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Robert Motherwell

Selected Artworks

Robert Motherwell was a prolific artist whose innovative body of work encompassed a wide range of imagery and media. Over his fifty-year career, he created both intimate and monumental paintings, spontaneous and deliberate drawings, and a wide range of groundbreaking collages. His diverse themes and motifs reflected a broad spectrum of expression, from the somber Elegies to the lyrical Opens and the elegantly dissonant collages.

For images of all of Motherwell’s works, please see the catalogues raisonnés.

  • All
  • 1940s
  • 1950s
  • 1960s
  • 1970s
  • 1980-1991
  • All
  • Collages
  • Drawings
  • Paintings
  • Works on Paper
The Little Spanish Prison, 1941, oil on canvas, 27 1/4 ✕ 17 1/8 in. (69.2 ✕ 43.5 cm)

The Little Spanish Prison 1941 - 1944 / ca. 1959 / 1969

Spanish Picture with Window, 1941, oil on canvas, 42 ✕ 34 in. (106.7 ✕ 86.4 cm)

Spanish Picture with Window 1941

Motherwell, Robert

Mexican Sketchbook (Page 3) 1941

La Belle Mexicaine (Maria), 1941, Oil on canvas, 29 1/2 ✕ 23 3/4 in. (74.9 ✕ 60.3 cm)

La Belle Mexicaine (Maria) 1941

C11 32091 Web

Mallarmé’s Swan 1942 - 1944

Recuerdo de Coyoacán, 1942, oil on canvas, 42 ✕ 34 in. (106.7 ✕ 86.4 cm)

Recuerdo de Coyoacán 1942

D45 26777 Web

The Door 1943

Motherwell , Robert

Pancho Villa, Dead and Alive 1943

C2 32082 Web

Untitled 1943

C17 32100 Web

View from a High Tower 1944 - 1945

Wall Painting with Stripes, 1945, oil on canvas, 54 ✕ 67 1/8 in. (137.2 ✕ 170.5 cm)

Wall Painting with Stripes 1944 / 1945

Motherwell, Robert

Three Personages Shot (6 June) 1944

Western Air, 1947, oil on canvas, 72 ✕ 54 in. (182.9 ✕ 137.2 cm)

Western Air 1946 - 1947

C39 32123 Web

The Pink Mirror 1946

The Emperor of China, 1947 oil on Masonite, 48 ✕ 36 in. (121.9 ✕ 91.4 cm)

The Emperor of China 1947

Personage, with Yellow Ochre and White, 1947, Oil on canvas, 72 ✕ 54 in. (182.9 ✕ 137.2 cm)

Personage, with Yellow Ochre and White 1947

C42 32126 Web

The Poet 1947

The Homely Protestant, 1948, oil and casein on Masonite, 97 3/4 ✕ 48 1/4 in. (248.3 ✕ 122.6 cm)

The Homely Protestant 1948

D142 27309 Web

Elegy to the Spanish Republic No. 1 1948

At Five in the Afternoon, 1948-1949, Casein and graphite on paperboard, 15 ✕ 20 in. (38.1 ✕ 50.8 cm)

At Five in the Afternoon 1948 - 1949

Doorway with Figure, 1949, Casein on paper mounted on Masonite, 48 ✕ 39 3/4 in. (121.9 ✕ 101 cm)

Doorway with Figure 1949

339.1955, 7/21/05, 4:10 PM, 8C, 4700x7030 (632+258), 100%, Default Settin, 1/20 s, R74.1, G48.7, B57.0

The Voyage 1949

Wall Painting, 1951, oil on Homasote, 44 ✕ 58 in. (111.8 ✕ 147.3 cm)

Wall Painting 1950 - 1951

Wall of the Temple, 1951, oil on Masonite, 96 ✕ 192 in. (243.8 ✕ 487.7 cm)

Wall of the Temple 1951

Interior with Pink Nude, 1951, oil on Masonite, 44 ✕ 55 in. (111.8 ✕ 139.7 cm)

Interior with Pink Nude 1951

The Tomb of Cap’tain Ahab, 1953, oil on canvas board, 7 7/8 ✕ 10 in. (20 ✕ 25.4 cm)

The Tomb of Cap’tain Ahab 1953

Elegy to the Spanish Republic XXXIV, 1954, oil on canvas, 80 ✕ 100 in. (203.2 ✕ 254 cm)

Elegy to the Spanish Republic XXXIV 1953 - 1954

Wall Painting No. III, 1953, oil on canvas, 54 1/2 ✕ 72 1/8 in. (138.4 ✕ 183.2 cm)

Wall Painting No. III 1953

Fishes with Red Stripe, 1954, oil on paper mounted on board, 42 1/2 ✕ 41 1/4 in. (108 ✕ 104.8 cm)

Fishes with Red Stripe 1952 - 1954

Je t’aime No. III with Loaf of Bread, 1955, oil and charcoal on canvas, 72 ✕ 54 in. (182.9 ✕ 137.2 cm)

Je t’aime No. III with Loaf of Bread 1955

Je t’aime No. II, 1955 oil and charcoal on canvas, 54 ✕ 72 in. (137.2 ✕ 182.9 cm)

Je t’aime No. II 1955

C66 32151 Web

Histoire d’un Peintre 1956

Jour La Maison, Nuit La Rue, 1958, oil on canvas, 69 3/4 ✕ 89 5/8 in. (177.2 ✕ 227.6 cm)

Jour La Maison, Nuit La Rue 1957 - 1958

C71 32156 Web

Ash Wednesday 1957

C69 32154 Web

The Tearingness of Collaging 1957

Frontier No. 4, 1958, oil and alkyd on paperboard, 15 x 18 in. (38.1 ✕ 45.7 cm)

Frontier No. 4 1958

A View No. 1, 1958, oil on canvas, 81 1/8 ✕ 104 in. (206.1 ✕ 264.2 cm)

A View No. 1 1958

A Sculptor’s Picture, with Blue, 1958, oil on canvas, 70 1/2 ✕ 76 in. (179.1 ✕ 193 cm)

A Sculptor’s Picture, with Blue 1958

Elegy for the Spanish Republic, XXXV, 1958, oil and Magna on canvas, 80 ✕ 100 in. (203.2 ✕ 254 cm)

Elegy for the Spanish Republic, XXXV 1954 - 1958

The Black Sun, 1959, oil on paper mounted on paperboard, 28 3/4 ✕ 22 3/4 in. (73 ✕ 57.8 cm)

The Black Sun 1959 - 1960

C104 32189 Web

N.R.F. Collage No. 1 1959 - 1960

The Voyage: Ten Years After, 1962, oil and charcoal on canvas, 68 3/4 ✕ 205 3/4 in. (174.6 ✕ 522.6 cm)

The Voyage: Ten Years After 1960 - 1961 / 1962

The Figure 4 on an Elegy, 1960, Oil on paper mounted on Masonite, 22 3/4 ✕ 28 3/4 in. (57.8 ✕ 73 cm)

The Figure 4 on an Elegy 1960

C124 32210 Web

The French Line 1960

Two Figures with Cerulean Blue Stripe, 1960, oil on canvas, 84 ✕ 109 1/4 in. (213.4 ✕ 277.5 cm)

Two Figures with Cerulean Blue Stripe 1960

Totemic Figure, 1960, oil and charcoal on canvas, 84 ✕ 109 in. (213.4 ✕ 276.9 cm)

Totemic Figure 1958 - 1960

Elegy to the Spanish Republic No. 55, 1961, oil on canvas, 70 ✕ 76 1/8 in. (177.8 ✕ 193.4 cm)

Elegy to the Spanish Republic No. 55 1955 - 1960 /1961 / 1962

Elegy to the Spanish Republic, 1961, oil and charcoal on canvas, 68 ✕ 99 1/2 in. (172.7 ✕ 252.7 cm)

Elegy to the Spanish Republic 1958 - 1961

Elegy to the Spanish Republic No. 70, 1961, oil on canvas, 69 ✕ 114 in. (175.3 ✕ 289.6 cm)

Elegy to the Spanish Republic No. 70 1961

C126 32212 Web

Sky and Pelikan 1961

Beside the Sea No. 5, 1962, Oil on paper, 29 ✕ 23 in. (73.7 ✕ 58.4 cm)

Beside the Sea No. 5 1962

Summertime in Italy No. 28, 1962, oil and charcoal on canvas, 96 1/2 ✕ 72 in. (245.1 ✕ 182.9 cm)

Summertime in Italy No. 28 1962

Elegy to the Spanish Republic No. 78, 1962, oil and magna on canvas, 71 ✕ 132 1/4 in. (180.3 ✕ 335.9 cm)

Elegy to the Spanish Republic No. 78 1962

Dublin 1916, with Black and Tan, 1964, oil and acrylic on canvas, 84 1/8 ✕ 204 1/4 in. (213.7 ✕ 518.8 cm)

Dublin 1916, with Black and Tan 1963 - 1964

Africa, 1965, acrylic on canvas, 81 ✕ 222 1/2 in. (205.7 ✕ 565.2 cm)

Africa 1964 - 1965

Summertime in Italy No. 7 (in Golden Ochre), 1964, oil and charcoal on canvas, 85 ✕ 69 in. (215.9 ✕ 175.3 cm)

Summertime in Italy No. 7 (in Golden Ochre) 1961 - 1964

Untitled, 10/15/07, 3:31 PM, 16C, 7014x6126 (985+2051), 100%, HMI_Curve, 1/15 s, R53.8, G19.3, B19.9

Lyric Suite 1965

D426 55439 Web

Lyric Suite: Red and Blue No. 4 1965

MW D0495 92847

Lyric Suite 1965

D355 29965 Web

Automatism No. 2A (for Frank O'Hara) 1965

Guillotine, 1981, oil and acrylic on canvas, 66 ✕ 50 in. (167.6 ✕ 127 cm)

Guillotine 1966 / 1973 / 1979 - 1981

New England Elegy, 1966, acrylic on canvas, 156 ✕ 180 in. (396.2 ✕ 457.2 cm)

New England Elegy 1966

Open Drawing, 1967, ink on paper, 11 3/8 ✕ 14 3/8 in. (28.9 ✕ 36.5 cm)

Open Drawing 1967

Open No. 1: In Yellow Ochre, 1967, acrylic and charcoal on canvas, 114 ✕ 84 in. (289.6 ✕ 213.4 cm)

Open No. 1: In Yellow Ochre 1967

Motherwell, Robert

Untitled 1967

Open No. 24: In Variations of Orange, 1968, acrylic and charcoal on canvas, 81 ✕ 108 1/4 in. (205.7 ✕ 275 cm)

Open No. 24: In Variations of Orange 1968

The Garden Window, 1969, acrylic and charcoal on canvas, 60 ✕ 49 in. (152.4 ✕ 124.5 cm)

The Garden Window 1969 / 1990

Open White and Black, 1969, acrylic and charcoal on canvas, 88 ✕ 122 in. (223.5 ✕ 309.9 cm)

Open White and Black 1969

Open No. 111: Big White and Ochre, 1969, acrylic and charcoal on canvas, 93 ✕ 129 in. (236.2 ✕ 327.7 cm)

Open No. 111: Big White and Ochre 1969

In Plato's Cave No. 1, 1972, acrylic and charcoal on canvas, 72 ✕ 96 in. (182.9 ✕ 243.8 cm)

In Plato's Cave No. 1 1972

C289 32375 Web

Gauloises with Scarlet 1972 / 1982

In Beige with Charcoal No. 1, 1973, acrylic and charcoal on Upson board, 36 ✕ 48 in. (91.4 ✕ 121.9 cm)

In Beige with Charcoal No. 1 1973

MW W0459 34837 Copy

Untitled (Samurai) 1973

The Wild Duck, 1974, Acrylic and charcoal on Upson board, 36 ✕ 24 in. (91.4 ✕ 61 cm)

The Wild Duck 1974

Summer Open with Mediterranean Blue, 1974, acrylic and charcoal on canvas, 48 ✕ 108 in. (121.9 ✕ 274.3 cm)

Summer Open with Mediterranean Blue 1974

MW C0501

Bastos 1974

Elegy to the Spanish Republic No. 100, 1975, oil on canvas, 84 ✕ 240 in. (213.4 ✕ 609.6 cm)

Elegy to the Spanish Republic No. 100 1962 - 1963 / 1973 - 1975

W484 34862 Web Copy

Open Paper Painting No. 1 1975

Elegy to the Spanish Republic No. 126, 1975, acrylic on canvas, 77 3/4 ✕ 200 1/4 in. (197.5 ✕ 508.6 cm)

Elegy to the Spanish Republic No. 126 1972 - 1975

The Spanish Death, 1975, acrylic on canvas, 96 ✕ 74 1/2 in. (243.8 ✕ 189.2 cm)

The Spanish Death 1975

Threatening Presence, 1976, acrylic on canvas, 72 ✕ 180 in. (182.9 ✕ 457.2 cm)

Threatening Presence 1976

Untitled, 1976, ink on paper, 9 ✕ 12 in. (22.9 ✕ 30.5 cm)

Untitled 1976

Untitled (Elegy Sketch), 1977, ink on rag paper, 7 ✕ 10 in. (17.8 ✕ 25.4 cm)

Untitled (Elegy Sketch) 1977

C607 32693 Web

Port de Boston II 1977

Phoenician Red Studio, 1977, acrylic and charcoal on canvas, 86 ✕ 192 in. (218.4 ✕ 487.7 cm)

Phoenician Red Studio 1977

Untitled, 1978, colored pencil on paper, 9 1/2 ✕ 21 in. (24.1 ✕ 53.3 cm)

Untitled 1978

Drunk with Turpentine No. 50, 1979, oil on paper, 23 ✕ 29 in. (58.4 ✕ 73.7 cm)

Drunk with Turpentine No. 50 1979

Mexican Night, 1979, acrylic on canvas, 48 ✕ 48 in. (121.9 ✕ 121.9 cm)

Mexican Night 1979

Face of the Night (For Octavio Paz), 1981, acrylic on canvas, 72 ✕ 180 in. (182.9 ✕ 457.2 cm)

Face of the Night (For Octavio Paz) ca. 1977 - 1979 / 1981

Stephen's Iron Crown, 1981, acrylic on canvas, 88 ✕ 120 in. (223.5 ✕ 304.8 cm)

Stephen's Iron Crown 1981

Dedalus Sketchbook: Mulligan’s Tower, 1982, ink on paper, 7 3/4 ✕ 5 7/8 in. (19.7 ✕ 14.9 cm)

Dedalus Sketchbook: Mulligan’s Tower 1982

The Hollow Men, 1983, acrylic, charcoal, and graphite on canvas, 88 ✕ 176 in. (223.5 ✕ 447 cm)

The Hollow Men 1983

Open Forms (from the Joyce Sketchbook), 1985, ink on paper, 3 ✕ 5 in. (7.6 ✕ 12.7 cm)

Open Forms (from the Joyce Sketchbook) 1985

Church (from the Joyce Sketchbook), 1985, Ink, oil pastel, and graphite on paper, 3 ✕ 5 in. (7.6 ✕ 12.7 cm)

Church (from the Joyce Sketchbook) 1985

Untitled (Hollow Men Sketch), 1986, graphite on mylar, 14 1/2 ✕ 22 in. (36.8 ✕ 55.9 cm)

Untitled (Hollow Men Sketch) 1986

Golden Bough, 1986, acrylic and charcoal on canvas, 90 ✕ 216 in. (228.6 ✕ 548.6 cm)

The Golden Bough 1986

C768 32854 Web

The Red and Black No. 9 1987 - 1988

Elegy to the Spanish Republic No. 171, 1988-1989, acrylic on canvas, 84 ✕ 168 in. (213.4 ✕ 426.7 cm)

Elegy to the Spanish Republic No. 171 1988 - 1989

The Big 4, 1988, Acrylic and chalk on canvas, 84 ✕ 168 in. (213.4 ✕ 426.7 cm)

The Big 4 1985 - 1986 / 1987 / 1988

Elegy to the Spanish Republic No. 172 (with Blood), 1989-1990, acrylic and oil stick on canvas, 84 ✕ 120 in. (213.4 ✕ 304.8 cm)

Elegy to the Spanish Republic No. 172 (with Blood) 1989 - 1990

The Grand Inquisitor, 1989-1990, acrylic and graphite on canvas, 72 ✕ 171 1/8 in. (182.9 ✕ 434.7 cm)

The Grand Inquisitor 1989 - 1990

C840 32926 Web

Night Music Opus No. 16 1989

Mexican Past, 1990-1991, acrylic on canvas, 72 ✕ 144 in. (182.9 ✕ 365.8 cm)

Mexican Past 1990 - 1991

“I could truthfully say that if there’s any meaning in my life, it’s been a life-long quest for the nature of the experience of, and hopefully modest contribution to, the tradition of modernism, which is still almost impossible to define… ” 
Robert Motherwell