brazil
American Abstract Expressionists and Imagists
Solomon R. Guggenheim Museum, New York, N.Y., USA
New Paintings in Oil and Collages by Robert Motherwell
Sidney Janis Gallery, New York, N.Y., USA
Abstract Drawings and Watercolors: USA
The Museum of Modern Art, New York, N.Y., International
Robert Motherwell
New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge, Mass., USA
Robert Motherwell
The Museum of Modern Art, New York, N.Y., USA
Robert Motherwell: Works on Paper
The Museum of Modern Art, New York, N.Y., USA
New York School, The First Generation: Paintings of the 1940s and 1950s
Los Angeles County Museum of Art, Los Angeles, Calif., USA
1943–1953: The Decisive Years
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pa., USA
Two Decades of American Painting
The Museum of Modern Art, New York, N.Y., USA
Robert Motherwell: Works on Paper
Museum of Modern Art, New York, N.Y., International
Robert Motherwell: Collages
Whitney Museum of American Art, New York, N.Y., USA
Robert Motherwell: "Open" Series, 1967–1969
Marlborough-Gerson Gallery, New York, N.Y., USA
The New American Painting and Sculpture: The First Generation
The Museum of Modern Art, New York, N.Y., USA
Robert Motherwell: Lyric Suite
The Museum of Modern Art, New York, N.Y., USA
Robert Motherwell
David Mirvish Gallery, Toronto, Canada
Ways of Looking
The Museum of Modern Art, New York, N.Y., USA
Robert Motherwell: Recent Paintings
Walker Art Center, Minneapolis, Minn., USA
The Collages of Robert Motherwell: A Retrospective Exhibition
Museum of Fine Arts, Houston, Tex., USA
Robert Motherwell
Lawrence Rubin Gallery, New York, N.Y., USA
A la Pintura
The Metropolitan Museum of Art, New York, N.Y., USA
Robert Motherwell
Fendrick Gallery, Washington, D.C., USA
Drawn in America
The Museum of Modern Art, New York, N.Y., USA
Robert Motherwell: Recent Work, Art Museum
Princeton University, Princeton, N.J., USA
Robert Motherwell: Paintings, Collages & Drawings
John Berggruen Gallery, San Francisco, Calif., USA
11 Artistes Americains
Musée d’Art Contemporain, Montreal, Canada
Robert Motherwell: Recent Sketches and Graphics
Tirca Karlis Gallery, Provincetown, Mass., USA
Robert Motherwell: New Works
David Mirvish Gallery, Toronto, Canada
A la pintura
Amerika-Haus, Berlin, Germany
Robert Motherwell: Recent Paintings and Collages
Knoedler & Company, New York, N.Y., USA
Robert Motherwell: New Paintings, Collages, and Graphics
Galerie André Emmerich, Zürich, Switzerland
Twelve American Painters
Virginia Museum of Fine Arts, Richmond, Va., USA
Robert Motherwell: Paintings & Collages
Tibor de Nagy Gallery, Houston, Tex., USA
Robert Motherwell: Retrospectiva del gran pintor norteamericano
Museo de Arte Moderno, Mexico City, Mexico
Robert Motherwell
Knoedler & Company, New York, N.Y., USA
Robert Motherwell: Recent Collages and Drawing/Selected Prints: 1961–1975
John Berggruen Gallery, San Francisco, Calif., USA
Motherwell: Major Paintings & Collages
Ace Gallery, Los Angeles, Calif., USA
Basel Art Fair
Galerie Emmerich at Basel Art Fair, Basel, Switzerland
Robert Motherwell
Städtische Kunsthalle, Düsseldorf, Germany
Robert Motherwell: Recent Paintings and Collages
Knoedler & Company, New York, N.Y., USA
Robert Motherwell
Janie C. Lee Gallery, Houston, Tex., USA
Aspects of Postwar Painting in America
Columbus Gallery of Fine Arts, Columbus, Ohio, USA
Twentieth Century American Drawing: Three Avant-Garde Generations
Solomon R. Guggenheim Museum, New York, N.Y., USA
Robert Motherwell: Paintings
Galerie André Emmerich, Zurich, Switzerland
[loan exhibition]
Admiral’s House, Vice-Presidential residence, Washington, D.C., USA
André Emmerich bei Brusberg
Galerie Brusberg, Hannover, Germany
Robert Motherwell: Paintings and Collages, 1941–1977
Royal Scottish Academy, Edinburgh, Scotland
American Art at Mid-Century: The Subjects of the Artist
National Gallery of Art, Washington, D.C., USA
Robert Motherwell
Knoedler & Company, New York, N.Y., USA
Robert Motherwell: Collages, Drawings, Paintings
Janie C. Lee Gallery, Houston, Tex., USA
Robert Motherwell: Paintings and Collages from 1941 to the Present
Royal Academy of Arts, London, England
Paris Art Fair
Turske Gallery at Paris Art Fair, Grand Palais, Paris, France
Robert Motherwell & Black
William Benton Museum of Art, University of Connecticut, Storrs, Conn., USA
Robert Motherwell: Drawings, A Retrospective, 1941 to the Present
Janie C. Lee Gallery, Houston, Tex., USA
5 Action Painters of the 50’s
Pace Gallery, New York, N.Y., USA
David Smith/Robert Motherwell
Museo de Arte Contemporaneo de Caracas, Caracas, Venezuela
Motherwell
Centre Cultural de la Caixa de Pensions, Barcelona, Spain
Robert Motherwell
Harcus Krakow Gallery, Boston, Mass., USA
Robert Motherwell & Black
Knoedler & Company, New York, N.Y., USA
Eleven Paintings and Two Sculptures from the Sixties
B. R. Kornblatt Gallery, Washington, D.C., USA
American Abstract Expressionists
City Art Centre and Fruitmarket Gallery, Edinburgh, Scotland
Robert Motherwell: A Selection from Current Work
Knoedler & Company, New York, N.Y., USA
Robert Motherwell
Albright-Knox Art Gallery, Buffalo, N.Y., USA
Adolph Gottlieb, Robert Motherwell, David Smith
Knoedler & Company, New York, N.Y., USA
Robert Motherwell: Tribute to James Joyce
Provincetown Art Association and Museum, Provincetown, Mass., USA
Robert Motherwell Drawings
Visual Arts Museum, School of Visual Arts, New York, N.Y., USA
American Works on Paper: 1943-1974
North Carolina Museum of Art, Raleigh, N.C., USA
Robert Motherwell: New Collages
Knoedler & Company, New York, N.Y., USA
Robert Motherwell
Solomon R. Guggenheim Museum, New York, N.Y., USA
Robert Motherwell: The Collaged Image
Walker Art Center, Minneapolis, Minn., USA
Robert Motherwell: Stephen’s Iron Crown and Related Works
Fort Worth Art Museum, Fort Worth, Tex., USA
Robert Motherwell: New Work
Knoedler & Company, New York, N.Y., USA
Robert Motherwell
Galería Joan Prats, Barcelona, Spain
Robert Motherwell/Jim Bird
Sala Pelaires, Palma de Mallorca, Spain
Robert Motherwell: Major Works from the 1980's
Knoedler & Company, New York, N.Y., USA
Gifts of Works on Paper by Robert Motherwell
The Museum of Modern Art, New York, N.Y., USA
The Arts at Black Mountain, 1933–1957
Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, N.Y., USA
Connecticut Artists
Aldrich Museum of Contemporary Art, Ridgefield, Conn., USA
Drawing after 1940
The Museum of Modern Art, New York, N.Y., USA
Robert Motherwell: The Summer 1987 Collage Series; “The Red and Black” and Other Unexhibited Works
Knoedler & Company, New York, N.Y., USA
Robert Motherwell: Forty-five Years of Printmaking
Associated American Artists, New York, N.Y., USA
Robert Motherwell: New Work
Knoedler & Company, New York, N.Y., USA
Robert Motherwell
Padiglione d’Arte Contemporanea, Milan, Italy
Robert Motherwell: Selected Drawings
Marisa del Re Gallery, New York, N.Y., USA
Summer Group Exhibition
Knoedler & Company, New York, N.Y., USA
Robert Motherwell: Two Books
Sert Gallery, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Mass., USA
Robert Motherwell
Waddington Graphics, London, England
Robert Motherwell: Peintures et collages, 1969–1990
Artcurial Centre d’Art Plastique Contemporain, Paris, N.Y., France
Motherwell/Rothschild
Long Point Gallery, Provincetown, Mass., USA
Robert Motherwell: The Open Door
Museo Rufino Tamayo, Mexico City, N.Y., Mexico
Robert Motherwell: From the Studio
Knoedler & Company, New York, N.Y., USA
Robert Motherwell: The Spanish Elegies
Walker Art Center, Minneapolis, Minn., USA
Artists of the Hamptons
Armory, New York, N.Y., USA
Robert Motherwell: The Open Series
Knoedler & Company, New York, N.Y., USA
Celebrating Long Point
Station Gallery, Katonah, N.Y., USA
Robert Motherwell: The Complete Elegy Prints
Butler Institute of American Art, Youngstown, Ohio, USA
The Museum in the Gallery: The 35th Anniversary Celebration of the New York University Art Collection
Grey Art Gallery, New York, N.Y., USA
Robert Motherwell: At Five in the Afternoon
Knoedler & Company, New York, N.Y., USA
Drawing in Black and White: A Selection of Contemporary Works from the Collection
The Museum of Modern Art, New York, N.Y., USA
Motherwell
Fundació Antoni Tàpies, Barcelona, Spain
Robert Motherwell: Reality and Abstraction
Walker Art Center, Minneapolis, Minn., USA
Recent Acquisitions, 1993–1995
Jewish Museum, New York, N.Y., USA
American Art 1940-1965: Traditions Reconsidered, Selections from the Permanent Collection of the Whitney Museum of American Art
San Jose Museum of Art, San Jose, Calif., USA
Robert Motherwell: Works on Paper, 1950–1991
Manny Silverman Gallery, Los Angeles, Calif., USA
Robert Motherwell on Paper: Gesture, Variation, Continuity
Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, N.Y., USA
Epic Painting: Adolph Gottlieb, Robert Motherwell, Richard Pousette-Dart
Knoedler & Company, New York, N.Y., USA
Peggy Guggenheim: A Centennial Celebration
Solomon R. Guggenheim Museum, New York, N.Y., USA
The New York School
The Museum of Modern Art, New York, N.Y., USA
From the Collection: Drawing in Latin America
The Museum of Modern Art, New York, N.Y., USA
Willem De Kooning, Adolph Gottlieb, Robert Motherwell
Manny Silverman Gallery, Los Angeles, Calif., USA
Robert Motherwell: Works on Paper
Manny Silverman Gallery, Los Angeles, Calif., USA
Robert Motherwell: Themes & Variations Including the Dedalus Sketchbook
Manny Silverman Gallery, Los Angeles, Calif., USA
Robert Motherwell: Works on Paper
Jerald Melberg Gallery, Charlotte, N.C., USA
The Eunice and Hal David Collection of Nineteenth- and Twentieth-Century Works on Paper
Hammer Museum, University of California at Los Angeles, Los Angeles, Calif., USA
Robert Motherwell: An American Original
Contemporary Art Center of Virginia, Virginia Beach, Va., USA
Motherwell
Museum Morsbroich, Leverkusen, Germany
3 Classics: Motherwell, Frankenthaler, Stella
Knoedler & Company, New York, N.Y., USA
Robert Motherwell: The Spirit of the Brush, Works from the Collection, 1941–1990
Modern Art Museum of Fort Worth, Fort Worth, Tex., USA
My America: Art from the Jewish Museum Collection, 1900–1955
Jewish Museum, New York, N.Y., USA
Quartet: Johns, Kelly, Mitchell, Motherwell
Walker Art Center, Minneapolis, Minn., USA
Robert Motherwell: Te Quiero
Thomas McCormick Gallery, Chicago, Ill., USA
Robert Motherwell, Africa Suite: Ink Drawings and Related Prints
Bobbie Greenfield Gallery, Santa Monica, Calif., USA
Lines of Discovery: 225 Years of American Drawings
Gilcrease Museum, Tulsa, Okla., USA
Robert Motherwell: The Torn Edge; Collages and Related Prints
Jerald Melberg Gallery, Charlotte, N.C., USA
Inaugural
Hillsboro Fine Art, Dublin, Ireland
Robert Motherwell: Spanish Frontier
Galerie Lelong, Paris, France
Surrealism and Beyond in the Israel Museum
The Israel Museum, Jerusalem, Israel
Action Painting
Fondation Beyeler, Basel, Switzerland
Traces and Spaces: Jan Groth’s Influences and Contemporaries
Rogaland Kunstmuseum, Stavanger, Norway
The Third Mind: American Artists Contemplate Asia, 1860–1989
Solomon R. Guggenheim Museum, New York, N.Y., USA
Robert Motherwell: An Attitude Toward Reality, from the Collection of the Walker Art Center
Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Ill., USA
Chance Aesthetics
Mildred Lane Kemper Art Museum, Washington University, St. Louis, Mo., USA
Helen Frankenthaler and the Color Field Painters
The Bascom, Highlands, N.C., USA
Nexus New York: Latin/American Artists in the Modern Metropolis
El Museo del Barrio, New York, N.Y., USA
Drawing
Locks Gallery, Philadelphia, Pa., USA
Holbein to Tillmans: Prominent Guests from the Kunstmuseum Basel
Schaulager, Basel, Switzerland
Groupings
Manny Silverman Gallery, Los Angeles, Calif., USA
Modern Art, Sacred Space: Motherwell, Ferber, and Gottlieb
Jewish Museum, New York, N.Y., USA
Robert Motherwell: Paintings
Locks Gallery, Philadelphia, Pa., USA
Abstract Expressionist New York
Museum of Modern Art, New York, N.Y., USA
From a Collection of Abstract Works on Paper 1941–1971
Cheim & Read, New York, N.Y., USA
50/50: Audience and Experts Curate the Paper Collection
Walker Art Center, Minneapolis, Minn., USA
Painting on Paper: The Drawings of Robert Motherwell
Art Gallery of Ontario, Toronto, Canada
Black Mountain College and Its Legacy
Loretta Howard Gallery, New York, N.Y., New York
Robert Motherwell: Works on Paper
Bernard Jacobson Gallery, London, England
Summer Group Show
Ameringer McEnery Yohe, New York, N.Y., USA
Abstract Expressionism and Its Discontents
Pennsylvania Academy of the Fine Arts, Philadelphia, Pa., USA
Three +: Michael Warren/Robert Motherwell, John Gibbons/Larry Poons, Peter Randall-Page/Alan Davie
Hillsboro Fine Art, Dublin, Ireland
Dialogue II
Galerie Jeanne Bucher Jaeger (Marais), Paris, France
Beside the Sea
Provincetown Art Association and Museum, Provincetown, Mass., USA
Long Point: An Artists’ Place (1977–1998)
Provincetown Art Association and Museum, Provincetown, Mass., USA
Pasadena to Santa Barbara: A Selected History of Art in Southern California, 1951–1969
Santa Barbara Museum of Art, Santa Barbara, Calif., USA
AB EX: Positions and Dispositions
Robischon Gallery, Denver, Colo., USA
Robert Motherwell (1915-1991)
Galerie Hopkins, Pavillon des Arts et du Design, Jardin des Tuileries, Paris, France
Signs and Symbols
Whitney Museum of American Art, New York, N.Y., USA
Motherwell y los poetas (Octavio Paz y Rafael Alberti)
Fundación Juan March, Madrid, Spain
A Century of Collage
Bernard Jacobson Gallery, London, England
Robert Motherwell: Early Collages
Peggy Guggenheim Collection, Venice, Italy
Robert Motherwell: Four Decades of Collage
McClain Gallery, Houston, Tex., USA
Hidden Treasures Unveiled: Watercolors
Pennsylvania Academy of the Fine Arts, Philadelphia, Pa., USA
Robert Motherwell: A Survey; Paintings/Paper/Prints
Jerald Melberg Gallery, Charlotte, N.C., USA
Caro, Frankenthaler, Louis, Motherwell, Noland, Olitski, Stella
Paul Kasmin Gallery, New York, N.Y., USA
Robert Motherwell: Collage
Bernard Jacobson Gallery, London, England
30th Anniversary Exhibition
Jerald Melberg Gallery, Charlotte, N.C., USA
Robert Motherwell: The East Hampton Years, 1944–1952
Guild Hall, East Hampton, N.Y., USA
Robert Motherwell: Works on Paper, 1951–1991
Paul Kasmin Gallery, New York, N.Y., USA
Robert Motherwell
Annandale Galleries, Sydney, Australia
The Irascibles
Munson Williams Proctor Arts Institute, Utica, N.Y., USA
Lyric Suite: Selected Works by Robert Motherwell
The Metropolitan Museum of Art, New York, N.Y., USA
The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art
Paul Kasmin Gallery, New York, N.Y., USA
Robert Motherwell and The New York School at Hunter
Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, N.Y., USA
Robert Motherwell: A Centennial Celebration
Provincetown Art Association and Museum, Provincetown, Mass., USA
Robert Motherwell: A Centenary Exhibition
Jerald Melberg Gallery, Charlotte, N.C., USA
Form, Gesture, Feeling: Robert Motherwell 1915–1991, A Centennial Exhibition
Pearl Lam Galleries, Hong Kong
Robert Motherwell: Elegy to the Spanish Republic
Dominique Lévy Gallery, New York, N.Y., USA
American Abstract Expressionism: Works on Paper, 1940s–1960s
Museum of Fine Arts, Houston, Houston, Tex., USA
Leap Before You Look: Black Mountain College, 1933–1957
Institute of Contemporary Art, Boston, Mass., USA
La Materia Emancipada. Informalistas en México (The Emancipated Matter. Informalists in Mexico)
Carrillo Gil Museum, Mexico City, Mexico
Motherwell as Printmaker: The Artist at Work
The Gallery at Industry City, Dedalus Foundation, Brooklyn, N.Y., USA
Robert Motherwell: The Art of Collage
Paul Kasmin Gallery, New York, N.Y., USA
César in Context
Luxembourg & Dayan, New York, N.Y., USA
Building a Legacy Collection: A Survey of Invitational Acquisitions
Sheldon Museum of Art, Lincoln, Neb., USA
Color and Surface: Abstract Painting in the 1970s
Daum Museum of Contemporary Art, Sedalia, Mo., USA
[Permanent collection show]
Sheldon Museum of Art, Lincoln, Neb., USA
Robert Motherwell: Abstract Expressionism
Bernard Jacobson Gallery, London, England
A Process of Emphasis: Prints of Robert Motherwell Works on Paper, 1971-1988
Cummings Art Center, Connecticut College, New London, Conn., USA
Summer Painting Exhibition
Paul Kasmin Gallery, New York, N.Y., USA
Not in New York: Carl Solway and Cincinnati
Cincinnati Art Museum, Cincinnati, Ohio, USA
Advanced and Irascible: Abstract Expressionism from the Collection of Jeanne and Carroll Berry
Georgia Museum of Art, University of Georgia, Athens, Ga., USA
Robert Motherwell
Galleria d'Arte Maggiore, Bologna, Italy
Robert Motherwell: The Quiet and the Wild
Black Mountain College Museum and Arts Center, Asheville, N.C., USA
Robert Motherwell: A Series of Mistakes
Pennsylvania Academy of the Fine Arts, Philadelphia, Pa., USA
Lyric Suite: Works on Paper by Robert Motherwell
The Israel Museum, Jerusalem, Israel
Robert Motherwell: Early Paintings
Paul Kasmin Gallery, New York, N.Y., USA
International Works: Irvin, Lüpertz, Poons, Motherwell, Davie, Gibbons, Cockrill, Cucchi and others
Hillsboro Fine Art, Dublin, Ireland
Ten Americans: After Paul Klee
Zentrum Paul Klee, Bern, Switzerland
Artists of the New York School
Georgia Museum of Art, University of Georgia, Athens, Ga., USA
Motherwell in Fayetteville
Ellington-White Contemporary, Fayetteville, N.C., USA
Whispers from the Earth - Chuchotements de la Terre
Galerie Jeanne Bucher Jaeger (St. Germain Space), Paris, France
Motherwell: In the Studio
Dedalus Foundation, Sunset Park, Brooklyn, N.Y., USA
Robert Motherwell: Graphics
Marlborough Graphics, New York, N.Y., USA
Reds
Mnuchin Gallery, New York, N.Y., USA
Colors
FreedmanArt, New York, N.Y., USA
Robert Motherwell
Sotheby's Los Angeles, Los Angeles, Calif., USA
Robert Motherwell: Open Series
Galerie Templon, Paris, France
Word & Image: Literary Influences in Motherwell's Works
Dedalus Foundation, Sunset Park, Brooklyn, N.Y., USA
Under Construction: Collage from the Mint Museum
Mint Museum, Charlotte, N.C., USA
Monsters & Myths: Surrealism and War in the 1930s and 1940s
Wadsworth Atheneum Museum of Art, Hartford, Conn., USA
Achievement in Art: The Collection of Mike and Dalia Engler
Amarillo Museum of Art, Amarillo, Tex., USA
Master Drawings: Post-War & Contemporary
Barbara Mathes Gallery, New York, N.Y., USA
Arriving at Reality: Robert Motherwell's "Open Paintings" and Related Collages
Pearl Lam Galleries, Hong Kong
Sheer Presence: Monumental Paintings by Robert Motherwell
Paul Kasmin Gallery, New York, N.Y., USA
Robert Motherwell - Elegy
Barakat Contemporary, Seoul, Korea
A Line (A)Round An Idea: Selected Works on Paper
Gagosian Gallery, Geneva, Switzerland
Motherwell: Open
Dedalus Foundation, Sunset Park, Brooklyn, N.Y., USA
Robert Motherwell oder Wie das Alltägliche zur Kunst wird
Samuelis Baumgarte Galerie, Bielefeld, Germany
Works on Paper
Locks Gallery, Philadelphia, Pa., USA
Motherwell: product. Placement
Charlotte & Philip Hanes Art Gallery, Wake Forest University, Winston-Salem, N.C., USA
The Irascibles: Painters Against the Museum (New York, 1950)
Fundación Juan March, Madrid, Spain
Robert Motherwell - Collages
Contemporary Art Centre of Málaga, Málaga, Spain
Assemblages: Cornell, Motherwell, Nevelson, Andrade, Johnson, Fahlen
Locks Gallery, Philadelphia, Pa., USA
The Summer Salon 2020
Sélavy, Southampton, N.Y., USA
Robert Motherwell: A Survey of Prints
Bernard Jacobson Gallery, London, England
Do You Think It Needs a Cloud?
Miles McEnery Gallery, New York, N.Y., USA
The Red Show
James Barron Art, Kent, Conn., USA
Changing Times: Art of the 1960s
Dayton Art Institute, Dayton, Ohio, USA
Legends: Sam Francis, Helen Frankenthaler, Robert Motherwell and Beverly Pepper
Marlborough Gallery, New York, N.Y., USA
Robert Motherwell: Opens
William Shearburn Gallery, Saint Louis, Mo., USA
Winter Selections
Jerald Melberg Gallery, Charlotte, N.C., USA
Robert Motherwell: Prints
Marlborough Gallery, New York, N.Y., USA
Without Limits: Helen Frankenthaler, Abstraction, and the Language of Print
Blanton Museum of Art, Austin, Tex., USA
Summertime
Jerald Melberg Gallery, Charlotte, N.C., USA
American Abstraction
Jerald Melberg Gallery, Charlotte, N.C., USA
Hamptons | Postwar and Contemporary Art
Leslie Feely (Hamptons), N.Y., USA
Robert Motherwell Paintings/Paper/Prints: A Survey
Jerald Melberg Gallery, Charlotte, N.C., USA
Lyric Suite
Kasmin Gallery, New York, N.Y., USA
Elegy: Lament in the 20th Century
Philadelphia Museum of Art, Philadelphia, Pa., USA
many of other modernist artists’ works. The second set of slides was divided into four parts by Motherwell for a series of lectures he gave in 1977.
Creator: Robert Motherwell And His Studio, And The Dedalus Foundation
Extent: 6.25 Linear Feet Of Records.
Repository: Dedalus Foundation, Inc., 25 E 21st St., 4th Fl., New York, NY 10010
Processing Information: Processed 2004 By Gretchen Opie. Digitized 2007.
Ownership And Literary Rights: Written Permission Must Be Obtained In Order To Reproduce Any Item From The Dedalus Foundation Archives. Additionally, Permission To Reproduce Materials For Which The Dedalus Foundation Does Not Own Copyright Must Be Obtained From The Copyright Holder.
Scope And Content Note: The collection contains more than 50 recordings of interviews, conferences, lectures, documentary films, musical recordings and performances and television programs that were collected by or relate to Motherwell. These include commercially produced films and audio recordings, as well as recordings made for research purposes. In these recordings, Motherwell discusses his development as an artist, his professional and intellectual interests, and his memories of the development of modern art in the United States before and after World War II, among other topics. Most of the recordings date from the 1970s and 1980s.
Creator: Robert Motherwell and his studio and Dedalus Foundation
Date: The inclusive dates of the collection are 1946-2000, bulk dates 1947-1990.
Extent: Four linear feet of records.
Eight (8) 10″ x 5″ x 15.5″ boxes
One (1) 10″ x 2.5″ x 15.5″ box
Two (2) 20.5″ x 16″ x 3.5″ boxes
Repository: Dedalus Foundation, Inc., 25 E 21st St., 4th Fl., New York, NY 10010
Microfilm Copy:
The Museum of Modern Art Museum Archives
11 West 53 Street, New York, NY 10019
212.708.9617
archives@moma.org
Administrative Information
Processing Information: Processed 2004, by Eve Lambert, Dedalus Fellow, under the direction of Michelle Elligott, Museum Archivist.
Scope And Content Note: The Robert Motherwell Scrapbooks consist of 10 boxes of various sizes for a total of 4 linear feet. The scrapbooks document Motherwell’s career from the 1940s to 1991. The materials include exhibition announcements, brochures, catalogues, reviews and articles by art critics as John Canaday, Dore Ashton, Hilton Kramer, Peter Schjeldahl, John Russell, Clement Greenberg, Emily Genauer, and Grace Glueck. The materials document Motherwell’s transition from painting to collage-making, his interest in teaching and literature, his involvement with politics and activism, and his achievements as an artist. The majority of the collection dates from the 1970s to the early 1990s.
Condition: The Robert Motherwell Scrapbooks were originally housed in twenty-two black binders and two bound Scrapbooks. The binders contained plastic sleeves backed by acidic black paper into which documents had been slipped. Both the plastic and the black paper were hastening the deterioration of the archival material. The materials were rehoused in acid-free archival folders and boxes. The records are in relatively good condition. Some clippings are glued to a backing of acidic black paper, and glue has started to show through. A few original documents show signs of deterioration.
1942-1948
1948-1951
1952-1954
1955-1959
1959-1960
1961
1962-63
1964-65
Feb. 1965-Jan. 1966
Jan. 1966-Nov. 1966
Nov. 1966-Jan. 1968
Jan. 1968-1969
1969
Nov. 1969-Nov. 1970
Nov. 1970-Nov. 1971
Nov. 1971-Nov. 1972
Jan. 1973-Jan. 1974
1974
Nov. 1974-Feb. 1975
Mar. 1975-Jan. 1976
Jan. 1976-July 1976
July 1976-Dec. 1976
Jan. 1977-May 1977
Jun. 1977-Oct. 1977
Oct. 1977-Jan. 1978
Jan. 1978-Jan. 1979
Jan. 1979-Sept. 1979
Sept. 1979-Feb. 1980
Feb. 1980-Oct. 1980
Nov. 1980-Mar. 1981
Mar. 1981-Nov. 1981
Nov. 1981-April 1982
May 1982-Nov. 1982
Nov. 1982-Mar. 1983
Apr. 1983-Nov. 1983
Nov. 1983-Jan. 1984
Jan. 1984-Aug. 1984
Aug. 1984-Jan. 1985
Jan. 1985-Mar. 1985
Mar. 1985-Oct. 1985
Oct. 1985-Dec. 1985
1986 (Books)
1986 (Books)
Jan. 1986-Jun. 1986
Jun. 1986-Oct. 1986
Oct. 1986-Nov. 1986
Jan. 1987-Apr. 1987
May 1987-Jan. 1988
1988
Jan. 1988-Sept. 1988
Oct. 1988-Jan. 1989
Jan. 1989-Apr. 1989
Apr. 1989-Aug. 1989
Aug. 1989-Nov. 1989
Nov. 1989-Jan. 1990
Jan. 1990-Apr. 1990
Apr. 1990-Oct. 1990
Oct. 1990-Jan. 1991
Jan. 1991-Oct. 1991
Nov. 1991-Sept. 1992
Sept. 1992-Feb. 1993
Feb. 1993-Oct. 1993
Oct. 1993-Mar. 1995
Mar. 1995-Jan. 1996
Jan. 1996-Aug. 1996
Aug. 1996-Jan. 1997
Jan. 1997-Jun. 1997
Jun. 1997-Jan. 1998
Jan. 1998-Jan. 1999
Jan. 1999-Dec. 1999
Jan. 2000-May 2000
May 2000-Oct. 2000
Oct. 2000-Dec. 2001
Jan. 2002-Aug. 2003
Jan. Aug. 2003-Oct. 2004
Oct. 2004-Dec. 2005
Dec. 2005-Nov. 2008
Nov. 2008-July 2011
July 2011-Mar. 2012
Apr. 2012-Dec. 2012
Jan. 2013-Nov. 2015
Nov. 2015-July 2017
July 2017-present
Robert Motherwell: Paintings Collages Drawings, Arts Club of Chicago, Chicago, Illinois, 8.75 x 12 in.
R003620
Catalogue for 1948-49, Subjects of the Artist, 35 E. 8th Street, New York, NY, 12 in x 8 in
R038527
Motherwell Kootz Gallery New York, New York, 9.5 x 15 in.
R003622
Robert Motherwell, Collages 1943-49, Samuel Kootz Gallery, New York, New York, 18 x 12 in.
R003624
Robert Motherwell School of Fine Arts, New York, New York, 9 x 9 in.
R003626
The First Three Evenings of Subjects of the Artist: Early Films from the Unique Collection of Joseph Cornell, Subjects of the Artist, 35 E. 8th Street, New York, NY, 12 in x 8 in R003625
The Artist's Point of View-A Symposium, Museum of Modern Art (Held at Central High School of Needle Trades) 225 W. 24th St., New York, New York 12 x 7.5 in.
R003623
Purchase Exhibition, Cincinnati Museum of Art, Cincinnati, Ohio, 6 x 4.5 in.
R003628
Seventeen Modern American Painters, Frank Perls Gallery, 350 N. Camden Drive, Beverly Hills, California, 22 x 17 in.
R003630
What Abstract Art Means to Me, Museum of Modern Art, New York, New York, 24 x 18 in.
R003631
9th Street Exhibition of Paintings and Sculpture, Ninth Street Galleries, 60 East 9th Street, New York, NY, 16 x 8.5 in.
R003629
American Vanguard Art for Paris, Sidney Janis Gallery, New York, New York, 13 x 9.5 in.
R003633
Robert Motherwell Paintings Drawings Collages, Kootz Gallery, New York, New York, 10 x 7 in. cards
R003632
Four Americans: From the Real to the Abstract, Contemporary Arts Museum Houston, Houston, Texas, 8.5 x 11 in.
R003636
Stable Show, Stable Gallery, 924 7th Avenue, New York, NY
R003816
Recent Paintings by 8 Americans, Sidney Janis Gallery, New York, New York, 12 x 11 in.
R003638
Motherwell: Paintings and Collages, Sidney Janis Gallery, 15 E. 57th Street, New York, New York, 23.25 x 16 in.
R003639
Motherwell, Sidney Janis Gallery, 15 E. 57th Street, New York, New York, 26 x 22 in.
R003640
Robert Motherwell Collages, Galerie der Spiegel, RichartzStrasse 10, Koln, Germany, 19 x 19.5 in.
R003641
Modern Art and Mass Culture, Brandeis University, Waltham, Massachusetts, 12.25 x 10.25 in.
R003642
Motherwell in Print, 12 x 18 in.
R003643
Do Not Crush: Robert Motherwell at 50, 18 x 15 in.
R003649
The Paris Review, The Paris Review Poster, 34 x 26 in.
R003645
Sobre Papel: Obras de Arshile Gorky y Robert Motherwell, Museo Universitario de Ciencias Y Arts, Universidad Nacional Autonoma, Mexico, 22.25 x 17 in.
R003662
Robert Motherwell Retrospective, Museum of Modern Art, New York, New York, 34.5 x 22.5 in.
R003646
A Call From the Artists of Los Angeles, 1966, Poster for project protesting the Vietnam War, Los Angeles, California, 29 x 21 in.
R003652
"Hommage a Caissa" Group Exhibition for Marcel Duchamp, Fund of the American Chess Foundation, Cortier and Ekstrom, Inc. New York, New York, 22 x 17 in.
R003651
Roots of Abstract Art in America, National Collection of Fine Arts, Washington, D.C., 22 x 17 in
R003653
Cambridge Collage, New York Graphic Society, 33 x 22 in.
R003655
No More War!, Avant Garde Magazine, 25 x 19.5 in.
R003658
Cambridge Collage, Museum Poster, 33 x 22 in.
R003813
Two Decades of American Painting 1946-1966, Rabindra Bhawan presented by Lalit Kala Akademi New Dehli, India, 20.5 x 30 in.
R003654
Robert Motherwell: An Approach to Becoming a Painter, Carpenter Center, Harvard University, Cambridge, Massachusetts, 22 x 14 in.
R003656
Spoleto Festival, 1968, (Appx # 22), Spoleto Festival Spoleto, Italy, 39.5 x 27.5 in.
R003663
Robert Motherwell : New Collages, Whitney Museum of American Art, New York, New York, 16 x 9 in.
R003664
Dada and Surrealism: A Symposium Graduate Center, City University of New York New York, New York, 11 x 8.5 in.
R003661
Robert Motherwell: New Collages, Whitney Museum of American Art, New York, New York, 30 x 22 in.
R037864
Robert Motherwell New Collages, Whitney Museum of American Art, New York, New York, 29 1/2 x 22 in.
R003660
Juillard School, Juillard School, New York, New York, 45 x 29.5 in.
R003823
Juilliard School, Dedication-Lincoln Center, 1969, (Appx #23), Juilliard School, New York, New York
R003665
Drawings, Leo Castelli Gallery-Kornblee Gallery-Tibor de Nagy Gallery, New York, New York, 22 x 14 in.
R003647
A Slide Lecture by Robert Motherwel,l High Museum of Art, Atlanta, Georgia, 17 x 11 in.
R003666
Motherwell, Galerie im Erker St. Gallen, St. Gallen, Switzerland, 30 x 22 in.
R003667
Robert Motherwell's A La Pintura: The Genesis of a Book, The Metropolitan Museum of Art, New York, New York, 21.5 x 15.25 in.
R003802
Saint Louis Symphony Orchestra Poster, Saint Louis Symphony, Saint Louis, Missouri
R003824
Robert Motherwell: Recent Work, Princeton University, Princeton, New Jersey, 37.5 x 21.5 in.
R003669
Robert Motherwell in California Collections, Otis Art Institute Gallery, Los Angeles, California, 25 in x 16 in
R003801
Robert Motherwell: Proofs from A La Pintura, Knoedler Contemporary Prints, New York, New York, 11 x 14 in.
R003673
Robert Motherwell: Major Paintings & Collages, Ace Gallery, 72 Market Street Venice, California, 12 in x 16 in
R003821
In Celebration: Stanford Law School, Stanford Law School, Stanford University
R003811
Sculpture 76, Greenwich Arts Council, Greenwich, Connecticut
R003825
Contemporary Printmaking: Selections from the Collection of Ashland Oil, Clara M. Eagle Gallery and Price Doyle Fine Arts Center, Murray State University, Murray, Kentucky, 17 x 12 in.
R003722
Robert Motherwell, Kultur Huset, Stockholm, Sweden, 27.75 x 39.5 in.
R003674
Motherwell, Musee d'Art Moderne de Paris, Paris, France
R003676
Beachcomers Bash, Fine Arts Workcenter, Commercial Street, 9 in x 13 in
R003820
Robert Motherwell: Paintings and Collages 1941-1977, Royal Scottish Academy, Edinburgh, Scotland, 20 x 30 in.
R003805
Robert Motherwell, Ace Gallery, 72 Market Street, Venice, California
R003807
Lecture: Robert Motherwell "A Structure for Creativity," Carpenter Center, Harvard University, Cambridge, Massachusetts, 18 x 13.5 in.
R003677
Newport Opera, Newport Opera, Newport, Rhode Island, 29 1/2 in x 21 1/2 in
R003826
Robert Motherwell and Black, The William Benton Museum of Art, University of Connecticut, Storrs, Connecticut, 20 x 30 in.
R003806
Robert Motherwell, The Collage Prints 1968-1978 Traveling-Gallery 210, University of Missouri-St. Louis, 21 x 17 in.
R003678
Fall Arts Festival, Provinceton Open Studios, Provincetown, Massachusetts, 20 in x 15 in
R003819
Motherwell, Caixa de Pensions/Fundacion Juan March, Barcelona, Spain, 21 x 32.5 in.
R003679
James Joyce in Perspective, The James Joyce Society, Provincetown, Massachusetts, 24 in x 14 in
R003822
The Abstract Expressionists and their Precursors, Nassau County Museum of Fine Art, Roslyn, New York, 24 x 36 in.
R003692
Art 1981, Chicago Navy Pier, Chicago, Illinois, 24 x 15 in.
R003683
A Conversation with Robert Motherwell, Brown University, Providence, Rhode Island, 11 1/2 in x 23 in
R003684
An American Tradition: Abstraction, Henry Art Gallery, University of Washington, Seattle, Washington, 18 x 23.5 in.
R003686
Ojai Festival, Ojai, California, 35.5 x 25 in.
R003687
[Alphabet Artists], Albright-Knox Art Gallery, Buffalo, New York
R003817
New York, New York Cultural Institutions, New York Graphic Society, New York, New York, 36 x 24 in.
R003691
The Painter and the Printer: Robert Motherwell's Graphics, Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, 24 x 38 in.
R003680
Robert Motherwell: El Negro an exhibition of the livre de luxe, M. Knoedler and Co. New York, New York, 23 x 36 in.
R003688
Kafka Unorthodox, Cooper Union, 7th Street at Third Avenue, New York, New York, 16 x 24 in.
R003690
Robert Motherwell Drawings, Visual Arts Museum, 209 E. 23rd St., New York, New York, 22 x 16.5 in.
R003689
Robert Motherwell, Albright-Knox Art Gallery, Buffalo, New York, 13 3/4 in x 21 1/2 in
R003804
Robert Motherwell (Traveling), Albright-Knox Art Gallery Buffalo, New York 15.5 x 21 in.
R003693
Peinture Abstraite, Gallery Ecart, 6 Rue Plantamor, Geneva, Switzerland, 19.5 x 27.5 in.
R003694
The Fort Worth Art Museum, Fort Worth, Texas, 25.5 x 27 in.
R003699
Flying Tigers: Painting and Sculpture in New York, 1934-1946, List Art Center, Brown University, Providence, Rhode Island, 21 x 18 in.
R003696
Lecture: Modernism in Art, Brown University, Providence, Rhode Island, 15 x 21 in.
R003695
Robert Motherwell, Focus Gallery, Lausanne, Switzerland
R003698
The Painter's Music The Musician's Art/An die Musik and Robert Motherwell, Solomon R. Guggenheim Museum, New York, New York, 26.5 x 39 in.
R003697
48th International PEN Congress, New York, New York, 37.75 x 24.5 in.
R003701
Robert Motherwell, Fort Worth Art Museum, Fort Worth, Texas, 25 x 36.5 in.
R003703
Jim Bird, Robert Motherwell, Sala Pelaires Mallorca, Spain, 23.5 x 30 in
R003700
Motherwell, Palau Solleric, Palma, Spain, 25 x 32.5 in.
R003702
Robert Motherwell: Prints from the Carlson Collection, Whatcom Museum of History and Art, 121 Prospect Street, Bellingham, Washington, 23 x 12
R003706
Robert Motherwell: Major Works from the '80s, M. Knoedler and Co., 19 E. 70th Street, New York, New York, 20 x 24 in.
R003705
Robert Motherwell, Hurlbutt Gallery, Greenwich, Connecticut, 28 x 19 in.
R003704
R003723
Robert Motherwell, Studio Marconi, Milan, Italy, 38 x 26 in.
R003709
Robert Motherwell: The Music Collages, Montclair Art Museum, Montclair, New Jersey, 20 x 29 in.
R003708
Motherwell Peinture Collages 1969-1990, Artcurial, Paris, France
R003810
20th Anniversary in New England 1990, Archives of American Art, Smithsonian Institution, Washington, D.C., 32 in x 40 in
R003710
The Prints of Robert Motherwell, Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, Fukushima, Japan, 28 x 21 in.
R003714
The Prints of Robert Motherwell, CCCA, 40.5 x 28.5 in.
R003713
Robert Motherwell: The Newark Museum, Newark, New Jersey, 26 in x 39 in
R003809
Je t'aime, (museum poster) Bruckmann Kunstdruck
R037865
The Checkered Skirt, (museum poster) North Carolina Museum of Art, 39 1/2 in x 32 in
R003814
Samurai No. 1, 1974, Editions Pierre d'Hariville, Belgium, 39 x 27 in.
R003716
In Black with Blue Stripe, (museum poster) Milwaukee Art Museum, Milwaukee, Wisconsin 36 x 24 in.
R003712
The Black X, (museum poster) Milwaukee Art Museum, Milwaukee, Wisconsin, 36 x 24 in.
R003711
Samples from VAGA request, Bild Kunst, Bonn, 19.75 x 15.75 in.
R003715
Sign and Gesture, (Travelling), North Carolina Museum of Art, Raleigh, North Carolina, 32 x 24 in.
R003717
Blue Elegy, Editions Pierre d'Harville, Belgium, 39 x 27.5 in.
R003803
Motherwell on Paper: Thirty Years of Prints 1961-1991, Bendheim Gallery, Greenwich Art Center, Greenwich, Connecticut, 22 x 16 in.
R003719
Robert Motherwell at Bernard Jacobson, Bernard Jacobson Gallery, 14A Clifford St., London, England, 33 in x 40 in
R003812
Elegy to the Spanish Republic No. 102, (museum poster) Baltimore Museum of Art, Baltimore, Maryland, 26 x 36 in.
R003720
Abstract Expressionist New York, Museum of Modern Art, New York, New York, 14 in x 11 in
R003721
Drunk with Turpentine, 23 in x 30 in
R003818
Robert Motherwell: The Museum of Modern Art, (museum poster) Museum of Modern Art New York, New York, 16 in x 20 in
R003808