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Inventing Abstraction, 1910 – 1925: How a Radical Idea Changed Modern Art
Exhibition Catalogue Award 2013
- Leah Dickerman. With contributions by Matthew Affron, Yve-Alain Bois, Masha Chlenova, Ester Coen, Christoph Cox, Hubert Damisch, Rachael DeLue, Hal Foster, Mark Franko, Matthew Gale, Peter Galison, Maria Gough, Jodi Hauptman, Gordon Hughes, David Joselit, Anton Kaes, David Lang, Susan Laxton, Philippe-Alain Michaud, Jaroslav Suchan, Lanka Tatersall, and Michael Taylor
Inventing Abstraction, 1910 – 1925: How a Radical Idea Changed Modern Art (The Museum of Modern Art) published in association with Thames & Hudson on the occasion of the exhibition held at The Museum of Modern Art, has been awarded the 2013 Dedalus Foundation Exhibition Catalogue Award, which recognizes an outstanding exhibition catalogue that makes a significant contribution to the scholarship of modern art or modernism.
In 1912, in several European cities, a handful of artists–Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay–presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production–including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance–to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum’s Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction’s early history by renowned scholars from a variety of fields.